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妤把忘志快忱扶我找快
妤我快扼忘找忘 ?妤把忘志快忱扶我找快※ 快 志忱抓抒扶抉志快扶忘 抉找 忱快抄扼找志我找快抖扶我 扼抓忌我找我攸: 扭把快戒 1905忍., 志 妙抉扼抗志忘, 忍把批扭忘 扼抉扯我忘抖我扼找我 戒忘技我扼抖攸找 扭抉抗批扮快扶我快 扶忘忱 志快抖我抗我攸 抗扶攸戒 妊快把忍快抄, 忱快扼扭抉找我折快扶 批扭把忘志扶我抗. H抉 抗抉忍忘找抉 志 抗忘把快找忘找忘 技批 找把攸忌志忘 忱忘 忌抓忱快 抒志抓把抖快扶忘 忌抉技忌忘, 抉抗忘戒志忘 扼快, 折快 找抉抄 扶快 快 扼忘技 - 扼 扶快忍抉 扼忘 忱志忘技忘找忘 技批 扶快志把抓扼找扶我 扭抖快技快扶扶我扯我. 妒 扼快 扭抉扼找忘志攸 技抉把忘抖扶我攸找 志抓扭把抉扼: 忱抉扭批扼找我技抉 抖我 快 志 我技快找抉 扶忘 扭把忘志忱忘找忘 忱忘 忌抓忱忘找 忪快把找志忘扶我 扶快志我扶扶我 抒抉把忘?
均抖忌快把 妞忘技攻 (1913每1960) 快 扼把快忱 扶忘抄-戒扶忘折我找快抖扶我找快 扭把快忱扼找忘志我找快抖我 扶忘 快抗戒我扼找快扶扯我忘抖我戒技忘 志抓志 扳我抖抉扼抉扳我攸找忘 我 忌快抖快找把我扼找我抗忘找忘. 均志找抉把 快 扶忘 把抉技忘扶我, 把忘戒抗忘戒我, 扭我快扼我, 快扼快找忘. 妖抉扼我找快抖 扶忘 妖抉忌快抖抉志忘 扶忘忍把忘忱忘 扶忘 抖我找快把忘找批把忘 (1957).
均抖忌快把 妞忘技攻 (1913每1960) 快 扼把快忱 扶忘抄-戒扶忘折我找快抖扶我找快 扭把快忱扼找忘志我找快抖我 扶忘 快抗戒我扼找快扶扯我忘抖我戒技忘 志抓志 扳我抖抉扼抉扳我攸找忘 我 忌快抖快找把我扼找我抗忘找忘. 均志找抉把 快 扶忘 把抉技忘扶我, 把忘戒抗忘戒我, 扭我快扼我, 快扼快找忘. 妖抉扼我找快抖 扶忘 妖抉忌快抖抉志忘 扶忘忍把忘忱忘 扶忘 抖我找快把忘找批把忘 (1957).
128 pages, Paperback
First published January 1, 1949
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About the author
Albert Camus
938?books35k?followersWorks, such as the novels
The Stranger
(1942) and
The Plague
(1947), of Algerian-born French writer and philosopher Albert Camus concern the absurdity of the human condition; he won the Nobel Prize of 1957 for literature.
Origin and his experiences of this representative of non-metropolitan literature in the 1930s dominated influences in his thought and work.
He also adapted plays of Pedro Calder車n de la Barca, Lope de Vega, Dino Buzzati, and Requiem for a Nun of William Faulkner. One may trace his enjoyment of the theater back to his membership in l'Equipe, an Algerian group, whose "collective creation" R谷volte dans les Asturies (1934) was banned for political reasons.
Of semi-proletarian parents, early attached to intellectual circles of strongly revolutionary tendencies, with a deep interest, he came at the age of 25 years in 1938; only chance prevented him from pursuing a university career in that field. The man and the times met: Camus joined the resistance movement during the occupation and after the liberation served as a columnist for the newspaper Combat.
The essay Le Mythe de Sisyphe (The Myth of Sisyphus), 1942, expounds notion of acceptance of the absurd of Camus with "the total absence of hope, which has nothing to do with despair, a continual refusal, which must not be confused with renouncement - and a conscious dissatisfaction."
Meursault, central character of L'?tranger (The Stranger), 1942, illustrates much of this essay: man as the nauseated victim of the absurd orthodoxy of habit, later - when the young killer faces execution - tempted by despair, hope, and salvation.
Besides his fiction and essays, Camus very actively produced plays in the theater (e.g., Caligula, 1944).
The time demanded his response, chiefly in his activities, but in 1947, Camus retired from political journalism.
Doctor Rieux of La Peste (The Plague), 1947, who tirelessly attends the plague-stricken citizens of Oran, enacts the revolt against a world of the absurd and of injustice, and confirms words: "We refuse to despair of mankind. Without having the unreasonable ambition to save men, we still want to serve them."
People also well know La Chute (The Fall), work of Camus in 1956.
Camus authored L'Exil et le royaume (Exile and the Kingdom) in 1957. His austere search for moral order found its aesthetic correlative in the classicism of his art. He styled of great purity, intense concentration, and rationality.
Camus died at the age of 46 years in a car accident near Sens in le Grand Fossard in the small town of Villeblevin.
Chinese 陝嫌探﹞樓觭
Origin and his experiences of this representative of non-metropolitan literature in the 1930s dominated influences in his thought and work.
He also adapted plays of Pedro Calder車n de la Barca, Lope de Vega, Dino Buzzati, and Requiem for a Nun of William Faulkner. One may trace his enjoyment of the theater back to his membership in l'Equipe, an Algerian group, whose "collective creation" R谷volte dans les Asturies (1934) was banned for political reasons.
Of semi-proletarian parents, early attached to intellectual circles of strongly revolutionary tendencies, with a deep interest, he came at the age of 25 years in 1938; only chance prevented him from pursuing a university career in that field. The man and the times met: Camus joined the resistance movement during the occupation and after the liberation served as a columnist for the newspaper Combat.
The essay Le Mythe de Sisyphe (The Myth of Sisyphus), 1942, expounds notion of acceptance of the absurd of Camus with "the total absence of hope, which has nothing to do with despair, a continual refusal, which must not be confused with renouncement - and a conscious dissatisfaction."
Meursault, central character of L'?tranger (The Stranger), 1942, illustrates much of this essay: man as the nauseated victim of the absurd orthodoxy of habit, later - when the young killer faces execution - tempted by despair, hope, and salvation.
Besides his fiction and essays, Camus very actively produced plays in the theater (e.g., Caligula, 1944).
The time demanded his response, chiefly in his activities, but in 1947, Camus retired from political journalism.
Doctor Rieux of La Peste (The Plague), 1947, who tirelessly attends the plague-stricken citizens of Oran, enacts the revolt against a world of the absurd and of injustice, and confirms words: "We refuse to despair of mankind. Without having the unreasonable ambition to save men, we still want to serve them."
People also well know La Chute (The Fall), work of Camus in 1956.
Camus authored L'Exil et le royaume (Exile and the Kingdom) in 1957. His austere search for moral order found its aesthetic correlative in the classicism of his art. He styled of great purity, intense concentration, and rationality.
Camus died at the age of 46 years in a car accident near Sens in le Grand Fossard in the small town of Villeblevin.
Chinese 陝嫌探﹞樓觭
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May 7, 2022
Les justes = The Just Assassins = The Fastidious Assassins, Albert Camus
The Just Assassins is a 1949 play by French writer and philosopher Albert Camus. The play is based on the true story of a group of Russian Socialist-Revolutionaries who assassinated the Grand Duke Sergei Alexandrovich in 1905, and explores the moral issues associated with murder and terrorism.
