1,559 books
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2,473 voters
Diana Passy
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(26%)
""Stockton proposes that childhood is an essentially queer experience in a society that acknowledges through its extensive training programs for children that hetero-sexuality isn't born but made.If we were all already normative and heterosexual to begin with[...],then presumably we wouldn't need such strict parental guidance to deliver us all to our common destinies of marriage,child rearing,and hetero-reproduction."" — Jan 13, 2025 07:55AM
""Stockton proposes that childhood is an essentially queer experience in a society that acknowledges through its extensive training programs for children that hetero-sexuality isn't born but made.If we were all already normative and heterosexual to begin with[...],then presumably we wouldn't need such strict parental guidance to deliver us all to our common destinies of marriage,child rearing,and hetero-reproduction."" — Jan 13, 2025 07:55AM


“The 46-year-old recipient of the Jarvik IX Exterior Artificial Heart was actively window shopping in Cambridge, Massachusettsâ€� fashionable HarÂvard Square when a transvestite purse snatcher, a drug addict with a crimiÂnal record all too well known to public officials, bizarrely outfitted in a strapless cocktail dress, spike heels, tattered feather boa, and auburn wig, brutally tore the life sustaining purse from the woman’s unwitting grasp.
The active, alert woman gave chase to the purse snatching ‘womanâ€� for as long as she could, plaintively shouting to passers by the words ‘Stop her! She stole my heart!â€� on the fashionable sidewalk crowded with shopÂpers, reportedly shouting repeatedly, ‘She stole my heart, stop her!â€� In response to her plaintive calls, tragically, misunderstanding shoppers and passers by merely shook their heads at one another, smiling knowingly at what they ignorantly presumed to be yet another alternative lifestyle’s reÂlationship gone sour. A duo of Cambridge, Massachusetts, patrolmen, whose names are being withheld from Moment’s dogged queries, were publicly heard to passively quip, ‘Happens all the time,â€� as the victimized woman staggered frantically past in the wake of the fleet transvestite, shouting for help for her stolen heart.”
― Infinite Jest
The active, alert woman gave chase to the purse snatching ‘womanâ€� for as long as she could, plaintively shouting to passers by the words ‘Stop her! She stole my heart!â€� on the fashionable sidewalk crowded with shopÂpers, reportedly shouting repeatedly, ‘She stole my heart, stop her!â€� In response to her plaintive calls, tragically, misunderstanding shoppers and passers by merely shook their heads at one another, smiling knowingly at what they ignorantly presumed to be yet another alternative lifestyle’s reÂlationship gone sour. A duo of Cambridge, Massachusetts, patrolmen, whose names are being withheld from Moment’s dogged queries, were publicly heard to passively quip, ‘Happens all the time,â€� as the victimized woman staggered frantically past in the wake of the fleet transvestite, shouting for help for her stolen heart.”
― Infinite Jest

“In fact, the only things in the flat Crowley devoted any personal attention to were the houseplants. They were huge, and green, and glorious, with shiny, healthy, lustrous leaves.
This was because, once a week, Crowley went around the flat with a green plastic plant mister spraying the leaves, and talking to the plants....
Although talking is perhaps the wrong word for what Crowley did.
What he did was put the fear of God into them.
More precisely, the fear of Crowley.
In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt, or browning, or just didn't look quite as good as the others, and he would carry it around to all the plants. "Say goodbye to your friend," he'd say to them. "He just couldn't cut it..."
Then he would leave the flat with the offending plant, and return an hour or so later with a large empty flower pot, which he would leave somewhere conspicuously around the flat.
The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified.”
― Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch
This was because, once a week, Crowley went around the flat with a green plastic plant mister spraying the leaves, and talking to the plants....
Although talking is perhaps the wrong word for what Crowley did.
What he did was put the fear of God into them.
More precisely, the fear of Crowley.
In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt, or browning, or just didn't look quite as good as the others, and he would carry it around to all the plants. "Say goodbye to your friend," he'd say to them. "He just couldn't cut it..."
Then he would leave the flat with the offending plant, and return an hour or so later with a large empty flower pot, which he would leave somewhere conspicuously around the flat.
The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified.”
― Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

“Os chapéus também servem para isso, para esconder o cabelo. Não só quando se trata de um penteado feio, porque o melhor é esconder o cabelo sempre, até com penteados que dizem ser bonitos. O cabelo é uma parte morta do corpo. Por exemplo: quando você corta o cabelo, não dói. E, se não dói, é porque está morto. Quando alguém o puxa sim que dói, mas o que dói não é o cabelo, mas o couro cabeludo da cabeça. Pesquisei isso nas pesquisas livres com Mazatzin. O cabelo é como um cadáver que você traz em cima da cabeça enquanto está vivo. Além do mais é um cadáver fulminante, que cresce sem parar, o que é muito sórdido. Talvez quando você se converte em cadáver o cabelo já não seja sórdido, mas antes sim. Isso é o melhor dos hipopótamos anões da Libéria, que eles são calvos.”
― Festa no Covil
― Festa no Covil

“I attempt all day, at work, not to think about what lies ahead, but this costs me so much effort that there is nothing left for my work. I handle telephone calls so badly that after a while the switchboard operator refuses to connect me. So I had better say to myself, Go ahead and polish the silverware beautifully, then lay it out ready on the sideboard and be done with it. Because I polish it in my mind all day long—this is what torments me (and doesn't clean the silver).”
― The Collected Stories of Lydia Davis
― The Collected Stories of Lydia Davis

“Were he now still among the living, Dr. Incandenza would now describe tennis in the paradoxical terms of what’s now called ‘Extra-Linear Dynamics.â€� And Schtitt, whose knowledge of formal math is probably about equivalent to that of a Taiwanese kindergartner, nevertheless seemed to know what Hopman and van der Meer and Bollettieri seemed not to know: that locating beauty and art and magic and improvement and keys to excellence and victory in the prolix flux of match play is not a fractal matter of reducing chaos to a pattern. Seemed intuitively to sense that it was a matter not of reduction at all, but â€� perversely â€� of expansion, the aleatory flutter of uncontrolled, metastatic growth â€� each well-shot ball admitting of n possible responses, n² responses to those responses, and on into what Incandenza would articulate to anyone who shared both his backgrounds as a Cantorian continuum of infinities of possible move and response, Cantorian and beautiful because infoliating, contained, this diagnate infinity of infinities of choice and execution, mathematically uncontrolled but humanly contained, bounded by the talent and imagination of self and opponent, bent in on itself by the containing boundaries of skill and imagination that brought one player finally down, that kept both from winning, that made it, finally, a game, these boundaries of self.”
― Infinite Jest
― Infinite Jest

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