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“I think of two landscapes- one outside the self, the other within. The external landscape is the one we see-not only the line and color of the land and its shading at different times of the day, but also its plants and animals in season, its weather, its geologyâ€� If you walk up, say, a dry arroyo in the Sonoran Desert you will feel a mounding and rolling of sand and silt beneath your foot that is distinctive. You will anticipate the crumbling of the sedimentary earth in the arroyo bank as your hand reaches out, and in that tangible evidence you will sense the history of water in the region. Perhaps a black-throated sparrow lands in a paloverde bushâ€� the smell of the creosote bushâ€�.all elements of the land, and what I mean by “the landscape.â€�

The second landscape I think of is an interior one, a kind of projection within a person of a part of the exterior landscape. Relationships in the exterior landscape include those that are named and discernible, such as the nitrogen cycle, or a vertical sequence of Ordovician limestone, and others that are uncodified or ineffable, such as winter light falling on a particular kind of granite, or the effect of humidity on the frequency of a blackpoll warbler’s burst of song�.the shape and character of these relationships in a person’s thinking, I believe, are deeply influenced by where on this earth one goes, what one touches, the patterns one observes in nature- the intricate history of one’s life in the land, even a life in the city, where wind, the chirp of birds, the line of a falling leaf, are known. These thoughts are arranged, further, according to the thread of one’s moral, intellectual, and spiritual development. The interior landscape responds to the character and subtlety of an exterior landscape; the shape of the individual mind is affected by land as it is by genes.

Among the Navajo, the land is thought to exhibit sacred order…each individual undertakes to order his interior landscape according to the exterior landscape. To succeed in this means to achieve a balanced state of mental health…Among the various sung ceremonies of this people-Enemyway, Coyoteway, Uglyway- there is one called Beautyway. It is, in part, a spiritual invocation of the order of the exterior universe, that irreducible, holy complexity that manifests itself as all things changing through time (a Navajo definition of beauty).”
― Barry López, Crossing Open Ground

“I have often noticed that these things, which obsess me, neither bother nor impress other people even slightly. I am horribly apt to approach some innocent at a gathering, and like the ancient mariner, fix him with a wild, glitt’ring eye and say, “Do you know that in the head of the caterpillar of the ordinary goat moth there are two hundred twenty-eight separate muscles?â€� The poor wretch flees. I am not making chatter; I mean to change his life.”
― Annie Dillard, Pilgrim at Tinker Creek

“A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off.

At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.”
― Annie Dillard, Pilgrim at Tinker Creek

“Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what?

I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,â€� says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.â€� But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.”
― Annie Dillard, Pilgrim at Tinker Creek

“This is what I had come for, just this, and nothing more. A fling of leafy motion on the cliffs, the assault of real things, living and still, with shapes and powers under the sky- this is my city, my culture, and all the world I need.”
― Annie Dillard, Pilgrim at Tinker Creek

“ Yes, it’s tough, it’s tough, that goes without saying. But isn’t waiting itself and longing a wonder, being played on by wind, sun, and shade?”
― Annie Dillard, Pilgrim at Tinker Creek

“Necessities

1

A map of the world. Not the one in the atlas,
but the one in our heads, the one we keep coloring in.
With the blue thread of the river by which we grew up.
The green smear of the woods we first made love in.
The yellow city we thought was our future.
The red highways not traveled, the green ones
with their missed exits, the black side roads
which took us where we had not meant to go.
The high peaks, recorded by relatives,
though we prefer certain unmarked elevations,
the private alps no one knows we have climbed.
The careful boundaries we draw and erase.
And always, around the edges,
the opaque wash of blue, concealing
the drop-off they have stepped into before us,
singly, mapless, not looking back.”
― Lisel Mueller, Alive Together

“But that (physical attractiveness), as the late great Irish poet and philosopher of beauty John O’Donohue helpfully distinguished, is glamour. I’ve taken his definition as my own, for naming beauty in all its nuance in the moment-to-moment reality of our days: beauty is that in the presence of which we feel more alive.”
― Krista Tippett, Becoming Wise: An Inquiry into the Mystery and Art of Living