???????? ??? ??? ?? ?????: ????????? ????????? ???????????? ????? ?????? ?????: ???? ? ??? ??? ????? ???1972??????
?????: ?????? - ????????? ?? ??? ????? ???????: ???? ????? ?????: ???????? ????? ?????? ???? ???1349? ??119?? ?????: ????????? ??? ????????? ?????? - ???20?
?????: ??????? ???????: ???? ????? ?????: ????? ??????? ????????: ???? ?????? ?????? ??????? ???1381? ??114?? ????9644480821?
?????: ??????? ???????: ???? ????? ?????: ?????? ??????? ?????? ????? ???1390? ??108?? ????9789642091287?
?????: ????????? - ????????? ?? ??? ????? ???????: ???? ????? ?????: ????? ????? ?????? ????? ?????? ???1349? ??150?? ????9786006182964?
??????? ????? ??????? ???? ??????????? ? ??????? ???????? ??????? ????? ???????? ? ????????? ??????? ???? ????????? ??? ????????? ?????? ?????? ??? ??? ???? ???? ???? ?? ????????? ???? ?????? ????? ??? ??????? ??????? ?? ???? ???? ???? ?? ???? ?? ????? ???? ?? ????????? ? ???? ?? ???? ?????? ?????? ?? ??????? ? ??? ? ?????? ?????? ???????? ???????? ????? ? ??????? ?? ?? ??? ? ??? ???? ???????? ?????? ????? ?? ??????????? ??????? ?? ???1905?????? ???? ?? ???????? ??? ???? ???? ????????????? ?? ???? ????? ??? ?? ??? ????? ???????? ?? ??? ????? ?? ???? ????? ?? ??? ???? ???? ? ??? ???? ??????? ?? ?? ??? ???????? ???? ??????????? ?? ???? ???? ???? ???? ????? ???? ???????? ?? ????? ????????? ????? ???
????? ?????? ????? 01/05/1399???? ???????? 16/02/1401???? ???????? ?. ???????
The Just Assassins is a 1949 play by French writer and philosopher Albert Camus. The play is based on the true story of a group of Russian Socialist-Revolutionaries who assassinated the Grand Duke Sergei Alexandrovich in 1905, and explores the moral issues associated with murder and terrorism.
???????? ??? ??? ?? ?????: ????????? ????????? ???????????? ????? ?????? ?????: ???? ? ??? ??? ????? ???1972??????
?????: ?????? - ????????? ?? ??? ????? ???????: ???? ????? ?????: ???????? ????? ?????? ???? ???1349? ??119?? ?????: ????????? ??? ????????? ?????? - ???20?
?????: ??????? ???????: ???? ????? ?????: ????? ??????? ????????: ???? ?????? ?????? ??????? ???1381? ??114?? ????9644480821?
?????: ??????? ???????: ???? ????? ?????: ?????? ??????? ?????? ????? ???1390? ??108?? ????9789642091287?
?????: ????????? - ????????? ?? ??? ????? ???????: ???? ????? ?????: ????? ????? ?????? ????? ?????? ???1349? ??150?? ????9786006182964?
??????? ????? ??????? ???? ??????????? ? ??????? ???????? ??????? ????? ???????? ? ????????? ??????? ???? ????????? ??? ????????? ?????? ?????? ??? ??? ???? ???? ???? ?? ????????? ???? ?????? ????? ??? ??????? ??????? ?? ???? ???? ???? ?? ???? ?? ????? ???? ?? ????????? ? ???? ?? ???? ?????? ?????? ?? ??????? ? ??? ? ?????? ?????? ???????? ???????? ????? ? ??????? ?? ?? ??? ? ??? ???? ???????? ?????? ????? ?? ??????????? ??????? ?? ???1905?????? ???? ?? ???????? ??? ???? ???? ????????????? ?? ???? ????? ??? ?? ??? ????? ???????? ?? ??? ????? ?? ???? ????? ?? ??? ???? ???? ? ??? ???? ??????? ?? ?? ??? ???????? ???? ??????????? ?? ???? ???? ???? ???? ????? ???? ???????? ?? ????? ????????? ????? ???
????? ?????? ????? 01/05/1399???? ???????? 16/02/1401???? ???????? ?. ???????
April 1, 2021
※Yo no amo la vida, sino la JUSTICIA, que est芍 por encima de la vida.§Las creencias basadas en dogmas suelen estar blindadas frente al razonamiento, digamos que funcionan como mundos l車gicos cerrados imposibles de traspasar. La duda no se admite y se persigue implacablemente pues act迆a como una bomba interior capaz de hacer explotar ese mundo en mil pedazos.
Camus plantea en su obra el dilema de la violencia como medio leg赤timo y 迆til para alcanzar unos fines.
El fin est芍 claro: un mundo mejor, m芍s justo. Un fin cuya posibilidad Camus no cuestiona.
※Llegar芍 un d赤a en que＃ Todos seremos hermanos y la justicia har芍 transparentes nuestros corazones.§Su posibilidad exige la destrucci車n del mundo antiguo＃
※＃ matamos para construir un mundo en el que nadie mate nunca m芍s. Aceptamos ser criminales para que la tierra se cubra por fin de inocentes.§＃ La violencia es un camino, quiz芍s el 迆nico para conseguirlo.
※S車lo la bomba es revolucionaria.§Admitidos estos dogmas, los enemigos dejan de ser personas para ser encarnaciones de un poder a destruir.
※No es a 谷l a quien voy a matar. Mato al despotismo＃ Le matar谷. ?Con alegr赤a!§Al mismo tiempo, el propio individuo se funde con la causa, la vida solo es concebible a su servicio, la muerte aparece como forma de dignificar la vida.
※?Comprendes por qu谷 he pedido arrojar la bomba? Morir por la causa es la 迆nica manera de estar a su altura. Es la justificaci車n.§Este sacrificio por un mundo mejor librar芍 al individuo de una existencia absurda, sin prop車sito, un camino entendido como un destino pr芍cticamente ineludible.
※La libertad es tambi谷n un presidio, mientras exista un solo esclavo en la tierra,§Stepan representa el ideal terrorista, una mente monol赤tica, libre de dudas, donde solo cuenta el fin.
※Comprend赤 que no bastaba denunciar la injusticia. Era menester dar la vida para combatirla. Ahora soy feliz.§
※STEPAN: No hay l赤mites. La verdad es que vosotros no cre谷is en la revoluci車n. Vosotros no cre谷is. Si creyerais totalmente, completamente, en ella, s赤 estuvierais seguros de que con nuestros sacrificios y nuestras victorias llegaremos a construir una Rusia liberada del despotismo, una tierra de libertad que acabar芍 por cubrir el mundo entero, si no dudarais de que entonces el hombre, liberado de sus amos y de sus prejuicios alzar芍 al cielo la cara de los verdaderos dioses, ?qu谷 pesar赤a la muerte de dos ni?os? Admitir赤ais que os asisten todos los derechos, todos, ?me o赤s? Y si esta muerte os detiene es porque no ten谷is seguridad de estar en vuestro derecho. No cre谷is en la revoluci車n.§Aunque, en 迆ltima instancia, quiz芍s sea un ideal contradictorio con la consecuci車n de su objetivo, ＃
※STEPAN: El d赤a en que nos decidamos a olvidar a los ni?os, seremos los amos del mundo y la revoluci車n triunfar芍.＃ y no solo con la consecuci車n del objetivo, con el objetivo mismo pues ser赤a derribar una tiran赤a para imponer otra.
DORA: Ese d赤a la humanidad entera odiar芍 a la revoluci車n.
