Å·±¦ÓéÀÖ

“She stood by the tea-table in a light-coloured muslin gown, which had a good deal of pink about it. She looked as if she was not attending to the conversation, but solely busy with the tea-cups, among which her round ivory hands moved with pretty, noiseless, daintiness.”
― Elizabeth Gaskell, North and South

“Which type of wedding gown best suits you?

If you are lucky enough to be tall and slender, you can pretty much get away with any type or shape of gown. That is why models are tall and slender—anything looks good on them!”
― Meg Cabot, Queen of Babble in the Big City

“You look so beautiful in that gown... didn't you once tell me that blue was McKenna's favorite color?"
"I don't remember."
It had indeed been blue. Tonight Aline had not been able to prevent herself from reaching for a silk gown the color of Russian lapis. It was a simple gown with no flounces or overskirt, just a demi-train in the back and a low, square-cut bodice. A string of pearls was wrapped twice around her throat, with the lower loop hanging almost to her waist. Another strand had been artfully entwined in her pinned-up curls.
"You're a goddess," her sister proclaimed cheerfully, raising her wineglass in tribute. "Good luck, dear. Because once McKenna sees you in that gown, I predict that you'll have a difficult time keeping him at bay.”
― Lisa Kleypas, Again the Magic

“Man only can be aware of the insensibility of man towards a new gown.”
― Jane Austen, Northanger Abbey

“Yes, I'll marry you."
And then his hands were in her hair, scattering her hairpins, and his lips were on hers, stealing her breath, and she was touching him- this remarkable man whom she'd loved for so long and who was finally, finally hers.
Callie sighed into Ralston's mouth- noting that he tasted of scotch and something more exotic, more male- and a feeling of complete and utter elation coursed through her. This was Ralston, her future husband, and he was making her feel so warm and wonderful and alive. And then he was kissing down the column of her neck, whispering her name like a litany as he lifted her arms over his shoulders and set his lips to the expanse of white skin above the neck of her gown. Callie gasped as his strong hands spread wide across her torso, stealing up to cup her breasts in a gesture of complete and utter possession.
"This gown," he said, the words coming thick and liquid, "is sinful."
Callie couldn't help her smile as he leaned back to watch her breasts lift against the satin edge of the dress. "Do you think so?"
"Indeed. It is made to drive men crazy... to reveal all your luscious curves"- he ran a finger beneath the satin lazily, just far enough to graze the edge of a nipple- "without showing off anything. It's a torturous viewing experience," he added, wickedly, as he pulled the edge of the gown lower, exposing the straining tip of one breast to the cool air and his hot mouth. He suckled briefly, until Callie was writhing against him, then, releasing her, he said, "When we are married, I shall buy you one in every color.”
― Sarah MacLean, Nine Rules to Break When Romancing a Rake

“Tonight, her dress was designed to mimic the flower trellis in her mother's garden, where she'd saved Marisol's wedding. But no one looking at her would think about that. The base of Evangeline's bodice was nude silk, making her look as if she were wrapped in nothing but the crisscrossing cream-velvet ribbons that went to her hips. There, pastel flowers began to appear, growing denser until every inch of her lower skirts were covered in a brilliant clash of silk violets, jewelled peonies, tulle lilies, curling vines, and sprays of gold crawling paisleys.”
― Stephanie Garber, Once Upon a Broken Heart

“She had arrived in a gown of black silk beneath a cage of fish bones and shells, her deep aquamarine hair caught up in a crown of coral.”
― Holly Black, How the King of Elfhame Learned to Hate Stories

