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“Ya no la quiero, es cierto, pero tal vez la quiero.
Es tan corto el amor y es tan largo el olvido.
Porque en noches como ésta la tuve entre mis brazos,
mi alma no se contenta con haberla perdido.
Aunque éste sea el último dolor que ella me causa,
y éstos sean los últimos versos que yo le escribo.”
― Pablo Neruda, Twenty Love Poems and a Song of Despair

“I am in between. Trying to write to be understood by those who matter to me, yet also trying to push my mind with ideas beyond the everyday. It is another borderland I inhabit. Not quite here nor there. On good days I feel I am a bridge. On bad days I just feel alone.”
― Sergio Troncoso, Crossing Borders: Personal Essays

“…esa América
que tiembla de huracanes y que vive de amor,
hombres de ojos sajones y alma bárbara, vive.
Y sueña. Y ama, y vibra, y es la hija del Sol.”
― Rubén Darío, Azul... / Cantos de vida y esperanza

“Are Latino-Americans white? Black? Other? Illegal aliens from Mars? Or are we the very face of America?”
― Raquel Cepeda, Bird of Paradise: How I Became Latina

“Foisting an identity on people rather than allowing them the freedom and space to create their own is shady.”
― Raquel Cepeda, Bird of Paradise: How I Became Latina

“Sometimes opposites attract, or so they say, but Paloma and Rocío were like arroz and mangú: they didn’t really mix well.”
― Raquel Cepeda, Bird of Paradise: How I Became Latina

“Perhaps finding out that we carry New World history in our genes will transcend racial checkboxes altogether and enable Latino-Americans to rethink what America is supposed to look like.”
― Raquel Cepeda, Bird of Paradise: How I Became Latina

“It’s a great honor, m’ijo. We know that. I’m sure everyone in Ysleta is proud of you. But this is who you are," she said, for a moment scanning the dark night air and the empty street. A cricket chirped in the darkness. "God help you when you go to this ‘Havid.â€� You will be so far away from us, from everything you know. You will be alone. What if something happens to you? Who’s going to help you? But you always wanted to be alone; you were always so independent, so stubborn."

"Like you.”
― Sergio Troncoso, From This Wicked Patch of Dust

“I held Angie Luna in that room for hours, and I remember the different times we made love like epochs in a civilization, each movement and every touch, apex upon abyss. In the luxury of our bed, we tried every position and every angle. I explored the curves on her body and delighted in seeing the freedom of her ecstasy. Her desperate whispers and pleas. I told her I loved her, and she said she loved me too. We lay in bed with our limbs entangled, in a pacific silence that reminded me of existing on a beach just for the sake of such an existence. I couldn't imagine the world ever becoming better, and for some strange reason the thought slipped into my head that I had suddenly grown to be an old man because I could only hope to repeat, but never improve on, a night like this. I finally took her home sometime when the interstate was empty, and the bridges seemed to lead to nowhere, for they were desolate too.”
― Sergio Troncoso, The Last Tortilla & Other Stories

“Unless US citizens acknowledge and understand their country's imperial past, they will not be able to understand its present or future. Much of the recent and current Hispanic resettlement of parts of the United States is a consequence of empire.... Countercolonization follows colonization, and the waves of migrants always flow back like returning tides.”
― Felipe Fernández-Armesto, Our America: A Hispanic History of the United States

“A good writer should be able to communicate to the reader, 'I know your life. I know what you have truly experienced. It’s not right or wrong. It’s survival. It’s making mistakes, and trying to redeem yourself. It’s imperfections, and trying to make yourself better. It’s outrages, and crimes, and insults, which often are not righted, which you have to fix yourself, in your own mind, in your own heart, so that you are not poisoned'.”
― Sergio Troncoso, Crossing Borders: Personal Essays

“Again, this week as I walked on Broadway, in front of giant photographs of voluptuous supermodels at a Victoria Secret mega-store, who was rebuilding the sidewalks? With sweaty headbands, ripped-up jeans, and dust on their brown faces? Their muscled hands quivered as they worked the jack-hammers and lugged the concrete chunks into dump trucks. Two men from Guanajuato. Undocumented workers. They both shook my hand vigorously, as if they were relieved I wasn’t an INS officer.

I imagined how much money Victoria Secret was making off these poor bastards. I wondered why passersby didn’t see what was in front of their faces. We use these workers. We profit from them. In the shadows, they work to the bone, for pennies. And it’s so easy to blame them for everything and nothing simply because they are powerless, and dark-skinned,and speak with funny accents. Illegal is illegal. It is a phrase, shallow and cruel, that should prompt any decent American to burn with anger.”
― Sergio Troncoso, Crossing Borders: Personal Essays

“At Harvard, the strong and savvy and confident thrived, while the nice or shy or quaintly moral were just bit players. In Ysleta, you believed in God because you were poor and needed something to hold on to. At Harvard, you believed in your good luck or bad luck, in all-nighters, in your political savvy.”
― Sergio Troncoso, From This Wicked Patch of Dust

“Julia, is everything all right?â€� her father said in a raspy voice. “It’s three in the morning, m’ija.â€�

“I’m sorry. I have to talk to you; it’s something very important. Papá, Mamá, I’ve made a decision, and I wanted to share it with you. I’ve decided to convert to the Muslim religion.�

“What?� Pilar screamed. “Are you out of your mind?�

“Julia, what are you saying?�

“I want to be a Muslim. I’ve even chosen a new Muslim name, Aliyah.�

“Julia, are you drunk?�

“No, Papá, I’m not drunk. I’ve thought about this for a very long time. I think it’s the right thing for me, a way to follow God.”
― Sergio Troncoso, From This Wicked Patch of Dust

“But Anja. I hear Anja's voice. Maybe I am insane. I hear her crying. I see her alone in the trees. I remember being alone and humiliated. I remember, too, the fat little boy hiding in the bathroom. And I see this man, Ariane. I see this evil man, Ariane. He laughs everyday still. He has had years of laughter. He has triumphed over the screams of others, he has triumphed with blood on his hands. And he laughs still. God has cursed us! He has either cursed us or He was never here to begin with. We've pretended God was here for our own sanity! That's the truth! We've pretended evil is punished and good is rewarded. A perfect scheme!”
― Sergio Troncoso, The Nature of Truth

“A group of ten prisoners from Dachau, I was with them, we hid in the forest to wait for the Americans. The Germans had already left everything behind. We had food but no weapons. For days we could hear bombs exploding around us. We just wanted to survive long enough for the Americans to control the territory. We didn’t want to die. At that point, our prison uniforms were the only things to keep us from being shot on the spot by the Americans. That was all we had. Who would the Americans believe? Real prisoners or guards dressed as prisoners? Those devils might even say we were the Germans. This was our nightmare.”
― Sergio Troncoso, The Nature of Truth