※STEPAN: Qu谷 importa, si la amamos (la revoluci車n) lo bastante para imponerla a la humanidad entera y para salvarla de s赤 misma y de su esclavitud.Una vez la duda entra su avance es imparable y se llega a cuestionar todo, no solo los l赤mites del terrorismo, sino el terrorismo en s赤.
DORA: ?Y si la humanidad entera rechaza la revoluci車n? ?Y si el pueblo entero, por el que luchas, se niega a que maten a sus hijos? ?Habr芍 que castigarlo tambi谷n?
STEPAN: Si es necesario, s赤, hasta que comprenda. Yo tambi谷n amo al pueblo.§
※Yanek est芍 en la c芍rcel y la cuerda es fr赤a. Quiz芍 ha muerto ya para que los otros vivan. ?Ay, Boria!, ?y si los otros no vivieran? ?Y si muriera por nada?§
September 7, 2016
?????????? ?? ???? ????? ? ????? ?? ???? ????? ? ?? ???? ???? ? ???? ?? ????? ??? ?? ?????? ??????? ????? ?? ?? "??????".
"??????"? ????? ???? ???????????? ??? ???? ???? ?? ??? ???. ??????? ???? ????? ?? ?? ????? ??? ???? ????? ???? ?????? ?? "??? ??? ????? ?? ????? ???????". ??? ?? ?????? ??????? ???? ?????? ??."?? ?????????? ???????? ??????? ?? ?????? ?? ??? ??????? ?????".
"??????" ?? ???? ????? ?? ???? "????? ?????" ?? ????????? ???? ?????? ??????? ??????? ?????? ?? ?????????? ?????? ???????? ?? ???? ??????? ?? ??? ???????? ?? ????????? ????? ?? "?????? ???????? ???" ? ?? "???? ????" ???? ?????.
"??????"? ????? ???? ???????????? ??? ???? ???? ?? ??? ???. ??????? ???? ????? ?? ?? ????? ??? ???? ????? ???? ?????? ?? "??? ??? ????? ?? ????? ???????". ??? ?? ?????? ??????? ???? ?????? ??."?? ?????????? ???????? ??????? ?? ?????? ?? ??? ??????? ?????".
"??????" ?? ???? ????? ?? ???? "????? ?????" ?? ????????? ???? ?????? ??????? ??????? ?????? ?? ?????????? ?????? ???????? ?? ???? ??????? ?? ??? ???????? ?? ????????? ????? ?? "?????? ???????? ???" ? ?? "???? ????" ???? ?????.
August 30, 2017
Camus＊ ideas on rebellion and justice put on stage!
Les Justes has a special place in the collected works of Camus. It is a classical play, referring back to Aristotelian questions of time, space and action within drama, using a historical event to make the psychological development of human beings evident:
※J＊ai seulement t?ch谷 角 rendre vraisemblable ce qui 谷tait d谷j角 vrai.§
A paraphrase of Boileau＊s suggestions in his L＊Art Po谷tique:
※Jamais au spectateur n'offrez rien d'incroyable: Le vrai peut quelquefois n'那tre pas vraisemblable.§
At the same time, the play ties in with Camus＊ reflective essays on mankind, especially , where the historical person of Kaliayev is analysed in depth. The drama is Greek in essence: the characters must prepare for death, one way or another. But the premises are highly modern, based on the question of justice, and justification of violence in order to establish a new order in the world.
The basic plot is purely historical, recounting the assassination of Archduke Serge in Russia in 1905, and the later hanging of the terrorist Kaliayev. The questions raised in the dialogues however do not circle around these external events, but around questions of right and wrong, dogma, belief and passion for humanity and life versus duty towards the future.
The intensity of the opinions expressed through the different characters＊ views evokes the atmosphere of the Caf谷 de Flore or Deux Magots, where philosophers argued for their personal take on a hopeless situation, post World War II, in the face of weapons of mass destruction and oppressive regimes, destroyed cities and ineffable crimes against humanity committed in the centre of European consciousness.
What does freedom mean in a world where most people suffer?
※La libert谷 est un bagne aussi longtemps qu＊un seul homme est asservi sur la terre§, argues one of the main characters, following a hardliner approach of disregarding human sacrifice as long as the future cause benefits. ※La bombe seule est r谷volutionnaire.§
Violence is not only acceptable, but necessary according to this world view, represented by the character Stepan. Opposing him, with passionate love for life and humanity, the idealist Kaliayev exclaims:
※J＊aime la vie. Je ne m＊ennuie pas. Je suis entr谷 dans la r谷volution parce que j＊aime la vie.§
※Je n＊aime pas la vie, mais la justice qui est au dessus de la vie§, replies Stepan, thus establishing the conflict that Camus ponders upon: the limits of freedom and justice in human society. As the dialogue moves on, the characters expose the flaws in their arguments when they encounter moral questions that do not fit their theories.
Is it justified to kill children? A dogmatic revolutionary says yes, if it serves the cause he believes in. A humanist says no, for in order to have an ethically functioning cause, you have to remain innocent of the crimes of which you accuse your oppressors, otherwise you soon turn into one of them.
While debating on killing children, most terrorists agree, but then the question is extended to wives, innocent bystanders and so on. Is it ever justified to kill for a cause? In the face of present-day terrorism, this question is as valid as it was a century ago in Russia or during the resistance movements in the Second World War.
While the revolutionaries stay in the deadlock of their different ideas on rebellion, sacrifice and the overarching cause of the Organisation, Skouratov, who represents pragmatic society and who tries to change Kaliayev in prison, refuses to accept ideas as a basis for his actions:
※Que voulez-vous, je ne m＊int谷resse pas aux id谷es, je m＊int谷resse aux personnes.§
※La haine? Encore une id谷e. Ce qui n＊est pas une id谷e, c＊est le meurtre. Et ses cons谷quences, naturellement.§
He approaches Amartya Sen＊s as an evaluation of practical results, positive or negative, rather than as a theory to force upon reality.
It does sound like more common sense than the radical ideas the terrorists favour, but there is a question remaining open, which was acutely evident to Camus, having lived through World War II: violence must be justified sometimes, if it prevents evil from spreading. Where to draw the line, that is the question. Complete liberty gives the strongest power absolute freedom of action, while complete justice denies the individual human being the right to develop according to choice.
The question will continue to arise. More topical than ever, despite its shape of classical drama, or maybe because of it, as it is representing timeless issues, "Les Justes" is highly recommended!
Les Justes has a special place in the collected works of Camus. It is a classical play, referring back to Aristotelian questions of time, space and action within drama, using a historical event to make the psychological development of human beings evident:
※J＊ai seulement t?ch谷 角 rendre vraisemblable ce qui 谷tait d谷j角 vrai.§
A paraphrase of Boileau＊s suggestions in his L＊Art Po谷tique:
※Jamais au spectateur n'offrez rien d'incroyable: Le vrai peut quelquefois n'那tre pas vraisemblable.§
At the same time, the play ties in with Camus＊ reflective essays on mankind, especially , where the historical person of Kaliayev is analysed in depth. The drama is Greek in essence: the characters must prepare for death, one way or another. But the premises are highly modern, based on the question of justice, and justification of violence in order to establish a new order in the world.
The basic plot is purely historical, recounting the assassination of Archduke Serge in Russia in 1905, and the later hanging of the terrorist Kaliayev. The questions raised in the dialogues however do not circle around these external events, but around questions of right and wrong, dogma, belief and passion for humanity and life versus duty towards the future.
The intensity of the opinions expressed through the different characters＊ views evokes the atmosphere of the Caf谷 de Flore or Deux Magots, where philosophers argued for their personal take on a hopeless situation, post World War II, in the face of weapons of mass destruction and oppressive regimes, destroyed cities and ineffable crimes against humanity committed in the centre of European consciousness.
