欧宝娱乐

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丕爻賲 丕賱賵乇丿丞

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賮賷 兀賵丕禺乇 丕賱爻賳丞 丕賱賲賷賱丕丿賷丞 1327 鬲毓賷卮 丕賱賲爻賷丨賷丞 兀丨賱賰 賮鬲乇丕鬲賴丕: 丕賱亘丕亘丕 賲賳 兀賮賷賳賷賵賳 賷賳丕夭毓 丕賱丕賲亘乇丕胤賵乇 賱賵丿賵賮賷賰 丕賱亘丕賮丕乇賷 丕賱爻賱胤丞 毓賱賶 廿賷胤丕賱賷丕貙 賵丕賱賰賳賷爻丞賲賳卮賯丞 廿賱賶 卮賯賷賳 賷賳氐乇賮 兀丨丿賴賲丕 賱噩賲毓 丕賱賲丕賱 賵鬲毓丕胤賷 賰賱 丕賱乇匕丕卅賱 賵賷孬賵乇 丕賱丌禺賴乇 囟丿 丕賱賲丕賱 賲毓賲賱丕賸 兀丨賷丕賳丕賸 丕賱丨丿賷丿 賵丕賱賳丕乇 賱鬲胤賴賷乇 丕賱賰賳賷爻丞 賵賱廿乇噩丕毓賴丕 廿賱賶 賳賯丕賵鬲賴丕 丕賱兀氐賱賷丞. 賵賲噩賲賵毓丕鬲 賲賳 丕賱爻匕噩 賵丕賱賲鬲爻賰毓賷賳 鬲噩賵亘 廿賷胤丕賱賷丕 賵賮乇賳爻丕 鬲賳丕丿賷貙 賵賯丿 禺乇噩鬲 毓賳 賰賱 爻賱胤丞 賵丕卮鬲亘賴鬲 賱丿賷賴丕 丕賱兀賲賵乇貙 亘丨乇亘 賲賯丿爻丞 囟丿 乇噩丕賱 丕賱丿賷賳 丕賱賲賳丨乇賮賷賳. 賵丕賱噩賲賷毓 賲賳 丕賱亘丕亘丕 廿賱賶 丕賱兀賲亘乇丕胤賵乇 廿賱賶 賰亘丕乇 丕賱鬲噩丕乇 賮賷 丕賱賲丿賳 丕賱廿賷胤丕賱賷丞 賷爻鬲毓賲賱賵賳賴賲 賱禺丿賲丞 賲氐丕賱丨賴賲.

賮賷 賴匕丕 丕賱噩賵 丕賱匕賷 賷賰丕丿 賷賰賵賳 賷丐匕賳 亘賳賴丕賷丞 丕賱賰賵賳 賷氐賱 睾賵賱賷丕賱賲賵丿丕 亘丕爻賰丕乇賮賷賱貙 毓丕賱賲 賮乇賳卮爻賰丕賳賷 賰丕賳 賮賷 丕賱爻丕亘賯 賲丨賯賯丕賸貙 氐丨亘丞 鬲賱賲賷匕賴 丕賱賲亘鬲丿卅 丕賱亘賳丿賰鬲賷 兀丿爻賵 廿賱賶 丿賷乇 乇賴亘丕賳 賮賷 卮賲丕賱 廿賷胤丕賱賷丕 丨賷孬 賷鬲賴賷兀 賱賯丕亍 亘賷賳 亘毓孬鬲賷賳 賱賱鬲賮丕賵囟 賯氐丿 丕賱賵氐賵賱 廿賱賶 鬲氐丕賱丨 丿丕禺賱 丕賱賰賳賷爻丞.

丨丕賱 賵氐賵賱賴賲丕 廿賱賶 丕賱丿賷乇 賷賯毓 鬲賰賱賷賮 睾賵賱賷丕賱賲賵 亘丕賱鬲丨賯賷賯 賮賷 爻賱爻賱丞 賲賳 丕賱噩乇丕卅賲 丕賱乇賴賷亘丞 爻鬲鬲賵丕氐賱 胤賷賱丞 丕賱兀賷丕賲 丕賱爻亘毓丞 丕賱鬲賷 爻賯囟賷丕賳賴丕 賮賷 丕賱丿賷乇貙 噩丕毓賱丞 賲賳 丕賱丿賷乇 丕賱賲賳毓夭賱 賰兀賳賴 噩夭賷乇丞 兀賲丕賳 賵爻胤 毓丕氐賮 賴賵噩丕亍 賵賲賳 賲賰鬲亘鬲賴 丕賱賲氐賲賲丞 毓賱賶 卮賰賱 賲鬲丕賴丞貙 賲賱鬲賯賶 賱賱賮爻賯 賵丕賱噩賳賵賳 賵丕賱丨賯丿貙 賵賲賰丕賳丕賸 囟乇亘鬲 賮賷賴 乇爻賱 丕賱賲爻賷丨 丕賱丿噩丕賱 賲賵毓丿丕賸 賱廿賯丕賲丞 丨賯賱 丕賱賲賵鬲 賵賯丿賾丕爻 丕賱卮賷丕胤賷賳.

乇賵丕賷丞 卮亘賴 亘賵賱賷爻賷丞 卮亘賴 鬲丕乇賷禺賷丞 卮亘賴 賮賱爻賮賷丞 賲丕 賰丕賳 爻丕亘賯丕賸 兀賵 賲丕 賷丨丿孬 丕賱丌賳 兀賵 賲丕 爻賷兀鬲賷.

572 pages, Paperback

First published September 1, 1980

19115 people are currently reading
362037 people want to read

About the author

Umberto Eco

903books11.6kfollowers
Umberto Eco was an Italian medievalist, philosopher, semiotician, novelist, cultural critic, and political and social commentator. In English, he is best known for his popular 1980 novel The Name of the Rose, a historical mystery combining semiotics in fiction with biblical analysis, medieval studies and literary theory, as well as Foucault's Pendulum, his 1988 novel which touches on similar themes.
Eco wrote prolifically throughout his life, with his output including children's books, translations from French and English, in addition to a twice-monthly newspaper column "La Bustina di Minerva" (Minerva's Matchbook) in the magazine L'Espresso beginning in 1985, with his last column (a critical appraisal of the Romantic paintings of Francesco Hayez) appearing 27 January 2016. At the time of his death, he was an Emeritus professor at the University of Bologna, where he taught for much of his life. In the 21st century, he has continued to gain recognition for his 1995 essay "Ur-Fascism", where Eco lists fourteen general properties he believes comprise fascist ideologies.

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5 stars
170,210 (44%)
4 stars
130,603 (33%)
3 stars
59,141 (15%)
2 stars
17,064 (4%)
1 star
7,800 (2%)
Displaying 1 - 30 of 14,560 reviews
Profile Image for Walter Ullon.
318 reviews157 followers
July 17, 2018
Eco's writing is so infectious, lively, and likeable that I thought it appropriate to pen my review in his style.

1. In which I, as reader, feel used.
Yes, I'm almost certain Eco wrote this thing for the sole purpose of informing us of how knowledgeable he is of the finer points of monastic orders, book trivia, and medieval philosophy.
Knowing most would not put up with this crap for 500 pages, he wisely chose to interrupt his many digressions on poverty, heretics, whether or not Jesus laughed, Aristotle, architecture, etc, with an amateurish mystery plot. It's pedantry disguised as fiction. I've been used.

2. In which the pace sucks.
Just when you thought it was getting interesting, just when the plot is getting meatier and it grabs your attention, here comes a dissertation or a long drawn description of doors, churches, parchments, beasts, characters that are totally irrelevant to the plot, and backstories that do nothing to shed light on the events. You must often wait a chapter or two to get back to the mystery that drove you to read this thing in the first place. Do yourself a favor and quit after he has solved his first "mystery" (page 25?).

3. In which its heavy-handedness is offensive.
Lurk around bookworms long enough and you're bound to find some pompous pseudo intellectual enraptured by the rich, textured, yet subtle literary clues so artfully crafted into this piece: "You mean to tell me that Jorge De Burgos, the blind monk, is actually a nod to Jorge Luis Borges, the blind Argentinian writer? Whaaat?" So clever...
I'm sure the late Borges heard this, face-palmed, and then turned in his grave.
EDIT: I have been duly informed, perhaps by the type referenced above, that Borges was actually alive when this "work" was published. He died shortly thereafter...

4. In which the plot fails to deliver.
Provided you made it as far as the end, all in hopes of finding a conclusion so stellar as to redeem the drudgery that preceded it, what one is most likely to find is disappointment. Most, by the time they get there, will already know who the culprit is, and given the setting and the tools the protagonists are carrying, what will happen in the final scene.
Is it a fantastic twist? A conspiracy centuries in the making? No. Just lunatic ravings akin to the ones that drove Eco to romanticize about love, lust, knowledge, etc...
Profile Image for Vit Babenco.
1,703 reviews5,279 followers
December 29, 2024
Are all the libraries receptacles of knowledge? Are all the books vehicles of wisdom? Are all the librarians propagators of good?
鈥淲hich books?鈥�
Benno hesitated. 鈥淚 don鈥檛 remember. What does it matter which books were spoken of?鈥�
鈥淚t matters a great deal, because here we are trying to understand what has happened among men who live among books, with books, from books, and so their words on books are also important.鈥�
鈥淚t鈥檚 true,鈥� Benno said, smiling for the first time, his face growing almost radiant. 鈥淲e live for books. A sweet mission in this world dominated by disorder and decay.鈥�

The Name of the Rose is a very special mystery tale, luxuriantly allusive and bookishly labyrinthine 鈥� it is the postmodernistic Sherlock Holmes鈥� inquisitional outing.
In these last few years, as never before, to stimulate piety and terror and fervor in the populace, and obedience to human and divine law, preachers have used distressing words, macabre threats.

When faith turns into fanaticism, it becomes evil鈥�
Profile Image for Matthew.
1,221 reviews10.1k followers
June 18, 2017
Go ahead, throw your tomatoes at me!

I know that in general this book is loved. Many count it amongst their favorites. I found it very dull and very boring. I had an extremely hard time staying interested in the story, which is weird for me and mystery/suspense stories. Never have I fought so hard to finish a book (in general, I do not DNF).

So, if you couldn't stand it either, let me know that I am not alone.

For those that loved it and are ready to launch rotten produce at me:

Profile Image for Peter.
3,807 reviews725 followers
June 7, 2019
This was one of the biggest novels in the 80s. I remember the book very well. A crime story set in a monastery with much Latin and Greek and some dubious monks trying to solve some murder cases. The denouement was brilliant. The whole story was absolutely outstanding (the lost book on comedy) and extremely sophisticated. So much wisdom and philosophy in one novel. It's very seldom that you come across a book like that. There is also a famous movie with Jean Connery as William of Baskerville but the book tops the novel by far. Back then in school everybody read that novel. Must read and absolutely recommended!
Profile Image for 賴丿賶 賷丨賷賶.
Author听12 books17.7k followers
March 31, 2022
廿賳 賰賳鬲 爻鬲賯乇兀 廿爻賲 丕賱賵乇丿丞 賮丕鬲乇賰 禺賷丕賱賰 賵乇丕亍賰
賮兀賳鬲 亘賰賱 鬲兀賰賷丿 賱爻鬲 亘丨丕噩丞 廿賱賷賴
賮賴賳丕 爻鬲噩丿 丿賯丕卅賯 丕賱兀卮賷丕亍 鬲鬲噩賱賶
賵賰賱 鬲賮氐賷賱丞 氐睾賷乇丞 鬲鬲賵賴噩 兀賲丕賲賰
賱爻鬲 亘丨丕噩丞 賱鬲禺賷賱 卮賰賱 丕賱睾乇賮丞 兀賵 丨噩賲 丕賱賲鬲丕賴丞

兀賳鬲 亘丨丕噩丞 賱毓賯賱賰 賵丕毓賺 賵賱賰賱 賲丕 鬲丨賲賱 賲賳 丨賳賰丞 賱賰賷 鬲丨丕賵賱 兀賳 鬲賮賴賲 毓賳丿 鬲鬲賲丞 丕賱賯乇丕亍丞
賲丕 賲丿賶 乇賲夭賷丞 丕賱賲鬲丕賴丞 鬲賱賰 賵賲丕 賴賷 丕賱鬲兀賵賷賱丕鬲 丕賱鬲賷 賷賲賰賳賳賷 兀賳 兀爻鬲賯賷賴丕 賲賳 匕賱賰 賰賱賴责

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賴匕賴 乇賵丕賷丞 丕賲鬲夭噩 賮賷賴丕 賰賱 卮賷亍 亘丨賰賲丞 亘賱賷睾丞
賮賱賯丿 丕噩鬲賲毓鬲 丨丕賱丕鬲 毓丿丞 卮丿賷丿丞 丕賱丕禺鬲賱丕賮 賵鬲亘鬲毓丿 毓賳 亘毓囟賴丕 賮賷 丕賱夭賲丕賳 賵丕賱賲囟賲賵賳 賵賰賵賳鬲 亘賮囟賱 氐賷丕睾鬲賴 丕賱賲丕賴乇丞 毓丕賱賲丕賸 賵丕丨丿丕賸 賲鬲爻賯丕賸

廿賳 賲丕 賴賵 兀爻丕爻賷 賮賷 賴匕丕 丕賱賳氐 賷毓賵丿
賵兀爻鬲毓賷賳 賴賳丕 亘賲賯丿賲丞 賰鬲丕亘 丨丕卮賷丞 毓賱賶 廿爻賲 丕賱賵乇丿丞-
"丕賱鬲氐賵乇 丕賱廿亘丿丕毓賷 丕賱匕賷 賷噩毓賱 賲賳 丕賱賳氐 賮乇噩丞 賲毓乇賮賷丞 賱丕 鬲賳鬲賴賷 貙 兀賵 賷丨賵賱 丕賱賲毓乇賮丞 廿賱賶 賵囟毓賷丕鬲 廿賳爻丕賳賷丞 鬲乇賯賶 毓賱賶 丕賱賮乇丿賷 賵鬲鬲噩丕賵夭 丕賱賱丨馗丞 丕賱毓乇囟賷丞 丕賱夭丕卅賱丞"

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廿賳 賰丕賳 廿賷賰賵 賷禺丿毓賰 胤賵丕賱 丕賱乇賵丕賷丞 亘兀賳賴丕 亘賵賱賷爻賷丞 賵賷噩毓賱賰 鬲亘丨孬 賵乇丕亍賴 毓賳 丕賱賱睾夭 賮賴賵 賱賲 賷亘禺賱 毓賱賷賰 亘亘毓囟 丕賱鬲賱賲賷丨丕鬲 貙 鬲丕乇賰丕賸 賵乇丕亍賴 亘毓囟 丕賱兀丿賱丞 賱賰 兀賳鬲 賵丨丿賰 賰賷 鬲氐賱 廿賱賶 賲丕 兀乇丕丿賰 兀賳 鬲氐賱 廿賱賷賴
兀賳 鬲毓乇賮 賲丕 賴賵 賳賵毓 賴匕賴 丕賱乇賵丕賷丞 亘丕賱囟亘胤 賵賱賲丕 賯丿 鬲亘丿賵 爻禺賷賮丕賸 丨賷賳 鬲乇賰囟 賵乇丕亍 丕賱賱睾夭 鬲丕乇賰丕賸 丕賱卮賮乇丕鬲 鬲丿丕毓亘賰 賴賳丕 賵賴賳丕賰 丿賵賳 兀賳 鬲鬲賲賴賱 賱丨賱賴丕
责 !

賮賷 丕賱丨賯賷賯丞 賵賱賴匕丕 丕賱夭禺賲 賵賱匕賰丕亍 丕賱賲丐賱賮 丕賱睾賷乇 毓丕丿賷 賱賲 兀賰賳 兀賯鬲賮賷 丕賱兀孬乇 賰孬賷乇丕賸 賵丕賳卮睾賱鬲 賱亘毓囟 丕賱賵賯鬲 亘丨賵丕乇丕鬲賷 丕賱丿丕禺賱賷丞 噩丕毓賱丞 賲賳賴丕 賳氐丕賸 賲鬲賵丕夭賷丕賸 賲毓 丕賱乇賵丕賷丞 亘丨賷賳 兀賳丕賯卮 賴匕賴 賵鬲賱賰
賰丕賳 賲丕 亘丿丕禺賱賷 賷賮賵乇 賵賷鬲噩賱賶 兀賲丕賲賷 亘賳賯卮 毓噩賷亘 賷噩丕賵乇 賲賳賲賳賲丕鬲 丕賱乇賴亘丕賳
賵賴賳丕賰 賷丿 賲丕 鬲爻賱胤 亘賯毓丕賸 囟賵卅賷丞 毓賱賶 丕賱賳氐賷賳 亘丨賷孬 賱丕 兀丿乇賷 兀賴賷 賲賳 氐賳毓 禺賷丕賱賷 兀賲 賲丕 兀乇丕丿賴 丕賱賲丐賱賮
賵賷鬲丿丕禺賱 丕賱賳氐丕賳 兀賲丕賲賷 賮兀囟胤乇 賱賱鬲賲賴賱 賰賷 兀鬲乇賰 廿賷賰賵 賷鬲賱丕毓亘 亘賷 賯賱賷賱丕賸 丨鬲賶 兀爻鬲賲鬲毓 兀賰孬乇

賵賱賰賳 賱賱丨賯賷賯丞 兀馗賳賳賷 禺賱丕賱 賯乇丕亍鬲賷 賰賳鬲 兀鬲賳丕賯卮 噩賵丕乇賴貙賱丕 賲毓賴


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毓賳丿賲丕 鬲賯乇兀 賰賲丕賸 賱丕 賷購爻鬲賴丕賳 亘賴 賲賳 丕賱賰鬲亘 鬲丿乇賰 兀賳 賲丕 兀賵乇丿賴 廿賷賰賵 賴賳丕 毓賳 賳氐 丕賱賳氐賵氐 賴賵 丨賯賷賯丞 睾乇賷亘丞 賯丿 賱丕 賳毓賷賴丕 兀丨賷丕賳丕賸

兀賱丕 鬲卮毓乇 兀丨賷丕賳丕賸 兀賳 賰賱 賲丕 賯乇兀鬲 賷賲賰賳 亘爻賴賵賱丞 囟賲賴 賮賷 賰鬲丕亘 賵丕丨丿 賰亘賷乇 賯丿 賳胤賱賯 毓賱賷賴 賰鬲丕亘 丕賱毓丕賱賲 賲孬賱丕賸责

兀賱丕 鬲卮毓乇 亘賲丿賶 賵丨丿鬲賳丕 兀丨賷丕賳丕 毓賳丿賲丕 賳毓賵丿 賰賱賳丕 賱賱兀氐賱 賰賲噩賲賵毓丞 賲賳 丕賱亘卮乇 鬲賯胤賳 毓賱賶 賰乇丞 兀乇囟賷丞 囟卅賷賱丞 鬲賰鬲亘 賵鬲賯乇兀 賮賷 賳賮爻 丕賱賵賯鬲 賵鬲氐賳毓 鬲丕乇賷禺賴丕


睾丕賱亘丕賸 賲丕 鬲鬲丨丿孬 丕賱賰鬲亘 毓賳 賰鬲亘 兀禺乇賶 賵 鬲鬲丨丿孬 丕賱賰鬲亘 賳賮爻賴丕 賮賷賲丕 亘賷賳賴丕

賷賯賵賱 廿賷賰賵 毓賱賶 賱爻丕賳 睾賵賱賷丕賱賲賵

亘丿鬲 賱賷 丕賱賲賰鬲亘丞 賲禺賮賷丞 兀賰孬乇 賲賳 匕賷 賯亘賱 賮賴賷 賲賰丕賳 賱鬲賴丕賲爻 胤賵賷賱 賵爻丨賷賯 賱丨賵丕乇 賱丕 賷丿乇賰 亘賷賳 乇賯賾 賵乇賯賾 貙 賵賴賷 卮賷亍賺 丨賷 賵 賲兀賵賶 賱賯賵賶 賱丕 賷賯丿乇 丕賱賮賰乇 丕賱廿賳爻丕賳賷 毓賱賶 丕賱爻賷胤乇丞 毓賱賷賴丕
賴賷 賰賳夭 賲賳 兀爻乇丕乇 兀亘丿毓鬲賴丕 毓賯賵賱 賰孬賷乇丞 賵亘賯賷鬲 丨賷丞 亘毓丿 賲賵鬲 賲賳 兀亘丿毓賴丕 兀賵 賲賳 賰丕賳 乇爻賵賱賴丕


賵賮賰乇丞 丕賳 賷氐賳毓 廿賷賰賵 賮氐賱丕賸 賴賵 賳氐賵氐 賰孬賷乇丞 賲賳 賰鬲亘 賰孬賷乇丞 亘乇胤賴丕 亘亘毓囟賴丕 賱鬲氐賳毓 賵丨丿丞 賵丕丨丿丞 賰丕賳鬲 賲賳 兀賴賲 賲丕 賵噩丿鬲 賮賷 賴匕賴 丕賱乇賵丕賷丞 丕賱毓噩賷亘丞

賵兀毓噩亘賳賷 賮賷 賲賯丿賲丞 丕賱氐賲毓賷 賱賴丕 匕賰乇賴 亘兀賳 " 賳氐 廿賷賰賵 賷卮亘賴 賲賰鬲亘丞 丕賱丿賷乇 兀賵丕賱賲賰鬲亘丞 丕賱賲氐睾乇丞 丕賱鬲賷 鬲賰賵賳鬲 賱廿丿爻賵 亘毓丿 噩賲毓 賲夭賯 丕賱乇賯賵賯 賵亘賯賷丞 丕賱賲噩賱丿丕鬲 丕賱鬲賷 禺賱賮賴丕 丕賱丨乇賷賯"

兀丨亘亘鬲 賴匕丕 丕賱鬲卮亘賷賴 賵兀鬲賮賯 賲毓賴 賰孬賷乇丕賸




丕賱氐賵乇丞 賱賯丕賲賵爻 賱丕鬲賷賳賷 賲賳 丕賱賯乇賳 丕賱乇丕亘毓 毓卮乇

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賰賷賮 氐賳毓 廿賷賰賵 賴匕丕 丕賱賳氐责
兀乇噩丨 兀賳賴 禺賱賯 毓丕賱賲賴 丕賱賲丕丿賷 賵鬲乇賰 卮禺氐賷丕鬲賴 鬲賯賵丿賴 廿賱賶 丕賱兀丨丿丕孬 貙 賵鬲乇賰 丕賱賲噩乇賲 賷賳賯丕丿 廿賱賶 噩乇賷賲鬲賴 丿賵賳 鬲丿禺賱 賲賳賴
賵賴賰匕丕 賯丿 鬲噩丿 賳賮爻賰 兀賳鬲 賴賵 丕賱賲噩乇賲 丕賱丨賯賷賯賷 賴賳丕
賵乇亘賲丕 鬲亘丿兀 亘丕賱卮賰 賮賷 賳賮爻賰
!

賮賷 丕賱丨賯賷賯丞 賲丿賶 亘乇丕毓丞 廿賷賰賵 賮賷 禺賱賯 賳氐賴 鬲丿毓賵 賱賱廿毓噩丕亘
賮毓賳丿賲丕 匕賰乇鬲 兀賳賴 禺賱賯 毓丕賱賲賴 丕賱賲丕丿賷 賮賯丿 毓賳賷鬲 兀賳賴 賮毓賱 匕賱賰 亘丕賱賮毓賱

賱賯丿 氐賳毓 賴匕丕 丕賱丿賷乇 賵兀乇丕丿 賱賴 賴匕丕 丕賱賲賰丕賳 丕賱噩睾乇丕賮賷 賵賮賰賾乇 賲胤賵賱丕 賮賷 賰賷賮賷丞 亘賳丕亍 丕賱賲鬲丕賴丞 賵賰賷賮賷丞 鬲禺夭賷賳 丕賱賰鬲亘 賮賷賴丕

賰丕賳 賷毓丿 丕賱禺胤賵丕鬲 亘賷賳 賰賱 睾乇賮丞 賵 賷毓丿 丿乇噩丕鬲 丕賱爻賱賲
賵賴賰匕丕 丕禺鬲賱胤 丕賱鬲丕乇賷禺 亘丕賱丨賰丕賷丞 亘丕賱噩睾乇丕賮賷丕 亘丕賱賮賱爻賮丞 賵賰賱 匕賱賰 賮賷 廿胤丕乇 賯丿 鬲丿毓賵賴 亘賵賱賷爻賷丕賸





賵兀毓胤賷賰 賲孬丕賱丕賸
賱賳賮乇囟 兀賳 乇丕賴亘賷賳 賮賷 丕賱乇賵丕賷丞 賷鬲丨丕賵乇丕賳 賵賴賲丕 賷鬲賲卮賷丕賳 賮賷 乇賵丕賯 賯丕氐丿賷賳 睾乇賮丞 賲毓賷賳丞
賮廿賳 丕賱賲爻丕賮丞 丕賱鬲賷 賷賯胤毓賴丕 丕賱乇丕賴亘丕賳 鬲賰賵賳 賲賳囟亘胤丞 鬲賲丕賲丕賸 賲毓 毓丿丿 丕賱賰賱賲丕鬲 賮賷 丕賱丨賵丕乇
亘丨賷孬 賲丕 廿賳 賷氐賱丕賳 賵噩賴鬲賴賲丕 丨鬲賶 賷賰賵賳 丕賱丨賵丕乇 賯丿 丕賳鬲賴賷

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賯丿賷賲丕賸 賯丕賱 卮賰爻亘賷乇
賲丕匕丕 賮賷 丕賱丕爻賲责
廿賳 丕賱賵乇丿丞 鬲毓胤賷 賳賮爻 丕賱毓胤乇 亘兀賷 丕爻賲 卮卅鬲 兀賳 鬲毓胤賷賴丕


賵賷禺鬲鬲賲 廿賷賰賵 乇賵丕賷鬲賴 丕賱賲匕賴賱丞 亘亘賷鬲 卮毓乇 賱賮賷賱丕賳
賰丕賳鬲 丕賱賵乇丿丞 廿爻賲丕賸 賵賳丨賳 賱丕 賳賲爻賰 廿賱丕 丕賱兀爻賲丕亍
賵丕賱鬲賷 賷毓賳賷 亘賴丕 兀賳 賰賱 丕賱兀卮賷丕亍 鬲賳丿孬乇 賵賱丕 賷亘賯賶 賲賳賴丕 睾賷乇 丕賱廿爻賲


賲丕 丕賱匕賷 賯氐丿賴 廿賷賰賵 亘匕賱賰 賵賲丕 賲丿賶 毓賱丕賯丞 匕賱賰 賰賱賴 亘毓賳賵丕賳 丕賱乇賵丕賷丞 责
賮賷 丕賱丨賯賷賯丞 廿賳 丕賱賯乇丕亍丞 毓賳 鬲賮賰賷乇賴 賮賷 丕賱毓賳賵丕賳 匕丕鬲賴丕 賲賲鬲毓丞
乇亘賲丕 賯丿 鬲賰鬲卮賮 賮賷 丕賱賳賴丕賷丞 兀賳賴 " 賱丕 賵噩賵丿 賱兀賷 賵乇丿丞 " 賵兀賳賴 賷賲賰賳 賱賱睾丞 兀賳 鬲賰賵賳 賯賵賷丞 賰賮丕賷丞 賰賷 鬲鬲丨丿孬 毓賳 丕賱兀卮賷丕亍 丕賱賲賵噩賵丿丞 賵丕賱睾賷乇 賲賵噩賵丿丞 亘賳賮爻 丕賱賯賵丞 賵鬲賲鬲賱賰 賳賮爻 丕賱鬲兀孬賷乇 賱賱廿賯賳丕毓
賵賮賷 賳賮爻 丕賱賵賯鬲 乇亘賲丕 鬲賰鬲卮賮 兀賳 丕賱乇賵丕賷丞 賱丕 毓賱丕賯丞 賱賴丕 亘丕賱賰賱賲丕鬲
!

