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“I was shown into a room. A red room. Red wallpaper, red curtains, red carpet. They said it was a sitting-room, but I don’t know why they’d decided to confine its purpose just to sitting. Obviously, sitting was one of the things you could do in a room this size; but you could also stage operas, hold cycling races, and have an absolutely cracking game of frisbee, all at the same time, without having to move any of the furniture.
It could rain in a room this big.”
― Hugh Laurie, The Gun Seller

“A scientist doesn't know all the answers. Nobody does, not even teachers. But a scientist keeps on trying to find the answers.”
― Oliver Butterworth, The Enormous Egg

“Do not go by my humble beginnings. Be wary of my enormous vision.”
― Manoj Arora, Dream On

“Suddenly, there was an enormous flash of light, the brightest light I have ever seen or that I think anyone has ever seen. It blasted; it pounced; it bored its way into you. It was a vision which was seen with more than the eye. It was seen to last forever. You would wish it would stop; altogether it lasted about two seconds.
[Witnessing the first atomic bomb test explosion.]”
― Isidor Isaac Rabi

“Again, a beautiful object, whether it be a living organism or any whole composed of parts, must not only have an orderly arrangement of parts, but must also be of a certain magnitude; for beauty depends on magnitude and order. Hence a very small animal organism cannot be beautiful; for the view of it is confused, the object being seen in an almost imperceptible moment of time. Nor, again, can one of vast size be beautiful; for as the eye cannot take it all in at once, the unity and sense of the whole is lost for the spectator; as for instance if there were one a thousand miles long. As, therefore, in the case of animate bodies and organisms a certain magnitude is necessary, and a magnitude which may be easily embraced in one view; so in the plot, a certain length is necessary, and a length which can be easily embraced by the memory. The limit of length in relation to dramatic competition and sensuous presentment, is no part of artistic theory. For had it been the rule for a hundred tragedies to compete together, the performance would have been regulated by the water-clock,--as indeed we are told was formerly done. But the limit as fixed by the nature of the drama itself is this: the greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous. And to define the matter roughly, we may say that the proper magnitude is comprised within such limits, that the sequence of events, according to the law of probability or necessity, will admit of a change from bad fortune to good, or from good fortune to bad.”
― Aristotle, Poetics

“Together we will finish and do great exploits for the Lord and the devil cannot stop us”
― Sunday Adelaja

“While the bible is GOD because the word of GOD is GOD, please understand that GOD cannot be contained in the bible. To believe otherwise is to make an infinite GOD finite.”
― TemitOpe Ibrahim

“We'll see how big a coup it is," Zuckerman said.
"Zoom is moving into golf in a very big way. Huge. Humongous. Gigantic."
"Enormous," Myron said.
"Mammoth," Win added.
"Colossal."
"Titanic."
"Bunyanesque."
Win smiled. "Brobdingnagian," he said.
"Oooo," Myron said. "Good one."
Zuckerman shook his head. "You guy are funnier than The Three Stooges without Curly.”
― Harlan Coben, Back Spin

“You are part of this nature. You are enormous.”
― Vikrmn: CA Vikram Verma, Smiling Brahma