What does freedom mean in a world where most people suffer?
※La libert谷 est un bagne aussi longtemps qu＊un seul homme est asservi sur la terre§, argues one of the main characters, following a hardliner approach of disregarding human sacrifice as long as the future cause benefits. ※La bombe seule est r谷volutionnaire.§
Violence is not only acceptable, but necessary according to this world view, represented by the character Stepan. Opposing him, with passionate love for life and humanity, the idealist Kaliayev exclaims:
※J＊aime la vie. Je ne m＊ennuie pas. Je suis entr谷 dans la r谷volution parce que j＊aime la vie.§
※Je n＊aime pas la vie, mais la justice qui est au dessus de la vie§, replies Stepan, thus establishing the conflict that Camus ponders upon: the limits of freedom and justice in human society. As the dialogue moves on, the characters expose the flaws in their arguments when they encounter moral questions that do not fit their theories.
Is it justified to kill children? A dogmatic revolutionary says yes, if it serves the cause he believes in. A humanist says no, for in order to have an ethically functioning cause, you have to remain innocent of the crimes of which you accuse your oppressors, otherwise you soon turn into one of them.
While debating on killing children, most terrorists agree, but then the question is extended to wives, innocent bystanders and so on. Is it ever justified to kill for a cause? In the face of present-day terrorism, this question is as valid as it was a century ago in Russia or during the resistance movements in the Second World War.
While the revolutionaries stay in the deadlock of their different ideas on rebellion, sacrifice and the overarching cause of the Organisation, Skouratov, who represents pragmatic society and who tries to change Kaliayev in prison, refuses to accept ideas as a basis for his actions:
※Que voulez-vous, je ne m＊int谷resse pas aux id谷es, je m＊int谷resse aux personnes.§
※La haine? Encore une id谷e. Ce qui n＊est pas une id谷e, c＊est le meurtre. Et ses cons谷quences, naturellement.§
He approaches Amartya Sen＊s as an evaluation of practical results, positive or negative, rather than as a theory to force upon reality.
It does sound like more common sense than the radical ideas the terrorists favour, but there is a question remaining open, which was acutely evident to Camus, having lived through World War II: violence must be justified sometimes, if it prevents evil from spreading. Where to draw the line, that is the question. Complete liberty gives the strongest power absolute freedom of action, while complete justice denies the individual human being the right to develop according to choice.
The question will continue to arise. More topical than ever, despite its shape of classical drama, or maybe because of it, as it is representing timeless issues, "Les Justes" is highly recommended!
August 26, 2023
??? ?? ????? ?? ????? ?????? ???????? ?? ???????
January 2, 2025
Le赤da del tir車n y francamente maravillado con esta obra.
Mi primer acercamiento a Camus y es brutal, los di芍logos son brillantes y complejos porque delimitan muy bien las personalidades de cada uno de los personaje y sus l赤mites morales, sus justificaciones y sus subjetividades en temas como la justicia, que es lo que aqu赤 toma protagonismo como tema central.
Los justos en s赤 es un drama moral y 谷tico de sus personajes as赤 como una representaci車n de lo tenso y peligroso que resulta un dogma o una creencia pol赤tica llevada hasta las m芍s infames desiciones y acciones tomadas por el ser humano, que coge de excusa o principio el bienestar social de todo un pa赤s pero que se resume en una sola palabra: terrorismo.
El punto de no retorno est芍 entre la individualidad de una persona y la bomba que debe poner para cometer un atentado capaz de "libertar" a todo un pueblo. Y el principal estandarte como no pod赤a de ser otra forma lleva por nombre "revoluci車n"; una que se cuece entre las sombras para dar cara a la tiran赤a impuesta por el Estado de Rusia.
La existencia misma de esta Organizaci車n terrorista tiene toda una gama de personajes grises, ya que cada uno de ellos tienen sus propias opiniones al respecto y los l赤mites morales que no deben cruzar cuando emplean un t谷rmino tan complejo como la "justicia" ya sea desde la individualidad o la pluralidad, y m芍s cuando esta lleva de por medio un acto ruin y horroroso como el del asesinato no solo de quien est芍 se?alado como culpable (en este caso el gran Duque) sino de personas inocentes en el medio como lo pueden ser ni?os.
Brutal. Un ejercicio no solo social y pol赤tico sino que en su centro es todo un debate filos車fico y existencialista sobre la moral, la 谷tica, la justicia y me atrever赤a a decir sobre la tan llamada frase sobre si "el fin justifica los medios" en cualquier contexto por muy peliagudo que sea.
Mi primer acercamiento a Camus y es brutal, los di芍logos son brillantes y complejos porque delimitan muy bien las personalidades de cada uno de los personaje y sus l赤mites morales, sus justificaciones y sus subjetividades en temas como la justicia, que es lo que aqu赤 toma protagonismo como tema central.
Los justos en s赤 es un drama moral y 谷tico de sus personajes as赤 como una representaci車n de lo tenso y peligroso que resulta un dogma o una creencia pol赤tica llevada hasta las m芍s infames desiciones y acciones tomadas por el ser humano, que coge de excusa o principio el bienestar social de todo un pa赤s pero que se resume en una sola palabra: terrorismo.
El punto de no retorno est芍 entre la individualidad de una persona y la bomba que debe poner para cometer un atentado capaz de "libertar" a todo un pueblo. Y el principal estandarte como no pod赤a de ser otra forma lleva por nombre "revoluci車n"; una que se cuece entre las sombras para dar cara a la tiran赤a impuesta por el Estado de Rusia.
La existencia misma de esta Organizaci車n terrorista tiene toda una gama de personajes grises, ya que cada uno de ellos tienen sus propias opiniones al respecto y los l赤mites morales que no deben cruzar cuando emplean un t谷rmino tan complejo como la "justicia" ya sea desde la individualidad o la pluralidad, y m芍s cuando esta lleva de por medio un acto ruin y horroroso como el del asesinato no solo de quien est芍 se?alado como culpable (en este caso el gran Duque) sino de personas inocentes en el medio como lo pueden ser ni?os.
Brutal. Un ejercicio no solo social y pol赤tico sino que en su centro es todo un debate filos車fico y existencialista sobre la moral, la 谷tica, la justicia y me atrever赤a a decir sobre la tan llamada frase sobre si "el fin justifica los medios" en cualquier contexto por muy peliagudo que sea.
February 16, 2019
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December 22, 2022
a discussion centered around revolution, the intricacies of it and the way the line is so subtly blurred between the killing of a man (and humanity to a certain extent) and the killing for an idea (that is, in theory, worth fighting for). the question of the common good and the means, justifiable or not, to achieve it. love and hatred in times of war and how both can be equally as necessary and yet as destructive. and death, no matter the form it takes.
June 25, 2023
??????? ???????? ?? ?? ?? ?????? ??????? ?????? ?? ??????. ? ????? ?? ??? ?? ?????? ?? ??? ?????? ?? ?????? ??? ????????.
February 10, 2018
??? ???? ?? ?????? ????? ??? ??????? ?? ????? ??? ??????? ????? ????.
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? ?? ????? ??? ???? ???? ? ????? ??? ??? ????? ?? ????? ???? ? ??? ???? ?? ?????? ??????.
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????? ???? ???? ????? <<??? ????? ?? ????? ?????? ?? ??>> ???. ??? ?? ??? ???? ???? ?????? ? ???????? ??? ?? ?????? ??? ????? ? ????? ?? ???? ??? ?? ??? ???? ??????. ??? ??????? ?? ?? ????? ??? ?????? ??????? ??? ?????! ??? ??????? ??? ???? ?????? ?? ?????! ??? ?????? ?? ???????? ????? ?? ?? ???? ?? ?? ???????? ? ??? ??? ?? ???? ????? ??? ?? ??? ??? ??? ???????? ?? ??? ????!
