欧宝娱乐

“Fortunate, most fortunate occurrence! 鈥� fortunate for the millions of his manacled brethren, yet panting for deliverance from their awful thralldom! 鈥� fortunate for the cause of negro emancipation, and of universal liberty! 鈥� fortunate for the land of his birth, which he has already done so much to save and bless! 鈥� fortunate for a large circle of friends and acquaintances, whose sympathy and affection he has strongly secured by the many sufferings he has endured, by his virtuous traits of character, by his ever-abiding remembrance of those who are in bonds, as being bound with them! 鈥� fortunate for the multitudes, in various parts of our republic, whose minds he has enlightened on the subject of slavery, and who have been melted to tears by his pathos, or roused to virtuous indignation by his stirring eloquence against the enslavers of men! 鈥� fortunate for himself, as it at once brought him into the field of public usefulness, "gave the world assurance of a MAN," quickened the slumbering energies of his soul, and consecrated him to the great work of breaking the rod of the oppressor, and letting the oppressed go free!”
― William Lloyd Garrison, Narrative of the Life of Frederick Douglass

“They... who await
No gifts from Chance, have conquered Fate.”
― Matthew Arnold

“It seems fitting, however, that the single Western film which most unambiguously endorses the agrarian ideal, The Covered Wagon, should contain one of the cinema screen's most graphic attacks on Industrialism. The film's intertitles inform viewers that one of the most formidable hazards facing the character of Wingate (Charles Stanton Ogle), the leader of the wagon train, is greed arising from the California gold strike of 1849. Several pioneers opt to dig gold in California rather than plow land in Oregon. In a visual composition symbollically resonant with the importance and irrevocability of that choice, the wagon train divides, one part going north and the other south, while visible in the foreground lie the discarded plows of those who have foresaken the agrarian ideal. These shots from a silent Western summarise a major split in the American psyche.”
― Colin McArthur, Cinema, Culture, Scotland: Selected Essays