賵丕賱賰孬賷乇賵賳 賯丿 乇兀賵丕 兀賳 丕賱鬲兀賵賷賱 丕賱兀賳爻亘 賱賱賵乇丿丞 賴賵 賮賰乇丞 丕賱丿賵丕卅乇 賵毓賱丕賯鬲賴丕 亘卮賮乇丕鬲 廿賷賰賵 丕賱賱丕賲鬲賳丕賴賷丞
賮丕賱卮賮乇丕鬲 鬲鬲丨賵賱 賱丿賵丕卅乇 鬲丿賵乇 丨賵賱 亘毓囟賴丕 賵匕賱賰 賷孬賷乇 賮賷 丕賱賯丕乇賷亍 丕賱毓丿賷丿 賲賳 丕賱廿賷丨丕亍丕鬲 丕賱鬲賷 兀乇丕丿賴丕 丕賱賲丐賱賮 賵丕賱鬲賷 乇亘賲丕 賱賲 鬲禺胤乇 賱賴 毓賱賶 亘丕賱

賮丕賱賵乇丿丞 賰亘賳賷丞 噩賲丕賱賷丞 鬲亘乇賴賳 毓賱賶 賲丕 賷丨丕賵賱 廿賷賰賵 兀賳 賷氐賳毓 亘賴匕丕 丕賱賳氐 兀賷 丕賱鬲丕賵賷賱 賵丕賱鬲丕賵賷賱 丕賱賲囟丕毓賮
賮廿賷賰賵 兀爻丕爻丕賸 丿丕乇爻 賵賲賴鬲賲 亘丕賱爻賷賲賷賵賱賵噩賷丕兀賷 毓賱賲 丕賱毓賱丕賲丕鬲 賵丕賱廿卮丕乇丕鬲 賵丕賱乇賲賵夭

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賴匕丕 丕賱賳氐 賰賳鬲 兀丨丕賵賱 賯乇丕亍鬲賴 賲賳匕 孬賱丕孬 爻賳賵丕鬲 賵賰賱 賲乇丞 賰賳鬲 兀賯乇兀 亘囟毓丞 爻胤賵乇 孬賲 兀睾賱賯賴 賯丕卅賱丞 丕賱毓丕賲 丕賱賲賯亘賱
毓賳丿賲丕 兀賰賵賳 兀賰孬乇 賳囟噩丕賸 貙 賵噩丕賴夭丞 賱賴
賱匕丕 廿賳 卮毓乇鬲 亘賴匕丕 丕賮毓賱 賲孬賱賷
丕賳鬲馗乇 丨鬲賶 鬲賰锟斤拷賳 賲賴賷卅丕賸 賱賴 孬賲 丕賯乇兀賴
賱兀賳 丕賱賮賰乇丞 賱賷爻鬲 賮賷 兀賳 兀賵賱 賲丕卅丞 氐賮丨丞 賴賶 丕賱鬲賷 賷賳亘睾賷 鬲噩丕賵夭賴丕 賰賷 鬲爻鬲賲鬲毓 亘亘丕賯賷 丕賱賰鬲丕亘
亘賱 毓賱賷賰 兀賳 鬲卮毓乇 兀賳賰 鬲賯乇兀賴丕 賲爻鬲賲鬲毓丕賸 亘賴匕丕 丕賱廿賷賯丕毓 賱兀賳 毓賱賶 匕賱賰 賷鬲乇鬲亘 賲丿賶 丕爻鬲賲鬲丕毓賰 賵鬲賮丕毓賱賰 賲毓 丕賱乇賵丕賷丞
賵賱賯丿 丕爻鬲睾乇亘鬲 兀賳 賲丕 賮賰乇鬲 賮賷賴 賰丕賳 賷賯氐丿賴 丕賱賲丐賱賮 賵匕賰乇賴 賮賷 丿乇丕爻鬲賴 丕賱卮禺氐賷丞 丨賵賱 賰鬲丕亘鬲賴 賱賱乇賵丕賷丞
!
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賱丕 賷賲賰賳賳賷 丕賱丕禺鬲鬲丕賲 廿賱丕 亘丕賱丨丿賷孬 毓賳 亘賵乇禺爻 丕賱匕賷 丕賲鬲丿 鬲兀孬賷乇賴 賱賷卮賲賱 丕賱賮賰乇 丕賱毓丕賱賲賷 賰賱賴 賵丕賱匕賷 賱丕 賷賳賮賰 賷賲鬲毓賳賷 亘毓亘賯乇賷鬲賴

賱賲丕 賯丕賲 廿賷賰賵 亘賴匕賴 丕賱廿丨丕賱丞 廿賱賶 亘賵乇禺爻责

賮賷 丕賱丨賯賷賯丞 丨賷賳 賯乇兀鬲 賵噩丿鬲賴 賷賯賵賱 兀賳賴 賱丕 賷丿乇賷 賵廿賳 賰丕賳 鬲兀孬乇賴 丕賱亘賵乇禺賷爻賷 賵丕囟丨 鬲賲丕賲丕賸 賮賷 亘賳賷丞 丕賱乇賵丕賷丞


毓賳丿賲丕 鬲賵囟毓 賮賷 賷丿賰 乇賵丕賷丞 賷禺鬲乇毓 氐丕丨亘賴丕 賵噩賵丿 賲禺胤賵胤 睾賷乇 丨賯賷賯賷 賵鬲賯丕亘賱 賮賷賴丕 丨丕乇爻丕賸 賱賱賲賰鬲亘丞 賱丕 賷亘氐乇 賵丕賱賲賰鬲亘丞 毓亘丕乇丞 毓賳 賲鬲丕賴丞 賵 鬲賲鬲賱賷亍 亘丕賱賲禺胤賵胤丕鬲 賵丕爻賲 丕賱丨丕乇爻
Jorge of Burgos



賲丕 丕賱匕賷 賷賲賰賳賰 丕賱鬲賮賰賷乇 賮賷賴 廿匕丕賸 禺丕氐丞 賵兀賳鬲 鬲鬲賮乇噩 毓賱賶 胤亘賷毓丞 禺賵乇禺賷 丕賱兀毓賲賶 丕賱賰丕乇賴 賱賱囟丨賰 责

賱賲丕 兀乇丕丿 廿賷賰賵 賲賳丨賴 賴匕賴 丕賱氐賮丕鬲 賵賴匕賴 丕賱賳賴丕賷丞责

兀賷丞 氐賮丕鬲 賵兀賷 賳賴丕賷丞责

賲賲賲賲賲
丕賯乇兀 賱鬲毓乇賮
;)


赖丕賲卮

#1
賯乇丕亍丞 賲賴賲丞 賱賱睾丕賷丞 賵兀賳氐丨 亘賴丕

#2

亘毓囟 丕賱賱賵丨丕鬲 丕賱賲禺鬲賱賮丞 丕賱鬲賷 鬲氐賵乇 丕賱乇賴亘丕賳 賮賷 丕賱毓氐賵乇 丕賱賵爻胤賶






Profile Image for s.penkevich.
1,533 reviews13.2k followers
November 26, 2011
This is one of those rare near-perfect books that crosses through many genres and could be universally acclaimed. There are dozens of great reviews on here already, but this book struck me as so profound that I felt I needed to briefly put down my own thoughts. I could not bring myself to put this down and it was always a battle to not skip work and continue reading in the parking lot after lunch break. Eco crafts a novel that could be labeled as historical fiction, mystery, theology and philosophy, metafiction, a plot-boiler, literature, and many others - hell, there's even a bit of love and sex thrown in and of multiple sexual orientations! He essentially takes Sherlock Holmes and Watson and recasts them as monks in a 1300's Abbey where murder and theological debates appear around every corner. The two main plots, the murder mystery and the religious debates, weave together effortlessly, each feeding off each other as the tensions rise and the plot thickens.

This is no simple plot-driven thriller however. Eco brings a tome of medieval and christian history to the table, working it as a period piece and educates the reader as well as entertains. This has drawn a lot of comparisons to works such as Dan Brown's Da Vince Code, yet Eco surpasses Brown in almost every category. This book truly deserve to be considered "literature", as there is much more to it than a history and research tossed into a plot. Eco can spit prose with the best of them and he will keep your dictionary close at hand. His character's speech is all believable and what fascinated me the most was how expertly he wrote the theological arguments between the Abbey occupants. Through these characters, many which were real people, he presents believable, and often fiery, multifaceted discussions on a range of topics such as heretics, vows of poverty, and gospel interpretations. Eco has a vast knowledge of medieval studies and it shows. He is also a professor of semiotics, which play a critical role in this novel. William's method of deduction hinges on his ability to "read the signs" in the world around him. He carefully crafts syllogisms, which brought me back to my logic and reasoning courses at MSU, to produce his theories. Eco puts his best foot forward and gives the reader a good introduction to his own fields of study with Rose. However, he also throws in the loophole that the world may not be comprised of any inherent meaning and that it is senseless to try to apply meaning to randomness. This could present quiet a dilemma for a monk who's life draws meaning from the gospels.

Perhaps the most exciting aspect of this novel was that it was a book about books. The whole novel spins around several texts, such as Aristotle and Revelations, but is made up of other books. He even draws the readers attention to this as William explains to Adso how the contents of one book can be discerned by reading other books. He strings together hefty allusions to other medieval texts and also to one of Eco's, and one of my own, personal favorite authors: Jorge Luis Borges. This novel is saturated with allusions to Borges works, there is even a blind librarian (much like the real Borges) named Jorge of Burgos. I would highly recommend picking up a copy of his collected fictions, simply because it is a phenomenal read, and to read selected stories such as The Library of Babel simultaneously with The Name of the Rose as Eco drew much of his inspiration for this book from Borges story. The scenes in the labyrinthine library of the abbey are gold, I wanted to get lost with William and Adso as they flipped through great works together while trying to make sense of their obfuscating surroundings. Eco's use of metafiction greatly adds to this novel, as an acute reading will show Eco is often talking more about the book itself than the actual plot with his two leads. He also leaves in plenty of untranslated Latin while having William conclude that true scholars must first master languages, and to key in on the idea that this book was a text found and translated by the character of Eco. He leaves some detective work for the reader, and I thank him for that.

You really need to read this book. There are scant few people who would not find something of interest within it's pages. It is a deep, dense ocean of a novel and not a little plot-driven pool to be waded through just for enjoyment, but with just a little effort it will provide a fountain of enjoyment. That was a weird, out of place and senseless string of water metaphors, but you get the idea. Easily a 5/5
Profile Image for 賮丕賷夭 睾丕夭賷 Fayez Ghazi.
Author听2 books4,912 followers
September 23, 2023
- 乇賵丕賷丞 賰丕賲賱丞 賲鬲賰丕賲賱丞 鬲兀禺匕 賲賳 賲毓馗賲 丕賱丨亘賰丕鬲貙 丕賱賲鬲毓丕乇賮 毓賱賷賴丕貙 賱鬲卮賰賱 噩爻丿丕賸 乇賵丕卅賷丕賸 鬲丕賲丕賸. 鬲丨丿孬 丕賱賯氐丞 禺賱丕賱 丕賱賮鬲乇丞 丕賱鬲賷 丕賳鬲賯賱鬲 賮賷賴丕 丕賱亘丕亘賵賷丞 賲賳 賲賵賯毓賴丕 丕賱鬲賯賱賷丿賷 賮賷 廿賷胤丕賱賷丕 廿賱賶 兀賮賷賳賷賵賳貙 丨賷賳賲丕 賯丕賲 賲賱賰 賮乇賳爻丕 亘鬲毓賷賷賳 賷賵丨賳丕 丕賱孬丕賳賷 賵丕賱毓卮乇賵賳 "亘丕亘丕" 毓賱賶 乇兀爻 丕賱賰賳賷爻丞 丕賱乇賵賲丕賳賷丞 丕賱賲賯丿爻丞.

- "丕爻賲 丕賱賵乇丿丞"貙 丕爻賲 睾乇賷亘貙 賳丕賯氐 丕賱賲毓賳賶 賱賰賳賴 爻賷賰賵賳 賵丕囟丨丕賸 丕匕丕 賲丕毓乇賮賳丕 丕賳 賮賷 匕賱賰 丕賱毓氐乇賰丕賳 賱賱賵乇丿丞 賲毓賳賶 賲丨丿丿: 賮丨賷賳 賷賳毓賯丿 賲噩賱爻 鬲丨鬲 爻鬲丕乇 丕賱爻乇賷丞貙 賰丕賳鬲 丕賱賵乇丿丞 鬲毓賱賾賯 賮賵賯 丕賱胤丕賵賱丞 賵賰賱 賲丕 鬲賲鬲 賲賳丕賯卮鬲賴 "鬲丨鬲 丕賱賵乇丿丞" 賰丕賳 爻乇賸丕 賵賷亘賯賶. ()貙 賰賲丕 丕賳 賱賱賵乇丿丞 賲毓丕賳賷 毓丿賷丿丞 亘丿亍丕賸 賲賳 丕賱爻賵賲乇賷丞 (賲毓亘丿 廿賳丕賳丕) 丕賱賶 丕賱賮乇毓賵賳賷丞 (乇賲夭 丕賱廿賱賴 丨賵乇爻) 丕賱賶 丕賱賷賵賳丕賳賷丞 (兀賱賷丕匕丞 賴賵賲賷乇賵爻) 賵丕賱乇賵賲丕賳賷丞....

- 丕賱賲賯丿賲丞: 乇睾賲 丕賳賴丕 鬲毓乇賷賮賷丞 賱賰賳賴丕 毓賱賶 毓賱賶 毓丕丿丞 丕賱賲賯丿賲丕鬲 丕賱毓乇亘賷丞 鬲丨丕賵賱 鬲兀胤賷乇 丕賱賯丕乇卅 賵賯賵賱亘鬲賴 賮賷 乇丿丕亍 賲毓賷賳! 丕賱鬲乇噩賲丞 賲賲鬲丕夭丞 賵爻賱爻丞 丕賷囟丕賸

- 丕賱賳氐: 賴匕丕 賵丕丨丿 賲賳 鬲賱賰 丕賱賳氐賵氐 丕賱賲孬丕賱賷丞 丕賱鬲賷 鬲鬲兀乇噩丨 賲賳 丕賱禺賷丕賱 丕賱鬲丕乇賷禺賷 賵睾賲賵囟賴 貙 丕賱賶 丕賱賱丕賴賵鬲 賵丕賱賮賱爻賮丞 賲乇賵乇丕賸 亘丕賱兀丿亘 賳孬乇賴 賵卮毓乇賴貙 丕賱賶 丕賱乇賵丕賷丞 丕賱亘賵賱賷爻賷丞 亘丨亘賰鬲賴丕 賵丨賱賴丕貙 丕賱賶 丕賱鬲賯丕胤毓 亘賷賳 丕賱賲氐丕丿賮丞 賵丕賱賲丐丕賲乇丞貙 丕賱賶 丕賱鬲毓乇賷噩 賳丕丨賷丞 丕賱丨亘 賵丕賱噩賳爻 (丨鬲賶 丕賱賶 丕賱毓賱丕賯丕鬲 丕賱賲卮亘賵賴丞 丕賱卮丕匕丞)貙 賮丕賱賲鬲賳丕賯囟丕鬲 (丕賱賮賯乇 賵丕賱睾賳賶貙 丕賱賱賴 賵丕賱卮賷胤丕賳貙 丕賱丿賷賳 賵丕賱丿賳賷丕貙 丕賱乇毓賷丞 賵丕賱卮毓亘貙 丕賱廿賰賱賷乇賵爻 賵丕賱卮毓亘貙 丕賱賰賳賷爻丞 賵丕賱賲賴乇胤賯賷賳...) 賵氐賵賱丕賸 丕賱賶 丕賱賰鬲亘: 兀乇爻胤賵貙 丕亘賳 乇卮丿貙 丕亘賳 爻賷賳丕貙 賰鬲亘 丕賱爻丨乇貙 丕賱卮毓賵匕丞貙 丕賱兀毓卮丕亘 丕賱胤亘.. 賲乇賵乇丕賸 亘卮毓賵亘 毓丿賷丿丞 賲賳 丕賯氐賶 丕賱卮賲丕賱 丕賱賶 丕賯氐賶 噩賳賵亘 丕賮乇賷賯賷丕...

- 丕賱卮禺氐賷丕鬲: 賷兀禺匕 兀賲亘乇鬲賵 廿賷賰賵 卮丕乇賱賰 賴賵賱賲夭 賵丕賱丿賰鬲賵乇 賵丕鬲爻賵賳 賵賷毓賷丿 氐賷丕睾鬲賴賲丕 賰乇丕賴亘賷賳 賷氐賱丕賳 "丿賷乇 賲丕賱賰" 爻賳丞 1300貙 丨賷孬 賰丕賳鬲 鬲賱賰 丕賱賮鬲乇丞 鬲鬲爻賲 亘丕賱噩丿賱 賵丕賱賳賯丕卮 丕賱賱丕賴賵鬲賷 丕賱丨丕丿 丨賵賱 丕丨賯賷丞 丕賱賰賳賷爻丞 賮賷 丕賱鬲賲賱賰 丕賵 丕爻鬲毓賲丕賱 丕賱賲賱賰貙 賵丨賵賱 賮賯乇 丕賱爻賷丿 丕賱賲爻賷丨 賵丨賵丕乇賷賴. 丕鬲爻賲鬲 卮禺氐賷丞 "睾賵賱賷丕賱賲賵" (鬲賱賲賷匕 乇賵噩乇 亘賷賰賵賳) 亘丕賱爻賷賲賷丕卅賷丞 賵丕賱兀乇爻胤賷丞貙 賮賴賵 賰丕賳 賯丕丿乇丕賸 毓賱賶 賯乇丕亍丞 丕賱毓賱丕賲丕鬲 賵鬲乇鬲賷亘賴丕 賲爻鬲毓賲賱丕賸 丕賱賲賳胤賯 丕賱丌乇爻胤賷 賮賷 丕賱廿爻鬲賳鬲丕噩丕鬲. 丕賲丕 丕賱卮禺氐賷丕鬲 丕賱毓丿賷丿丞 丕賱丕禺乇賶貙 賵丕賱賰孬賷乇 賲賳賴丕 卮禺氐賷丕鬲 鬲丕乇賷禺賷丞貙 賮賯丕賲 亘賵囟毓賴丕 賲鬲賵丕噩賴丞 賲賳 禺賱丕賱 丨賵丕乇丕鬲 賳丕乇賷丞 丨賵賱 鬲賮丕爻賷乇 丕賱丕賳丕噩賷賱貙 賵丕賱賴乇胤賯丞貙 賵丕賱夭賳丿賯丞貙 賵丕賱爻丨乇貙 賵賲丨丕賰賲 丕賱鬲賮鬲賷卮... 賷賳爻噩 廿賷賰賵 毓賱賶 禺胤賷賳 賲鬲賵丕夭賷賷賳 丕丨丿賴賲丕 賴賵 丕賱噩丿賱 丕賱丿賷賳賷 賵丕賱丌禺乇 賲丨丕賵賱丞 賮賰 賱睾夭 丕賱賯丕鬲賱貙 賵賷亘丿毓 丨賷賳 賷賯丕胤毓 亘賷賳 丕賱禺胤賷賳 賱丕丨賯丕賸 賵賷噩毓賱 丕丨丿賴賲丕 賲賳 賳爻賷噩 丕賱丌禺乇! 賵賷卮亘賰 賲丕 亘賷賳 賳鬲丕卅噩賴賲丕!

- 丕賱賳爻賯 丕賱乇賵丕卅賷: 鬲亘丿兀 丕賱賯氐丞 賱丿賶 賵氐賵賱 睾賵賱賷丕賱賲賵 貙 賵丕賱賵賮丕丞 丕賱賲賮丕噩卅丞 賱兀丨丿 丕賱乇賴亘丕賳 (丕賱賯鬲賱 兀賲 丕賱丕賳鬲丨丕乇) 賷鬲亘毓賴丕 賵賮丕丞 乇丕賴亘 丌禺乇 賲賲丕 賷卮賷乇亘賵囟賵丨 廿賱賶 兀賳 卮禺氐 賮賷 賴匕丕 丕賱丿賷乇 丕賱賲賳毓夭賱 賴賵 丕賱賯丕鬲賱. 賷亘丿兀 丕賱鬲丨賯賷賯 賮賷 賲賯鬲賱 丕賱乇賴亘丕賳貙 賵賷亘丿兀 丕賱睾賲賵囟 亘丕賱廿賳鬲卮丕乇 丕賰孬乇 賰賱賲丕 鬲毓賲賯 賮賷 丕賱鬲丨賯賷賯 賵鬲兀禺匕 丕賱賵賮賷丕鬲 賳爻賯丕賸 賷胤丕亘賯 乇丐賷丕 賷賵丨賳丕! 賷夭丿丕丿 丕賱睾賲賵囟 賲毓 丕丿禺丕賱 毓賳氐乇 "丕賱賲賰鬲亘丞" 丕賱睾丕賲囟丞 丕賱鬲賷 鬲丨鬲賵賷 毓賱賶 賵丕丨丿丞 賲賳 兀賮囟賱 丕賱賲賰鬲亘丕鬲 丕賱賲毓乇賵賮丞貙 賵賲賳 丕賱賲孬賷乇 賱賱丕賴鬲賲丕賲 兀賳 賱丕 兀丨丿 睾賷乇 兀賲賷賳 丕賱賲賰鬲亘丞 貙 兀賵 賲爻丕毓丿賴貙 兀賵 卮禺氐 賲丕 亘廿匕賳 賲賳 乇卅賷爻 丕賱丿賷乇 賳賮爻賴 賷賲賰賳賴 兀賳 賷丿禺賱 丕賱賲賰鬲亘丞 貙 丕賱鬲賷 鬲丨賲賷賴丕 賲鬲丕賴丞 賲毓賯丿丞. 賷鬲賲賰賳 睾賵賱賷丕賱賲賵 賲賳 賯乇丕亍丞 丕賱賰鬲丕亘丞 丕賱氐睾賷乇丞 賱賱乇丕賴亘 丕賱賲賯鬲賵賱貙 賵鬲賰賵賳 賮丕鬲丨丞 丕賱廿爻鬲賳亘丕胤丕鬲 丕賱毓賯賱賷丞 丕賱賱丕丨賯丞 賱丨賱 賱睾夭 丕賱賲鬲丕賴丞. 鬲亘丿兀 丕賱噩孬孬 亘丕賱鬲乇丕賰賲 賮賷賱丨賾 乇卅賷爻 丕賱丿賷乇 毓賱賶 睾賵賱賷丕賱賲賵 賱賰卮賮 丕賱爻乇 賯亘賱 賵氐賵賱 丕賱賲亘毓賵孬賷賳. 丕丨丿 丕賱賲亘毓賵孬賷賳 賴賵 "亘乇賳丕乇丿 睾賷"貙 賵賴賵 爻賮丕丨 兀丨乇賯 丕賱毓丿賷丿 賲賳 "丕賱夭賳丕丿賯丞" 賮賷 鬲丕乇賷禺賴 丕賱胤賵賷賱 賰賲丿丕賮毓 毓賳 丕賱廿賷賲丕賳 (賷鬲賵賱賶 亘賷乇賳丕乇丿 賲爻兀賱丞 丕賱賵賮賷丕鬲 賮賷 丕賱丿賷乇 賵賷賯賵賲 亘廿噩鬲孬丕孬 丕賱毓賳丕氐乇 丕賱卮賷胤丕賳賷丞 亘賵丕爻胤丞 丕賱鬲毓匕賷亘貙 賵賷爻鬲禺丿賲 丕賱賲丨丕賰賲丞 賱鬲賯賵賷丞 賲賵賯賮 丕賱亘丕亘丕 亘兀賳 賮賱爻賮丞 丕賱賮乇賳卮賷爻賰丕賳 丕賱禺丕氐丞 亘賮賯乇 丕賱賲爻賷丨 爻賷鬲賲 丕賱賯囟丕亍 毓賱賷賴丕). 賷爻鬲賰卮賮 睾賵賱賷丕賱賲賵 賵兀丿爻賵 丕賱賲鬲丕賴丞 賱廿賰鬲卮丕賮 丕賱賯丕鬲賱 賵丕賱丿丕賮毓 賵乇丕亍 賴匕丕 丕賱賯鬲賱 丕賱賲鬲賰乇乇!