“It's a lovely mask," Sara said, toying with the narrow black silk ribbons before tying it in place. Monique had artfully fashioned it out of black silk and lace, and glinting blue sapphires that matched her gown. "I'm not nervous at all." It was true. She felt as if some reckless stranger had replaced her usual cautious self. The midnight-blue gown molded to her figure, cut so low that her breasts seemed ready to spill from the meager bodice. A broad satin sash fastened with a gold buckle emphasized her small waist. The mask covered the upper half of her face but revealed her lips, which Monique and Lily had insisted on darkening with the faintest hint of rouge. Laboriously they had arranged her hair in a cluster of curls on top of her head, allowing a few ringlets to dangle teasingly against her cheeks and neck. A perfume that reminded Sara of roses blended with some deeper foresty scent had been applied sparingly to her bosom and throat.
"A triumph," Monique had declared, gloating over the transformation. "Beautiful, worldly, but still fresh and young... ah, ³¦³óé°ù¾±±ð, you will make many conquests tonight!"
"Stunning," Lily had said, beaming with delight. "What a stir she'll cause.”
― Lisa Kleypas, Dreaming of You

“Dressed in a lemon-colored gown made of cashmere, with sleeves of a silk so thin it was referred to by dressmakers as peau de papillon, or "butterfly skin," Lily was breathtakingly beautiful.”
― Lisa Kleypas, Dreaming of You

“You look beautiful, ma'am," Ernestine said, delighted with the results of her work. She had drawn Phoebe's hair up into a coil of neatly pinned rolls and curls, winding a velvet ribbon around the base. A few loose curls had been allowed to dangle down the back of her head, which felt a bit strange: she wasn't accustomed to leaving any loose pieces in her usual hairstyles. Ernestine had finished the arrangement by pinning a small, fresh pink rose on the right side of the coil.
The new coiffure was very flattering, but the formal gown had turned out to be far less inconspicuous than Phoebe had expected. It was the pale beige of unbleached linen or natural wool, but the silk had been infused with exceptionally fine metallic threads of gold and silver, giving the fabric a pearly luster. A garland of peonies, roses, and delicate green silk leaves trimmed the deeply scooped neckline, while another flower garland caught up the gossamer-thin silk and tulle layers of the skirts at one side.”
― Lisa Kleypas, Devil's Daughter

“She compromised by stuffing all the shining mass loosely into a pink chenille net. The net matched her foaming mousseline gown, also the color of a pink seashell. Like all fashionably dressed women with unlimited means, Miranda had a special gown for every imaginable function. A walking costume could hardly be worn for midday dinner, still less for tea. A morning négligée, no matter how elaborately be-flounced and beribboned, might never appear after noon even in the privacy of the bedroom. This shell-pink gown had been contrived by the knowing modiste for one purpose only- the gratification of a husband's eye at just such an intimate supper party as Miranda was planning. Its graceful skirt belled but slightly over a petticoat stiffened with horsehair, the tight bodice was cut very low into a heart shape to show the swell of the white breasts. The only trimming were tiny rose velvet bows sewn at random with a careless gaiety as though a swarm of rosy bees had settled on a pink cloud.”
― Anya Seton, Dragonwyck

“The graceful lines of pearl on the bodice transported her to her father’s study, to the newspaper photo of the Brooklyn Bridge. Today, tonight, she was crossing a bridge into another sense of self, an unknown, unexplored woman, a woman incognito, even to herself. And holding those lines of strength was the dove, Analee’s handiwork, the strength of peace holding everything, there on the gown, there at her heart, again on her face, beneath her eyes, allowing her a new vision, though she herself would not be seen. Constance fingered the smooth finish of the silk, this fine fabric given to her by someone who believed in her, who mentored and cared for her, whoever she was as a woman, without the constraints of convention. She turned the gown and gazed at its train, centered with the Gothic arch of the bridge, now converted into a torch of liberty. Everything in this gown spoke of strength and transformation, nothing left behind. There were her children, the girls as shimmering fish swimming freely, even her dead son transformed into light, the light of the bridge into the unknown.”
― Diane C. McPhail, The Seamstress of New Orleans

