欧宝娱乐

“With respect to the requirement of art, the probable impossible is always preferable to the improbable possible.”
― Aristotle, Poetics

“A beginning is that which does not itself follow anything by causal necessity, but after which something naturally is or comes to be. An end, on the contrary, is that which itself naturally follows some other thing, either by necessity, or as a rule, but has nothing following it. A middle is that which follows something as some other thing follows it. A well constructed plot, therefore, must neither begin nor end at haphazard, but conform to these principles.”
― Aristotle, Poetics

“Accordingly, the poet should prefer probable impossibilities to improbable possibilities.”
― Aristotle, Poetics

“the greatest thing by far is to have a command of metaphor. This alone cannot be imparted by another; it is the mark of genius, for to make good metaphors implies an eye for resemblances.”
― Aristotle, Poetics

“A likely impossibility is always preferable to an unconvincing possibility. The story should never be made up of improbable incidents; there should be nothing of the sort in it.”
― Aristotle, Poetics

“The plot, then, is the first principle, and, as it were, the soul of a tragedy; Character holds the second place.”
― Aristotle, Poetics

“For the essence of a riddle is to express true facts under impossible combinations.”
― Aristotle, Poetics

“All human happiness or misery takes the form of action; the end for which we live is a certain kind of action.”
― Aristotle, Poetics

“Character is that which reveals moral purpose, showing what kind of things a man chooses or avoids.”
― Aristotle, Poetics

“poetry utters universal truths, history particular statements”
― Aristotle, Poetics

“The poet should even act his story with the very gestures of his personages. Given the same natural qualifications, he who feels the emotions to be described will be the most convincing; distress and anger, for instance, are portrayed most truthfully by one who is feeling them at the moment. Hence it is that poetry demands a man with a special gift for it, or else one with a touch of madness in him; the former can easily assume the required mood, and the latter may be actually beside himself with emotion.”
― Aristotle, Poetics

“The greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous.鈥� (VII)”
― Aristotle, Poetics

“Every tragedy consists in tying and untying of a knot.”
― Aristotle, Poetics

“Even a woman may be good, and also a slave; though the woman may be said to be an inferior being, and the slave quite worthless.”
― Aristotle, Poetics

“Tragedy, however, is an imitation not only of a complete action, but also of incidents arousing pity and fear.”
― Aristotle, On the Art of Poetry

“And by this very difference tragedy stands apart in relation to comedy, for the latter intends to imitate those who are worse, and the former better, than people are now.”
― Aristotle, Poetics

“the laughable is a species of what is disgraceful.”
― Aristotle, Poetics

“Every word is either current, or strange, or metaphorical, or ornamental, or newly-coined, or lengthened, or contracted, or altered.”
― Aristotle, Poetics

“Comedy, as we said, is an imitation of people of a lower sort, though not in respect to every vice; rather, what is ridiculous is part of what is ugly.”
― Aristotle, Poetics

“the production of spectacular effects depends more on the art of the stage machinist than on that of the poet.”
― Aristotle, Poetics

“Thus, since time immemorial, it has been customary to accept the criticism of art from a man who may or may not have been artist himself. Some believe that artist should create its art and leave it for critic to pass judgement over it. Whereas dramatists like Ben Jonson is of the view that to 鈥榡udge of poets is only the faculty of poets; and not of all poets, but the best鈥�. Only the best of poets have the right to pass judgments on the merit or defects of poetry, for they alone have experienced the creative process form beginning to end, and they alone can rightly understand it.”
― Aristotle, Poetics

“All the elements of an Epic poem are found in Tragedy, but the elements of a Tragedy are not all found in the Epic poem.”
― Aristotle, Poetics

“one difference between him and other animals being that he is the most imitative of living creatures, and through imitation learns his earliest lessons; and no less universal is the pleasure felt in things imitated.”
― Aristotle, Poetics

“A well constructed plot should, therefore, be single in its issue, rather than double as some maintain. The change of fortune should be not from bad to good, but, reversely, from good to bad.”
― Aristotle, Poetics

“The same distinction marks off Tragedy from Comedy; for Comedy aims at representing men as worse, Tragedy as better than in actual life. III”
― Aristotle, Poetics

“A sign of this is what happens (10) in our actions, for we delight in contemplating the most accurately made images of the very things that are painful for us to see, such as the forms of the most contemptible insects and of dead bodies.”
― Aristotle, Poetics

“De lo que hemos dicho se desprende que la tarea del poeta es describir no lo que ha
acontecido, sino lo que podr铆a haber ocurrido, esto es, tanto lo que es posible como
probable o necesario. La distinci贸n entre el historiador y el poeta no consiste en que
uno escriba en prosa y el otro en verso; se podr谩 trasladar al verso la obra de Herodoto, y
ella seguir铆a siendo una clase de historia. La diferencia reside en que uno relata lo que ha
sucedido, y el otro lo que podr铆a haber acontecido. De aqu铆 que la poes铆a sea m谩s
filos贸fica y de mayor dignidad que la historia.”
― Aristotle, Poetics

“Because poets are by nature like us, those who are dominated by some passion seem most convincing; The outraged roar and angry are angry most truthfully.”
― Aristotle, Poetics

“Sophocles said that he drew men as they ought to be; Euripides, as they are.”
― Aristotle, Poetics

“The diction should be elaborated in the pauses of the action, where there is no expression of character or thought. For, conversely, character and thought are merely obscured by a diction that is over brilliant.”
― Aristotle, Poetics