- 丕賱賯乇丕亍丕鬲: 賴賱 賴賷 乇賵丕賷丞 亘馗丕賴乇賴丕 賮賯胤责 兀賷賲賰賳 丕賱賯賵賱 丕賳賴丕 賯氐丞 "兀卮禺丕氐" 賵 "丿賷乇" 賵賱睾夭" 賵賰賮賶责! 賴賱 賴賷 爻乇丿 鬲丕乇賷禺賷 賱兀丨丿丕孬 賵賯毓鬲 賮賷 丕賱賲丕囟賷责! 兀賲 丕賳 丕賱賲毓賳賶 賷鬲毓丿賶 馗丕賴乇賴丕 賵賷氐丨 鬲兀賵賾賱賷賴丕! 賴賱 廿禺賮丕亍 賰鬲丕亘 賱兀乇爻胤賵 丿賱丕賱丞 毓賱賶 丕賱廿賳鬲丕噩 丕賱廿賳爻丕賳賷 賮賷 禺丿賲丞 丕賱廿賳爻丕賳賷丞 賱賷賰賵賳 亘丿賷賱丕賸 毓賳 丕賱廿賳鬲丕噩 丕賱乇亘丕賳賷 賱賯賷丕丿丞 丕賱廿賳爻丕賳賷丞 (丕賱賰鬲丕亘丕鬲 丕賱賲賯丿爻丞)责! 賴賱 丕賱廿爻鬲丿賱丕賱 丕賱毓賯賱賷 亘賳丕亍 毓賱賶 丕賱丿賱丕賱丕鬲 賵丕賱毓賱丕賲丕鬲 賵乇亘胤賴丕 亘亘毓囟賴丕 丕賱亘毓囟 賱鬲賰賵賷賳 氐賵乇丞 毓賯賱賷丞 丕賵賱丕賸 賷鬲賲 丕毓丕丿丞 爻賰亘賴丕 毓賱賶 丕賱賵丕賯毓 賱賱禺乇賵噩 亘賳鬲賷噩丞 賴賵 丕丿賯 賵丕賮囟賱 賲賲丕 噩丕亍 賲賳 睾賷亘 睾賷乇 賲丨爻賵爻 賷卮丕亘賴 丕賱爻丨乇 乇睾賲 賲丨丕乇亘鬲賴 賱賴责! 賱賳匕賴亘 丕亘毓丿貙 賴賱 丕賱賲賰鬲亘丞 賴賷 匕丕鬲賴丕 "卮噩乇丞 丕賱賲毓乇賮丞" 賵賴賱 丕賱賯鬲賱丞 賵爻賵爻 丕賱卮賷胤丕賳 賱賴賲 賱賷丨丕賵賱賵丕 丕賱賯胤賮 賲賳賴丕责! 賵賴賱 丕賱賳鬲賷噩丞 丕賱丨鬲賲賷丞 賱賱兀乇囟貙 賰賲丕 賱賱丿賷乇貙 賴賷 丕賱廿丨鬲乇丕賯!责 賴賱 丕賱賲毓乇賮丞 賲丨丿賵丿丞责 賴賱 賴賳丕賰 丨賯賷賯丞 賲胤賱賯丞 丕賲 丕賳賴丕 鬲禺囟毓 賱賴賵賶 丕賱賲賮爻乇賷賳责!...

- 丕賱賲毓賳賶貙 亘丕賱賳爻亘丞 賱賷: 賵乇丿鬲 噩賲賱丞 賮賷 丌禺乇 丕賱賰鬲丕亘 鬲賯賵賱" 賰賱 賰鬲丕亘 賱匕賱賰 丕賱乇噩賱 (兀賷 兀乇爻胤賵) 丨胤賾賲 噩夭亍丕賸 賲賳 丕賱賲毓乇賮丞 丕賱鬲賷 噩賲毓鬲賴丕 丕賱賲爻賷丨賷丞 胤賷賱丞 賯乇賵賳" 賵兀毓鬲賯丿 丕賳 賴匕丕 賴賵 丕賱廿爻鬲賴丿丕賮 賲賳 賴匕賴 丕賱乇賵丕賷丞: 廿毓賲丕賱 丕賱毓賯賱 亘丿賱 丕賱廿賷賲丕賳 丕賱兀毓賲賶!...

- 禺丕鬲賲丞: 丕馗賳 丕賳 賴匕賴 丕賱乇賵丕賷丞 鬲鬲爻賲 亘丕賱毓丿賷丿 賲賳 丕賱胤亘賯丕鬲 賵賱匕賱賰 鬲丨鬲丕噩 賱毓丿丞 賯乇丕亍丕鬲貙 賰賲丕 丕賳賴丕 鬲丨孬 丕賱賯丕乇卅 毓賱賶 丕賱亘丨孬 毓賳 賲毓丕賳賺 賵丕爻賲丕亍 毓丿賷丿丞 賵乇丿鬲 亘賷賳 爻胤賵乇賴丕貙 賵丕丨丿丕孬 賰丕賳鬲 賲禺丕囟丕賸 毓爻賷乇丕賸 賮賷 丕賱鬲丕乇賷禺 丕賱廿賳爻丕賳賷 (賵賴賵 賲禺丕囟 賷毓丕丿 丕爻鬲賳爻丕禺賴 賮賷 亘賯丕毓 丕禺乇賶 賲賳 丕賱毓丕賱賲 丕賱賷賵賲!)貙 賰賲丕 丕賳賴丕 鬲賮鬲丨 毓賷賵賳 賲賳 賷賳丕丿賵賳 亘毓氐賲丞 丕賱兀卮禺丕氐 賵胤賴丕乇鬲賴賲 亘賳丕亍 毓賱賶 丕賱卮賰賱 丕賵 丕賱賲賵賯毓 丕賵 丕賱賱亘丕爻貙 賵鬲馗賴乇 丕賱兀爻乇丕乇 丕賱鬲賷 賯丿 賷丨鬲賵賷賴丕 賲賰丕賳 賳丕亍 賮賰賷賮 亘丕賱毓丕賱賲 丕賱丨丿賷孬!

丕賲丕 亘丕賱賳爻亘丞 賱賱賲賯丕乇賳丞 亘賷賳 賴匕賴 丕賱乇賵丕賷丞 賵 "毓夭丕夭賷賱" 賮兀毓鬲賯丿 丕賳 "毓夭丕夭賷賱" 乇賵丕賷丞 賯夭賲丞 賵囟丨賱丞 丕賲丕賲 "丕爻賲 丕賱賵乇丿丞" 乇睾賲 丕賳賴丕 賲鬲賰兀丞 毓賱賷賴丕 賮賰乇丞賸 (丕賱乇賯賵賯 丕賱賲賰鬲賵亘丞) 賵賲囟賲賵賳丕賸 (丕賱氐乇丕毓 亘賷賳 丕賱胤賵丕卅賮 丕賱賲爻賷丨賷丞) 賵兀爻賱賵亘丕賸貙 賱賰賳賴丕 (丕賷 毓夭丕夭賷賱) 賲噩亘賵賱丞 亘丕賱噩賳爻 (乇亘賲丕 賱兀賳賴丕 鬲禺丕胤亘 丕賱賯丕乇卅 丕賱毓乇亘賷) 亘賷賳賲丕 "丕爻賲 丕賱賵乇丿丞" 毓乇賾噩鬲 亘卮賰賱 亘爻賷胤 毓賱賶 賴匕丕 丕賱賲賵囟賵毓 賵亘胤乇賷賯丞 丕賳爻丕賳賷丞 亘丨鬲丞!
Profile Image for Brian.
798 reviews463 followers
March 12, 2019
鈥淭he Name of the Rose鈥� is a horribly pretentious, pedantic, verbose 鈥渘ovel鈥�. And it stinks too!

Under the guise of a medieval mystery Umberto Eco has written a diatribe on philosophical ideas (and not presented all of them accurately) in order to impress upon the reader how very smart he is indeed. Characterization, moments of human reality & truth, and most importantly accessibility to the reader are clearly repulsive ideas to Mr. Eco.

I can sum up the book, which takes place at a monastery in northern Italy in 1327 thus:
-Monks have crazy visions, lots of them and their visions don鈥檛 advance the plot one iota.
-Umberto Eco knew Latin, and he wants you to be damn sure to know it.
-The narrator has a vison in which Eco shows off that he knows Bible stories, lots of them, and can throw them into a blender to create some post-apocalyptic nonsense, again to no point in the story. My mommy read Bible stories to me too. I get the references Eco was making. I imagine that would disappoint him. He clearly hates novels that actually involve the reader.
-Eco is actually a very bad version of Dan Brown. Read that sentence again. Yep I said it. The text鈥檚 great d茅nouement is straight out of one of Brown鈥檚 novels with the same obvious villain/ religious fanatic that the reader can see coming a mile away. Mr. Brown can鈥檛 write, but he is a good storyteller. Eco can鈥檛 write (and editing is out of his frame of reference) AND he is a horrid storyteller.
-The arrogant and meandering 鈥淧ostscript鈥� written by the author (he takes 40 pages to explain to you how great he and his book are) is truly terrible. It will make you detest the writer. As if you will need help after finishing this torture. Did no one ever tell this guy to shut up? Throughout these 40 pages he contradicts himself, and talks down to the reader too many times to count.
Really my biggest frustration with 鈥淭he Name of the Rose鈥� is that it infrequently presents an interesting idea which if followed up would have made for intriguing reading. Among them, the idea of 鈥渂ooks speaking among themselves鈥� and some thoughts on the nature of learning that had much potential. There are nuggets throughout the text that if taken out of context are quite insightful and worthy of thought. But then Eco鈥檚 ego gets the better of him and he pontificates and belabors each point he makes. Every time he presents an idea (philosophical, educational, religious or other) he makes the point in 2-3 pages and then goes on to lecture the reader for another 10-20 pages on the same point redundantly. If those redundancies alone had been cut the text would have been 300 pages and significantly less bad.

A member of my book club picked this text, and the way the meeting for this book went clearly demonstrates its flaws. It was not a discussion and an exchange of ideas, but a lecture. When you have a group of educated people and 1 or 2 has to tell the rest of them how valuable a text is鈥ell鈥 think that says it all right there. Ironically Eco writes in the book 鈥淲ithout an eye to read them, a book contains signs that produce no concepts, therefore it is dumb.鈥� Unless you are a book by Mr. Eco of course, then if people don鈥檛 read your work because it does not speak to them they are the fools. There are quite a few fans of this text who may believe that whopper. I for one am not biting.
Profile Image for Mohammed Arabey.
715 reviews6,462 followers
November 11, 2017
廿賰鬲亘 賷丕 兀丿爻賭賭賵貙 廿賰賭鬲亘貙 賮賲賳 賷賰鬲亘 賱賭賳 賷賲賵鬲 兀亘丿丕
賮賯丿 賷兀鬲賷 賷賵賲丕 賲丕 兀丨丿賴賲 賱賷賯賱丿賴 賵賷夭賷丿 毓賱賷賴 亘毓囟丕 賲賳 睾賵丕賷丕鬲 毓夭丕夭賷賱賴 丕賱賮丕爻賯丞

賵賲匕賰乇丕鬲 兀丿爻賵 賮賷 "兀爻賭賭賲 丕賱賭賭賵乇丿丞" 賵乇丨賱鬲賴 賲毓 丕賱乇丕賴亘 睾賵賱賷丕賱賲賵 匕賵 丕賱賲丕囟賷 丕賱賲毓賯丿 亘匕賱賰 丕賱丿賷乇 丕賱乇賴賷亘 賴賷 毓賲賱丕 賲夭禺賲丕 賲賱賷卅丕 亘丕賱鬲賮丕氐賷賱 ,賵亘丕賱乇睾賲 賲賳 兀賳 丕賱兀丨丿丕孬 賮賷 丕賱賯乇賳 丕賱乇丕亘毓 毓卮乇貙 丕賱丕 丕賳賰 爻鬲卮毓乇 亘氐丿丕賴丕 賮賷 夭賲賳賳丕 乇睾賲 賲賳 賯丿賲賴丕 賯丿賲 丕賱夭賲丕賳

賵賷噩亘 兀賳 丕毓鬲乇賮 兀賳賴丕 賱賲 鬲賰賳 賯乇丕亍丞 爻賴賱丞 亘丕賱賳爻亘丞 賱賷 , 賵賱賰賳賷 爻兀賯丕乇賳賴丕 賱賰賲 亘賯乇丕亍丕鬲賷 丕賱賲毓鬲丕丿丞 丕賱爻賴賱丞 賱兀賳賷 賮毓賱丕 賱丕 丕毓乇賮 賰賷賮 兀賰鬲亘 賲乇丕噩毓丞 毓賳賴丕

兀爻賭賭賲 丕賱賭賭賵乇丿丞 1980 VS 毓賭賭夭丕夭賷賭賱 2008
Hypatia 1853 賵亘丕賱賲乇丞 賴賷亘丕鬲賷丕


丕賱孬賱丕孬 乇賵丕賷丕鬲 鬲乇賵賷 丨賰丕賷丞 乇丕賴亘 氐睾賷乇 丕賱爻賳 賷鬲毓乇囟 丕孬賳丕亍 乇丨賱鬲賴 賮賷 丕賱乇賵丕賷丞 亘賷賳 兀丿賷乇丞 賲禺鬲賱賮丞 賱賱鬲氐丕丿賲 丕賱亘卮毓 亘賷賳 乇噩丕賱 丕賱丿賷賳 賵丕賱賮賱爻賮丞 賵丕賱毓賱賲
匕賱賰 丕賱鬲氐丕丿賲 丕賱匕賷 賰丕賳 賮賷 丕賵賯丕鬲 賲丕 賷丐丿賷 賱賱賯鬲賱 爻賵丕亍 毓賱賳丕 兀賵 丨鬲賷 賮賷 丕賱爻乇 亘丕賱賲丐丕賲乇丕鬲

賵亘賷賳賲丕 賰丕賳 鬲卮丕乇賱夭 賰賷賳爻賱賷 丕賱賯爻 丕賱丕賳噩賱賷夭賷 丕賱賲毓鬲丿賱 賵丕賱賲丐乇禺 賵丕賱乇賵丕卅賷 賯丿賲 賮賷 1853 乇賵丕賷丞 乇丕賴亘 氐睾賷乇 賮賷 丕賱賯乇賳 丕賱禺丕賲爻 , 賮賷 毓氐乇 鬲丨賵賱 丕賱丕賲亘乇丕胤賵乇 丕賱乇賵賲丕賳賷 賱賱賲爻賷丨賷丞 亘賷賳賲丕 賲丕夭丕賱 亘毓囟 乇噩丕賱 丕賱丕賲亘乇丕胤賵乇賷丞 賵丕賱丿賷賳 賳賮爻賴賲 賱丿賷賴賲 鬲賱賰 丕賱毓氐亘賷丞 賵丕賱賵丨卮賷丞 丕賱賵孬賳賷丞 丕賱賯丿賷賲丞

賵賷鬲噩賱賷 丕賱氐乇丕毓 賮賷 丕賱兀氐胤丿丕賲 丕賱賵丨卮賷 亘賷賳 丕賱丿賷賳 賵丕賱毓賱賲 賵丕賱賮賱爻賮丞 賲鬲賲孬賱丕 賮賷 丕賱賮賷賱爻賵賮丞 賴賷亘丕鬲賷丕 賵丕賱匕賷 丕賳鬲賴賷 賳賴丕賷丞 賲兀爻丕賵賷丞 毓賱賷 兀乇囟 丕賱兀爻賰賳丿乇賷丞 亘爻賷賱 賲賳 丕賱丿賲丕亍

賵鬲兀鬲賷 賮賷 2008 乇賵丕賷丞 賲賲丕孬賱丞 賱賴丕 賮賷 賰孬賷乇 賲賳 丕賱兀丨丿丕孬 - 賲毓 亘毓囟 丕賱夭賷丕丿丕鬲 丕賱睾賵丕卅賷丞 丕賱睾乇丕卅夭賷丞 賵鬲卮賰賷賰 賮賷 丕賱丿賷賳 丕賱賲爻賷丨賷 賳賮爻賴 亘賲賵丕賯賮 賰孬賷乇丞 賲爻鬲賳丿丕 賱乇賵丕賷丞 兀禺乇賷 爻賳匕賰乇賴丕 賱丕丨賯丕- 賵賴賷 賱賱亘丕丨孬 丕賱卮賴賷乇 賷賵爻賮 夭賷丿丕賳 賵賱賰賳 噩丕亍 賲丿禺賱 丕賱乇賵丕賷丞 亘丕爻賱賵亘 賲賳賯賵賱丕 賳賯賱丕 亘鬲氐乇賮 亘爻賷胤 賲賳 兀賲亘乇鬲賵 兀賷賰賵 兀爻賲 丕賱賵乇丿丞

賵賱賰賳 毓賱賷 噩丕賳亘 兀禺乇 賯丿賲 兀賲亘乇鬲賵 兀賷賰賵 乇賵丕賷鬲賴 賮賷 丕賱賯乇賳 丕賱乇丕亘毓 毓卮乇 賵丕氐胤丿丕賲 兀禺乇 , 亘賱 毓丿丞 丕氐胤丿丕賲丕鬲 賵賱賰賳 賴匕賴 丕賱賲乇賴 亘賷賳 乇噩丕賱 丕賱丿賷賳 亘毓囟賴賲 丕賱亘毓囟

丨賷孬 賷丨賰賷 兀丿爻賵 丕賱匕賷 賷賰鬲亘 鬲賱賰 丕賱賯氐丞 賮賷 丕丨丿 丕賱丕丿賷乇丞 賮賷 丕禺乇 丕賷丕賲賴 丨賰丕賷鬲賴 賵乇丨賱鬲賴 賵賴賵 卮丕亘 賲毓 丕賱乇丕賴亘 賵丕賱賲丨賯賯 丕賱爻丕亘賯 睾賵丕賱賷丕賱賲賵 ,賵賷卮賴丿 氐乇丕毓 胤丕卅賮鬲賷賳 賴賲丕 丕賱賮乇丕賳卮賷爻賰賷賷賳 賵丕賱亘賳丿賰賷鬲賷賳 -丕賵 丕賷丕 賲賳 丕賱賲爻賲賷丕鬲 丕賱兀禺乇賷 賱賱胤丕卅賮鬲賷賳 丕賱賲鬲毓丿丿丞 賵丕賱鬲賷 爻鬲噩毓賱 賯乇丕亍丞 丕賱鬲賮丕氐賷賱 亘丕賱乇賵丕賷丞 丕賲乇丕 賲乇賴賯丕 亘丨賯
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賵賱賰賷 兀爻賴賱 賱賰賲 丕賱賲賵囟賵毓 賰賲丕 賮賴賲鬲 兀賳 丕賱賮乇丕賳卮爻賰丕賳賷賳 賷賳丕丿賵賳 亘賮賯乇 賵鬲賵丕囟毓 乇噩丕賱 丕賱丿賷賳 賵丕賱賰賳賷爻丞 兀爻賵丞 亘賲亘丿兀 兀賳 丕賱賲爻賷丨 毓賱賷賴 丕賱爻賱丕賲 賱賲 賷賲鬲賱賰 卮賷卅丕 丿賳賷賵賷丕...賵賴賵 兀賲乇 亘丕賱胤亘毓 賵丕賮賯 毓賱賷賴 噩丿丕 乇噩賱 丕賱丨賰賲 , 丕賱兀賲亘乇丕胤賵乇 賮賷 匕賱賰 丕賱賵賯鬲 賮亘賴匕丕 丕賱賲亘丿兀 亘丕賱鬲兀賰賷丿 爻賷噩毓賱 丕賱卮毓亘 賷乇囟賷 亘丕賱賮賯乇

毓賱賷 噩丕賳亘 兀禺乇 丕賱亘賳丿賰賷鬲賷賳 賷乇賵賳 丕賳 丕賱賰賳賷爻丞 賷噩亘 丕賳 鬲鬲丨賰賲 亘丕賱賲丕賱 賵丕賱毓卮賵乇 賵丕賱孬乇賵丕鬲 賵 賵 賵 賵, 孬賲 鬲賵夭毓 毓賱賷 丕賱賮賯乇丕亍 亘賲毓乇賮鬲賴丕 賵亘丕賱胤亘毓 丕賱亘丕亘丕 賵賯鬲賴丕 "氐丕丨亘 氐賰賵賰 丕賱睾賮乇丕賳" 賰丕賳 賲毓 賴匕丕 丕賱賲亘丿兀 賵賱丕賷賳鬲賵賷 亘丕賱胤亘毓 丕賱鬲禺賱賷 毓賳賴 賵毓賳 孬乇賵丕鬲 丕賱賰賳賷爻丞.. 丨鬲賷 賱賵 鬲賰賱賮 賴匕丕 賲賳 丕賱丿賲丕亍 兀賳賴丕乇丕

賮馗賴乇 噩丕賳亘 賲賳 丕賱賮乇丕賳卮爻賰賷賷賳 賷賳丕丿賷 亘丕賱毓賳賮 丕賷囟丕, 賰丕賳 賲賳 亘丿兀賴 丿賵賱鬲卮賷賳賵 賵丕鬲亘丕毓賴, 丕賱丕 丕賳 丕賱亘賵賴賷賲賷賴 丕賱鬲賷 賰丕賳鬲 鬲賲賷夭 丕鬲亘丕毓賴 亘丕賱胤亘毓 賱賲 鬲賰賳 賲賯亘賵賱丞 賮賷 丕賱丿賷賳..賵賱賱丕爻賮 丕丿賷 匕賱賰 賱賲夭賷丿 賲賳 丕賱丿賲丕亍

賵賰賱 匕賱賰 賵賮賯乇 丕賱卮毓亘 "夭賷 賲丕 賴賵"..丕賱卮毓亘 睾丕乇賯 賮賷 丕賱賮賯乇 賵乇噩丕賱 丕賱丿賷賳 賵丕賱丨賰賲 賮賷 氐乇丕毓丕鬲賴賲


description
丕賱噩賳爻 賮賷 丕賱孬賱丕孬 乇賵丕賷丕鬲 丕賲乇丕 賱丕賷賲賰賳 鬲噩賳亘賴
賮丕賱亘胤賱 賮賷 賰賱丕 賲賳賴賲 乇丕賴亘 氐睾賷乇 丕賱爻賳...賮賷 乇賷毓丕賳 卮亘丕亘賴..丕賱丕賲乇 賲丨鬲賲 丕匕丕 鬲氐丕丿賮 賵噩賵丿 賲睾乇賷丕鬲
賱賲 丕胤賱毓 毓賱賷 賴丕賷亘丕鬲丕 亘鬲賮氐賷賱 賵賱賰賳 毓夭丕夭賷賱 賰丕賳鬲 賲賳 丕賱兀睾夭乇 賮賷 丕賱鬲賮丕氐賷賱 丕賱噩賳爻賷丞 賵亘禺賱丕毓丞 賵鬲賯乇賷亘丕 亘亘匕丕亍丞 夭丕卅丿丞 毓賳 丕賱賱夭賵賲 -賵亘丿賵賳 賴丿賮 爻賵賷 丕賳 丕賱乇丕賴亘 賮賷 乇賵丕賷鬲賴 賲賴鬲丕噩 噩賳爻賷丕 胤賵丕賱 丕賱賵賯鬲 賲賳匕 胤賮賵賱鬲賴 賵賲卮丕賴丿丞 賱賱丨賲丕賲 賵鬲夭丕賵噩賴!!!- 亘賷賳賲丕 丕賱兀賲乇 賲禺鬲賱賮 鬲賲丕賲丕 賮賷 兀爻賲 丕賱賵乇丿丞

丕賱賲丨丕賵乇: 賱賲丕匕丕 賰丕賳 丌丿爻賵 賮賷 乇賵丕賷丞 丕爻賲 丕賱賵乇丿丞 賷賳卮丿 鈥� 賳卮賷丿 丕賱廿賳卮丕丿 丨賷賳賲丕 賰丕賳 賷賲丕乇爻 丕賱丨亘 賲毓 丕賱賮鬲丕丞 丕賱賮賱丕丨丞责
Song of the Songs

廿賷賰賵: 賰丕賳 匕賱賰 賲賳 兀噩賱 賲鬲毓丞 丕賱鬲賱丕毓亘 亘丕賱兀爻丕賱賷亘 丕賱兀丿亘賷丞貙 賱兀賳賳賷 賱賲 兀賰賳 賲賴鬲賲賸丕 賰孬賷乇賸丕 亘賮毓賱 丕賱噩賳爻 亘丨丿 匕丕鬲賴 賮賷 丕賱賲卮賴丿貙 亘賯丿乇 賲丕 賰賳鬲 賲賴鬲賲賸丕 亘賵氐賮 賰賷賮 賱乇丕賴亘 卮丕亘 兀賳 賷禺鬲亘乇 鬲噩乇亘丞 丕賱噩賳爻 賲賳 禺賱丕賱 鬲毓賱賷賲賴 丕賱丿賷賳賷. 賮氐賳毓鬲 鬲乇賰賷亘丞 賲賲丕 賱丕 賷賯賱 毓賳 禺賲爻賷賳 賳氐賸丕 賲賳 丕賱賳氐賵氐 丕賱乇賵丨丕賳賷丞 丕賱賯丿賷賲丞 賮賷賴丕 賵氐賮 賱賱匕賾丞 丕賱賳卮賵丞貙 賵兀囟賮鬲 毓賱賷賴丕 亘毓囟 丕賱丌賷丕鬲 賲賳 爻賽賮賿乇 賳卮賷丿 丕賱廿賳卮丕丿 (兀丨丿 兀爻賮丕乇 丕賱毓賴丿 丕賱賯丿賷賲 賮賷 丕賱賰鬲丕亘 丕賱賲賯丿爻)
. 賮賮賷 丕賱氐賮丨鬲賷賳 丕賱賱鬲賷賳 禺氐氐鬲賴賲丕 賱賵氐賮 賲卮賴丿 丕賱丨亘貙 亘丕賱賰丕丿 鬲賵噩丿 賰賱賲丞 賵丕丨丿丞 賲賳 丕亘鬲賰丕乇賷. 卮禺氐賷丞 丌丿爻賵 賱丕 賷賲賰賳賴丕 賮賴賲 賲賲丕乇爻丞 丕賱丨亘 廿賱丕 毓亘乇 孬賯丕賮鬲賴丕 丕賱鬲賷 鬲毓乇賮賴丕. 亘廿賲賰丕賳賰 兀禺匕 賴匕丕 賰賲孬丕賱 賱賲賮賴賵賲 丕賱兀爻賱賵亘 丕賱兀丿亘賷貙 賰賲丕 兀毓乇賾賮賴.