“In the pursuit of perfection, I forgot I was already enough.”
― Caroline George, The Summer We Forgot

“We’ve made it private, contained it in family, when its audacity is in its potential to cross tribal lines. We’ve fetishized it as romance, when its true measure is a quality of sustained, practical care. We’ve lived it as a feeling, when it is a way of being. It is the elemental experience we all desire and seek, most of our days, to give and receive. The sliver of love’s potential that the Greeks separated out as eros is where we load so much of our desire, center so much of our imagination about delight and despair, define so much of our sense of completion. There is the love the Greeks called filia—the love of friendship. There is the love they called agape—love as embodied compassion, expressions of kindness that might be given to a neighbor or a stranger. The Metta of the root Buddhist Pali tongue, “lovingkindness,â€� carries the nuance of benevolent, active interest in others known and unknown, and its cultivation begins with compassion towards oneself.”
― Krista Tippett, Becoming Wise: An Inquiry into the Mystery and Art of Living

“In the forty minutes I watched the muskrat, he never saw me, smelled me, or heard me at all. When he was in full view of course I never moved except to breathe. My eyes would move, too, following his, but he never noticed. Only once, when he was feeding from the opposite bank about eight feet away did he suddenly rise upright, all alert- and then he immediately resumed foraging. But he never knew I was there.

I never knew I was there, either.

For that forty minutes last night I was as purely sensitive and mute as a photographic plate; I received impressions, but I did not print out captions. My own self-awareness had disappeared; it seems now almost as though, had I been wired to electrodes, my EEG would have been flat. I have done this sort of thing so often that I have lost self-consciousness about moving slowly and halting suddenly. And I have often noticed that even a few minutes of this self-forgetfulness is tremendously invigorating. I wonder if we do not waste most of our energy just by spending every waking minute saying hello to ourselves. Martin Buber quotes an old Hasid master who said, “When you walk across the field with your mind pure and holy, then from all the stones, and all growing things, and all animals, the sparks of their souls come out and cling to you, and then they are purified and become a holy fire in you.”
― Annie Dillard, Pilgrim at Tinker Creek

“It looked as though the leaves of the autumn forest had taken flight, and were pouring down the valley like a waterfall, like a tidal wave, all the leaves of the hardwoods from here to Hudson’s Bay. It was as if the season’s colors were draining away like lifeblood, as if the year were molting and shedding. The year was rolling down, and a vital curve had been reached, the tilt that gives way to headlong rush. And when the monarch butterflies had passed and were gone, the skies were vacant, the air poised. The dark night into which the year was plunging was not a sleep but an awakening, a new and necessary austerity, the sparer climate for which I longed. The shed trees were brittle and still, the creek light and cold, and my spirit holding its breath.”
― Annie Dillard, Pilgrim at Tinker Creek

“Why We Tell Stories

I
Because we used to have leaves
and on damp days
our muscles feel a tug,
painful now, from when roots
pulled us into the ground

and because our children believe
they can fly, an instinct retained
from when the bones in our arms
were shaped like zithers and broke
neatly under their feathers

and because before we had lungs
we knew how far it was to the bottom
as we floated open-eyed
like painted scarves through the scenery
of dreams, and because we awakened

and learned to speak”
― Lisel Mueller, Alive Together

“My life of conversation leads me to reimagine the very meaning of hope. I define hope as distinct from optimism or idealism. It has nothing to do with wishing. It references reality at every turn and reveres truth. It lives open eyed and wholeheartedly with the darkness that is woven ineluctably into the light of life and sometimes seems to overcome it. Hope, like every virtue, is a choice that becomes a habit that becomes spiritual muscle memory.”
― Krista Tippett, Becoming Wise: An Inquiry into the Mystery and Art of Living

“All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down.

The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild?

The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played.

The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.� A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom.