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May 13, 2020
Une bonne pi豕ce de th谷?tre d'id谷es comme Camus sait les 谷crire.
Le sujet ?
Un groupe de socialistes r谷volutionnaire s'emploie 角 l'assassinat du tsar et de sa famille. Si les personnages ont pour certains des opinions tout 角 fait tranch谷es, c'est toujours une bonne occasion de pol谷miques profondes entre id谷alisme et pragmatisme politique, nourries d'une connaissance approfondie de l'histoire r谷volutionnaire russe.
Le sujet ?
Un groupe de socialistes r谷volutionnaire s'emploie 角 l'assassinat du tsar et de sa famille. Si les personnages ont pour certains des opinions tout 角 fait tranch谷es, c'est toujours une bonne occasion de pol谷miques profondes entre id谷alisme et pragmatisme politique, nourries d'une connaissance approfondie de l'histoire r谷volutionnaire russe.
February 27, 2020
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????? ??? ?????? ??? ???????? ????? ?????? (??????? ????) ?? ???? ???? ????????? ????. ???? ??????? ?????? ????????????? ?? ?????? ???? ????? ? ???? ?????? ?????????? ??? ?? ??? ????? ????.
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????? ??? ?????? ??? ???????? ????? ?????? (??????? ????) ?? ???? ???? ????????? ????. ???? ??????? ?????? ????????????? ?? ?????? ???? ????? ? ???? ?????? ?????????? ??? ?? ??? ????? ????.
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May 30, 2023
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April 10, 2020
??????? ???? ????? ??????? ???? ??????. ??????? ????? ??? ?? ?? ??? ????????? ??????? ????? ?????? ???? ???? ????? ???? ?????? ?????.
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??? ???? ?????? ?????? ????? ? ??? ??? ???????? ???? ?? ????? ??? ? ??? ? ??? ????? ???? ??? ???? ???? ????? ???? ?? ???? ??????? ???? ?? ???? ??:" ?????? ????? ?? ?? ????? ???? ????? ???? ?? ??? ??? ????? ????? ???. ??? ?? ?????? ?? ??? ?????? ??? ?? ?? ????? ???? ?? ????? ??? ? ?? ???? ???? ?????? ????."
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November 9, 2024
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August 6, 2022
"???????" ?? ?? ??? ????? ?? ????? ???.
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????? ????? ???? ????? ???? ???.
September 19, 2010
I saw this play as a kind of trailer for L'Homme r谷volt谷... it explores the same themes, but in a much more accessible way. The central paradox is the conflict of intuitions about the ethics of revolution. The rebel is sickened by the injustice of the world, and takes responsibility for creating justice by the use of violence - in this case, the assassination of the Grand Duke. However, this arguably makes him just as bad as the oppressors.
Les Justes is, as one would expect, beautifully written, and is very economical in working you through the different sides of the question and engaging your emotions. Given that Camus played an active part in the Resistance, it is not an academic exercise - these must have been issues that disturbed him a great deal. I kept wondering whether the 9/11 terrorists had these kinds of discussions. Full points to Camus for writing a play that's just as relevant now as when he wrote it.
Les Justes is, as one would expect, beautifully written, and is very economical in working you through the different sides of the question and engaging your emotions. Given that Camus played an active part in the Resistance, it is not an academic exercise - these must have been issues that disturbed him a great deal. I kept wondering whether the 9/11 terrorists had these kinds of discussions. Full points to Camus for writing a play that's just as relevant now as when he wrote it.
September 2, 2019
-..???? ?????? ???? ? ???? ???? ? ?????? ???? ??? ?????? ???. ??? ???
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-????? ???. ??? ???? ??? ????? ?? ??????? ???? ???????? ?? ?? ????????. ..
September 16, 2021
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August 19, 2024
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??????? ???? ?? ??? ????? ?? ????? ?? ???? ???? ?? ?? ?? ??????????. ??? ????? ? ???? ???? ???? ??????? ???? ??????? ????? ??? ???? ?? ???? ??? ? ?? ?????!
??????? ?? ??? ????? (????) ?????? ?? ???? ??? ?? ?? ???? ??? ???? ???? ??? ?? ???...
??? ??? ?? ?? ???? ???? ??? ?? ??????? ??? ?? ??? ???? ???? ???? ??????? ??? ???? ??? ??????? ?? ???? ??? ? ??? ???? ???? ??? ??? ??? ??? ???? ?????? ?? ???? ??? ????? ????? ??? ???
_ ??? ??????? ??? ????? ?????? ?????. ???? ???? ??? ??????? ? ???? ??????? ?? ??? ??? ???????. ???? ????? ?? ?? ?? ?? ??? ??????. ??? ???? ??? ?? ?? ?? ??? ??? ?? ?? ???? ?????.?
??????? ???? ?? ??? ????? ?? ????? ?? ???? ???? ?? ?? ?? ??????????. ??? ????? ? ???? ???? ???? ??????? ???? ??????? ????? ??? ???? ?? ???? ??? ? ?? ?????!
??????? ?? ??? ????? (????) ?????? ?? ???? ??? ?? ?? ???? ??? ???? ???? ??? ?? ???...
??? ??? ?? ?? ???? ???? ??? ?? ??????? ??? ?? ??? ???? ???? ???? ??????? ??? ???? ??? ??????? ?? ???? ??? ? ??? ???? ???? ??? ??? ??? ??? ???? ?????? ?? ???? ??? ????? ????? ??? ???
April 30, 2024
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April 30, 2019
忖牝汐 考而?米汐而羊? 而羊耒 ?老肋汐 而肋糸 式糸汍缶汍竹汍污百而肋糸 考而羊牝聿汍牝肋糸:
"..旬 扛汐米? 羽汐老羊耒考牝?汎汍牝 而汐 羽老?考肋羽汐 (汛汍糸 米羽汐牝糸肋 考汍 竹汍羽而羊米?老汍牝汍? 污牝汐 糸汐 汐羽羊耳?污肋 考羽羊牝竹汍老?) 肋? 羽竹?考米汐而汐 羽羊耒 汕汐考汐糸?汎羊糸而汐牝, 羽羊而? ?米肋? 肋? 肉耒聿羊羽汐牟汍?? ? 肋? 而?老汐而汐.."
旬牝 汛?百汐牝羊牝 汍?糸汐牝 ?糸汐 考?糸而羊米羊 百汐牝 羽汍老牝汍百而牝百? 牟汍汐而老牝百? ?老污羊. 戍 牝考而羊老?汐 而羊耒 汛牝汐汛老汐米汐而?汎汍而汐牝 考而灰 收?考聿汐, 考而牝? 汐老聿?? 而羊耒 20羊耒 汐牝?糸汐, ?羽羊耒 而汐 米?竹灰 而羊耒 戎羽汐糸汐考而汐而牝百羊? 曳羊考牝汐竹牝考而牝百羊? 扛?米米汐而羊? 汍羽牝聿汍牝老羊?糸 糸汐 考百羊而?考羊耒糸 而羊 米汍污?竹羊 汛羊?百汐. 忖牝百汐牝羊考?糸灰! 戍牟牝百?! 忖牝百汐牝羊考?糸灰! 扣汛汍汍?! 戎糸羊聿?! ?老肋而汐?! 旭老羊汛羊考?汐! 忖牝百汐牝羊考?糸灰! 成老灰考百汍?汐! 朱老?羊?! 戍牟牝百?!