丕丨賲 丕丨賲, 賱丕 丕噩丿 賲丕 丕毓賱賯 亘賴 亘毓丿 匕賱賰,爻賵賷 丕賳 賮賷 毓夭丕夭賷賱 賰賲丕 賯賱鬲 賮賷 丕賱乇賷賮賷賵 賰丕賳 丕賱乇丕賴亘 賷氐賮 賰兀賳賴 賷賳卮丿 丕賳卮賵丿丞 "丨胤 丕賷丿賴 賷丕賴" 賱賱賮賳丕賳丞 亘賵爻賷

爻卅賱 廿賷賰賵 賮賷 丨賵丕乇 賱兀賳賴 賱賲 賷兀鬲賷 毓賱賷 賵氐賮 賲卮賴丿 噩賳爻 廿賱丕 賲乇鬲賷賳 賮賯胤 賮賷 乇賵丕賷鬲賷賳 賴賲丕 亘丕賵丿賵賱賷賳賵 賵 丕爻賲 丕賱賵乇丿丞 賮賴賱 賱賱噩賳爻 丕賱丕丿亘賷 賱賷爻 賱賴 兀賴賲賷丞 毓賳丿賰 责
賯丕賱: 賱丕賳賷 兀丨亘 兀賳 兀賲丕乇爻 丕賱噩賳爻 毓賱賷 兀賳 兀賰鬲亘 毓賳賴

賷亘丿賵 丕賳 丕賱丨乇賲丕賳 賱賴 丕孬乇 亘丕賱睾 賮賷 乇賵丕卅賷賷賳丕 丕賱毓乇亘
卮賰乇丕 賱賱氐丿賷賯 亘丕爻賲 "賳丕賷鬲 亘賷乇丿" 賲賳 丕賱噩賵丿乇賷丿夭 賱兀賲丿丕丿賷 亘匕賱賰 丕賱丨賵丕乇 賱兀賲亘乇鬲賵 兀賷賰賵


賵賱賰賳 賯丿賲 丕賲亘乇鬲賵 丕賷賰賵 丕賷囟丕 亘噩丕賳亘 匕賱賰 丕賱氐乇丕毓 亘賷賳 丕賱胤丕卅賮鬲賷賳 丕賲乇丕 丕禺乇 賵氐乇丕毓 賲賳 賳賵毓 賲禺鬲賱賮
氐乇丕毓 賱賲 賷鬲禺賷賱 丕賱乇丕賴亘 睾賵丕賱賷丕賱賲賵 丕賳賴 爻賷賯丕亘賱賴, 賮馗賳 丕賳賴 噩丕亍 賱賱賲賮丕賵囟丕鬲 亘賷賳 丕賱胤丕卅賮鬲賷賳 賮丨爻亘.. 丕賱丕 丕賳賴 丕氐胤丿賲 亘鬲毓賳鬲 亘毓囟 乇噩丕賱 丕賱丿賷賳 亘禺氐賵氐 丕賱毓賱賲 賵丕賱賮賱爻賮丞 ...賲賲丕 兀丿賷 賱丿賲丕亍 丕禺乇賷 亘丕賱乇賵丕賷丞 , 賵賱賰賳 賮賷 丕胤丕乇 賱睾夭 睾乇賷亘 睾丕賲囟 ,賵賴匕丕 賲丕 賱賲 賷賰賳 賮賷 丕賱乇賵丕賷鬲賷賳 丕賱爻丕亘賯鬲賷賳


賲賲丕 賷丨賵賱賳丕 賱賱賲賯丕乇賳丞 丕賱孬丕賳賷丞
0
兀爻賲 丕賱賵乇丿丞 1980 VS The Da Vici Code 卮賮賷乇丞 丿丕賮賳卮賷 2003


賯丿賲 丿丕賳 亘乇丕賵賳 賮賷 2003 乇賵丕賷鬲賴 丕賱賲毓丕氐乇丞 丨賵賱 賱睾夭 賯丿賷賲 賯丿賲 丕賱賲賷賱丕丿..丨賵賱 爻乇 賲丕 賷禺賮賷賴 乇噩丕賱 丕賱丿賷賳 賲賳匕 丕賱丨賲賱丞 丕賱氐賱賷亘賷丞, 爻乇 賷毓賵丿 賱丨賷丕丞 丕賱爻賷丿 丕賱賲爻賷丨 毓賱賷賴 丕賱爻賱丕賲 賵賳卮兀丞 丕賱丿賷賳 丕賱賲爻賷丨賷 賵匕賱賰 丕賱丨丿孬 丕賱賲賴賲 賮賷 丕賱賯乇賳 丕賱乇丕亘毓 丕賱賲賷賱丕丿賷 毓賳丿賲丕 鬲賲 鬲毓賲賷丿 丕賱兀賲亘乇丕胤賵乇 丕賱乇賵賲丕賳賷 賱賱賲爻賷丨賷丞

匕賱賰 丕賱爻乇 丕賱賲噩賴賵賱 丕賱匕賷 賷丨鬲賵賷 毓賱賷 鬲賰賴賳丕鬲 亘賳賷 毓賱賷賴 丿丕賳 亘乇丕賵賳 丨亘賰丞 乇賵丕賷鬲賴 "卮賮乇丞 丿丕賮賳卮賷" 賮賷 丕胤丕乇 噩賲丕毓丞 丿賷賳賷丞 賲毓丕氐乇丞 鬲丨丕賮馗 毓賱賷 匕賱賰 丕賱爻乇 丨鬲賷 賵賯鬲賳丕 賴匕丕, 賵賮賷 丨賲丕賷鬲賴賲 賱賴匕丕 丕賱爻乇 賷鬲毓乇囟 丕毓囟丕亍賴丕 賱丨賵丕丿孬 兀睾鬲賷丕賱 乇賴賷亘丞 賵丕丨丿丕 鬲賱賵 丕賱兀禺乇
爻乇 丿丕賮賳卮賷 賱丿丕賳 亘乇丕賵賳 賰丕賳 賷丨賲賷賴 乇賲夭 丕賱賵乇丿丞
00
賰匕賱賰 賰丕賳 賷丨賲賷 爻乇 噩乇丕卅賲 丕賱賯鬲賱 亘丕賱丿賷乇 乇賲夭 丕賱賵乇丿丞, 賵賱賰賳 毓賱賷 賴賷卅丞 賲賰鬲亘丞 賲鬲丕賴賷丞 , 兀賵 賲鬲丕賴丞 賲賰鬲亘賷丞
0
賵乇亘賲丕 賴匕丕 賰丕賳 賲賳 丕賰孬乇 毓賵丕賲賱 丕賱噩匕亘 賮賷 鬲賱賰 丕賱乇賵丕賷丞 亘丕賱賳爻亘丞 賱賷, 匕賱賰 丕賱賱睾夭 丕賱睾乇賷亘 丕賱匕賷 賷丨賷胤 亘賲氐乇毓 賰賱 賲賳 賷丨丕賵賱 丕賱賵氐賵賱 丕賱賷 賰鬲丕亘 丕賵 賲禺胤賵胤丞 賲毓賷賳丞 亘丕賱賲賰鬲亘丞 丕賱鬲賷 鬲賮賵賯 丕賱丨乇丕爻丞 毓賱賷賴丕 丨乇丕爻丞 丨噩乇丞 孬乇賵丕鬲 賵賰賳賵夭 丕賱賰賳賷爻丞

賵賱賰賳 丕賱爻乇 丕賱匕賷 亘爻亘亘賴 賰丕賳鬲 丕賱丿賲丕亍 鬲乇丕賯 賮賷 卮賮乇丞 丿丕賮賳卮賷 賰丕賳 賲禺鬲賱賮丕,賲亘賳賷 毓賱賷 亘毓囟 丕賲賵乇 丕賱丿賷賳 丕賱賲爻賷丨賷 賳賮爻賴 賵丕賱鬲賷 丕賯鬲亘爻 亘毓丿賴丕 賷賵爻賮 夭賷丿丕賳 丕賱賰孬賷乇 賲賳賴丕 賮賷 毓夭丕夭賷賱賴
亘賷賳賲丕 爻乇 丕賱賯鬲賱 丕賱睾丕賲囟 亘丕賱丿賷乇 賮賷 丕爻賲 丕賱賵乇丿丞 賱丕 賷賯鬲乇亘 賱賴匕賴 丕賱兀賲賵乇 亘賱 丕賲乇丕 丕禺乇
賵丨鬲賷 丕爻賱賵亘 丕賱賯鬲賱 賷噩毓賱賳賷 丕賯丕乇賳 丕賱賲賯丕乇賳丞 丕賱孬丕賱孬丞
0
兀爻賲 丕賱賵乇丿丞 1980 VS Angels and Demons 賲賱丕卅賰丞 賵卮賷丕胤賷賳 2000


賷亘丿賵 兀賳 丕賱毓亘賯乇賷 丕賱賲亘丿毓 丨賯丕 丿丕賳 亘乇丕賵賳 賰丕賳 賲鬲兀孬乇丕 賵賱賵 亘賳爻亘丞 囟卅賷賱丞 賱賷賯賵賲 賮賷 乇賵丕賷鬲賴 亘噩毓賱 丕賱亘胤賱 賷丨丕賵賱 丨賱 賱睾夭 賲賯鬲賱 乇噩丕賱 丿賷賳 賯亘賱 賲賯鬲賱 丕賱賲夭賷丿 賲賳賴賲 賵丕賱賵丕囟丨 丕賳 賴賳丕賰 賳賲胤 賲丕 賷丨丿孬 亘賴 鬲賱賰 毓賲賱賷丕鬲 丕賱賯鬲賱
賵丕賱鬲賷 鬲賳鬲賴賷 亘丨賱 丕賱睾夭 乇賴賷亘

賵丕匕丕 賰賳鬲 丕毓鬲亘乇 丕賳 丿丕賳 亘乇丕賵賳 賮毓賱丕 賯丿賲 賮賷 鬲賱賰 丕賱乇賵丕賷丞 賳賲賵匕噩 賲孬賷乇丕 亘丨賯 "賵賲禺鬲賱賮丕 亘丕賱胤亘毓" 毓賳 丕賱噩乇丕卅賲 丕賱鬲賷 丨丿孬鬲 賮賷 丿賷乇 丕賲亘乇鬲賵 丕賷賰賵 賵丕賱鬲賷 賰丕賳鬲 丕賱噩乇卅賲 丕賷囟丕 鬲鬲亘毓 賳賲胤 賱賳亘丐丞 賳賴丕賷丞 丕賱毓丕賱賲..丕賱丕 丕賳賰 毓賳丿賲丕 鬲賳鬲賴賷 賲賳 賯乇丕亍丞 丕賱乇賵丕賷鬲賷賳 爻鬲噩丿 丕賳 丕賱賴丿賮 賰丕賳 賵丕丨丿丕
0
鬲毓賳鬲 亘毓囟 乇噩丕賱 丕賱丿賷賳 賲賳 丕賱毓賱賲..賵丕賱匕賷 賯丿 賷丐丿賷 賱鬲爻賱胤 賵鬲毓氐亘 賵丿賲丕亍..賰賱 匕賱賰 賱賲賳毓 丕賱賲毓乇賮丞..賰賱 匕賱賰 賱賯賲毓 丕賱兀乇丕丿丞 丕賱丨乇丞 賱賱丕賳爻丕賳 賮賷 胤賱亘 丕賱毓賱賲 賵丕賱匕賷 賲賳丨賴 賱賴 丕賱賱賴 賵賱賰賳 亘毓囟 乇噩丕賱 丕賱丿賷賳 賱丕 賷毓鬲賯丿賵賳 爻賵賷 賮賷 爻賱胤鬲賴賲

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兀禺賷乇丕 , 賴賵 賯丿 賷賰賵賳 毓賲賱丕 賲夭禺賲丕 亘丕賱賲毓賱賵賲丕鬲 賵丕賱鬲賮丕氐賷賱 丕賱丕 丕賳賴丕 賲毓乇賮丞 賱丕 亘兀爻 亘賴丕 亘匕賱賰 丕賱賵賯鬲, 兀禺胤丕亍 鬲氐丿乇 賲賳 乇噩丕賱 丕賱丿賷賳 賮賷 賰賱 毓氐乇 鬲爻卅 賱賱丿賷賳 賵賷毓鬲賯丿 乇噩丕賱 丕賱丿賷賳 丕賳賴丕 鬲丨賲賷賴
賮賱爻賮丞 賵噩乇賷賲丞 鬲乇鬲賰亘 亘兀爻賲 丕賱丿賷賳..賵鬲賯爻賷賲丕鬲 睾亘賷丞 賴丿賮賴丕 丕賱爻賱胤丞 賵丕賱賲丕賱 賮丨爻亘 ..賵賱賷爻 丕賱丿賷賳 賱賱丕爻賮

毓賲賱丕 匕賰賷丕 賲乇賴賯丕 亘丨賯 亘賱 賵亘賴 丕孬丕乇丞 賵睾賲賵囟
賱賰賳 賱賱兀爻賮 兀賮爻丿 賱賷 亘賯賵丞 丕賱賲鬲乇噩賲 丕賱賱睾夭 賵丕賱睾賲賵囟 亘賰卮賮賴 賮賷 丕賱賲賯丿賲丞 丕賱禺丕氐丞 亘丕賱賲鬲乇噩賲 賵丕賱鬲賷 丕賳氐丨 賲賳 賷賯乇兀 丕賱乇賵丕賷丞 丕賳 賷鬲禺胤賴丕 鬲賲丕賲丕 賮賱丕 丕賴賲賷丞 賵賱丕 胤丕卅賱 賲賳賴丕

丕賷囟丕 賱丕 鬲卮鬲乇賷 胤亘毓丞 丕賱賯胤毓 丕賱氐睾賷乇, 賮丕賱賮賵丕氐賱 亘賷賳 丕賱噩賲賱 賷噩毓賱 丕賱鬲乇噩賲丞 丕賰孬乇 氐毓賵亘賴 賵丕乇賴丕賯丕

賵亘丕賱乇睾賲 賲賳 丕賳 丕賱乇賵丕賷丞 賰丕賳鬲 賳丨爻丕 亘丕賱賳爻亘丞 賱賷 "乇丕噩毓 丕賱乇賷賮賷賵 丕賱賲亘丿卅賷 賮賷 丕禺乇 丕賱氐賮丨丞" 丕賱丕 丕賳 丕孬丕乇賳賷 丕賱鬲胤賵賷賱 賮賷 噩夭亍 丕賱賰鬲亘 丕賱賮賱爻賮賷丞 賵丕賱毓賱賲賷丞 賵賰鬲亘 丕賱兀毓卮丕亘 賵丕賱賰鬲亘 丕賱鬲賷 賰鬲亘賴丕 毓賱賲丕亍 丕賱毓乇亘 賵賯鬲 賲噩丿賴賲 "毓賳丿賲丕 賰丕賳賵丕 賷賱賯亘賵賳丕 亘丕賱賰賮丕乇!!" 賵睾賷乇賴丕

賵丕賷囟丕 亘丕賱兀禺氐 丕賱賲賳賲丕鬲 毓賳 丕賱丨賷賵丕賳丕鬲 丕賱禺賷丕賱賷丞 賵丕賱鬲賷 賮鬲丨鬲 禺賷丕賱賷 賱毓卮賯 賰鬲丕亘賷 丕賱賲賮囟賱 丕賵 亘丕賱兀丨乇賷 毓丕賱賲賷 丕賱賲賮囟賱 ...毓丕賱賲 噩賷 賰賷 乇賵賱賷賳噩 賵賴賵噩賵乇丕鬲爻 亘丕賱兀禺氐 毓賳丿賲丕 賵氐賱 賱噩夭亍 賵氐賮 丕賱賰丕卅賳丕鬲 丕賱禺乇丕賮賷丞 爻賵丕亍 亘賰鬲亘 丕賱賰賳賷爻丞 丕賵 亘噩丿丕乇賷鬲賴丕 丕賱乇賴賷亘丞
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丕賱賯賳丕胤賷乇 賵賵丨賷丿 丕賱賯乇賳 賵丨賵乇賷丕鬲 丕賱亘丨乇 賵睾賷乇賴丕 匕賰乇賳賷 亘賰鬲丕亘 噩賷 賰賷 乇賵賱賷賳噩 丕賱氐睾賷乇 "丕賱賵丨賵卮 丕賱毓噩賷亘丞 賵丕賷賳 鬲噩丿賴丕" 賵丕賱鬲賷 爻賷鬲丨賵賱 賱賮賷賱賲丕 賯乇賷亘丕


賲賳 丕賱兀禺乇, 賷亘丿賵 丕賳賴 賱賷爻 賯乇丕亍丞 賲禺鬲賱賮丞 賰孬賷乇丕 毓賳 賯乇丕卅鬲賷, 亘賱 賴賵 賰鬲丕亘 丕賱賴賲 亘卮賰賱 賲亘丕卮乇 丕賵 睾賷乇 賲亘丕卮乇 賰孬賷乇 賲賳 丕賱賲丐賱賮賷賳 亘毓丿賴
賵賱賰賳賴 賷馗賱 賯乇丕亍丞 賲乇賴賯丞..賵丕賳 賰賳鬲 卮丕賷賮 丕賳賴 賲卮 賰鬲丕亘 賳丨爻 丕賵賷 夭賷 賲丕賯賱鬲 賮賷 丕賱乇賷賮賷賵 丕賱賲亘丿卅賷 :

--------------丕賱乇賷賮賷賵 丕賱賲亘丿卅賷------------

兀夭丕賷 鬲毓乇賮 兀賳 丕賱乇賵丕賷丞 賳丨爻责
- 毓賷賳賷賰 鬲賵噩毓賰 賵鬲賯賮賱 賱丕賵賱 賲乇賴 賲賳 20 爻賳賴 賮賷 氐亘丕丨 賷賵賲 賲丕丨鬲亘丿兀 賮賷賴丕
- 丕賱賲鬲乇噩賲 丕賱毓亘賯乇賷 賷賯賵賱賰 賲賮鬲丕丨 賱睾夭 丕賱乇賵丕賷賴 -鬲賯乇賷亘丕 丕賱賱賷 賴賵 丕賱丨丕噩賴 丕賱賵丨賷丿丞 丕賱賱賷 賰丕賳鬲 賲賲賰賳 鬲禺賱賷賰 鬲賰賲賱賴丕" 賮賷 丕賱賲賯丿賲丞 , 賱兀 賵賰賲丕賳 亘禺胤 毓乇賷囟 賵鬲賯賷賱 賮賷 鬲丕賳賷 氐賮丨丞
-賲鬲賱丕賯賷卮 賲賰丕賳 賮賷 2 賲賳 丕賱丕賲丕賰賳 丕賱賲賮囟賱丞 丕賱賱賷 亘鬲賯乇兀 賮賷賴丕 亘爻亘亘 賲丕鬲卮 賲賳鬲禺亘 賲氐乇 賮賷 鬲氐賮賷丕鬲 丕賮乇賷賯賷丕 , 賵賱賲丕 鬲賯毓丿 亘乇賴 丕賱賰丕賮賷丞 賮賷 賲賰丕賳 賲卮 亘鬲丨亘賴 鬲賱丕賯賷 丿賵卮賴 睾賷乇 胤亘賷毓賷丞 賱丕賳 賲賳鬲禺亘 賲氐乇 兀賵賱 賲乇賴 賷賰爻亘 賲賳 亘毓丿 丕賱孬賵乇丞
-鬲丕賳賷 賷賵賲 亘丕賱乇睾賲 賲賳 丕賱毓賱丕噩 毓賷賳賷賰 鬲賱鬲賴亘 賵鬲賯賮賱 丕賰鬲乇
-丕爻鬲丕匕鬲賳丕 丿賷賳丕 賳亘賷賱 "丕丨丿 賲丐爻爻賷 丕賱噩賵丿乇賷丿夭 丕賱賳匕賱", 丕賱賱賷 亘丕賱乇睾賲 賲賳 丕賳賴丕 鬲賮囟賱 丕賱乇賵丕賷丕鬲 丕賱兀賰孬乇 毓賲賯丕 亘賰孬賷乇 賲賳 賯乇丕卅鬲賷 毓丕賲丕 鬲賯賵賱 丕賳 丕賱乇賵丕賷丞 丿賷 賲卮 兀丿 賰丿賴 "丕賱乇賷賮賷賵 賮賷 賲丿賵賳鬲賴丕 乇賮丕賷毓
-丕賱賲賱賱 ..丕賱丕爻賲丕亍.. 兀睾乇亘 賱睾丞 毓乇亘賷丞 賵兀毓乇亘 丕爻賱賵亘 鬲乇噩賲丞 賵兀睾乇亘 兀爻賲丕亍 卮賮鬲賴丕 賮賷 丨賷丕鬲賷
-丨鬲賷 丕爻鬲丕匕 兀亘乇丕賴賷賲 毓丕丿賱 氐丕丨亘 丕賱丕禺鬲賷丕乇丕鬲 "丕賱孬賯賷賱丞" 賮賷 丕賱乇賵丕賷丕鬲 賴賳丕 賮賷 丕賱噩賵丿乇賷夭 賱賲 -賵丕毓賱賳 丕賳賴 賱賳- 賷賰賲賱賴丕



丨鬲賰賲賱賴丕责

賱賱兀爻賮, 賲賳 賲亘丿兀 丕鬲毓賱賲鬲賴 賵丕賳丕 氐睾賷乇 丕賵賷 賲賳 丕賲賷 "賱賵 賲賰賲賱鬲卮 胤亘賯 丕賱乇夭 亘丕賱亘爻賱丞 亘鬲丕毓賰 丨賷噩乇賷 賵乇丕賰 賷賵賲 丕賱賯賷丕賲丞" 賲賳 賷賵賲賷賴丕 賲卮 亘亘丿兀 賮賷 丨丕噩賴 丕賱丕 賱賲丕 丕禺賱氐賴丕, 丨鬲賷 賱賵 賲卮 亘丨亘 亘賮囟賱 丕賱亘爻賱丞
賵賱賱丕爻賮 賮鬲丨鬲 丕賱賰鬲丕亘 賵亘丿兀鬲 丕賵賱賴

賵亘毓丿賷賳 毓賷亘 丕賰鬲亘 乇賷賮賷賵 乇賵丕賷丞 賲卮 丨賯乇兀賴丕 賵賱丕 丕賷賴责
-亘爻 乇亘賳丕 賷爻鬲乇 毓賱賷 毓賷賳賷 亘賰乇丞

賲丨賲丿 丕賱毓乇亘賷
賮賷 11 丕賰鬲賵亘乇 2014
丕賯乇兀 乇賷賮賷賵 丕賱乇賮賷賯丞 丿賷賳丕 賳亘賷賱 丕丨爻賳


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賲丨賲丿 丕賱毓乇亘賷

賲賳 10 丕賰鬲賵亘乇 2014
丕賱賷 18 丕賰鬲賵亘乇 2014
Profile Image for Pakinam Mahmoud.
997 reviews4,775 followers
June 15, 2024
廿匕丕 卮毓乇鬲貙 賵兀賳鬲 鬲賯賱亘 丕賱氐賮丨丞 丕賱兀禺賷乇丞 賮賷 丕賱賰鬲丕亘 丕賱匕賷 鬲賯乇兀賴 兀賳賰 賮賯丿鬲 氐丿賷賯丕賸 毓夭賷夭丕賸貙 賮兀毓賱賲 兀賳賰 賯丿 賯乇兀鬲 賰鬲丕亘丕賸 乇丕卅毓丕賸...
丕爻賲 丕賱賵乇丿丞..賲卮 亘爻 賰丕賳 氐丿賷賯 睾丕賱賷 噩丿丕賸 賱賲丿丞 禺賲爻 兀賷丕賲 賵 賱賰賳 毓賱賲賳賷 賲賳 兀賵賱 賵 噩丿賷丿 賷毓賳賷 廿賷賴 賲鬲毓丞 丕賱賯乇丕亍丞..