“This ball, this gown constituted a new endeavor for women, and she was one of them, wearing these symbols that marked a new life: these pearlized lines of strength, this dove of peace, this poppy in all its complexity, this flame, this bridge. The impossible bridge across impossible obstacles. She would be wearing that bridge. No, she thought, I am my own bridge.”
― Diane C. McPhail, The Seamstress of New Orleans

“They were draped in teeth and bone and skins, with Orlagh leading them. She wore a gown of stingray, and her black hair was threaded with pearls. Around her throat hung the partial jawbone of a shark.”
― Holly Black, How the King of Elfhame Learned to Hate Stories

“I am in a gown of deep forest green with crow feathers covering the shoulders and sleeves, while Cardan wears a doublet ornamented with bright beetle wings.”
― Holly Black, The Queen of Nothing

“It is a gown, but one such as I have never seen before. It is composed mostly of the cloth she showed me, but there are strips of other material running through it, some diaphanous and others satiny, some patterned in butterfly wings, some felted wool. Dangling threads hang from torn edges, and a few pieces of thin fabric have been wadded up to give them a new texture. The swirling patchwork she has created is at once tattered and beautiful.”
― Holly Black, The Stolen Heir

“The braided weeds and briars of her hair fall around her, serving as a cape. Large black eyes peer out from the tangle. She wears a gown of drab cloth and bark. When she moves, I see her feet are bare. Rings shine on several of her toes.”
― Holly Black, The Stolen Heir

“I suppose I had not been particularly subtle. For the first time, I had taken care with my appearance; after the encounter by the Underground lake, I had forced Twig and Thistle to take me to the tailor to stitch me a new gown. To stitch me some armor. I had had the tailor modify a gown made of a beautiful cream and gold silk taffeta. It was fashioned like a chemise, the skirt gathered beneath what little bosom I had before flowing out behind me in a train. The entire construction was held together by diaphanous straps at my shoulders, leaving my arms bare. Diamonds were craftily sewn into the bodice- hundreds, thousands, a myriad- twinkling like stars in a night sky. Twig and Thistle arranged my hair into a coronet of braids about my head, fitted with more little diamonds that sparkled brightly against my dark locks.”
― S. Jae-Jones, Wintersong

“Belle was different now too, from the poor, provincial girl she had once been to a queen in her own right.
She stood tall in a gown as golden as the sun. It hearkened back to the dress she had worn the night she dined and danced with the Beast, when he had shown her a vision of her father and let her go to him, despite the fact that leaving meant an eternity as a monster. It was hard to understand how much had changed since then, and how far they had come.”
― Emma Theriault, Rebel Rose

“At the top of the stairs, Molly waited, wearing a flowing ankle-length sleeveless teal gown, the type Ginger Rogers would wear while being twirled around a ballroom.”
― Amy E. Reichert, The Kindred Spirits Supper Club

“After they toweled her off, Emeline grudgingly let them dress her in a pale gold gown that fell to the floor. A trail of delicate poplar leaves was sewn into the bodice. The leaves, stitched in ivory thread, trailed gently along the boatneck collar, as if blown there by a breeze. They were so finely wrought, she could almost see them moving.
Next, the women braided her black hair into a knot at the nape of her neck, lacing it through with sprigs of Queen Anne's lace.
Last, they took her sliced palm and carefully salved it, then wrapped it tight with slender strips of gauzy white cotton, fastening it with with a golden pin.
"There," said the curvy brown attendant, her voice like summer rain. A smile ghosted her soft lips as she turned Emeline to the gilt mirror. "Look."
In the polished smoky surface, Emeline found a stranger staring back. Gone was the broke musician who desperately needed new jeans, who wore her grandfather's oversized cardigan to keep him close, and who rarely remembered to brush her hair.
The girl standing in the mirror had stepped straight out of a story. Her black eyes were dark pools in her pale face, and her cheekbones were dusted with gold to match her dress.
She looked utterly foreign and strange.”
― Kristen Ciccarelli, Edgewood

“Emeline's attendants fluttered like moths as they dressed her, oblivious to her unhappiness. They helped her into a midnight-blue gown with two glittering cicada wings stitched down the back in gold thread, cascading from the middle of her shoulder blades to the tops of her thighs.”
― Kristen Ciccarelli, Edgewood

“An ombre ball gown, its colour deepening from white near my throat, through palest blue to deepest indigo at my feet. Over that is stitched the stark outlines of trees, the way I see them from my window as dusk is falling. The seamstress has even sewn on little crystal beads to represent stars.