曳汍 75 米?竹牝? 考汍竹?汛汍? 羊 扛汐米? 百汐而汐耳?老糸汍牝 糸汐 耳而牝?缶汍牝 ?糸汐 汍牝百?糸汐 羽羊耒 米羊牝?汎汍牝 缶汍百?牟汐老灰. 早汐 米汐? 而灰 汛?糸汍牝 考百牝汐污老汐耳灰米?糸灰 米汍 百?牟汍 竹汍羽而羊米?老汍牝汐. 扛 ?米肋?, ?考羊 汛牝汐汕?汎汍牝? 百汐牝 缶汐糸汐汛牝汐汕?汎汍牝? 而羊耒? 汛牝汐竹?污羊耒?, 百汐牝 考百?耳而汍考汐牝 而羊耒? ?老肋汍?, ?聿牝 考汐糸 ?老肋汍? 考汍 聿汐老而?, 考汐糸 羽老汐污米汐而牝百羊?? 汐糸牟老?羽羊耒?, 而羽而 汛汍糸 汍?糸汐牝 缶汍百?牟汐老羊 羽牝汐. 戍 戍牟牝百? ?聿汍牝 汛牝羽竹? 汐糸?污糸肋考灰. 扛汐牝 ?聿牝 汛汍糸 羽汍老牝羊老?汎羊米汐牝 考而灰 聿老牝考而牝汐糸牝百? 灰牟牝百?.
戎?糸汐牝 灰 灰牟牝百? 羽羊耒 汍糸考汐老百?糸汍而汐牝 汐羽? ?糸汐糸 ?糸牟老肋羽羊 百汐牝 羊 ?糸牟老肋羽羊? 羽羊耒 而灰糸 汍百羽老羊考肋羽汍? (?)
戎?糸汐牝 灰 汛牝百汐牝羊考?糸灰, 灰 汛汍牝竹?汐, 灰 羽老羊考?竹肋考灰 考而羊 考而?聿羊? 式竹竹? 羽羊牝羊 考而?聿羊?
旬 考而?聿羊? 汍?糸汐牝 糸汐 羽羊竹汍米?考汍牝? 忙扣式 米牝汐 牝汛汍汐, 汍糸?糸而牝汐 考而羊耒? 汍聿牟老羊??.. 式竹竹? 而牝 羊老?汎汍牝 而羊糸 汍聿牟老?? 旭?而汍 百汐牝 羽肋? 羊 汍聿牟老?? 羽汐?老糸汍牝 羽老汐污米汐而牝百? 米羊老耳?, 汐糸牟老?羽牝糸灰?
忙牝汐 而羊耒? ?老肋汍? 而羊耒 扛汐米? 汍汛?, 灰 汛牝百汐牝羊考?糸灰 汍?糸汐牝 羽汐糸汐糸牟老?羽牝糸灰. 戎?糸汐牝 羊 米羊糸汐汛牝百?? 羊汛灰污?? 汐百?米汐 百汐牝 汐糸 汛汍糸 汐羽汐老糸牝羊?糸而汐牝 百汐牟羊竹牝百? 而灰 耳?考灰 而羊耒?, 而灰糸 汐糸?污百灰 而羊耒? 污牝汐 汐污?羽灰, 污牝汐 汎肋?.
".. 式耒而羊? 羽羊耒 汐竹灰牟牝糸? 汐污汐羽羊?糸 而灰 汛牝百汐牝羊考?糸灰 汛汍糸 ?聿羊耒糸 汛牝百汐?肋米汐 糸汐 汍羽牝百汐竹羊?糸而汐牝 而灰糸 汐污?羽灰. 曳而?百羊耒糸 ?老牟牝羊牝 考汐糸 百汐牝 米?糸汐, 米汍 而羊 百汍耳?竹牝 肉灰竹?, 而汐 米?而牝汐 考而耒竹?. 有牝 汛羊耒竹汍牝? 米羽羊老汍? 糸汐 ?聿汍牝 灰 汐污?羽灰 考汍 汐耒而?? 而牝? 羽汍老?耳汐糸汍? 百汐老汛牝??. 戍 汐污?羽灰 考汍 百?糸汍牝 糸汐 考百?汕汍牝? 而羊 百汍耳?竹牝. ?聿羊耒米汍 而羊糸 汐耒聿?糸汐 汛?考百汐米羽而羊.
- 式污汐羽羊?米汍 ?米肋? 而羊 竹汐? 米汐?.."
"- 忙牝汐 糸汐 考羊耒 考耒污聿肋老?考羊耒糸 而汐 汍污百竹?米汐而汐 考汍 汕?汎羊耒糸 糸汐 百?糸汍牝? ?竹竹汐 汍污百竹?米汐而汐?
- 收汐 汛汍糸 羽老羊百汍?而汐牝 污牝汐 汍污百竹?米汐而汐 汐耳羊? 汐耒而羊? 羽羊耒 百老汍米?肋 汍?糸汐牝 百汐而?汛牝百羊牝. 旬 牟?糸汐而羊? 而羊耒? 汛汍糸 ?聿汍牝 考灰米汐考?汐. 忖汍糸 汍?糸汐牝 聿老牝考而牝汐糸羊?"
".. 牟汐 牟?竹汐米汍 糸汐 汐耳?考羊耒米汍 而羊糸 汍汐耒而? 米汐? 糸汐 而老?缶汍牝 羽老羊? 而灰糸 汐污?羽灰. 戍 汕老肋米汍老? 汐汛牝百?汐 ?米肋? 百羊竹竹?汍牝 羽?糸肋 米汐?. 戎?米汐考而汍 百汐而汐汛牝百汐考米?糸羊牝 糸汐 汍?米汐考而汍 羽牝羊 米汍污?竹羊牝 汐羽? 而羊糸 汍汐耒而? 米汐?. 旬牝 ?糸牟老肋羽羊牝, 而汐 羽老?考肋羽汐, 糸汐 而牝 牟汐 牟?竹汐米汍 糸汐 汐污汐羽羊?米汍. 有灰糸 汐污?羽灰 羽汍老牝考考?而汍老羊 汐羽? 而灰 汛牝百汐牝羊考?糸灰!"
戎?糸汐牝 耳汐糸而汐考而牝百? ?而汐糸 而羊 ?糸汐 汕牝汕竹?羊 考汍 羊汛灰污汍? 考而羊 ?竹竹羊..
扛汐竹? 式糸?污糸肋考灰
"..旬 扛汐米? 羽汐老羊耒考牝?汎汍牝 而汐 羽老?考肋羽汐 (汛汍糸 米羽汐牝糸肋 考汍 竹汍羽而羊米?老汍牝汍? 污牝汐 糸汐 汐羽羊耳?污肋 考羽羊牝竹汍老?) 肋? 羽竹?考米汐而汐 羽羊耒 汕汐考汐糸?汎羊糸而汐牝, 羽羊而? ?米肋? 肋? 肉耒聿羊羽汐牟汍?? ? 肋? 而?老汐而汐.."
旬牝 汛?百汐牝羊牝 汍?糸汐牝 ?糸汐 考?糸而羊米羊 百汐牝 羽汍老牝汍百而牝百? 牟汍汐而老牝百? ?老污羊. 戍 牝考而羊老?汐 而羊耒 汛牝汐汛老汐米汐而?汎汍而汐牝 考而灰 收?考聿汐, 考而牝? 汐老聿?? 而羊耒 20羊耒 汐牝?糸汐, ?羽羊耒 而汐 米?竹灰 而羊耒 戎羽汐糸汐考而汐而牝百羊? 曳羊考牝汐竹牝考而牝百羊? 扛?米米汐而羊? 汍羽牝聿汍牝老羊?糸 糸汐 考百羊而?考羊耒糸 而羊 米汍污?竹羊 汛羊?百汐. 忖牝百汐牝羊考?糸灰! 戍牟牝百?! 忖牝百汐牝羊考?糸灰! 扣汛汍汍?! 戎糸羊聿?! ?老肋而汐?! 旭老羊汛羊考?汐! 忖牝百汐牝羊考?糸灰! 成老灰考百汍?汐! 朱老?羊?! 戍牟牝百?!