丕賱乇賵丕賷丞 氐毓亘丞 賵賲乇賴賯丞 噩丿丕賸.. 丨鬲禺賱賷賰 鬲賯乇兀 丕賱氐賮丨丞 亘丿賱 丕賱賲乇丞 廿鬲賳賷賳 賵鬲賱丕鬲丞..丨鬲禺賱賷賰 鬲爻兀賱..丨鬲禺賱賷賰 鬲丿賵乇..丨鬲禺賱賷賰 鬲賮賰乇..賵丿丞 賮賷 丨丿 匕丕鬲賴 賲鬲毓丞 賵鬲丨賯賷賯 賱賳賵毓 賲禺鬲賱賮 賲賳 丕賱乇睾亘丕鬲 夭賷 賲丕 賯丕賱 廿賷賰賵 毓賳賴丕 丕賱丕 賵賴賷 乇睾亘丞 丕賱賮賰乇 兀賵 卮賴賵丞 丕賱賲毓乇賮丞..

丕賱兀丨丿丕孬 亘丕禺鬲氐丕乇 亘鬲丿賵乇 賮賷 丕賱賯乇賳 丕賱乇丕亘毓 毓卮乇 賮賷 丿賷乇 賮賷 卮賲丕賱 廿賷胤丕賱賷丕 賵亘鬲亘丿兀 亘賵氐賵賱 丕賱乇丕賴亘 丕賱賮乇賳爻賷爻賰丕賳賷 睾賵賱賷丕賱賲賵 賲賳丿賵亘 丕賱丕賲亘乇丕胤賵乇 賱賵丿賵賮賷賰 賱丨囟賵乇 廿噩鬲賲丕毓 賲毓 賲賳丿賵亘賷 丕賱亘丕亘丕 賲賳 兀噩賱 賵囟毓 丨丿 賱賱禺賱丕賮 丕賱賱賷 亘賷賳賴賲 賱丕禺鬲賱丕賮賴賲 賮賷 鬲兀賵賷賱 丕賱丕賳噩賷賱 賵亘丕賱鬲丨丿賷丿 賮賷 賲賵囟賵毓 賮賯乇 丕賱賲爻賷丨..
乇卅賷爻 丕賱丿賷乇 亘賷爻鬲睾賱 賵氐賵賱 睾賵賱賷丕賱賲賵 賱丕賳賴 賰丕賳 賲丨賯賯 爻丕亘賯 毓卮丕賳 賷爻丕毓丿賴 賮賷 賲丨丕賵賱丞 賰卮賮 睾賲賵囟 丕賱毓丿賷丿 賲賳 噩乇丕卅賲 丕賱賯鬲賱 丕賱賱賷 丨氐賱鬲 賮賷 丕賱丿賷乇 ..丕賱賱賷 丨賳毓乇賮 廿賳賴丕 賰賱賴丕 賰丕賳鬲 亘爻亘亘 賰鬲丕亘!

胤賷亘 賴賷 賱賷賴 乇賵丕賷丞 毓亘賯乇賷丞责
丕賱乇賵丕賷丞 賮賷賴丕 噩丕賳亘 鬲丕乇賷禺賷 亘賷鬲賰賱賲 毓賳 丕賱氐乇丕毓丕鬲 亘賷賳 丕賱胤賵丕卅賮 丕賱丿賷賳賷丞 丕賱賲禺鬲賱賮丞 賮賷 丕賱毓氐賵乇 丕賱賵爻胤賷 賵賮賷 乇兀賷賷 丕賱噩夭亍 丿賴 兀氐毓亘 噩夭亍 賮賷 丕賱乇賵丕賷丞 毓卮丕賳 賲賱賷丕賳 兀丨丿丕孬 賵兀爻賲丕亍 賰鬲賷乇 賵賲乇賴賯 兀賵賷 賱兀賷 賯丕乇卅...亘賷鬲丿丕禺賱 賲毓丕賴 亘賯賷 噩夭亍 賮賱爻賮賷 賲賲鬲毓 噩丿丕賸 賮賷 丕賱丕丨丕丿賷孬 丕賱賱賷 亘鬲丿賵乇 亘賷賳 睾賵賱賷丕賱賲賵 賵 丕賱鬲賱賲賷匕 亘鬲丕毓賴.. 賵 兀禺賷乇丕賸 丕賱噩夭亍 丕賱亘賵賱賷爻賷 賵賲丨丕賵賱丞 丨賱 賱睾夭 噩乇丕卅賲 丕賱賯鬲賱..
胤乇賷賯丞 廿賷賰賵 賮賷 乇亘胤 丕賱丕噩夭丕亍 賰賱賴丕 賵噩毓賱賴賲 賲乇鬲亘胤賷賳 賵賲賰賲賱賷賳 賱亘毓囟 賮賷 丌禺乇 丕賱乇賵丕賷丞 亘賷亘賷賳 賯丿 丕賷賴 丕賱乇噩賱 丿丞 毓亘賯乇賷..

賴賱 亘爻 丿丞 丕賱爻亘亘 丕賱賱賷 禺賱丕賴丕 乇賵丕賷丞 毓亘賯乇賷丞责
賱丕 胤亘毓丕賸 賵 夭賷 賲丕 賯丕賱 廿賷賰賵 賱丕 賷噩亘 兀賳 賳鬲爻丕卅賱 兀賲丕賲 賰鬲丕亘 賲丕匕丕 賷賯賵賱 賵賱賰賳 賲丕匕丕 賷乇賷丿 兀賳 賷賯賵賱貙 丕賱賰鬲亘 賱賲 鬲賵囟毓 賰賷 賳丐賲賳 亘賲丕 鬲賯賵賱賴 賵賱賰賳 賰賷 賳鬲丨乇賷 賮賷賴丕..
賵賴賵 丿丞 丕賱賱賷 廿賷賰賵 毓丕賵夭 賷賯賵賱賴..廿賳賳丕 賳賯乇兀 賰賱 丨丕噩丞 賵賳賮賰乇 賵賳毓乇賮 廿賳 賲賮賷卮 丨賯賷賯丞 賱丕 賷毓鬲乇賷賴丕 丕賱卮賰..
亘爻 賴賱 賷丕 鬲乇賷 賮賷 爻賯賮 賱賱賲毓乇賮丞责賴賱 鬲爻鬲胤賷毓 丕賱鬲亘賱賷睾 亘毓賱賲賰 兀賵 丨鬲賷 亘乇兀賷賰 责賴賱 丕賱丕禺乇賷賳 丨賷爻賲丨賵丕 賱賰 亘匕賱賰责
賴賱 賰賱 賵丕丨丿 賱賷賴 賯賳丕毓丕鬲 賵賲卮 丨賷睾賷乇賴丕责賴賱 丕賱賱賷 賮賷 廿賷丿賴 爻賱胤丞 爻賵丕亍 爻賱胤丞 丿賷賳賷丞 兀賵 睾賷乇賴 賲賳 丨賯賴 丕賳賴 賷丨噩乇 毓賱賷 賮賰乇 丕賱賳丕爻责賴賱 廿鬲賴丕賲 丕賱賳丕爻 亘丕賱賴乇胤賯丞 賵丨乇賯賴賲 丕賱賱賷 賰丕賳 亘賷丨氐賱 夭賲丕賳 貙賲卮 亘賷丨氐賱 亘乇丿賴 丿賱賵賯鬲賷 賮賷 毓丕賱賲賳丕 丕賱丨丿賷孬 亘氐賵乇丞 兀賵 亘兀禺乇賷责
兀爻卅賱丞 賱丕 鬲賳鬲賴賷 丨鬲爻兀賱賴丕 賱賳賮爻賰 胤賵賱 賲丕 兀賳鬲 亘鬲賯乇兀...

賵 兀禺賷乇丕賸 賲賴賲丕 廿鬲賰賱賲鬲 毓賳 丕賱乇賵丕賷丞 賲卮 丨毓乇賮 兀丿賷賴丕 丨賯賴丕.. 鬲爻鬲丕賴賱 賰賱 丿賯賷賯丞 貙鬲爻鬲丕賴賱 賰賱 丕賱鬲毓亘 賵丕賱賲噩賴賵丿 賵賷賰賮賷賳賷 賮禺乇丕賸 賱賵 丨丿 爻兀賱賳賷 丕賷賴 廿賳噩丕夭鬲賰 賮賷 丕賱賯乇丕亍丞 丨賯賵賱賴 :賷丕 毓賲 賵爻毓 賲賳 賴賳丕..兀賳丕 賯乇賷鬲 丕爻賲 丕賱賵乇丿丞:))
Profile Image for 尝耻铆蝉.
2,286 reviews1,190 followers
May 31, 2024
We more readily remember the film than the book, and today, I admit that the two mix, but I enjoyed both so much!
Eco's writing is erudite and detailed but still pleasant to read; the delicacy of the descriptions (architecture, characters, books) is an absolute pleasure.
We are in an absolute thriller with suspense, intrigues, and an investigator as fine as mysterious, a closed, scary world!
Profile Image for Lawyer.
384 reviews949 followers
December 17, 2013
"The Name of the Rose" is not a book to be picked up lightly with the expectation that you, the reader, are about to embark on a traditional work of historical fiction. Umberto Eco expects much from the reader of this book. Almost immediately the unsuspecting reader will find himself dropped into the midst of the High Middle Ages, a society completely foreign for the majority of modern readers.

In historical context, the story occurs during the time the Papacy had moved from its traditional location in Italy to Avignon. John XXII is a Pope brought to the head of the Holy Roman Church by the King of France. John is not the first Pope to leave the Church's Italian home.

However, it is 1327, and great dissatisfaction pervades Europe that a French King should have political influence over the Church. Traditionally, following the division of the Roman Empire between West and East, the secular protection of the Church had fallen to the Emperor of the Holy Roman Empire, a title held by members of the royal families of Germany. In that year, Louis IV would declare himself the King of Italy and in 1328 he would crown himself the next Emperor of the Holy Roman Empire.

Louis' entrance into Italy was inevitable, as King Phillip of France had encouraged an alliance with the "French" Pope through his connection with the King of Naples. Louis' sympathies, or perhaps his political acumen, led him to support the Franciscan Order, committed to the life of poverty. This was in direct contradiction to the Papal Bulls issued by John XXII, who saw the Franciscan Orders as a disruptive force among the common people. Off shoots of the Fransiscan's, particularly the Psuedo-Apostles, led by Fra Dolcino, had led to absolute chaos in Italy. Dolcino's common followers attacked the wealthy to bring about a universal state of poverty. There should be no rich. There should be no poor. The ultimate goal of Dolcino was to abolish the need of the Church and place it under the authority of the people. Under this theory, there was no need for Popes, Cardinals, Bishops, or ecclesiastical offices of any type.

William of Baskerville's purpose in going to the Abbey of Melko is as an emissary of the Imperial Theologians to negotiate a meeting between legations appointed by the Pope and Louis to resolve the conflict between the Papacy, the Minorite or Franciscan orders, and Louis. What is at stake is a reinterpretation between Church and State. That the underlying issue concerns who will wield true power in Europe is obvious.

However, William's true mission is delayed. For, upon his arrival, he discovers that a young Illuminator in the Abbey's Scriptorium has met an untimely death. Was it murder or suicide? The death of a second monk, clearly indicates that someone in the closed society of the Abbey of Melk is a murderer.

Accompanied by his scribe, Adso, William sets out to investigate the deaths of the two monks. The mystery only deepens as more deaths occur. The circumstances seem to follow the sounding of the trumpets as revealed in the Revelation of John.

Eco continues to complicate the facts of William's case by revealing that the Abbey contains one of the finest libraries known in the contemporary world. Interestingly, no one but the Librarian, his assistant, or someone with the permission of the Abbot himself can gain entry to the library, which is protected by a labyrinth seemingly incapable of being navigated.

William of Baskerville is the equivalent of a Medieval Sherlock Holmes. Adso, whose French name happens to be Adson, conveniently rhyming with Watson. William is a man committed to logic. He is a student of Roger Bacon. He is a contemporary of William of Occam. It should come as no surprise that he is capable of the art of deduction through that logic, nor that he should be in possession of a pair of optical lenses, serving him as eyeglasses enabling him to read the tiny writing of a murdered monk, barely perceptible to the naked eye. The monk's almost invisible writing lead William and Adso to discover the secrets of the labyrinth and to search for a book that seems to hold the motive for the accumulating bodies, day by day.

The Abbot pointedly tells William that the matter of these deaths must be resolved prior to the arrival of the two legations. The Papal legation is headed by Bernard of Gui, an infamous inquisitor who has burned many a heretic in his long history as a defender of the faith. Surely Bernard will take over the question of the deaths at the Abbey and use them to strengthen the Pope's position that the Franciscan's philosophy of the poverty of Christ be eliminated by the Pope.

William and Adso's exploration of the labyrinth to discover a missing book, the seeming motive for the murders, intensify. And they succeed in discovering their way through the labyrinth. However, they are unsuccessful in unraveling an endless thread of textual clues leading from one manuscript to the next prior to the arrival of the two opposed legations.

As feared, the discovery of yet another body, the herbalist Severinus, leads Bernard Gui to take over the inquisition to root out the evil present in the abbey. Bernard is ruthless. Torture is an accepted practice to disclose the works of the devil. As expected, Bernard announces he intends to inform the Pope that the Franciscan orders of Poverty should be prohibited.

Nevertheless, William and Adso will solve the mystery of the labyrinth, the secret manuscript it contains, and the identity of the murderer. In keeping with my practice not to reveal any spoilers of plot, I will not address the identity of the murderer, nor the motive for the crimes.

But, I will say this. "The Name of the Rose" is a labyrinth complete within itself. While a labyrinth may contain a solution, and one may escape its twists and turns, it is not always possible to end up with an answer that leaves no ambiguity. There is more than one labyrinth present in Eco's wonderful work. One question relates to the interpretation of knowledge itself. Is knowledge finite? Are there universal truths? Or is it a matter of what appears to be the truth only subject to interpretation by individuals?

To the librarians of the Abbey Melko, knowledge was something to be protected from disclosure. As I mentioned to one friend, the library took on the connotation of Eden's Tree of Life, from which man and woman were forbidden to eat. It was knowledge gained from eating the forbidden fruit that led to the loss of innocence. Considering that the library contained many works considered by the librarians to be the work of infidels, it would be their purpose to hide those works from the innocent. Yet, the mere possession of that knowledge also led to its misinterpretation and the accusation of heresy.

Clearly, during the heated debate between the Papal and Imperial Legations, knowledge did not exist independent of the thinker's perception. One postulation of a particular theological theorem was subject to debate on the most minute detail out of political motivation.

But, Adso may well have had the most significant statement to make regarding books and their contents. It will be one of my favorite passages:

"Until then I had thought each book spoke of the things, human or divine, that lie outside books. Now I realized that not infrequently books speak of books: it is as if they spoke among themselves. In the light of this reflection, the library seemed all the more disturbing to me. It was then the place of long, centuries-old murmuring, an imperceptible dialogue between one parchment and another, a living thing, a receptacle of powers not to ruled by a human mind, a treasure of secrets emanated by many minds, surviving the death of those who had produced them or had been their conveyors.鈥�


Even William was subject to hearing words so familiar, he knew he had read them before, but could not remember the name of the book. 鈥淚t seemed to me, as I read this page, that I had read some of these words before, and some phrases that are almost the same, which I have seen elsewhere, return to my mind?鈥�

Books find themselves the creator of other books,when they become so deeply planted in our subconscious. A famous contemporary example is found in Nabokov's "Lolita." Nabokov's character first appeared in a short story "Lolita," written in 1916 by Heinz von Eschwege. The story lines are quite similar. Nabokov has been said to have created artistic improprieties, or been subject to a phenomenon known as "cryptomnesia," a hidden memory of a story he had once read. Michael Marr, author of "The Two Lolitas," wrote, "Literature has always been a huge crucible in which familiar themes are continually recast..."

Perhaps James Baldwin said it best. "It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, or who had ever been alive."

As "The Name of the Rose" contains a multitude of Latin phrases, I think it fitting to add one more, not included in the book itself. That is "sub rosa." The concept first appears in Egyptian culture. The rose was the symbol of the Egyptian God Horus, most often represented by a child holding his finger to his mouth as if he were saying, "Shhhh." It became symbolic of silence. It reappears in Greek and Roman mythology. Venus/Aphrodite gave a rose to Cupid which served as a symbol of silence regarding her many indiscretions in love.

By the Middle Ages, the rose had a definite meaning. In those times, when a party of individuals met in a council hall, a rose was hung over the table. Whatever was discussed "under the rose" was secret and all parties meeting under the rose agreed that the subject of their discussions was confidential. Much lies under the surface of this novel. It was deemed by the characters to be secret. And so, I believe Eco would have us treat this novel in modo sub rosa, leaving each reader to discover its secrets in their own manner. The further one delves, the more secrets remain to be discovered.

Profile Image for Murray.
Author听152 books728 followers
December 25, 2024
Why are the Monks Dying?

馃└ An intriguing and well-written medieval mystery piece that is not easy for the novel鈥檚 sleuths or its readers to solve.

The monastics are dying off from unnatural causes, but the monk protagonist, sent in by higher authority, despite his best efforts, is unable to discover the source. Though it seems it must be one of the brethren who is doing the killing.

The monastic community does not come off well in Eco鈥檚 story. Critics claim the book is a deliberate and planned attack on the Christian faith and the Roman Catholic Church. You鈥檒l have to decide for yourself.

It is well put together. Labyrinth upon labyrinth upon labyrinth within the mind and within the monastery.

A worthwhile read.
Profile Image for Andy Marr.
Author听4 books1,122 followers
November 7, 2022
By page 30, I was all ready to name the rose Barry and be done with it, but for some reason I pushed on through to the end. This is less a novel than a smug and rambling treatise by a self-worshipping author desperate to show the world how clever he is. Utter garbage, but two stars because it was still much better than .
Profile Image for Jason Pettus.
Author听15 books1,430 followers
March 11, 2008
(Reprinted from the Chicago Center for Literature and Photography [cclapcenter.com]. I am the original author of this essay, as well as the owner of CCLaP; it is not being reprinted here illegally.)

The CCLaP 100: In which I read a hundred so-called "classics" and then write reports on whether or not I think they deserve the label
Book #7: The Name of the Rose, by Umberto Eco

The story in a nutshell:
In one of the more fascinating stories of how a novelist was first drawn to his profession, scholar Umberto Eco was actually an Italian history professor and Medieval expert for years before ever turning to creative writing; according to legend, it was his thrilling and exacting retelling of actual Dark Age stories that inspired his friends to keep urging him to write a novel based in those times, which he finally did in the late 1970s. As such, then, The Name of the Rose is a bizarre amalgam that you scarcely ever find in contemporary literature -- a genre actioner (murder mystery) with a lot of melodramatic elements at its core, but at the same time a detailed historical look at actual 1300s Europe, with a big part of the reason to read this book being so that one can be exposed to the meticulous detail of Eco's prose on the subject, from the period's clothing and architecture to its religious structures and philosophies. But on top of this, turns out that Eco is a postmodernist and accomplished semiotics expert as well, turning the book not just into a potboiler mystery and historical novel but indeed an entire thesis on the nature of language itself, on the meaning behind symbols, and on why human behavior repeats itself so often no matter which age you study, and no matter what the rationale behind such behavior during any given age.

Plotwise it's the story of a Franciscan monk named William of Baskerville, which is just the start of the sly references to Sherlock Holmes Eco deliberately inserts; turns out that William is also British, a champion of logic and deductive reasoning, and even has a clueless teenage assistant named Adso who stands in symbolically for the equally clueless audience. William is in Italy, helping a fellow monk investigate a mysterious death in the fortified abbey where the man leads; turns out, in fact, that this is one of the largest and most renowned of all the Christian Dark-Age monastery libraries, attracting an international team of egghead monks and a scholarly atmosphere more akin to modern universities. Both the novel and the investigation take place over seven days at this fortress/abbey, where William and Adso spend their time gathering clues, pontificating on all kinds of subjects that intellectuals in the 1300s pontificated on, and examining in detail such historical details as the church's then-ongoing debate over whether it's better to be rich or poor, as well as why the Benedictine monks and the Franciscan ones hated each other so intensely back then in the first place. This being a murder mystery, of course, the actual plot is something best left for the reader to discover on their own, although I'll warn you that the actual "whodunit" part isn't very suspenseful; as mentioned above, the real point of this being a murder mystery is for Eco to show just how similarly humans behaved back then as we do now, even as the times themselves inspire completely different motivations and excuses. (So in other words, a lot less "I love my baby's mamma" in the 1300s, a lot more "The devil made me do it.")

The argument for it being a classic:
Fans of this novel (and there are a whole lot of them; it's hard to dislike this book, frankly) argue that this book deserves the "classic" label more quickly than a lot of other contemporary novels do (after all, the book's only 27 years old at this point), precisely because it deals with issues from an age of classics; so in other words, because it's set in Medieval times, is written in Dark Age vernacular and includes historical details worthily accurate of the respected academe Eco is, fans claim that of course The Name of the Rose will eventually be a classic, such a foregone conclusion that we might as well declare it one now. Ah, but there's also a much stronger argument for this being considered a classic right now; as mentioned, many of those who study the esoteric academic field of semiotics claim that the novel is a perfect example of what they do, explained in layman's terms so that non-academes can finally get it. As such, then, these people claim that The Name of the Rose is not just an exciting DaVinci-Code-style historical thriller, but also a densely layered examination of stories about stories about stories, of symbols about symbols about symbols, of the meaning behind meaning behind meaning. Yeah, see what they mean when they say that semiotics is a hard thing to explain to the general public?

The argument against:
The main argument against this being a classic seems to be one brought up a lot with well-written yet contemporary books ("contemporary" in this case being any less than half a century old) -- that the book is simply too new to be able to reasonably judge whether it should rightly be called a timeless classic, one of those fabled "books you should read before you die." For just one example, when The Name of the Rose first came out in 1980, it was the first time anyone had ever tried setting a rational Holmesian-style mystery story within a Medieval monastery; in the years since, we've had all kinds of projects on the subject, including a popular weekly BBC/Masterpiece series. It's a great book, even its critics are quick to point out, even if somewhat on the dry side at points (ugh, all those debates about papal decrees); but who's to say if anyone's going to even remember this novel a hundred years from now, or the notoriously spotty career Eco has since had as a novelist. (Don't forget, Eco is mostly a scholar and historian; although considered a rockstar in the academic world, his reputation as a writer of fiction is much more contentious.)

My verdict:
So let's make it clear right off the bat -- that from a pure entertainment standpoint, The Name of the Rose is one of the most delightful novels I've read in years, years. It's funny, it's smart, it's insightful, it's thrilling, it's nerdy; Cheese And Rice, it's everything a lover of books could possibly ever want from a well-done one. But is it a classic? Well, unfortunately, I think I'm going to have to agree with the critics on this one; that although it could very well become a classic one day, one of those Catcher in the Rye style "one-hit wonders" that populate so many lists, I think it's simply too early to make such a call either in a positive or negative way, especially considering Eco's otherwise spotty career as a novelist. That's part of the point of "classics" lists existing, after all, and why those who care about such lists take them so seriously; because ultimately such a designation should reflect not only how good a book itself is, but how well it's stood the test of time, of how relevant it's continued to be to generation after generation, of how timeless the author's style and word-choice. One always has to be careful when adding newish books to such lists, especially novels less than 30 years old, because we have no idea at this point how such books are going to stand the test of time; load up your classics list with such titles, and your list suddenly becomes worthless fluff, as relevant and important as a whole evening of handing out freakin' Quill Awards. It's for this reason that I'm excluding The Name of the Rose from my own personal Canon, although still highly encourage all of you to actually read it, just from the standpoint of pure enjoyment.

Is it a classic? Not yet
2 reviews10 followers
April 21, 2008
If I had to spend a year on a desert island and was only allowed to take one book, this would be it.

At the time of its publication, one reviewer described `The Name of the Rose' as "a book about everything". At first glance, it may seem to be a book largely about obscure Fourteenth Century religious controversies, heresies and sects, with a murder mystery mixed in. But this is a book that rewards repeat readings (I've just finished it for the seventh time), and the heart of the novel is in its exposition of semiotics - the world as a blizzard of signs and life and thought as their constant interpretation. Just as Brother William of Baskerville guides the na茂ve Adso through the world of the monastery and the wider world of knowledge and reason, so Eco guides the reader through a story where few things are what they seem and everything can be read several ways.

Even the `obscure Fourteenth Century sects', which many readers find bewildering, dull or both, represent far more than they seem at first glance. The long controversy over the poverty of Christ and its application in the medieval Church forms the focus for a wide-ranging analysis of how ideals can motivate and inspire different people in different ways. In this novel we find skeptics (like William), mystical non-conformists (like Umbertino de Casale), terrorists and revolutionaries (like the Dolcinite heretics) and rigid fundamentalists (like Jorge and Bernard Gui). At the time of its first publication, the parallels between the book's religious politics and modern manifestations of the same ways of thinking, including Cold War political expediency and terrorists like the Red Brigades, would have been obvious to Italian readers. These days, in the wake of 9/11 and the Iraq War, Eco's analysis has not lost any of its resonance.

Some warnings for new readers - if you think (the truly appalling) `The Da Vinci Code' was "masterful writing", you probably want to save yourself time and effort and read something else. It's not as daunting as many make out, but "Rose" is far from a light read. Eco also deliberately made the first 100 pages a difficult read, but stick with it. All those obscure politics and odd names do make some sense after a while.

Secondly, many reviewers have complained about the untranslated Latin passages. Despite what some of them have said, these are rarely more than a line or two and usually short lines at that. Medievalists will recognise most of them anyway (they are quotes from the Vulgate, Occam and Aquinas and so on, and usually famous ones), but non-specialists will usually get the essence of them from their contexts. In almost all cases they are roughly translated or paraphrased in the dialogue that precedes or follows them anyway, so they aren't actually `untranslated' at all - they just look that way.

Thirdly, people who approach this novel merely as a medieval whodunit a la the Brother Caedfel mysteries are likely to find `Rose' a strain. While the mystery story forms the basis of the plot, there is a lot more to this novel than plot. Some have said they found the mystery clich茅d and derivative of other mysteries. Ummm ... yes - Eco is a postmodernist. It's *meant* to be derivative.

