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Surveys have shown that college students are writing more than their counterparts in earlier generations did, and that they make no more errors per page of writing.


“There is only one way to read, which is to browse in libraries and bookshops, picking up books that attract you, reading only those, dropping them when they bore you, skipping the parts that drag-and never, never reading anything because you feel you ought, or because it is part of a trend or a movement. Remember that the book which bores you when you are twenty or thirty will open doors for you when you are forty or fifty-and vise versa. Don’t read a book out of its right time for you. ”
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“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
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“The world runs,â€� Lowell said, “on the fuel of this endless, fathomless misery. People know it, but they don’t mind what they don’t see. Make them look and they mind, but you’re the one they hate, because you’re the one that made them look.”
― We Are All Completely Beside Ourselves
― We Are All Completely Beside Ourselves

“People were like dogs and this was why they took pity on them--dogs alone all the hours of their days and always waiting. Always waiting for company. Dogs who, for all of their devotion, knew only the love of one or two or three people from the beginning of their lives till the end--dogs who, once those one or two had dwindled and vanished from the rooms they lived in, were never to be known again.
You passed like a dog through those empty houses, you passed through empty rooms . . . there was always the possibility of companionship but rarely the real event. For most of the hours of your life no one knew or observed you at all. You did what you thought you had to; you went on eating, sleeping, raising your voice at intruders out of a sense of duty. But all the while you were hoping, faithfully but with no evidence, that it turned out, in the end, you were a prince among men.”
―
You passed like a dog through those empty houses, you passed through empty rooms . . . there was always the possibility of companionship but rarely the real event. For most of the hours of your life no one knew or observed you at all. You did what you thought you had to; you went on eating, sleeping, raising your voice at intruders out of a sense of duty. But all the while you were hoping, faithfully but with no evidence, that it turned out, in the end, you were a prince among men.”
―

“When the clock stops on a life, all things emanating from it become precious, finite, and cordoned off for preservation. Each aspect of the dead person is removed from the flux of the everyday, which, of course, is where we miss him most. The quarantine around death makes it feel unlucky and wrong--a freakish incursion--and the dead, thus quarantined, come to seem more dead than they already are.... Borrowing from the dead is a way of keeping them engaged in life's daily transactions--in other words, alive.”
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