曳汍 75 米?竹牝? 考汍竹?汛汍? 羊 扛汐米? 百汐而汐耳?老糸汍牝 糸汐 耳而牝?缶汍牝 ?糸汐 汍牝百?糸汐 羽羊耒 米羊牝?汎汍牝 缶汍百?牟汐老灰. 早汐 米汐? 而灰 汛?糸汍牝 考百牝汐污老汐耳灰米?糸灰 米汍 百?牟汍 竹汍羽而羊米?老汍牝汐. 扛 ?米肋?, ?考羊 汛牝汐汕?汎汍牝? 百汐牝 缶汐糸汐汛牝汐汕?汎汍牝? 而羊耒? 汛牝汐竹?污羊耒?, 百汐牝 考百?耳而汍考汐牝 而羊耒? ?老肋汍?, ?聿牝 考汐糸 ?老肋汍? 考汍 聿汐老而?, 考汐糸 羽老汐污米汐而牝百羊?? 汐糸牟老?羽羊耒?, 而羽而 汛汍糸 汍?糸汐牝 缶汍百?牟汐老羊 羽牝汐. 戍 戍牟牝百? ?聿汍牝 汛牝羽竹? 汐糸?污糸肋考灰. 扛汐牝 ?聿牝 汛汍糸 羽汍老牝羊老?汎羊米汐牝 考而灰 聿老牝考而牝汐糸牝百? 灰牟牝百?.
戎?糸汐牝 灰 灰牟牝百? 羽羊耒 汍糸考汐老百?糸汍而汐牝 汐羽? ?糸汐糸 ?糸牟老肋羽羊 百汐牝 羊 ?糸牟老肋羽羊? 羽羊耒 而灰糸 汍百羽老羊考肋羽汍? (?)
戎?糸汐牝 灰 汛牝百汐牝羊考?糸灰, 灰 汛汍牝竹?汐, 灰 羽老羊考?竹肋考灰 考而羊 考而?聿羊? 式竹竹? 羽羊牝羊 考而?聿羊?
旬 考而?聿羊? 汍?糸汐牝 糸汐 羽羊竹汍米?考汍牝? 忙扣式 米牝汐 牝汛汍汐, 汍糸?糸而牝汐 考而羊耒? 汍聿牟老羊??.. 式竹竹? 而牝 羊老?汎汍牝 而羊糸 汍聿牟老?? 旭?而汍 百汐牝 羽肋? 羊 汍聿牟老?? 羽汐?老糸汍牝 羽老汐污米汐而牝百? 米羊老耳?, 汐糸牟老?羽牝糸灰?
忙牝汐 而羊耒? ?老肋汍? 而羊耒 扛汐米? 汍汛?, 灰 汛牝百汐牝羊考?糸灰 汍?糸汐牝 羽汐糸汐糸牟老?羽牝糸灰. 戎?糸汐牝 羊 米羊糸汐汛牝百?? 羊汛灰污?? 汐百?米汐 百汐牝 汐糸 汛汍糸 汐羽汐老糸牝羊?糸而汐牝 百汐牟羊竹牝百? 而灰 耳?考灰 而羊耒?, 而灰糸 汐糸?污百灰 而羊耒? 污牝汐 汐污?羽灰, 污牝汐 汎肋?.
".. 式耒而羊? 羽羊耒 汐竹灰牟牝糸? 汐污汐羽羊?糸 而灰 汛牝百汐牝羊考?糸灰 汛汍糸 ?聿羊耒糸 汛牝百汐?肋米汐 糸汐 汍羽牝百汐竹羊?糸而汐牝 而灰糸 汐污?羽灰. 曳而?百羊耒糸 ?老牟牝羊牝 考汐糸 百汐牝 米?糸汐, 米汍 而羊 百汍耳?竹牝 肉灰竹?, 而汐 米?而牝汐 考而耒竹?. 有牝 汛羊耒竹汍牝? 米羽羊老汍? 糸汐 ?聿汍牝 灰 汐污?羽灰 考汍 汐耒而?? 而牝? 羽汍老?耳汐糸汍? 百汐老汛牝??. 戍 汐污?羽灰 考汍 百?糸汍牝 糸汐 考百?汕汍牝? 而羊 百汍耳?竹牝. ?聿羊耒米汍 而羊糸 汐耒聿?糸汐 汛?考百汐米羽而羊.
- 式污汐羽羊?米汍 ?米肋? 而羊 竹汐? 米汐?.."
"- 忙牝汐 糸汐 考羊耒 考耒污聿肋老?考羊耒糸 而汐 汍污百竹?米汐而汐 考汍 汕?汎羊耒糸 糸汐 百?糸汍牝? ?竹竹汐 汍污百竹?米汐而汐?
- 收汐 汛汍糸 羽老羊百汍?而汐牝 污牝汐 汍污百竹?米汐而汐 汐耳羊? 汐耒而羊? 羽羊耒 百老汍米?肋 汍?糸汐牝 百汐而?汛牝百羊牝. 旬 牟?糸汐而羊? 而羊耒? 汛汍糸 ?聿汍牝 考灰米汐考?汐. 忖汍糸 汍?糸汐牝 聿老牝考而牝汐糸羊?"
".. 牟汐 牟?竹汐米汍 糸汐 汐耳?考羊耒米汍 而羊糸 汍汐耒而? 米汐? 糸汐 而老?缶汍牝 羽老羊? 而灰糸 汐污?羽灰. 戍 汕老肋米汍老? 汐汛牝百?汐 ?米肋? 百羊竹竹?汍牝 羽?糸肋 米汐?. 戎?米汐考而汍 百汐而汐汛牝百汐考米?糸羊牝 糸汐 汍?米汐考而汍 羽牝羊 米汍污?竹羊牝 汐羽? 而羊糸 汍汐耒而? 米汐?. 旬牝 ?糸牟老肋羽羊牝, 而汐 羽老?考肋羽汐, 糸汐 而牝 牟汐 牟?竹汐米汍 糸汐 汐污汐羽羊?米汍. 有灰糸 汐污?羽灰 羽汍老牝考考?而汍老羊 汐羽? 而灰 汛牝百汐牝羊考?糸灰!"
戎?糸汐牝 耳汐糸而汐考而牝百? ?而汐糸 而羊 ?糸汐 汕牝汕竹?羊 考汍 羊汛灰污汍? 考而羊 ?竹竹羊..
扛汐竹? 式糸?污糸肋考灰
May 21, 2012
The play is based on actual historical figures, in 1905, a terrorist group ( social revolutionaries )have attacked and assassinated the Russian Grand Duke.........
The main theme is hating violence , torture, assassination and getting lost in this strife...
And the question raised in this play is whether it is right to kill in the name of justice..?
Ivan Kaliayev, a protagonist of the play, fails in killing the Duke at his first attempt....
because the Duke is accompanied by small children. He refuses to deprive the Dukes relatives of their young lives.....
Returning to the terrorists cell,Kaliayev is involved with a harsh quarrel with his fellow members as to the justification of killing for the purpose of revolution ......
a quarrel concerning whether the end justifies the means.......
the debate centers around limit of violence, Can one kill in the
interests of the revolution........
"Children! That is all you know. Don't you understand that because he failed to kill these two, thousands of Russian children will die of hunger for many years to come? "
U can't decide.....
and u would be on neither side....
the oppressed with their miserable and humiliating condition and their desire of freedom., or the suppressing ......
as u believe If a man commits a murder,even if this victim deserve to be killed, that man must be killed...........
