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Notes:
(1) It's been a while since I first read this book but I remembered it very well, all except for the ending scenes, which didn't ring a bell at all.
- When I watched the show I'd assumed those scenes were created for the show.
(2) There's a deleted Shadow and Jesus scene in the Appendix.
- I agree with it being deleted. It's there to be there and doesn't add a thing.

Notes:
(1) Shadow hangs from the World Tree, suffering for three whole chapters so far.
- The obvious symbolism is it's analogous to Jesus. I'm sure Gaiman would say it's actually from traditions preceding Jesus by thousands of years. But he knows the immediate implication, and that's the point: like Easter previously, it's a pagan thing people now assume is 100% Christian.

Notes:
(1) Shadow: "But [Alviss]’s not a dwarf ... He’s what, 5'8"? 5'9"?"
Czernobog: "Which makes him a giant among dwarfs ... Tallest dwarf in America."
- Being the world's tallest dwarf/shortest giant is such a dad joke.
(2) Czernobog: "All the dwarfs talk and talk and talk. And sing. All the time, sing, sing, sing."
- Indeed. "Heigh-ho-heigh-ho, it's off to work we go."

Notes:
(1) Chapter 12 features three "interludes" back-to-back-to-back: short scenes involving Bilquis, Marguerite Olsen and Laura.
- Bilquis and Laura play major roles in the show, whereas here they only show up briefly a couple times each.
- As well, why is this an "interlude" when Bilquis' mini-story before was part of the "Somewhere in America" segments? No consistency!

Notes:
(1) Hinzelmann: "You want a video rental card? Eventually they’ll open a Blockbuster here, and then we’ll soon be out of business."
- Ironic statement, considering how Blockbuster would soon be out of business itself.
(2) I'm at the long Lakeside portion. Feels like a lot of navel-gazing.
- Unlike the show, the book feels no need to be periodically exciting/eventful.

Notes:
(1) I'm at that stretch past the House on the Rock, and its aftermath, where there isn't much plot movement.
- Stuff happens, but mostly you get miscellaneous musings about small-town America, historical grifts, "Coming to America" tales (of varying value and quality), meetings with townsfolk, etc.
- I look back at my original review and think, "Yeah, I was spot on."

Notes:
(1) I watched the TV show first, and there's a gay sex scene that I thought must just be Starz being Starz—gratuitous and provocative for the sake of it. To my surprise, I find out it's in the book.
- So, either it's part of the "preferred text" I never read before, or I simply forgot.
- Doesn't seem like something I'd forget. Sex scenes in general make me squeamish.

Notes:
(1) Not to talk about the show too much, but the errand shopping scene isn't in small-town America, it's at the Canadian Tire near my house.
- Living in Vancouver, it's tough losing yourself in TV.
(2) In the book, Bilquis lures men as a hooker, in the show she uses a dating app.
- The victim's a lot more sympathetic in the show and, in turn, Bilquis seems more evil.

Notes:
(1) First big difference I noticed between the book and the show is the flaming buffalo man is now just a flaming buffalo.
- Possibly it'd look cheesy in live action.
(2) "Shadow worried about the whole e-ticket business ... Anything electronic seemed ... liable to evaporate at any moment. He liked things he could hold and touch."
- I feel the same way about e-books.

Notes:
(1) Back when I did by reread of adapted Neil Gaiman books, I skipped this one because the TV series wasn't over. I wanted the full gamut of video clips to use for status gifs. Well, the series was cancelled and so I must make do with what's available.
(2) I don't really care for full-cast audiobooks. I prefer a single narrator. However, that one's unavailable to me.