Best Historical Mystery
Mysteries set in an era previous to the author's era.
See also:
100 Mysteries and Thrillers to Read in a Lifetime Readers Picks
Best Mysteries of the 21st Century
Best Mysteries of the 20th Century
Popular Highly Rated Mystery
Best Mysteries by Subgenre
Best Cozy Mystery Series
Best Crime Mystery Books
Best Historical Mystery
Best Literary Mysteries
Best Thrillers
Edgar Awards:
Edgar Award Winners
Edgar Award Winners for Best First Novel
Edgar Award Winners for Fact Crime
Edgar Award Winners for Best Young Adult Fiction
Best Mysteries By Decade
1960, 1970, 1980, 1990, 2000, 2010, 2020
Best Mysteries By Ratings
100,000 or more
50,000 to 99,999
25,000 to 49,999
10,000 to 24,999
See also:
100 Mysteries and Thrillers to Read in a Lifetime Readers Picks
Best Mysteries of the 21st Century
Best Mysteries of the 20th Century
Popular Highly Rated Mystery
Best Mysteries by Subgenre
Best Cozy Mystery Series
Best Crime Mystery Books
Best Historical Mystery
Best Literary Mysteries
Best Thrillers
Edgar Awards:
Edgar Award Winners
Edgar Award Winners for Best First Novel
Edgar Award Winners for Fact Crime
Edgar Award Winners for Best Young Adult Fiction
Best Mysteries By Decade
1960, 1970, 1980, 1990, 2000, 2010, 2020
Best Mysteries By Ratings
100,000 or more
50,000 to 99,999
25,000 to 49,999
10,000 to 24,999
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Mar 02, 2010 01:51PM

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And, much as I love Gaudy Night, it was a contemporary mystery at the time it was written.



***Also, stories like HOUND OF THE BASKERVILLES, although it has a very small amount of even then-history within the story (1600s curses and nasty squires) it's only a page or two, not the novel itself, which was set in the then-current time of circa 1900. I noticed a few that I wondered about but wasn't certain enough to change, like Flanders Panel, which I haven't personally read yet, which may have had bits of historical info IN them.




The book's description and the way that GR's readers have categorized it, both by genre and shelf, would tend to disagree.

Know where you're coming from with the dropped notifications!


Also removed The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America and Jack the Ripper and Black Magic: Victorian Conspiracy Theories, Secret Societies and the Supernatural Mystique of the Whitechapel Murders (primarily nonfiction), as well as The Late Mr. Shakespeare, Mrs. Shakespeare: The Complete Works and I, Claudius (not mysteries).
On the grounds that they are not primarily mysteries, I also question The Pillars of the Earth, World Without End, the entries by Philippa Gregory and Norah Lofts, and the Umberto Eco novels OTHER than The Name of the Rose ...


Not anymore. (Sigh.)
Robin (& all), I'm wondering about The Red Tent as well. Should it be removed ... or do we leave it, on the grounds that 30 voters can't be wrong?

But its not a fictional mystery. Its a bible story, or based on one I should say. I fail to see how the Red Tent is eligible but nothing written by Conan Doyle. I know CD's stories of Sherlock Holmes are ineligible due to it being set in the time of the author, but at least his works are mysteries!
If someone could legitimize why The Red Tent deserves to be on a list of Historical Mystery, I guess it wouldn't bother me so much.
Sorry.

Which still leaves me wondering about the entries by Ken Follett, Philippa Gregory, Norah Lofts and Umberto Eco (minus Name of the Rose, obviously) ...



When I said I'm wondering about The Pillars of the Earth, it's because I've read the book and in my opinion it's NOT a mystery -- nor is World Without End (which I've also read).
I am less familiar with the works of Norah Lofts and Philippa Gregory, but based on what I HAVE seen of their works, I would question whether they can be called mystery writers. Historical fiction, sure; romance, thrillers, if you will ... but mysteries?