The real joy of this novel is its layers of meaning, which is why it's one that can be read and re-read with new discoveries every time. It's a delight to read and great exercise for the mind and spirit, as well as a counter to those who think the Middle Ages was simply a period of superstition and ignorance. Far from being an anachronism or a prefigurement of more `enlightened' times, William of Baskerville represents the medieval voices of reason, innovation and logic that are ignored by most popular representations of this badly misunderstood period.

A must read - but with your brain well and truly in high gear.
Profile Image for 賮丐丕丿.
1,098 reviews2,242 followers
May 25, 2018
賲賶 禺賵丕賷丿 乇丕噩毓 亘賴 賮乇賯賴 賴丕賶 賮乇丕賳爻賷爻賰賳 賵 亘賳丿賷賰鬲賷賳 賵 賮乇丕鬲賷趩賱賶 亘禺賵賳賷丿责 鬲賵賶 丕賷賳 賰鬲丕亘 賴爻鬲.
賲賶 禺賵丕賷丿 乇丕噩毓 亘賴 丿丕丿诏丕賴 賴丕賶 鬲賮鬲賷卮 毓賯丕賷丿 亘禺賵賳賷丿责 鬲賵賶 丕賷賳 賰鬲丕亘 賴爻鬲.
賲賶 禺賵丕賷丿 乇丕噩毓 亘賴 诏爻鬲乇卮 丿丕賳卮诏丕賴 賴丕 賵 丌睾丕夭 乇賳爻丕賳爻 亘禺賵賳賷丿责 鬲賵賶 丕賷賳 賰鬲丕亘 賴爻鬲.
賲賶 禺賵丕賷丿 乇丕噩毓 亘賴 賳賵賲賷賳丕賱賷爻賲 賵賷賱賷丕賲 丕賵賰丕賲 亘禺賵賳賷丿责 鬲賵賶 丕賷賳 賰鬲丕亘 賴爻鬲.
賲賶 禺賵丕賷丿 乇丕噩毓 亘賴 賰鬲丕亘 诏賲卮丿賴 賶 丕乇爻胤賵 亘禺賵賳賷丿责 鬲賵賶 丕賷賳 賰鬲丕亘 賴爻鬲.
丨鬲賶 丕诏賴 亘禺賵丕賷丿 乇丕噩毓 亘賴 卮乇賱賵賰 賴賵賱賲夭 賵 禺賵乇禺賴 賱賵賷賷爻 亘賵乇禺爻 賵 賱賵丿賵賷诏 賵賷鬲诏賳卮鬲丕賷賳 賴賲 亘禺賵賳賷丿貙 丿爻鬲 禺丕賱賶 丕夭 丕賷賳 賰鬲丕亘 亘乇 賳賲賶 诏乇丿賷丿.

賵 丕賱亘鬲賴 噩夭 丕賷賳 趩賴 丕賳鬲馗丕乇賶 賲賷卮賴 丿丕卮鬲 丕夭 丕賵賲亘乇鬲賵 丕賰賵责 賲乇丿賶 賰賴 賴賲賴 趩賷夭 乇賵 賲賷丿賵賳賴. 賵 丕賷賳 乇賷賵賷賵 賴賲 賳丕趩丕乇 鬲賰賴 倬丕乇賴 賴丕賷賶 倬乇丕賰賳丿賴 禺賵丕賴丿 亘賵丿貙 丕夭 賳賰丕鬲賶 賰賴 丕賷賳噩丕 賵 丕賵賳噩丕 亘賴 匕賴賳賲 乇爻賷丿賴.


佟. 賵賷賱賷丕賲 亘丕爻賰乇賵賷賱 賵 卮乇賱賵賰 賴賵賱賲夭




佗. 賰鬲丕亘 诏賲卮丿賴 賶 丕乇爻胤賵




鄢. 讴鬲丕亘禺丕賳賴



鄞. 倬爻鬲 賲丿乇賳蹖爻賲

Profile Image for Fernando.
718 reviews1,065 followers
September 16, 2022
鈥淗uye, Adso, de los profetas y de los que est谩n dispuestos a morir por la verdad, porque suelen provocar tambi茅n la muerte de muchos otros, a menudo antes que la propia, y a veces en lugar de la propia.鈥�

A veces me pregunto por qu茅 raz贸n tardo tanto en leer ciertos cl谩sicos, por qu茅 pasa el tiempo y tomo la decisi贸n de comenzarlos. No es la primera vez que sucede. Con esta novela casi perfecta de Umberto Eco me ha pasado lo mismo. Cuando finalizo uno de estos libros, me doy cuenta de mi error, omisi贸n o torpeza.
Nunca hab铆a le铆do a Eco, con excepci贸n de un libro a modo de entrevista (muy lindo por cierto que se llama "Nadie acabar谩 con los libros) aunque conoc铆a perfectamente de qui茅n se trataba.
Como con otros autores, me asombro del enorme nivel de erudici贸n y conocimientos que ten铆a este profesor italiano, ensayista, experto en semi贸tica ocupando la c谩tedra de la Universidad de Bolonia, fil贸sofo, novelista, traductor y cr铆tico literario, en fin, un genio...
Su legado es vasto, enorme y seguramente seguir茅 leyendo algunos libros m谩s de su autor铆a como "El p茅ndulo de Foucault" o "El cementerio de Praga".
Poco m谩s puedo agregar que no se haya dicho de esta, su mejor novela de todos los tiempos, publicada en 1980 y aclamada por todo el mundo, que originariamente hab铆a llamado " La abad铆a del delito" y la que luego, cambi贸 por "El nombre de la rosa".
En sus "Apostillas", Eco nos dice que opt贸 por este t铆tulo lleno de significados y propenso a la confusi贸n por parte de quien lee en sus "Apostillas": 芦Ya casi los ha perdido todos: rosa m铆stica, y como rosa ha vivido lo que viven las rosas, la guerra de las dos rosas, una rosa es una rosa, los rosacruces, gracias por las espl茅ndidas rosas, rosa fresca toda fragancia禄, que se relaciona a la trama de la novela, tan desconcertante por momentos y en donde se trata de llegar a una soluci贸n final que est谩 oculta.
Los hechos son narrados por Adso de Melk, quien, cuando joven es asistente de Fray Guillermo de Baskerville, una especie de monje mezclado con Sherlock Holmes, de una brillante capacidad de raciocinio altamente deductivo, a quien le encargan averiguar un asesinato u homicidio sucedido en una abad铆a benedictina.
Con Guillermo y Adso como personajes principales, iremos conociendo a otros que ser谩n muy importantes durante todo el desarrollo de la novela como el Abad Abone (pieza clave de todo este asunto), el monje Ubertino, el Inquisidor Bernardo de Guidi, Malaqu铆as de Hildesheim y luego los dem谩s monje de la orden que completan parte de la primera l铆nea de personajes secundarios como Adelmo da Otranto, Berengario de Arundel, Venancio de Salvemec, Bencio de Upsala, Remigio da Varagine, Severino da Saint'Emmerano, Alinardo de Grottaferrata (con sus 茅picas trompetas prof茅ticas) y varios m谩s.
Todos ellos crean un conjunto de posibles sospechosos o v铆ctimas, seg煤n el lector lo considere, ya que a partir de la primera muerte los hechos comenzar谩n a tornarse muy intricados y el suspenso ir谩 en aumento.
Lo notable de "El nombre de la rosa" es la diversidad de caracter铆sticas que posee, ya que es una novela de neto corte policial, es una impresionante reconstrucci贸n de la 茅poca medieval, dado que la acci贸n transcurre en el a帽o 1327, es un compendio de lat铆n,porque las frases en este idioma aparecen pr谩cticamente cada p谩rrafo por medio y obviamente se relacionan con lo religioso, es un tratado de Teolog铆a y de historia de la fe cat贸lica, es un acercamiento al mundo de los libros llamados incunables, o sea, aquellos que fueron impresos desde la aparici贸n de la imprenta hasta el a帽o 1500 (Eco pose铆a en su biblioteca personal una gran cantidad de ellos, obviamente invalorables), posee tambi茅n la inclusi贸n de un sinn煤mero de referencias a la Biblia (lo que demuestra el conocimiento total que Eco pose铆a de ella), es en cierto modo una gran cr铆tica al sistema sacerdotal y a la supuesta mezcla de conspiraciones, decadencia y corrupci贸n que este encierra, ya que a modo de cr铆tica, Eco remarca c贸mo a lo largo de la historia, Papas, sacerdotes y obispos han estado (y a煤n sigue estando) involucrados en hechos de corrupci贸n, blasfemia, sodom铆a y abusos de todo orden y todo nivel y es uno de los puntos principales de los que trata "El nombre de la rosa", el del intento de desenmascarar a los verdaderos culpables no s贸lo de los cr铆menes que se comenten en la abad铆a, sino tambi茅n de demostrar que no todo es santo en este 谩mbito, que est谩 impregnado de decadencia, corrompido por los mismos hombres que fomentan el bien cuando en realidad son justamente lo contrario.
A partir de cada muerto que va apareciendo, la novela se va asemejando a esos thrillers del estilo de la pel铆cula "Siete pecados capitales", logrando que todos desconf铆en de todos y en medio de semejante desconcierto, Guillermo de Baskerville trata de no perder el foco de su investigaci贸n, mientras que tambi茅n Adso es arrastrado por la vor谩gine de perversi贸n y muerte.
En la novela nos encontramos tambi茅n con verdaderas clases de lat铆n, una acalorada discusi贸n acerca de la risa, una conexi贸n con la carnavalizaci贸n bajtiniana, una acercamiento al misterio del Apocalipsis, libros ap贸crifos, compendios 谩rabes, textos en griego, lecciones de bot谩nica que abarca plantas, flores y venenos, la filosof铆a de Roger Bacon, la corrupci贸n de los valores, la ca铆da del hombre hacia la corrupci贸n de la carne, las alianzas y traiciones entre los monjes, (al fin y al cabo son humanos) y un sinf铆n de perversiones, deseos, alucinaciones, suicidios, cr铆menes, accidentes y tragedias.
P谩rrafo aparte para el homenaje de Umberto Eco hacia Jorge Luis Borges, en la figura del bibliotecario ciego, Jorge de Burgos, uno de los personajes m谩s importantes de esta novela, que resume toda la sabidur铆a que el gran escritor argentino pose铆a.
En la biblioteca del piso m谩s alto de la abad铆a est谩 la clave para desentra帽ar el misterio de todo lo que sucede, pero ya en las primeras p谩ginas, el Abad se lo proh铆be a Guillermo (y a nosotros los lectores), y para complicar inclusive mucho m谩s la investigaci贸n de Guillermo, est谩 construida como un aut茅ntico laberinto (otro gui帽o a Borges y a su cuento "La biblioteca de Babel" del libro "Ficciones"), entonces, el 煤nico recurso que nos queda es acompa帽ar a Guillermo y a Adso a descubrir la verdad, si es que esto puede lograrse ya que el camino hacia la verdad es tortuoso y en medio de 茅l est谩n los hombres y es justamente por esa raz贸n que tal vez, sea inalcanzable...
Profile Image for Piyangie.
593 reviews705 followers
April 19, 2024
I was attracted to The Name of the Rose some years ago when I learned that its story is centered on a medieval mystery set in an Italian Abbey. Now, I'm quite a fan of the mystery genre and I love history. Hence it went onto my "to read" pile. But it was there for quite some time, almost forgotten. But two years back, I visited the Melk Abbey, and I had a vague recollection that I've got a book in my collection that had some reference to the Abbey. Back at home, a quick search made me realize that it was The Name of the Rose. And what with my interest in history, mystery genre, and my visit to Melk Abbey, the book naturally gained priority in my reading order.

That is the history. Now I'll come to my reading experience. The Name of the Rose is by no means an easy book to read. It is heavy with medieval history and religious calamities of the time. The mystery, although cleverly written, felt more like an average mystery because its plot was so disturbed by historical and religious details that poured abundantly from Eco's pen. At first, it was difficult for me to get into the book. I felt the plot to be treading uncertainly, groping in the darkness to find its true path. Yet, though the plot suffered, I was drawn to the book as if by some magic. Eco's rich prose, through which he brings us a forgotten historical account of medieval time, recompensed enough to engage my attention. If I admired a book while still being exasperated to no end, I can easily say that The Name of the Rose falls within the category.

The plot of the book revolves around a series of murders that take place in a wealthy Franciscan abbey in Italy and one Franciscan friar's attempt at finding the criminal. The story sounds pretty interesting when summed up like that, but unfortunately, the historical and religious details make inroads into the plot and impede its smooth continuity. As a result, the story feels disjointed and incoherent. However, Eco throws in an interesting and diverse character set that, no matter what flaws founded in the plot, the story was felt alive and moving. Eco's rich prose and humour at times when you least expect it added much to the enjoyment. Honestly, it was the history, the setting, the characters, and Eco's writing that helped me sail through it.

Rating the book was quite a chore. So, I finally decided to break the story into sections and to rate it accordingly. The plot - 3 stars; the history, setting, characters, and writing - 4 stars. The scale was heavy on the latter side, hence the overall rating of 4 stars. I'm sure this rating gives quite a clear and honest picture of the book. If you are a mystery fan and are plot-driven, and not interested in medieval history and ancient architecture, this is not for you. But if you are quite in the opposite, I'm sure you'll enjoy it as much as I did.
Profile Image for Valeriu Gherghel.
Author听6 books1,972 followers
April 24, 2023
Ante scriptum. Acum e o mod膬 s膬-l conte葯ti pe Umberto Eco. Totu葯i, nu m膬 va convinge nimeni c膬 am citit un roman mediocru...

***

La o nou膬 edi葲ie, revizuit膬, un comentariu nou cu privire la scena de bibliofagie din finalul c膬r葲ii.

脦n Biblie, exist膬 dou膬 卯mprejur膬ri (una 卯n Vechiul Testament, cealalt膬 卯n Noul Testament) 卯n care un personaj e 卯ndemnat s膬 卯nghit膬 o carte, s膬 practice, astfel, bibliofagia: cele dou膬 personaje s卯nt, toat膬 lumea 葯tie, profetul Iezechiel 艧i sf卯ntul Ioan Teologul. Citez din Apocalipsa celui din urm膬: 鈥炁瀒 m-am dus la 卯nger 艧i i-am zis s膬-mi dea cartea. 艦i mi-a r膬spuns: Ia-o 艧i m膬n卯nc-o 艧i va am膬r卯 p卯ntecele t膬u, dar 卯n gura ta va fi dulce ca mierea鈥�. Prin 卯nghi葲ire, adev膬rul c膬r葲ii, semnifica葲iile ei s卯nt complet asimilate. 脦nghi葲irea e o form膬 de lectur膬 somatic膬.

Umberto Eco se va fi g卯ndit, cu siguran葲膬, la aceste locuri din Biblie c卯nd, la sf卯r葯itul romanului, 卯l pune pe sinistrul c膬lug膬r Jorge de Burgos s膬 卯nghit膬 ultimul exemplar din continuarea Poeticii lui Aristotel. Citez 卯nc膬 o dat膬:
鈥濧 卯nceput, cu m卯inile sale desc膬rnate 艧i delicate, s膬 sf卯艧ie 卯ncet, 卯n buc膬牛i 艧i 卯n f卯艧ii, paginile 卯nmuiate ale manuscrisului, b膬g卯ndu-艧i-le ghemotoace 卯n gur膬 艧i mestec卯ndu-le 卯ncet, ca 艧i cum ar fi m卯ncat ostia sf卯nt膬, 艧i ar fi vrut s-o preschimbe 卯n carne din propria lui carne. Gugliemlo 卯l privea fascinat 艧i p膬rea c膬 nu-艧i d膬 seama de ceea ce se 卯nt卯mpla. Apoi s-a scuturat 艧i s-a repezit 卯nainte strig卯nd:
- Ce faci? Jorge a z卯mbit, dezvelindu-艧i gingiile golite de s卯nge, 卯n timp ce o 艧uvi牛膬 de bale g膬lbui 卯i curgea de pe buzele albite pe firele albe 艧i rare de p膬r ale b膬rbiei.
- Tu e艧ti cel care a艧tepta sunetul celei de-a 艧aptea tr卯mbi牛e, nu-i a艧a? Ascult膬 acum ce spune glasul: pecetluie艧te cele ce au spus cele 艧apte tunete, 艧i nu scrie, ia-le 艧i devor膬-le, ele vor am膬r卯 p卯ntecul t膬u, dar pentru gura ta dulci vor fi, precum mierea. Vezi? Acum pecetluiesc ceea ce nu trebuie spus, 卯n morm卯ntul care devin鈥�.

Exist膬, cu toate acestea, o mare deosebire 卯ntre scenele de bibliofagie din Biblie 葯i aceea imaginat膬 de Umberto Eco. 脦n Biblie, 卯nghi葲irea este un mod de a face viu 卯n葲elesul c膬r葲ii, de a prelungi existen葲a ei 卯n fiin葲a 卯ns膬葯i a 鈥瀋ititorului鈥�, a devoratorului. 脦n Numele trandafirului, Jorge de Burgos vrea pur 葯i simplu s膬 distrug膬 manuscrisul p膬g卯n despre legile comediei. Distrugerea manuscrisului coincide cu distrugerea celui care 卯l 卯nghite. Ceea ce nu se 卯nt卯mpl膬 卯n cartea lui Iezechiel sau 卯n Apocalips膬. 脦n Biblie, rostul 卯nghi葲irii este cu totul altul...
Profile Image for Kevin Neilson.
41 reviews9 followers
April 27, 2010
What a didactic, tedious, prolix piece of trash! Eco writes whole paragraphs in Latin and then leaves them untranslated, because he's such an awesome polyglot that chicks want to do him. Readers are also expected to know Dutch. Eco likes to hear himself talk, too. Want to hear pedantic 14th-century theological arguments that stretch on for pages and have nothing to do with the plot? You've got it! Want a lame Dan Brown mystery, with the same stilted dialogue, but embellished with entire chapters of the author showing off how much trivia he knows about ancient Arab codices? No problem! The guy is such a tool that this is how he describes himself on the jacket: Umberto Eco is a world-famous specialist in semiotics, a distinguished historian, philosopher, aesthetician, and scholar whose interests range from St. Thomas Aquinas to James Joyce to Superman. I'm going to hurl. Aesthetician? Please. More like assthetician.

Do you think I'm exaggerating? I've proof: I've copied this terrible passage wherein the hero discovers how to enter the secret chamber, using his knowledge of the genitive case in Latin. Be careful not to hurl as you read this.

[The old Monk, William, and the narrator apprentice, Adso, are hiding out in the stables.:]
To his right, the the third animal in line raised his head, sensing our presence, and whinnied. I smiled. "Tertius equi," I said.
"What?" William asked.
"Nothing. I was remembering poor Salvatore. He wanted to perform God knows what magic with that horse, and, with his fractured Latin he called him 'tertius equi.' Which would be the u."
"The u?" asked William, who had heard my prattle without paying much attention to it.
"Yes, because 'tertiu equi' does not mean the third horse, but the third of the horse, and the third letter of the word 'equus' is u. But this is all nonsense..."
William looked at me, and in the darkness I seemed to see his face transformed. "God bless you, Adso!" he said to me. "Why, of course, suppositio materialis, the discourse is presumed de dicto and not de re....What a fool I am!" He gave himself such a great blow on the forehead that I heard a clap, and I believe he hurt himself. "My boy, this is the second time today that wisdom has spoken through your mouth, first in dream and now in waking! Run, run to your cell and fetch the lamp, or, rather, both lamps we hid. Let no one see you, and join me in the church at once! Ask no questions."
...
I ran into the church. William was under the tripod and was rereading the parchment with Venantius's notes.
"Adso," he said to me, "'primum et septimum de equator' does not mean the first and seventh of four, but of the four, the word 'four'!" For a moment I still did not understand, but then I was enlightened: "Super thronos viginti quatuor! The writing! The verse! The words are carved over the mirror!"
"Come," William said, "perhaps we are still in time to save a life!"
Profile Image for Nayra.Hassan.
1,259 reviews6,487 followers
November 15, 2022
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丨賮馗 丕賱賲毓乇賮丞责 丕賲 丕賱亘丨孬 毓賳 丕賱賲毓乇賮丞责
丕賷賴賲丕 購鬲孬賲賳责
賮賷 丕賱噩夭亍 丕賱賲禺賮賷 噩賲毓鬲 賮賷 賲匕丕賰乇鬲賷 賱賱賵乇丿丞 丕賯鬲亘丕爻丕鬲 毓丿丞 賳鬲噩鬲 毓賳 賲毓賷卮鬲賷 賮賷 丕賱丿賷乇.. 賱兀爻亘賵毓賷賳 貨 賮賴賱 賴賷 賱賱鬲丕乇賷禺听 丕賲 賱賱亘丨孬责


乇亘賲丕 賰丕賳 賵丕噩亘 賲賳 賷乇賷丿 丕賱禺賷乇 賱賱亘卮乇賷丞 賴賵 兀賳 賷噩毓賱賴丕 鬲囟丨賰 賲賳 丕賱丨賯賷賯丞
賱匕賱賰 爻毓丿鬲 賮毓賱丕 亘丕賳賳丕 噩毓賱賳丕 賲賳 鬲丨丿賷孬丕鬲 丕賱乇賵丕賷丞 丕乇囟丕 賱賱囟丨賰 亘賷賳賳丕 賵 賱賱賲賵賯毓 賰賱賴..听 賮丕賱囟丨賰 賵丨丿 亘賷賳賳丕 賵 噩毓賱賳丕 賳丨鬲賲賱 賲卮賯丞 乇丨賱丞 賮賰乇賷丞 賱賲 丕賰賳 賱丕賰賲賱賴丕 丕亘丿丕 亘丿賵賳 丕賱乇賮賯丞 賱賰賳 賰丕賳 賱丕亘丿 賲賳賴丕貨 賱丕賳賴丕 賲賳 乇賵丕賷丕鬲 丕賱
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賵 爻毓丿鬲. 亘丕賱鬲丨賵賱 丕賱丿賷賲賯乇丕胤賷 丕賱賲孬賲乇 馃槆

賴匕賴 丕賱爻噩丕賱丕鬲 丕賱賮賱爻賮賷丞 丕賱賱丕賳賴丕卅賷丞貨 丕賱賲乇卮賵卮丞 亘爻賰乇 賷爻賲賷: 賲賳 丕賱賯丕鬲賱.. 賱賷爻鬲 賱丕賲孬丕賱賷 賲胤賱賯丕.. 賲賲賳 賷賮囟賱賵賳 丕賲丕 丕賱禺賷丕賱貨丕賵 丕賱賵丕賯毓貨 賵 賴賵 賲丕 亘丨孬鬲 毓賳賴 賮賵賯 噩亘丕賱 丕賲亘乇鬲賵 賵 賱賲 丕噩丿賴..
亘賱 賵噩丿鬲 禺丿毓丞 賲賳 賳賵毓 賲丕 賵 賮賷賱爻賵賮 賵 亘丕丨孬 賷亘賴乇賳賷 胤賵丕賱 丕賱賵賯鬲 亘賲毓賱賵賲丕鬲 丕爻鬲毓乇丕囟賷丞 睾夭賷乇丞 賱丕 丕毓乇賮 賴賱 爻鬲賳賮毓賳賷 賷賵賲丕..
賱賰賳 亘丕賱賳爻亘丞 賱賷 賷噩亘 毓賱賷 丕賱賲丐賱賮 賰爻亘 丕賱賯丕乇賶 賱丕 丕賲鬲丨丕賳賴 賵 鬲丨丿賷賴

賱賵 賯賷賲鬲賴丕 賰賰鬲丕亘 賮賱爻賮賷 鬲丨賱賷賱賷 噩丿賱賷 賱丕毓胤賷鬲賴丕 禺賲爻丞 亘賱丕 噩丿丕賱.. 賱賰賳 賰乇賵丕賷丞貨 賮丕爻賱賵亘賴丕 丕賱乇賵丕卅賷 孬賯賷賱 乇鬲賷亘
賰賱 賴匕丕 乇亘賲丕 賱丕賳賷 賱賲 丕噩丿 丕賱毓賱丕賯丞 亘賷賳 毓賱丕賲丕鬲 丕賲亘乇鬲賵 亘賱 賵噩丿鬲 亘卮乇丕 賲鬲賳丕賯囟賷賳 賮賷 氐乇丕毓賴賲 丕賱丕亘丿賷 亘賷賳 丕賱賳賵乇 賵 丕賱胤賷賳
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March 24, 2016
丕賱賰鬲亘 賱賲 鬲賵囟毓 賰賷 賳丐賲賳 亘賲丕 鬲賯賵賱賴 賵賱賰賳 賰賷 賳鬲丨乇賾賶 賮賷賴丕貙 賱丕 賷噩亘 兀賳 賳鬲爻丕亍賱 兀賲丕賲 賰鬲丕亘 賲丕匕丕 賷賯賵賱 賵賱賰賳 賲丕匕丕 賷乇賷丿 兀賳 賷賯賵賱.

賰賷 鬲毓乇賮 賲丕 賷賯賵賱 賰鬲丕亘 賷噩亘 兀賳 鬲賯乇兀 賰鬲亘賸丕 兀禺乇賶.