A continuous conflict and urging debate concerning justice and violence......
The main theme is hating violence , torture, assassination and getting lost in this strife...
And the question raised in this play is whether it is right to kill in the name of justice..?
Ivan Kaliayev, a protagonist of the play, fails in killing the Duke at his first attempt....
because the Duke is accompanied by small children. He refuses to deprive the Dukes relatives of their young lives.....
Returning to the terrorists cell,Kaliayev is involved with a harsh quarrel with his fellow members as to the justification of killing for the purpose of revolution ......
a quarrel concerning whether the end justifies the means.......
the debate centers around limit of violence, Can one kill in the
interests of the revolution........
"Children! That is all you know. Don't you understand that because he failed to kill these two, thousands of Russian children will die of hunger for many years to come? "
U can't decide.....
and u would be on neither side....
the oppressed with their miserable and humiliating condition and their desire of freedom., or the suppressing ......
as u believe If a man commits a murder,even if this victim deserve to be killed, that man must be killed...........
A continuous conflict and urging debate concerning justice and violence......
November 26, 2022
??? ???? ????????? ????? ?????? ??? ? ???? ??????? ??? ?? ????? ?? ??? 1905 ? ????? ?? ??? ?????? ??? ??????? ??????? ?? ????? ??????.
????? ?? ???? ?? ?? ????? ??? ?? ???? ????? ?? ??? ? ??? ?? ??????? ????? ????. ???? ????? ?? ?????? ???? ????? ?? ??? ??????? ?? ??? ????? ?? ???? ?????? ???.
???? ??? ?????? ????? ?? ???? ????? ? ?????? ????? ?? ???? ????? ? ????? ?? ????? ???? ?? ?? ????? ?????.
??????? ?? ?????? ?? ??? ??????? ????? ?? ?? ???? ??? ??????? ????? ?????? ?? ?? ????? ?????? ??? ?? ??? ??? ? ??????? ??????? ?????? ?? ????? ???????.
?? ????:
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????? ?? ???? ?? ?? ????? ??? ?? ???? ????? ?? ??? ? ??? ?? ??????? ????? ????. ???? ????? ?? ?????? ???? ????? ?? ??? ??????? ?? ??? ????? ?? ???? ?????? ???.
???? ??? ?????? ????? ?? ???? ????? ? ?????? ????? ?? ???? ????? ? ????? ?? ????? ???? ?? ?? ????? ?????.
??????? ?? ?????? ?? ??? ??????? ????? ?? ?? ???? ??? ??????? ????? ?????? ?? ?? ????? ?????? ??? ?? ??? ??? ? ??????? ??????? ?????? ?? ????? ???????.
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October 23, 2018
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March 10, 2023
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November 19, 2022
???????:???? ????? ???? ?? ???? ?????? ?????. ?? ?????? ?? ???? ????? ?? ??????? ???? ????! ???? ????? ?? ?? ??????? ??????. ???? ??????? ????? ?? ????? ????? ???? ???? ????? ??? ??????? ???? ?????? ?? ??????! ??? ??????? ?????? ???? ?????? ???? ???? ???? ?? ?????? ?? ??????? ????? ??? ? ?? ????? ??? ????? ?????????
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July 19, 2018
Hac赤a ya mucho tiempo que no le赤a nada de Camus. La verdad es que hab赤a olvidado su capacidad para tratar temas complicados y su capacidad para hacer que la persona que est芍 leyendo la historia se plantee muchas cosas y reflexione sobre estos asuntos.
En este caso, tenemos una obra de teatro en la que aparece un grupo de personas que est芍n planeando atentar contra la vida de alguien poderoso. En parte, esta trama es interesante porque se humanizan los sentimientos de estas personas, podemos ver todas las cosas que les afectan.
Todos los integrantes del grupo pasan por momentos en los que se plantean por qu谷 est芍n en esa situaci車n, si vale la pena. Esto empieza porque la persona contra la que iban a atentar iba acompa?ada de dos ni?os. El hecho de que estuvieran esos dos chavales dentro del carro hizo que la persona que llevaba la bomba se replanteara ejecutar el plan porque no quer赤a tener en su conciencia la muerte de dos personas tan j車venes.
En realidad, la trama te hace pensar en el poder de las ideas y el poder de la moralidad. Ha sido una lectura muy interesante.
En este caso, tenemos una obra de teatro en la que aparece un grupo de personas que est芍n planeando atentar contra la vida de alguien poderoso. En parte, esta trama es interesante porque se humanizan los sentimientos de estas personas, podemos ver todas las cosas que les afectan.
Todos los integrantes del grupo pasan por momentos en los que se plantean por qu谷 est芍n en esa situaci車n, si vale la pena. Esto empieza porque la persona contra la que iban a atentar iba acompa?ada de dos ni?os. El hecho de que estuvieran esos dos chavales dentro del carro hizo que la persona que llevaba la bomba se replanteara ejecutar el plan porque no quer赤a tener en su conciencia la muerte de dos personas tan j車venes.
En realidad, la trama te hace pensar en el poder de las ideas y el poder de la moralidad. Ha sido una lectura muy interesante.
April 4, 2018
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????? ????????? ???? ?? ?? ????? ?????? ????. ??? ?? ??? (1905 ??????) ?? ???? ???????? ??? ???? ??? ?? ????? ??? ???? ????? (???? ????) ?? ??????. ????????? ??? ??????? ? ????? ???? ??? ??? ??? ??? ???? ?? ???? ? ????? ????? ? ??? ?? ???? ? ?? ?????? ???? ??? ??? ??? ????. ???????? ?? ??? ????? ?? ?? ? ??? ???? ??? ???? ????? ?? ???. ?? ????? ????? ??? ?????? ?? ??? ?? ???:
"?????: ???? ?????? ????? ?????? ???? ??????????? ??? ??? ????? ???? ???. ???? ?? ???? ??????? ???????. ??????? ?? ??????? ?????? ????.?
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?? ?? ????????? ????? ??? ? ????? ?? ???? ? ??? ???. ??? ??????? ?? ???? ???? ?? ????? ??? ?????. ????? ??? ???? ???? ?????? ??? ????? ?? ???? ??? ? ?? ????? ?? ????? ???? ???? ??? ?????? ?????? ?? ???? ??????? ??????? ?? ???? ? ?????? ????? ???? ? ????? ??? ?? ?????? ???? ?? ?? ???? ??? ?? ???? ???? ???? ???? ? ?????? ? ??? ??????? ???? ?? ???? ?? ?? ??? ????????? ??????? ???? ???? ???? ???.
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February 2, 2023
旬 扛汐米? 汕?汎汍牝 而汐 牝汛汐糸牝百? 百汐牝 而牝? 汐缶?汍? 考而羊 ?糸汐 聿?老牝 百汐牝 考而羊 ?竹竹羊 而灰糸 羽羊竹牝而牝百? 考汍 考耒糸?老而灰考灰 米汍 而灰糸 汍羽汐糸?考而汐考灰.
有汐 灰牟牝百? 汛牝竹?米米汐而汐 而肋糸 灰老?肋糸 百汐牝 百汐而'汍羽?百而汐考灰 百?牟汍 汍羽汐糸?考而汐考灰?.
式羽竹? 汍缶汐牝老汍而牝百?.
有汐 灰牟牝百? 汛牝竹?米米汐而汐 而肋糸 灰老?肋糸 百汐牝 百汐而'汍羽?百而汐考灰 百?牟汍 汍羽汐糸?考而汐考灰?.
式羽竹? 汍缶汐牝老汍而牝百?.
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