Mystery fiction is a loosely-defined term.
1.It is often used as a synonym for detective fiction or crime fiction� in other words a novel or short story in which a detective (either professional or amateur) investigates and solves a crime mystery. Sometimes mystery books are nonfiction. The term "mystery fiction" may sometimes be limited to the subset of detective stories in which the emphasis is on the puzzle/suspense element and its logical solution (cf. whodunit), as a contrast to hardboiled detective stories, which focus on action and gritty realism.
2.Although normally associated with the crime genre, the term "mystery fiction" may in certain situations refer to a completely different genre, where the focus is on supernatural or thriller mystery (the solution doesn't have to be logical, and even no crime is involved). This usage was common in the pulp magazines of the 1930s and 1940s, where titles such as Dime Mystery, Thrilling Mystery and Spicy Mystery offered what at the time were described as "weird menace" stories � supernatural horror in the vein of Grand Guignol. This contrasted with parallel titles of the same names which contained conventional hardboiled crime fiction. The first use of "mystery" in this sense was by Dime Mystery, which started out as an ordinary crime fiction magazine but switched to "weird menace" during the latter part of 1933.
An early work of modern mystery fiction, Das Fräulein von Scuderi by E.T.A. Hoffmann (1819), was an influence on The Murders in the Rue Morgue by Edgar Allan Poe (1841). Wilkie Collins' epistolary novel The Woman in White was published in 1860, while The Moonstone (1868), is often thought to be his masterpiece. In 1887 Arthur Conan Doyle introduced Sherlock Holmes, whose mysteries are said to have been singularly responsible for the huge popularity in this genre. The genre began to expand near the turn of century with the development of dime novels and pulp magazines. Books were especially helpful to the genre with many authors writing in the genre in the 1920s. An important contribution to mystery fiction in the 1920s was the development of the juvenile mystery by Edward Stratemeyer. Stratemeyer originally developed and wrote the Hardy Boys and Nancy Drew mysteries written under the Franklin W. Dixon and Carolyn Keene pseudonyms respectively (and were later written by his daughter, Harriet Adams, and other authors). The 1920s also gave rise to one of the most popular mystery authors of all time, Agatha Christie, whose works include Murder on the Orient Express (1934), Death on the Nile (1937), and the world's best-selling mystery And Then There Were None (1939).
The massive popularity of pulp magazines in the 1930s and 1940s increased interest in mystery fiction. Pulp magazines decreased in popularity in the 1950s with the rise of television so much that the numerous titles available then are reduced to two today: Alfred Hitchcock's Mystery Magazine and Ellery Queen's Mystery Magazine. The detective fiction author Ellery Queen (pseudonym of Frederic Dannay and Manfred B. Lee) is also credited with continuing interest in mystery fiction.
Interest in mystery fiction continues to this day because of various television shows which have used mystery themes and the many juvenile and adult novels which continue to be published. There is some overlap with "thriller" or "suspense" novels and like authors in those genres may consider themselves mystery novelists. Comic books and like graphic novels have carried on the tradition, and film adaptations have helped to re-popularize the genre in recent times.
Mystery fiction can be divided into numerous categories, among them the "traditional mystery", "legal thriller", " medical thriller", "cozy mystery", "police procedural", and "hardboiled" (for instance, Dashiell Hammett's The Maltese Falcon's main detective, Sam Spade).

Nor does the official Mystery Writers of America website list either of them as mystery writers:
... nor is there any mention of their names on the website of the British Crime Writers Association: ...
So, since at least Follett and Gregory (who are still among the living) don't seem to have applied for membership in either organization, and neither organization feels compelled, for its part, to make reference to their works -- nor to those of Norah Lofts -- I'm going to start deleting any and all Follett, Gregory and Lofts entries unless someone makes a very specific case why any of those books should be classified as a historical MYSTERY.

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I'd be willing to let Baudolino stay on the list for the time being as it arguably contains at least a fig-leaf sized play on locked room mysteries in the sequence involving the death of emperor Frederick Barbarossa (which really IS remaining a bit of a mystery, even from the point of view of historical research, so Eco took just about as much poetic license there as any other novelist might have done). But this is, of course, merely one episode in a very long book that, all in all, is just about as much a play on the medieval "quest" tales, modern adventure novels, and Eco's trademark exploration of semiotics in fiction (i.e., any- and everything that can be used to tell a lie and thus, simultaneously, to tell a story in the first place) ...

Woot - you have been busy, and backing up every argument with evidence too. brilliant

Mystery to be solved from among the books on this list: What's hiding behind the 20th (if I've counted correctly) entry under no. 330 (p. 4 of the list)? It's shelved, inter alia, as "historical fiction," and the top review describes it as containing "beautiful and accurate descriptions of another era." So it would seem to be a historical novel. But which one ... and by whom? (Almost even more intriguing is the fact that the mystery author in question seems to have written, or be about to write, several other books, one of which is not due to be published until 2013.) So who and what is hiding behind those mysterious dots?

:O)
ETA - looks like a kindle publication


Hers is also the top review on the book page, btw. The edition she added is a 2011 paperback -- though there does seem to be a kindle edition as well.
In any event, with Bettie's comment on her review, she now ought to be alerted to this discussion, so maybe she'll chime in! :)

Think I ought to ask Eco for a minute split of the royalties if you like it? :) (Though if you don't ... don't kill the messenger! Um. Or some such thing.)

Shadowplay: The Hidden Beliefs and Coded Politics of William Shakespeare
(likewise nonfiction),
Cold Mountain
The Boy in the Striped Pajamas
(fiction, but not mysteries) and
Control Switch On: The Untold Story Of The Most Powerful Man In The World-Ryan Moran-Who Shaped The Planet For Peace
(not a historical mystery within the definition).
ETA: Also re-removed The Flanders Panel.
If anybody else sees anything suspect, do let me know!

Keep reading it! Pillars of the Earth is a great book but the tv series is not a very good adaptation in my opinion, I didn't think the characters carried through to the screen from the book. Only my opinion obviously.
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