I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.”
― Annie Dillard, Pilgrim at Tinker Creek

“What you get will not always make you happy, what you become will”
― Akosua Dardaine Edwards, Nyabo (Madam) â€� Why Are You Here?: The Truth about Living in Service, Love, and Personal Power

“Failure. An echo of the Mara’s voice—or maybe it’s my own—hisses in my ear. No. Not a failure, but . . . not quite finished. I am enough—for now. But I could be more. I want to be more.”
― K.A. Wiggins, Blind the Eyes

“I was in no tent under leaves, sleepless and glad. There was no moon at all; along the world’s coasts the sea tides would be springing strong. The air itself also has lunar tides; I lay still. Could I feel in the air an invisible sweep and surge, and an answering knock in the lungs? Or could I feel the starlight? Every minute on a square mile of this land one ten thousandth of an ounce of starlight spatters to earth. What percentage of an ounce did that make on my eyes and cheeks and arms, tapping and nudging as particles, pulsing and stroking as waves?”
― Annie Dillard, Pilgrim at Tinker Creek

“Sister Simone Campbell: “I sometimes think we, in the United States, think we ought to do something about everything and that it’s my job to fix everything. Well, it’s not. That’s way beyond us. It’s more important, I think, that we listen deeply to our stories and then see where it leads. And that’s the piece. If we all do our part . . . Whatever our part is, wherever we are. Whatever our part is. Just do one thing. That’s all we have to do. The guilt—or the curse—of the progressive, the liberal, the whatever, is that we think we have to do it all. And then we get overwhelmed. I get all those solicitations in the mail. And I can’t do everything. And so I don’t do anything. But that’s the mistake. Community is about just doing my part.”
― Krista Tippett, Becoming Wise: An Inquiry into the Mystery and Art of Living

“If we never have enough love, we have more than most.”
― Kelli Russell Agodon, Dialogues with Rising Tides

“Even a small amount of nectar
is a greater sum than none.”
― Kelli Russell Agodon, Dialogues with Rising Tides

“I am unapologetically enough, just as I am. And so are you.”
― Carrie Severson

“Our life is a faint tracing on the surface of mystery. The surface of mystery is not smooth, any more than the planet is smooth; not even a single hydrogen atom is smooth, let alone a pine. Nor does it fit together; not even the chlorophyll and hemoglobin molecules are a perfect match, for, even after the atom of iron replaces the magnesium, long streamers of disparate atoms trail disjointedly from the rims of the molecule’s loops. Freedom cuts both ways. Mystery itself is as fringed and intricate at the shape of the air at times. Forays into mystery cut bays and fine fjords, but the forested mainland itself is implacable both in its bulk and in its most filigreed fringe of detail.”
― Annie Dillard, Pilgrim at Tinker Creek

“In human life and in the history of faith, I think, love has a quality of a bedrock reality we discoverâ€� adventurers, travelers, each of us, only fitfully apprehending its potential. I take some solace in the fact that I’m not alone in this intuition that the reality of evil, of injustice, of suffering notwithstanding, “at the center of this existence is a heart beating with love.â€� That’s how Desmond Tutu put it to me, with greater authority than mine from a life that has known extremes of human cruelty one to another.”
― Krista Tippett, Becoming Wise: An Inquiry into the Mystery and Art of Living

“Be not sorry for what you have done.
Be sorry for what you've got undobe.
Just do what you can do with style.
And you may live well a long while!”
― Ana Claudia Antunes, A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job

“Sometimes you reach to a point when enough is enough. Sometimes, you have to be done, just done and nothing else.

From (The Awakening)”
― Jyoti Patel

“Ik heb niets meer te vragen aan de goden, mijn wensen zijn vervuld,
het is goed. Meer dan goed. Het is genoeg.”
― Hugo Claus, Thyestes naar Seneca

“The lycopods have triumphed in their own way. They have survived with few alterations more than four hundred million years because they operate with an energy economy involving only minute overhead costs. They have found a different way to avoid violating a fundamental law of survival: “Don’t spend more than you have earned.”
― Bernd Heinrich, The Trees in My Forest

“Lycopods gain their meager allotment of energy by being in the right place at the right time. As in any other organism, having enough energy is critical to survival. One strategy is to try to accumulate more, the other is to get by on less. Modern lycopods do both, but they have perfected the latter strategy.”
― Bernd Heinrich, The Trees in My Forest

“Never let your quest for more distract you from the beauty of enough.”
― Anonymous