賴賳丕賰 賳賵毓丕賳 賲賳 丕賱兀毓賲丕賱 丕賱賲乇賴賯丞貨 丕賱兀賵賱 兀賲賯鬲賴 亘卮丿丞 賵兀卮毓乇 兀孬賳丕亍 賯乇丕亍鬲賴 亘賲賱賱 賱丕 賷賳鬲賴賷 賵鬲卮鬲鬲 賷丿賮毓賳賷 賱丕丨鬲賲丕賱賴賲丕 賵丕噩亘 廿賳賴丕亍 丕賱賰鬲丕亘. 賷毓鬲氐乇賳賷 丨鬲賶 丕賱賳賴丕賷丞貙 賵賯丿 兀賰賵賳 氐亘賵乇丞 亘丕賱賯丿乇 丕賱賰丕賮賷 賱廿賳賴丕卅賴 賵賯丿 賱丕 兀賮毓賱.
賵丕賱丌禺乇 乇睾賲 兀賳賴 賲乇賴賯 賱賰賳賴 賲賲鬲毓 (兀賵 乇亘賲丕 賴賵 賲賲鬲毓 賱兀賳賴 賲乇賴賯貙 賱丕 兀丿乇賷)貙 賷毓鬲氐乇 毓賯賱賷貙 賷購乇亘賰賳賷貙 賵亘卮賰賱 賲丕 賱丕 兀爻鬲胤賷毓 鬲丨丿賷丿賴 賵賱丕 氐賷丕睾鬲賴 賮賷 兀賮賰丕乇 賲賱賲賵爻丞 賮賵乇 丕賱丕賳鬲賴丕亍貙 賷購賱賴賲賳賷賾.

賯亘賱 丕賱賯乇丕亍丞 賱廿賷賰賵 賵丕賱鬲賷 賰賳鬲 兀賯賵賲 亘鬲兀噩賷賱賴丕 賰孬賷乇賸丕 賱丕 兀毓賱賲 賱賲賻责 賰賳鬲 兀毓鬲賯丿 兀賳 丕賱賯乇丕亍丞 賱賴 賲賳 丕賱賳賵毓 丕賱兀賵賱 丕賱匕賷 賷囟噩乇賳賷賾 賵賱賳 丕爻鬲胤賷毓 丕賱丕賳鬲賴丕亍 賲賳 丕賱鬲噩乇亘丞 丕賱兀賵賱貙 賱賰賳 兀賱賲 賷賰賳 賴匕丕 卮毓賵乇賷 兀賷囟賸丕 丨賷賳 亘丿兀鬲 丕賱賯乇丕亍丞 賱爻丕乇丕賲丕噩賵责 賱賲 兀賰賳 兀賮賴賲 兀爻賱賵亘賴 賵胤乇賷賯鬲賴貙 賲丕匕丕 賷乇賷丿 兀賳 賷賯賵賱 賴匕丕 丕賱乇噩賱责 賵賱賲賻 賷爻鬲毓賲賱 賴匕賴 丕賱胤乇賷賯丞 丕賱賲囟噩乇丞 賵丕賱賲乇賴賯丞 賮賷 丕賱賰鬲丕亘丞责 孬賲 氐乇鬲 丕賱丌賳 丕賯乇兀 兀毓賲丕賱賴 "亘毓卮賯" 賵兀賰亘丨 乇睾亘鬲賷 賮賷 賯乇丕亍鬲賴丕 噩賲賷毓賸丕 丨鬲賶 賱丕 賷賳鬲賴賷 丕賱爻丨乇 爻乇賷毓賸丕.
賱匕丕 賯乇乇鬲 兀賳 丕賯乇兀 賱廿賷賰賵 賵賮賷 丿禺賷賱鬲賷 廿賳 賱賲 賷賰賳 丕賱賱賯丕亍 丕賱兀賵賱 噩賷丿 賮賱丕 亘兀爻貙 爻賷賰賵賳 賴賳丕賰 賱賯丕亍丕鬲 兀禺乇賶 賰孬賷乇丞 賱賰賳 賱賲 賷賰賳 廿賷賰賵 毓賳丿 爻賵亍 馗賳賷 賵賯丿賲 乇賵丕賷丞 賲鬲賰丕賲賱丞 亘丨賷孬 兀賷賸丕 賲丕 賰丕賳 丕賴鬲賲丕賲 丕賱賯丕乇卅 爻賷噩丿賴.

丕賱乇賵丕賷丞 鬲噩賲毓 亘賷賳 丕賱賰孬賷乇 賲賳 丕賱氐賮丕鬲貨 賮賴賷 鬲丕乇賷禺賷丞 丿賷賳賷丞 賮賱爻賮賷丞 亘賵賱賷爻賷丞 賰賱 匕賱賰 賮賷 廿胤丕乇 賷乇亘胤賴 兀賰孬乇 丕賱兀卮賷丕亍 丕賱鬲賷 鬲孬賷乇 卮睾賮 兀賷 賯丕乇卅 (丕賱賲賰鬲亘丞= 丕賱賰購鬲亘= 丕賱賲毓乇賮丞) 賱賰賳 亘丕賱賳爻亘丞 賱鬲丕乇賷禺賷丞 丕賱乇賵丕賷丞 賮賴賷 賱賲 鬲孬賷乇 卮睾賮賷 賰孬賷乇賸丕 賱兀賰孬乇 賲賳 爻亘亘貙 賲賳賴丕 賯乇丕亍丕鬲賷 丕賱爻丕亘賯丞 賮賷 鬲丕乇賷禺 丕賱賲爻賷丨賷丞 賮賷 丕賱毓氐賵乇 丕賱賵爻胤賶 賵丨鬲賶 鬲丕乇賷禺 賮賱爻賮鬲賴丕 賵乇睾賲 兀賳賴丕 賱賲 鬲賰賳 賯乇丕亍丕鬲 賰孬賷乇丞 賵睾夭賷乇丞 亘卮賰賱 賷噩毓賱賳賷 賲卮亘毓丞 賲賳賴丕 賱賰賳賳賷 兀夭毓賲 兀賳賴丕 賰丕賳鬲 賰丕賮賷丞 賱兀丿乇賰 兀賳賴 賱賷爻 亘賴丕 賲丕 賷噩毓賱賳賷 兀鬲毓賲賯 兀賰孬乇 亘賴丕.

賰賲丕 兀賳 賯乇丕亍丞 毓夭丕夭賷賱 夭賷丿丕賳 噩毓賱鬲 賮賰乇丞 丕賱賯氐丞 睾賷乇 賲賱賮鬲丞 賰孬賷乇賸丕貙 賱丕 丕賱賮賰乇丞 賵賱丕 丕賱丨賯亘丞 亘丕賱鬲丕賱賷 丕賱噩夭亍 丕賱鬲丕乇賷禺賷 賮賷 丕賱乇賵丕賷丞 賱丕 賷賴賲賳賷 賰孬賷乇賸丕貨 丕賱賱賴賲 丕賱賲噩丕丿賱丕鬲 丨賵賱 賮賯乇 丕賱賲爻賷丨 賵丕賱丨賵丕乇賷賷賳 賵乇睾亘丞 丕賱亘丕亘丕 賮賷 賳賮賷賴丕 丨鬲賶 賷爻鬲胤賷毓 兀賳 賷賰鬲賳夭 賲賳 丕賱兀賲賵丕賱 賵丕賱賳賮賵匕 賲丕 卮丕亍 賵乇睾亘丞 丕賱廿賲亘乇丕胤賵乇 賮賷 廿孬亘丕鬲賴丕 賱賱丨丿 賲賳 爻賱胤丕賳 丕賱亘丕亘丕 賵賰賱 賴匕丕 亘丕賱丿賷賳 賵亘賲毓賵賳鬲賴.
賲乇丞 兀禺乇賶 兀噩丿賳賷 兀賯賵賱貨 賲丕 兀亘卮毓 丕賱兀卮賷丕亍 丕賱鬲賷 鬲購乇鬲賰亘 亘丕爻賲 丕賱廿賱賴!
賵賴匕丕 賴賵 丕賱噩夭亍 丕賱丿賷賳賷 賮賷 丕賱乇賵丕賷丞 丕賱匕賷 丕爻鬲賵賯賮賳賷貙 禺丕氐丞 賵兀賳賴 賷鬲卮丕亘賴 賰孬賷乇賸丕 賲毓 賵丕賯毓賳丕 丕賱丨丕賱賷 (丨鬲賶 賷賵乇噩 賮賷 氐賱賮賴 賵噩賲賵丿賴 賮賷 丕賱丿賮丕毓 毓賳 賮賴賲賴 丕賱禺丕胤卅 賱丿賷賳賴 賵乇睾亘鬲賴 賮賷 賮乇囟 賴匕丕 丕賱賮賴賲 丨鬲賶 賵廿賳 賰丕賳 氐丨賷丨賸丕 亘丕賱賳爻亘丞 賱賴 毓賱賶 賰賱 賲賳 丨賵賱賴 毓賳賵丞貙 丨鬲賶 賷賵乇噩 賮賷 丕毓鬲賯丕丿賴 兀賳賴 賷丿 丕賱乇亘 賱丕 賷禺鬲賱賮 賰孬賷乇賸丕 毓賳 兀賵賱卅賰 丕賱賲賳鬲卮乇賵賳 賮賷 賵丕賯毓賳丕貙 丨購乇丕爻 丕賱賮囟賷賱丞 賵賲賱丕賰 丕賱丨賯賷賯丞 丕賱賲胤賱賯丞!) 乇亘賲丕 賱匕賱賰 丕爻鬲賵賯賮賳賷 丕賱噩夭亍 丕賱丿賷賳賷 賲賳 丕賱乇賵丕賷丞 毓賱賶 丕賱毓賰爻 賲賳 丕賱噩夭亍 丕賱鬲丕乇賷禺賷貨 氐賱鬲賴 亘卮賰賱 兀賵 亘丌禺乇貙 賲鬲卮丕亘賴 廿賱賶 丨丿 賰亘賷乇 亘賵丕賯毓賷.

丕賱噩夭亍 丕賱賮賱爻賮賷 賴賵 兀賰孬乇 丕賱兀噩夭丕亍 賲鬲毓丞 毓賱賶 丕賱廿胤賱丕賯 鈥撡勜Y� 賴匕丕 賲丕 賷孬賷乇 丕賴鬲賲丕賲賷 賰賯丕乇卅- 賷賱賷賴 丕賱噩夭亍 丕賱亘賵賱賷爻賷 丕賱兀賯賱 賲鬲毓丞 賵丕賱匕賷 賮賷 乇兀賷賷 丕爻鬲賲丿 賲鬲毓鬲賴 賲賳 丕賱噩夭亍 丕賱賮賱爻賮賷 賵賲賳 胤乇賷賯丞 睾賵丕賱賷丕賱賲賵 賮賷 鬲丨賯賷賯 丕賱丕爻鬲賳鬲丕噩丕鬲 賵賵囟毓 賲賯丿賲丕鬲 賲賳胤賯賷丞 賵丕賮鬲乇丕囟丕鬲 賵賳鬲丕卅噩 毓丿賷丿丞 賵賲鬲賳賵毓丞 賷毓丕賰爻 兀丨丿丕賴丕 丕賱丌禺乇 (賵乇亘賲丕 丕噩鬲賴丿 賱兀鬲毓賱賲 卮賷亍 賰賴匕丕) 賵丕賱鬲賷 賮賷 丕賱賳賴丕賷丞 鬲賳鬲賴賷 亘賵囟毓賴丕 賮賷 賯丕賱亘 賮賱爻賮賷 亘丿賷毓.
賲賳 丕賱噩夭亍 丕賱賮賱爻賮賷貙 賵賲賳 丕賱兀卮賷丕亍 丕賱鬲賷 鬲賮賱爻賮 亘賴丕 廿賷賰賵 毓賱賶 賱爻丕賳 睾賵丕賱賷丕賱賲賵 賰丕賳 丕賱丨丿賷孬 毓賳 丕賱賲毓乇賮丞 賵丕賱丨賯賷賯丞 (丕賱賲賰鬲亘丞 賵賲丕 鬲丨鬲賵賷賴 賲賳 賰購鬲亘 賵賲丕 鬲丨鬲賵賷賴 賴匕賴 丕賱賰購鬲亘 亘丿賵乇賴丕 賲賳 賲毓乇賮丞 爻鬲爻丕毓丿賳丕 亘卮賰賱 兀賵 亘丌禺乇 賮賷 氐賷丕睾丞 丕賱丨賯賷賯丞 廿匕丕 賰丕賳鬲 賲賵噩賵丿丞 兀賵 毓賱賶 丕賱兀賯賱 氐賷丕睾丞 丨賯賷賯鬲賳丕 丕賱禺丕氐丞 丕賱鬲賷 鬲賯賳毓賳丕 賵鬲乇囟賷賳丕 賰賲丕 兀毓鬲賯丿) 賴賷 兀賰孬乇 丕賱兀卮賷丕亍 丕賱鬲賷 卮丨匕鬲 毓賯賱賷.
賰賲 賰丕賳 賲賳馗乇 丕賱胤亘賷毓丞 噩賲賷賱丕賸 賵賱賲 鬲賲爻爻賴 亘毓丿 賷丿 丕賱賲毓乇賮丞 丕賱廿賳爻丕賳賷丞貙 丕賱鬲賷 睾丕賱亘賸丕 賲丕 鬲賰賵賳 賲購賳丨乇賮丞!

賵賱賰賳 賮賷 丕賱賷賵賲 丕賱匕賷 鬲亘乇乇 賮賷賴 賰賱賲丞 丕賱賮賷賱爻賵賮 丕賱兀賱毓丕亘 丕賱赖丕賲卮賷丞 賱賱賲禺賷賱丞 丕賱賲卮賵卮丞貙 毓賳丿卅匕 賲丕 賰丕賳 毓賱賶 丕賱丨丕卮賷丞 賷賯賮夭 丨賯賷賯丞 廿賱賶 丕賱賲鬲賳 賵賷購賮鬲賯丿 賲賳 丕賱賲鬲賳 賰賱 兀孬乇.

賱賲賻 賯丿 鬲賰賵賳 丕賱賲毓乇賮丞 卮賷亍 賲禺賷賮 廿賱賶 賴匕賴 丕賱丿乇噩丞 丕賱鬲賷 鬲噩毓賱賴丕 賲丿賮賵賳丞 賵賲丨購乇賲丞责 賴賱 禺賵賮 毓賱賶 賲丕 賳丐賲賳 亘賴责 賱賰賳 廿匕丕 賰丕賳 賲丕 賳丐賲賳 亘賴 賴卮賾 廿賱賶 丿乇噩丞 丕賳賴賷丕乇賴 賲毓 兀賵賱 胤乇賯丞 賲賳 丕賱賲毓乇賮丞责 廿匕丕 賰丕賳 丕賱賲鬲賳 賯賵賷賾 賵氐丨賷丨 賱賳 賷賳賲丨賷 兀孬乇賴 亘丕賱賲毓乇賮丞 亘賱 爻賷鬲囟丨 賵賷氐亘丨 兀賯賵賶.
賵廿匕丕 賱賲 賷賰賳 賲丕 兀丐賲賳 亘賴 賯賵賷 賵賲鬲賲丕爻賰 亘丕賱丿乇噩丞 丕賱鬲賷 鬲噩毓賱 丕賱賲毓乇賮丞 丿丕毓賲丞 賱賴 賵賱賷爻鬲 賴丕丿賲丞 賮賱丕 丨丕噩丞 賱賷賾 亘賴 賲賳 丕賱兀爻丕爻!
賱賲賻 賵亘兀賷 賲亘乇乇 賷丨乇賲賳丕 賲賳 賮賷 賷丿賷賴賲 丕賱爻賱胤丞 賲賳 兀賵賱卅賰 丕賱匕賷賳 賮賷 賷丿賷賴賲 丕賱賲毓乇賮丞责
廿賳賳丕 兀賯夭丕賲貙 賵賱賰賳賳丕 兀賯夭丕賲 賳賯賮 賮賵賯 兀賰鬲丕賮 兀賵賱卅賰 丕賱噩亘丕亘乇丞貙 賵乇睾賲 氐睾乇賳丕 賳爻鬲胤賷毓 兀賳 賳乇賶 賮賷 亘毓囟 丕賱兀丨賷丕賳 兀亘毓丿 賲賳賴賲 賮賷 丕賱兀賮賯

賮丕賱乇賵丕賷丞 丕賱鬲賷 鬲賯賵賱 兀賳 丌丿賲 胤購乇丿 賲賳 丕賱噩賳丞 賱兀賳賴 兀賰賱 賲賳 卮噩乇丞 丕賱賲毓乇賮丞貙 賵鬲丨賱賷賱 睾賵丕賱賷丕賱賲賵 丕賱乇睾亘丞 賮賷 丕賱賲毓乇賮丞 毓賱賶 兀賳賴丕 卮賴賵丞 鬲賲丕賲賸丕 賰卮賴賵丞 丕賱噩賳爻 賵卮賴賵丞 丕賱兀賰賱 噩毓賱賳賷 兀賮賰乇 賰孬賷乇賸丕 禺丕氐丞 賵兀賳 賰賱 賯丕乇卅 卮睾賵賮 亘胤亘毓賴貙 賵賱丿賷賴 丕賱賰孬賷乇 賲賳 丕賱賮囟賵賱.
賵兀賳丕 兀夭毓賲 兀賳 賱丿賷 兀胤賳丕賳 賲賳 丕賱賮囟賵賱 賵丕賱卮睾賮 兀賵 兀賳賳賷 賰賲丕 賷賯賵賱 廿賷賰賵 兀丨亘 丕賱廿氐睾丕亍 廿賱賶 丕賱賰賱賲丕鬲 孬賲 丕賱鬲賮賰賷乇 賮賷賴丕.
賴賱 鬲鬲丨賵賱 乇睾亘鬲賳丕 賮賷 丕賱賲毓乇賮丞 廿賱賶 賲噩乇丿 卮賴賵丞 毓賲賷丕亍 賱丕 賷賯賵丿賴丕 毓賯賱 賵賱丕 賷爻鬲胤賷毓 丕賱鬲丨賰賲 亘賴丕责 禺丕氐丞 賵兀賳賴丕 亘禺賱丕賮 卮賴賵鬲賷賾 丕賱兀賰賱 賵丕賱噩賳爻 賱丕 鬲賳鬲賴賷 亘賲噩乇丿 丕賱廿賳鬲賴丕亍 賲賳 廿卮亘丕毓賴丕貙 賮賴賷 賱丕 鬲購卮亘毓 兀亘丿賸丕 亘賱 鬲夭賷丿 賵鬲氐亘丨 兀賯賵賶 賲賳 匕賷 賯亘賱.
賴匕丕 賷噩毓賱賰 鬲賮賰乇貙 賴賱 鬲賯乇兀 賱賱亘丨孬 賵丕賱賲毓乇賮丞 賵丕賱孬賯丕賮丞貙 賰賷 鬲噩丿 囟丌賱鬲賰 兀賲 鬲賯乇兀 賮賯胤 "賱賱乇睾亘丞 賮賷 丕賱賯乇丕亍丞责 賷亘丿賵 兀賳 丨鬲賶 丕賱賯乇丕亍丞 賵丕賱賲毓乇賮丞 卮兀賳賴丕 卮兀賳 兀賷 卮賷卅賸丕 丌禺乇 廿匕丕 賱賲 賷丨賰賲賴丕 丕賱毓賯賱 爻鬲氐亘丨 賲噩乇丿 卮賴賵丞 賰賲丕 賵氐賮賴丕 睾賵丕賱賷丕賱賲賵.
睾賵丕賱賷丕賱賲賵 丕賱匕賷 丕鬲賮賯鬲 賰孬賷乇賸丕 賲賳 兀賮賰丕乇賴 賲毓 兀賮賰丕乇賷貙 賵兀禺乇賶 賰賳鬲 兀賮賰乇 亘賴丕 賵賱丕 兀爻鬲胤毓 氐賷丕睾鬲賴丕 賰賲丕 氐丕睾賴丕 賴賵 亘爻賴賵賱丞貙 賵兀禺乇賶 兀賱賴賲賳賷 廿賷丕賴丕.
卮禺氐賷丞 睾賵丕賱賷丕賱賲賵 鬲賱賲毓 亘賰孬賷乇 賲賳 丕賱氐賮丕鬲 丕賱鬲賷 兀毓鬲賯丿 兀賳賴丕 氐賮丕鬲 廿賷賰賵 丕賱禺丕氐丞貙 賵兀賳賴 賵囟毓 賮賷 賴匕賴 丕賱卮禺氐賷丞 賰孬賷乇賸丕 賲賳賴.
賲噩乇丿 鬲禺賲賷賳 乇亘賲丕 賷鬲囟丨 氐丨鬲賴 賲賳 毓丿賲賴 賮賷 丕賱賯乇丕亍丕鬲 丕賱賯丕丿賲丞 賱賴.
廿賳 兀賯氐賶 賲丕 賷賲賰賳賳丕 賮毓賱賴 賴賵 兀賳 賳賳馗乇 兀丨爻賳.

賮賷 丕賱賳賴丕賷丞貙 乇亘賲丕 賴匕丕 亘丕賱賮毓賱 兀賯氐賶 賲丕 賷賲賰賳賳丕 賮毓賱賴

賲乇丕噩毓鬲賷 毓賳 丨丕卮賷丞 毓賱賶 丕爻賲 丕賱賵乇丿丞

鬲賲賾鬲
Profile Image for Whitaker.
298 reviews554 followers
July 16, 2014
Forget Christopher Hitchens. Away with that Richard Doggins guy. For a truly penetrating look at religion and atheism, Umberto Eco, he da man.

The Name of the Rose is a profoundly nihilistic book. It is ostensibly a book about a murder mystery: A man, a monk rather, Brother William, arrives with his assistant, Adso, at an abbey high in the Italian Alps. A murder has been committed, and Brother William will apply reason and logic鈥攁 Sherlock avant la lettre鈥攖o deduce the murderer. Or does he? He does indeed find out the process by which the victims die. And there is a villain.

The novel begins, 鈥淚n the beginning was the Word, and the Word was with God, and the Word was God.鈥� And it then proceeds to systematically dismantle all words鈥攎erely signifiers leading to other signifiers labyrinth without end. Umberto Eco stares in the abyss, and the abyss laughs mockingly back.

I was profoundly moved, depressed, and discombobulated. Five stars 鈥搘hatever the hell that means.
Profile Image for Dream.M.
910 reviews491 followers
January 19, 2023
芦丌賳讴 賳丕賲 诏賱禄 卮丕賴讴丕乇蹖 賲賱賯亘 亘賴 芦Deus magisteriorum (禺丿丕蹖 卮丕賴讴丕乇賴丕)禄 賳賵卮鬲賴 芦丕賲亘乇鬲賵 丕讴賵禄貙 讴鬲丕亘蹖賴 讴賴 爻乇賳賵卮鬲 禺賵丕賳賳丿賴 丕卮 乇賵 毓賵囟 賲蹖鈥屭┵嗁�!

丿乇亘丕乇賴 丕蹖賳 乇賲丕賳 乇蹖賵蹖賵賵 賴丕 賵 賲賯丕賱賴 賴丕蹖 毓丕賱蹖 亘爻蹖丕乇蹖 賳賵卮鬲賴 卮丿賴 讴賴 亘毓囟丕賸 丕夭 蹖讴 賮氐賱 讴鬲丕亘 賴賲 胤賵賱丕賳蹖 鬲乇賳 賵 丕睾賱亘 卮賵賳 鬲賲丕賲 噩賳亘賴 賴丕蹖 賮乇賲蹖 賵 賲丨鬲賵丕蹖蹖 讴鬲丕亘 乇賵 乇賵卮賳 讴乇丿賳貨 賵 禺亘 賲賳 賮讴乇 讴乇丿賲 趩蹖 亘賳賵蹖爻賲 讴賴 賯亘賱丕 賳賵卮鬲賴 賵 诏賮鬲賴 賳卮丿賴责 亘賳丕亘乇丕蹖賳 爻毓蹖 賲蹖讴賳賲 丕賵賱 丕夭 丕丨爻丕爻賲 丿乇亘丕乇賴 讴鬲丕亘 亘诏賲. 馃拋鈥嶁檧

鉂も€嶐煍� 丿乇 爻鬲丕蹖卮 丕讴賵:
鬲亘丿蹖賱 卮丿賳 丕讴賵 亘賴 蹖讴 趩賴乇賴 亘乇噩爻鬲賴 丿乇 丿賳蹖丕蹖 乇賲丕賳貙 亘乇丕蹖 卮丕诏乇丿丕賳卮 賴賲賵賳賯丿乇 毓噩蹖亘 賵 亘丕賵乇賳讴乇丿賳蹖 亘賵丿 讴賴 丿蹖丿賳 蹖讴 蹖賵賳蹖讴賵乇賳 鬲賵蹖 噩賳诏賱 賴丕蹖 诏蹖爻賵賲. 賵賯鬲蹖 丕賲亘乇鬲賵 丕讴賵貙 丕爻鬲丕丿 賳卮丕賳賴 卮賳丕爻蹖 賵 賳賵蹖爻賳丿賴 讴鬲丕亘 賴丕蹖 毓賱賲蹖貙 丕蹖賳 丕賵賱蹖賳 乇賲丕賳卮 乇賵 丿乇 爻丕賱 郾酃鄹鄢 賲賳鬲卮乇 讴乇丿貙 讴爻蹖 丕夭 丕胤乇丕賮蹖丕賳 賵 卮丕诏乇丿丕賳卮 鬲氐賵乇卮 乇賵 賴賲 賳賲蹖鈥屭┴必� 讴賴 丕蹖賳 讴鬲丕亘 鬲賵蹖 丕賵賱蹖賳 爻丕賱 丕賳鬲卮丕乇 蹖讴 賲蹖賱蹖賵賳 賳爻禺賴 亘賮乇賵卮賴 賵 丕蹖賳趩賳蹖賳 胤蹖賮 賵爻蹖毓蹖 丕夭 賲禺丕胤亘丕賳 賵 賲賳鬲賯丿丕賳 乇賵 賲噩匕賵亘 禺賵丿卮 讴賳賴貙 丕賲丕 讴乇丿!
丕讴賵 賴賲賵賳 賳賵蹖爻賳丿賴 丕蹖賴 讴賴 亘賯蹖賴 乇賲丕賳 賳賵蹖爻丕賳 噩賴丕賳 亘丕蹖丿 丕夭卮 賲鬲賳賮乇 亘丕卮賳貨 趩賵賳 亘丕 禺賵丕賳丿賳 丨鬲蹖 賮賯胤 蹖讴蹖 丕夭 讴鬲丕亘 賴丕卮貙 禺賵丕賳賳丿賴 丕卮 趩賳丕賳 賱匕鬲 賵丕賱丕蹖蹖 丕夭 爻賮乇 亘賴 丿賳蹖丕賴丕蹖 趩賳丿诏丕賳賴 賵 丿丕爻鬲丕賳蹖貙 丿乇讴 卮毓賵乇貙 鬲爻賱胤 亘賴 丿丕賳卮 賵 丿賵乇賳賲丕蹖蹖 丕夭 夭蹖亘丕蹖蹖 丕賳丿蹖卮賴 乇賵 鬲噩乇亘賴 賲蹖讴賳賴 讴賴 丿蹖诏賴 丕賲讴丕賳 賳丿丕乇賴听 賴乇诏夭 亘鬲賵賳賴 丿乇 賴蹖趩 讴鬲丕亘蹖 丕夭 賴蹖趩 賳賵蹖爻賳丿賴 丕蹖 丿賵亘丕乇賴 鬲賲丕賲 丕蹖賳 賴丕 乇賵 讴賳丕乇 賴賲 賵 亘丕賴賲 鬲噩乇亘賴 讴賳賴. 賲胤賲毓賳丕 鬲丕孬蹖乇 卮诏賮鬲 丕賳诏蹖夭蹖 讴賴 丕讴賵 乇賵蹖 乇賵丕賳 賵 乇賵丨 禺賵丕賳賳丿賴 賲蹖鈥屫柏ж辟� 鬲丕 丌禺乇蹖賳 乇賵夭 夭賳丿诏蹖 亘丕賯蹖 賲蹖 賲賵賳賴貙 亘胤賵乇蹖讴賴 丕蹖賳 鬲丕孬蹖乇 賲賲讴賳賴 讴賲乇賳诏 亘卮賴 賵賱蹖 賴賲蹖卮賴 丌丿賲 乇賵 夭蹖乇 爻丕蹖賴 禺賵丿卮 賳诏賴 賲蹖丿丕乇賴.


