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“As a working definition of art, I lean toward Tolstoy's: "Art is a human activity having for it's purpose the transmission to other of the highest and best feelings to which mankind has risen." It seems to me that, regarding agrarian art, the farther it moves away from the natural world, especially when the main goal is money profits, the more difficult it becomes for it to reflect "the highest and best feelings" of humanity. The same is true of, of course, of agriculture itself. The farther it tries to remove itself from nature in search of money, the more it moves away from the highest and healthiest kinds of food.”
― Gene Logsdon, The Mother of All Arts: Agrarianism and the Creative Impulse

“Agrarians are committed to preserving both communities and the material means of life, to cultivating practices that ensure that the essential means of life suffice for all members of the present generation and are not diminished for those who come after. Agrarianism in this sense is, and has nearly always been, a marginal culture existing at the edge or under the domination of a larger culture whose ideology, social system, and economy are fundamentally different. So agrarian writers, both ancient and modern, always speak with a vivid awareness of the threat posed by the culture of the powerful.”
― Ellen F. Davis

“The escape from industrialism is not in socialism or in Sovietism. The answer lies in a return to a society where agriculture is practiced by most of the people. It is in fact impossible for any culture to be sound and healthy without a proper regard for the soil, no matter how many urban dwellers think that their food comes from grocers and delicatessens, or their milk from tin cans. This ignorance does not release them from a final dependence upon the farm and that most incorrigible of beings, the farmer.”
― Andrew Lytle

“Siapa yang menguasai tanah, maka dia akan menguasai ekonomi. Siapa yang menguasai ekonomi, maka dia akan menguasai politik. Siapa yang menguasai politik, maka dia akan menguasai negara.”
― Hedar Laudjeng, Dunia Orang Tompu

“Agriculture, however, is not and never has been a single monolithic interest in our society. We have always known differences among farmers of different regions, different crops, and different incomes. The difference in the forms of political organization have been determined principally by the manner in which economic differences have been resolved. (pp. 15â€�16)”
― Grant McConnell, Decline of Agrarian Democracy

“The modern urban-industrial society is based on a series of radical disconnections between body and soul, husband and wife, marriage and community, community and the earth. At each of these points of disconnection the collaboration of corporation, government, and expert sets up a profit-making enterprise that results in the further dismemberment and impoverishment of the Creation.

Together, these disconnections add up to a condition of critical ill health, which we suffer in common -- not just with each other, but with all other creatures. Our economy is based upon this disease. Its aim is to separate us as far as possible from the sources of life (material, social, and spiritual), to put these sources under the control of corporations and specialized professionals, and to see them to us at the highest profit. It fragments the Creation and sets the fragments into conflict with one another. For the relief of the suffering that comes of this fragmentation and conflict, our economy proposes, not health, but vast "cures" that further centralize power and increase profits...

Only by restoring the broken connections can we be healed. Connection is health. And what our society does its best to disguise from us is how ordinary, how commonly attainable, health is. We lose our health -- and create profitable diseases and dependencies -- by failing to see the direction connections between living and eating, eating and working, working and loving. In gardening, for instance, one works with the body to feed the body. The work, if it is knowledgeable, makes for excellent food. And it makes one hungry. The work thus makes eating both nourishing and joyful, not consumptive, and keeps the eater from getting fat and weak. This is health, wholeness, a source of delight. And such a solution, unlike the typical industrial solution, does not cause new problems.”
― Wendell Berry, The Unsettling of America: Culture and Agriculture

“It seems fitting, however, that the single Western film which most unambiguously endorses the agrarian ideal, The Covered Wagon, should contain one of the cinema screen's most graphic attacks on Industrialism. The film's intertitles inform viewers that one of the most formidable hazards facing the character of Wingate (Charles Stanton Ogle), the leader of the wagon train, is greed arising from the California gold strike of 1849. Several pioneers opt to dig gold in California rather than plow land in Oregon. In a visual composition symbollically resonant with the importance and irrevocability of that choice, the wagon train divides, one part going north and the other south, while visible in the foreground lie the discarded plows of those who have foresaken the agrarian ideal. These shots from a silent Western summarise a major split in the American psyche.”
― Colin McArthur, Cinema, Culture, Scotland: Selected Essays