This is a dress I could never have imagined, one so perfect that for a moment, looking at it, I can think of nothing but its beauty.”
― Holly Black, The Cruel Prince

“Taryn finally comes down. She's been bathed in lilac dew and wears a gown of incredibly fine layers of cloth on top of one another, herbs and flowers trapped between them to give the impression that she's this beautiful, floating figure and a living bouquet at the same time.

Her hair is braided into a crown with green blooms all through it.

She looks beautiful and painfully human. In all that pale fabric, she looks like a sacrifice instead of a bride. She smiles at all of us, shy and glowingly happy.”
― Holly Black, The Wicked King

“Nicasia, meanwhile, wears the colours of the sea. Her gown is the green of kelp, deep and rich. Her aqua hair is braided up and adorned with a cunning crown made of fish bones and jaws.”
― Holly Black, The Queen of Nothing

“Generally, if Marie Antoinette had worn a gown once, she did not wear it again.”
― Caroline Weber, Queen of Fashion: What Marie Antoinette Wore to the Revolution

“Mor continued through them, a flash of colour and life in this strange cold place.

She wore deepest red, the gossamer and gauze of her sleeveless gown clinging to her breasts and hips, while carefully placed shafts left much of her stomach and back exposed. Her hair was down in rippling waves, and cuffs of solid gold glinted around her wrists. A queen- a queen who bowed to no one, a queen who had faced them all down and triumphed. A queen who owned her body, her life, her destiny, and never apologised for it.”
― Sarah J. Maas

“Crafted of tiny blue gems so pale they were almost white, it clung to every curve and hollow before draping to the floor and pooling like liquid starlight. The long sleeves were tight, capped at the wrists with cuffs of pure diamond. The neckline grazed my collarbones, the modesty of it undone by how the gown hugged areas I supposed a female might enjoy showing off. My hair had been swept off my face with two combs of silver and diamond, then left to drape down my back. And I thought, as I stood alone in my bedroom, that I might have looked like a fallen star.”
― Sarah J. Maas, A Court of Mist and Fury

“Jasmine emerged from her bedroom in a crystal-embellished ivory organza dress over sheer trousers with a turquoise beaded peacock cape over her shoulders. She felt like she was floating in the dress as Nadia walked behind her, holding the train of her cape. Suddenly, Jasmine realized something was missing.
"Just a moment, please."
She turned back swiftly, returning to her bedroom and dressing table. Pulling open the drawer, she found the marble jewelry box she was looking for, with a jade cuff bracelet inside. It wouldn't match her coronation robes, but it was just the finishing touch Jasmine needed: her mother's favorite piece of jewelry.”
― Alexandra Monir, Realm of Wonders

“My eyes bloom as I meet a silk as smooth as water. It shines like a pool of opals. The connection is tender and romantic, like how the feeling of summer swelled up within Romeo when he first laid eyes on Juliet. She was beautiful, as fair as their beloved Verona. And here, this dress reminds me of all the loveliness of Luna Island.
It's hand dyed soft colors--- blush and blue, lilac and lemon--- like a sunset sky above island waters. A blue sash cinches the waist, and the bow in the back fans out into multiple ribbons, each one a color featured on the dress. Labyrinthine embroidery coils into rose-like shapes, and ruffled sleeves remind me of cream puff shells.”
― Kiana Krystle, Dance of the Starlit Sea