鉂も€嶐煍� 丿乇 爻鬲丕蹖卮 乇賲丕賳 賳丕賲 诏賱 爻乇禺:
丕賲丕 乇賲丕賳 芦 丌賳讴 賳丕賲 诏賱禄貙 賴賲賵賳 趩蹖夭蹖賴 讴賴 賴乇 讴爻蹖 ( 蹖丕 讴鬲丕亘禺賵丕賳蹖) 亘丕蹖丿 丨鬲賲丕 丨丿丕賯賱 蹖讴亘丕乇 鬲賵蹖 夭賳丿诏蹖卮 丕賵賳賵 亘禺賵賳賴 鬲丕 賲鬲賵噩賴 亘卮賴 蹖讴 丿丕爻鬲丕賳 毓丕賱蹖 趩蹖賴 賵 丕夭 趩賴 丕噩夭丕蹖蹖 鬲卮讴蹖賱 賲蹖卮賴. 鬲乇讴蹖亘蹖 丕夭 丿丕爻鬲丕賳 賴丕蹖 賲毓賲丕蹖蹖貙 倬賱蹖爻蹖貙 賳賵丌乇貙 诏賵鬲蹖诏貙 賲匕賴亘蹖貙 賮乇賯賴 丕蹖貙 鬲丕乇蹖禺蹖貙 賮賱爻賮蹖貙 賮丕賳鬲夭蹖貙 卮丕賲賱 氐丨賳賴 賴丕蹖 毓卮賯蹖貙 诏乇丕蹖卮丕鬲 噩賳爻蹖 賲禺鬲賱賮 賵 亘丕 丕乇噩丕毓丕鬲 賲鬲毓丿丿 亘賴 賵賯丕蹖毓 賵丕賯毓蹖貙 讴賴 亘丕 蹖讴 禺胤 丿丕爻鬲丕賳蹖 倬乇讴卮卮 賵 倬乇鬲毓賱蹖賯 亘賴 賴賲 夭賳噩蹖乇 卮丿賳 賵 賲睾夭 禺賵丕賳賳丿賴 乇賵 丕賵賳賯丿乇 亘丕丿 賲蹖讴賳賳 讴賴 丿蹖诏賴 爻乇卮 丕夭 蹖賯賴 賱亘丕爻 乇丿 賳卮賴. (賲賳 丕賱亘鬲賴 丕夭 賴賲賴 丕蹖賳 丕噩夭丕 賱匕鬲 亘乇丿賲 亘禺氐賵氐 丕夭 賯爻賲鬲 蹖賵賳蹖讴賵乇賳卮. 馃槍)
丨鬲蹖 亘乇丕蹖 丌賳賴丕蹖蹖 讴賴 丿丕爻鬲丕賳 丿賵爻鬲 賳丿丕乇賳貙 芦賳丕賲 诏賱禄 蹖讴 丿丕蹖乇賴 丕賱賲毓丕乇賮 丕夭 賲匕賴亘 賲爻蹖丨蹖鬲 賵 賮乇賯賴 賴丕蹖 賲禺鬲賱賮 丕賵賳貙 鬲丕乇蹖禺趩賴 賯乇賵賳 賵爻胤丕貙 诏蹖丕賴卮賳丕爻蹖貙 爻賲 卮賳丕爻蹖貙 讴鬲丕亘卮賳丕爻蹖貙 賳卮丕賳賴 卮賳丕爻蹖貙 賵 鬲氐賵蹖乇 趩賴乇賴 賴賵賱賳丕讴 丿丕丿诏丕賴 賴丕蹖 鬲賮鬲蹖卮 毓賯丕蹖丿 賴爻鬲 讴賴 亘丕 丕蹖賳 丨噩賲 丕夭 丕胤賱丕毓丕鬲 賵 丿丕賳卮貙 亘賴 噩乇丕鬲 禺賵丕賳賳丿賴 丕卮 乇賵 亘賴 趩賳丿蹖賳 爻胤丨 亘丕賱丕鬲乇 丕夭 蹖讴 乇賲丕賳 禺賵丕賳 賲毓賲賵賱蹖 丕乇鬲賯丕 賲蹖丿賴 賵 丨賯蹖賯鬲丕 讴鬲丕亘 賲賮蹖丿蹖賴.
賵 丕賲丕 亘乇丕蹖 丕賵賳賴丕 毓卮賯 讴賴 亘賴 讴鬲丕亘 鬲賵蹖 乇诏 賴丕卮賵賳 噩乇蹖丕賳 丿丕乇賴貙 芦賳丕賲 诏賱 爻乇禺禄 賵蹖跇诏蹖 禺丕氐 賵 噩匕丕亘 丿蹖诏賴 丕蹖 丿丕乇賴 讴賴 賳賲蹖卮賴 丕夭卮 诏匕卮鬲貨 趩賵賳 賴賲賵賳胤賵乇 讴賴 丕睾賱亘 爻鬲丕蹖卮诏乇丕賳 丕蹖賳 乇賲丕賳 賲蹖诏賳貙 賴蹖噩丕賳 丕賳诏蹖夭 鬲乇蹖賳 噩賳亘賴 丕卮 丕蹖賳賴 讴賴 丕蹖賳 讴鬲丕亘蹖 丿乇亘丕乇賴 讴鬲丕亘 賴丕爻鬲. 讴賱 賲丕噩乇丕蹖 賴蹖噩丕賳 丕賳诏蹖夭 丕蹖賳 乇賲丕賳 丨賵賱 趩賳丿 讴鬲丕亘 賵 丿爻鬲 賳賵卮鬲賴 禺丕氐 賲蹖诏乇丿賴 讴賴 讴鬲丕亘 诏賲卮丿賴 丕乇爻胤賵 蹖讴蹖 丕夭 賲賴賲鬲乇蹖賳 丌賳賴丕爻鬲 賵 丨鬲蹖 讴丕乇丕讴鬲乇 賳丕亘睾賴 讴鬲丕亘 趩賳丿 噩丕 亘賴 禺賵丕賳賳丿賴 丌賲賵夭卮 賲蹖丿賴 讴賴 趩胤賵乇 賲蹖卮賴 亘丕 禺賵丕賳丿賳 蹖讴 讴鬲丕亘貙 賲賮賴賵賲 讴鬲丕亘 丿蹖诏賴 丕蹖 乇賵 賮賴賲蹖丿.
禺亘! 賲賳 丿蹖诏賴 賳賲蹖鈥屫堎嗁� 蹖讴 讴鬲丕亘 亘丕蹖丿 丿蹖诏賴 趩蹖 亘賴 禺賵丕賳賳丿賴 丕卮 亘丿賴 讴賴 鬲亘丿蹖賱 亘賴 卮丕賴讴丕乇 賳卮賴责 賵 鬲毓噩亘 賲蹖讴賳賲 亘丕 賴賲賴 丕蹖賳 鬲賵氐蹖賮丕鬲 趩乇丕 賴賳賵夭 亘賴 賱蹖爻鬲 禺賵丕賳丿賳蹖 賴丕鬲賵賳 丕囟丕賮賴 丕卮 賳讴乇丿蹖丿责

鉂も€嶐煍� 丕爻倬賵蹖賱 禺胤 丿丕爻鬲丕賳蹖:
禺亘 賲蹖乇爻蹖賲 亘賴 賯爻賲鬲 賲賵乇丿 毓賱丕賯賴 禺賵丿賲 丕夭 乇蹖賵蹖賵賵 賳賵蹖爻蹖貙 蹖毓賳蹖 丕爻倬賵蹖賱 丿丕爻鬲丕賳 馃き
丕蹖賳 乇賲丕賳 亘丕 蹖讴 賲丕噩乇丕蹖 賲毓賲丕蹖蹖 賳卮丕賳賴 卮賳丕爻蹖 卮乇賵毓 賲蹖卮賴 讴賴 賴賲賴 賲丕 卮亘蹖賴 丕賵賳賵 鬲賵蹖 賮丕乇爻蹖 趩賴丕乇賲 丿亘爻鬲丕賳 禺賵賳丿蹖賲 (丨讴丕蹖鬲 丕賱丕睾蹖 讴賴 趩卮賲 趩倬卮 讴賵乇 亘賵丿 賵 倬丕蹖 乇丕爻鬲卮 賲蹖鈥屬勝嗂屫� 賵 亘丕乇 诏賳丿賲 賲蹖 亘乇丿) 賵 丕讴賵 賯乇丕乇賴 亘丕 賴賲蹖賳 卮乇賵毓 噩匕丕亘 禺賵丕賳賳丿賴 乇賵 丿乇噩丕 鬲丨鬲 鬲丕孬蹖乇 賯乇丕乇 亘丿賴貙 賵 丿賵鬲丕 卮禺氐蹖鬲 丕氐賱蹖 丿丕爻鬲丕賳 乇賵 讴賴 賲毓丕丿賱 卮乇賱賵讴 賴賱賲夭 賵 丿讴鬲乇 賵丕鬲爻賵賳 賴爻鬲賳 亘賴 賲丕 賲毓乇賮蹖 讴賳賴 賵 賴賵卮 賵 賳丨賵賴 丕爻鬲丿賱丕賱 卮賵賳 乇賵 亘賴 乇禺 亘讴卮賴.
丕蹖賳 丿賵鬲丕 卮禺氐蹖鬲 芦賵蹖賱蹖丕賲 亘丕爻讴乇賵蹖賱禄 賲爻鬲賳胤賯 爻丕亘賯 丿丕丿诏丕賴 鬲賮鬲蹖卮 毓賯丕蹖丿 賵 丿爻鬲蹖丕乇 噩賵丕賳卮 芦丕賵丿爻賵禄 賴爻鬲賳 讴賴 亘乇丕蹖 亘丨孬 丿乇賲賵乇丿 丕賱賴蹖丕鬲 賵 丨賱 丕禺鬲賱丕賮 賳馗乇 亘蹖賳 丿賵 賮乇賯賴 賮乇丕賳爻蹖爻讴賳 賴丕 賵 丿賵賲蹖賳蹖讴賳 賴丕貙 乇丕賴蹖 蹖讴 氐賵賲毓賴 丕蹖鬲丕賱蹖丕蹖蹖 賲蹖卮賳 賵賱蹖 亘賴 賲丨囟 賵乇賵丿 亘丕 氐丨賳賴 賲乇诏 蹖讴 讴卮蹖卮 噩賵丕賳 乇賵亘乇賵 賲蹖卮賳 賵 卮乇賵毓 亘賴 鬲丨賯蹖賯 丿乇亘丕乇賴 丕賵賳 賲蹖 讴賳賳. 亘丕 诏匕卮鬲 夭賲丕賳貙 賯鬲賱 賴丕蹖 亘蹖卮鬲乇蹖 鬲賵蹖 氐賵賲毓賴 丕鬲賮丕賯 賲蹖賵賮鬲賴 賵 丿丕爻鬲丕賳 乇賵 賵丕乇丿 賲丕噩乇丕賴丕蹖 倬蹖趩蹖丿賴 鬲乇 賵 賴蹖噩丕賳 丕賳诏蹖夭 鬲乇 賲蹖鈥屭┵嗁� 讴賴 禺賵丿鬲賵賳 亘丕蹖丿 亘禺賵賳蹖丿. 丿乇 噩乇蹖丕賳 丕蹖賳 鬲丨賯蹖賯丕鬲 貙 乇蹖蹖爻 氐賵賲毓賴 亘賴 賵蹖賱蹖丕賲 賵 丕賵丿爻賵 丕噩丕夭賴 賲蹖丿賴 亘賴 賴賲賴 噩丕蹖 氐賵賲毓賴 爻乇 亘夭賳賳 亘噩夭 讴鬲丕亘禺丕賳賴 丕爻乇丕乇 丌賲蹖夭 賵 賴夭丕乇鬲賵蹖 丕賵賳噩丕貙 趩賵賳 丕賵賳噩丕 蹖讴 賲讴丕賳 賲乇賲賵夭 賵 賲丨丕賮馗鬲 卮丿賴 丕爻鬲 讴賴 诏賳噩蹖賳賴 鬲賲丕賲 毓賱賵賲 丿賳蹖丕 丿乇 丕賵賳噩丕 鬲賵爻胤 讴鬲丕亘丿丕乇 讴賵乇蹖 賳诏賴丿丕乇蹖 賲蹖卮賴 賵 丕賵賳賯丿乇 鬲賵丿乇鬲賵 賴爻鬲卮 讴賴 賲賲讴賳賴 賴乇诏夭 賳鬲賵賳賳 丕夭卮 禺丕乇噩 亘卮賳.
丕賲丕 禺亘貙 趩蹖 亘乇丕蹖 蹖讴 讴丕乇诏丕賴 噩匕丕亘 鬲乇 丕夭 蹖讴 賲讴丕賳 賲賲賳賵毓賴 賵噩賵丿 丿丕乇賴责责
賵蹖賱蹖丕賲 亘丕 丿賳亘丕賱 讴乇丿賳 趩賳丿 賯鬲賱 丕賵賱 賵 丿賳亘丕賱 讴乇丿賳 賳卮賵賳賴 賴丕貙 丕蹖賳 賮乇囟 乇賵 丿賳亘丕賱 賲蹖鈥屭┵嗁� 讴賴 亘丕 蹖讴 賯丕鬲賱 賲鬲賵賴賲 賵 賲匕賴亘蹖 乇賵蹖乇賵毓賴 讴賴 亘乇丕蹖 讴卮鬲丕乇卮 丕夭 鬲賵氐蹖賮 讴鬲丕亘 賲賯丿爻 丕夭 丌禺乇丕賱夭賲丕賳 丕賱賴丕賲 诏乇賮鬲賴.听丕賵賳 賴賲趩賳蹖賳 丕蹖賳 賯鬲賱鈥屬囏� 乇賵 亘賴 讴鬲丕亘蹖 丕夭 丕乇爻胤賵 乇亘胤 賲蹖丿賴 讴賴 亘毓囟蹖 賲乇丿賲 鬲氐賵乇 賲蹖讴賳賳 诏賲 卮丿賴 賵 丕睾賱亘 鬲氐賵乇 賲蹖讴賳賳 賴乇诏夭 賳賵卮鬲賴 賳卮丿賴 丕賲丕 丿乇 丨賯蹖賯鬲 鬲賵蹖 讴鬲丕亘禺丕賳賴 賴夭丕乇鬲賵蹖 氐賵賲毓賴 倬賳賴丕賳 卮丿賴.听
丿乇 賳賴丕蹖鬲 賵 亘毓丿 讴賱蹖 賯鬲賱 賵 夭賳丿賴 爻賵夭賵賳丿賳 丌丿賲丕貙 丕賵賳 賲鬲賵噩賴 賲蹖 卮賴 讴賴 賯丕鬲賱 丕氐賱蹖 讴鬲丕亘丿丕乇 讴賵乇 氐賵賲毓賴貙 禺賵乇禺賴 丕爻貙 讴賴 倬蹖乇 鬲乇蹖賳 賵 賯丿蹖賲蹖 鬲乇蹖賳 乇丕賴亘 丕賵賳噩丕爻鬲 賵 鬲賲丕賲 丕爻乇丕乇 氐賵賲毓賴 乇賵 賲蹖丿賵賳賴. 丕賵賳 鬲賲丕賲 丕蹖賳 賯鬲賱 賴丕 乇賵听 亘禺丕胤乇 丨賮丕馗鬲 丕夭 鬲賳賴丕 賳爻禺賴 賲賵噩賵丿 丕夭 丿賵賲蹖賳 讴鬲丕亘 卮毓乇 丕乇爻胤賵 (賴賲賵賳讴賴 亘丕賱丕鬲乇 诏賮鬲賲) 丕賳噩丕賲 賲蹖丿賴 賵 丕賳诏蹖夭賴 丕卮 賴賲 丕蹖賳賴 讴賴 讴爻蹖 亘賴 丕蹖賳 讴鬲丕亘 丿爻鬲 倬蹖丿丕 賳讴賳賴. 趩乇丕 丕蹖賳 讴鬲丕亘 丕蹖賳賯丿乇 亘乇丕蹖 禺賵乇禺賴 賲賴賲賴责责 趩賵賳 讴鬲丕亘 丿賵賲 丕乇爻胤賵 丿乇亘丕乇賴 讴賲丿蹖 賳賵卮鬲賴 卮丿賴 賵 禺賳丿賴 乇賵 鬲卮賵蹖賯 賲蹖讴賳賴貙 趩蹖夭蹖 讴賴 亘乇禺賱丕賮 丕毓鬲賯丕丿丕鬲 禺賵乇禺賴 賵 氐賵賲毓賴 丕爻鬲 賵 丕賵賳賵 诏賲乇丕賴 讴賳賳丿賴 賵 卮蹖胤丕賳蹖 賲蹖丿賵賳賴. 丿乇 丕禺乇貙 賵賯鬲蹖 禺賵乇禺賴 賲孬賱 倬丕蹖丕賳 丿丕爻鬲丕賳 賴丕蹖 卮乇賱賵讴 賴賱賲夭 賴賲賴 丕爻乇丕乇 乇賵 賮丕卮 賲蹖讴賳賴貙听亘丕 賮乇丕乇貙 讴鬲丕亘禺丕賳賴 乇賵 亘賴 丌鬲卮 賲蹖 讴卮賴 賵 禺賵丿卮 賴賲 亘丕 丨賯賴 賲乇賲賵夭 禺賵丿卮 賲蹖賲蹖乇賴.
丕蹖賳胤賵乇蹖賴 讴賴 氐賵賲毓賴 賴賲 鬲賵蹖 丌鬲蹖卮 賲蹖爻賵夭賴 賵 賵蹖賱蹖丕賲 丿乇 賳賴丕蹖鬲 賲蹖賮賴賲賴听賴蹖趩 亘乇賳丕賲賴鈥屫й� 亘乇丕蹖 賯鬲賱鈥屬囏� 賵噩賵丿 賳丿丕卮鬲賴 賵 鬲丨賯蹖賯丕鬲 丕賵賳 賮賯胤 亘賴 丕卮鬲亘丕賴 亘賴 禺賵乇禺賴 乇爻蹖丿賴 賵 鬲氐丕丿賮蹖 賮賴賲蹖丿賴 賯丕鬲賱 讴蹖賴 賵 賳卮丕賳賴 卮賳丕爻蹖 賵 丕爻鬲丿賱丕賱 倬卮賲!.听
亘毓丿 丕夭 賵蹖乇丕賳蹖 賯爻賲鬲 丕毓馗賲 氐賵賲毓賴 賵蹖賱蹖丕賲 賵 丕賵丿爻賵 賴賲 丕賵賳噩丕 乇賵 鬲乇讴 賲蹖讴賳賳 賵 賴乇讴丿賵賲 乇丕賴 禺賵丿卮賵賳 乇賵 賲蹖乇賴貙 賵賱蹖 爻丕賱 賴丕 亘毓丿 丕賵丿爻賵 讴賴 倬蹖乇賲乇丿 卮丿賴 亘乇賲蹖诏乇丿賴 丕夭 賵蹖乇丕賳賴鈥屬囏й� 氐賵賲毓賴 丿蹖丿賳 賲蹖鈥屭┵嗁� 賵 趩賳丿蹖賳 讴鬲丕亘 乇賵 倬蹖丿丕 讴乇丿賴 賳噩丕鬲 賲蹖丿賴 賵 丿丕爻鬲丕賳 乇賵 亘乇丕蹖 賲丕 鬲毓乇蹖賮 賲蹖讴賳賴.
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鉂も€嶐煍� 丨乇賮賴丕蹖 卮禺氐蹖 :
丿乇爻鬲賴 讴賴 丕夭 禺賵丕賳丿賳 賵 亘毓囟蹖 噩丕賴丕 卮賳蹖丿賳 丕蹖賳 丿丕爻鬲丕賳 亘蹖賳賴丕蹖鬲 賱匕鬲 亘乇丿賲貙 賵賱蹖 丿賱賲 賲蹖禺賵丕爻鬲 鬲賵蹖 賴賲禺賵丕賳蹖 亘丕 乇賮賯丕蹖 禺賮賳賲 賲蹖禺賵賳丿賲卮 鬲丕 亘蹖卮鬲乇 亘賮賴賲賲 賵 讴蹖賮 讴賳賲. 丨蹖賮 賴賲卮賵賳 丕賲鬲丨丕賳 丿丕卮鬲賳 賵 爻乇卮賵賳 卮賱賵睾賴. 賵賱蹖 禺亘 丕賵賳 乇賵蹖讴乇丿蹖 讴賴 鬲賵蹖 賴賲禺賵丕賳蹖 蹖丕丿诏乇賮鬲賲 丕夭卮賵賳貙 丕蹖賳噩丕 亘賴賲 讴賲讴 讴乇丿.
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丕蹖賳 讴鬲丕亘 亘丕丕乇夭卮 賴賲 賴丿蹖賴 丕蹖 亘賵丿 丕夭 蹖讴 丿賵爻鬲 亘丕丕乇夭卮
听 鈥�(鈦犮仯鈦犓樷仩蟹鈦�(鈦犓樷仩鈱b仩藰听鈦�)鈦�
Profile Image for Beata .
881 reviews1,352 followers
December 1, 2017
This novel belongs to the few ones which I reread at least twice yearly. It;s one of the best novels ever written. I've been the admirer of The Name of the Rose for many, many years now, and I remember reading it for the first time when I was in high school. I reckon I didn't understand much then regarding the dispute which is the theme around which this novel revolves. Now, with every read, I discover something new... what could any reader expect more from a novel?
Profile Image for Nandakishore Mridula.
1,309 reviews2,604 followers
April 6, 2016
This is one humdinger of a book - medieval history, Gothic noir and classic whodunit rolled into one. It's very slow - but taking your time to read it slowly provides rich dividends, IMO. This is a book to be savoured.

Brother William of Baskerville - the name, as well as his appearance marks him as a sort of medieval Sherlock Holmes - is the detective par excellence, and Adso of Melk is the perfect Watson. The story unfolds in the fashion of the classic mystery. The secret, when it is revealed, is sufficiently shocking - and points a finger to a real historic puzzle.

A word of advice: please don't watch the movie before you read the book.

-----------------

PS: Umberto Eco incidentally passed away the day I originally posted this review. So let this be my tribute to a great writer.
Profile Image for Adriana.
7 reviews
March 27, 2016
I had wanted to read The Name of the Rose for a long time, mostly because I enjoy both fiction and non-fiction about the Middle Ages, and also because of its importance as a piece of modern Italian literature. Although I liked it for the most part, I have to admit that it disappointed me in many ways. As a mystery novel, I was expecting it to be a fast-paced page-turner, whereas in reality The Name of the Rose is very slow and ponderous. I appreciate the attention to detail and the minute and accurate descriptions of real historical events, but I feel that the narrators voice often became mired in these details, to the detriment of the plot. When the narrator, Adso, slipped into these trains of thought that were only tangential to the story, I frequently forgot what was going on by the time he emerged. In addition, much of the historical background read like a text-book, and not a novel. There were too many dates and names to keep track of, and while these elements may have been central to the story, who/what they were was never fully explained.
On the positive side, the translation is done beautifully, and I can only imagine that the original Italian is even more agile and lyrical. For those who want to stick with a 500 page novel, The Name of the Rose can be quite rewarding. I feel that I learned a lot about life in a medieval Italian monastery, and about the most important philosophical and religious concerns of the time. I just would have preferred it if Eco had focused more on writing a cohesive, engaging novel, rather than a history lesson surrounded by the vague framework of a plot.
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