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“Many things in this period have been hard to bear, or hard to take seriously. My own profession went into a protracted swoon during the Reagan-Bush-Thatcher decade, and shows scant sign of recovering a critical faculty—or indeed any faculty whatever, unless it is one of induced enthusiasm for a plausible consensus President. (We shall see whether it counts as progress for the same parrots to learn a new word.) And my own cohort, the left, shared in the general dispiriting move towards apolitical, atonal postmodernism. Regarding something magnificent, like the long-overdue and still endangered South African revolution (a jagged fit in the supposedly smooth pattern of axiomatic progress), one could see that Ariadne’s thread had a robust reddish tinge, and that potential citizens had not all deconstructed themselves into Xhosa, Zulu, Cape Coloured or ‘Eurocentricâ€�; had in other words resisted the sectarian lesson that the masters of apartheid tried to teach them. Elsewhere, though, it seemed all at once as if competitive solipsism was the signifier of the ‘radicalâ€�; a stress on the salience not even of the individual, but of the trait, and from that atomization into the lump of the category. Surely one thing to be learned from the lapsed totalitarian system was the unwholesome relationship between the cult of the masses and the adoration of the supreme personality. Yet introspective voyaging seemed to coexist with dull group-think wherever one peered about among the formerly ‘committedâ€�.

Traditionally then, or tediously as some will think, I saw no reason to discard the Orwellian standard in considering modern literature. While a sort of etiolation, tricked out as playfulness, had its way among the non-judgemental, much good work was still done by those who weighed words as if they meant what they said. Some authors, indeed, stood by their works as if they had composed them in solitude and out of conviction. Of these, an encouraging number spoke for the ironic against the literal mind; for the generously interpreted interest of all against the renewal of what Orwell termed the ‘smelly little orthodoxies’—tribe and Faith, monotheist and polytheist, being most conspicuous among these new/old disfigurements. In the course of making a film about the decaffeinated hedonism of modern Los Angeles, I visited the house where Thomas Mann, in another time of torment, wrote Dr Faustus. My German friends were filling the streets of Munich and Berlin to combat the recrudescence of the same old shit as I read:

This old, folkish layer survives in us all, and to speak as I really think, I do. not consider religion the most adequate means of keeping it under lock and key. For that, literature alone avails, humanistic science, the ideal of the free and beautiful human being. [italics mine]

The path to this concept of enlightenment is not to be found in the pursuit of self-pity, or of self-love. Of course to be merely a political animal is to miss Mann’s point; while, as ever, to be an apolitical animal is to leave fellow-citizens at the mercy of Ideoloâ€�. For the sake of argument, then, one must never let a euphemism or a false consolation pass uncontested. The truth seldom lies, but when it does lie it lies somewhere in between.”
― Christopher Hitchens, For the Sake of Argument: Essays and Minority Reports

“At one stopover on the train journey home, Hans told his sister Inge later, he saw a young girl with the Star of David on her breast; she was repairing tracks on the line, along with other people with yellow badges on their clothes. Her face was pallid, sunken in; her eyes, beyond grief and terror. Impulsively, Hans thrust his rations in her hand. She looked up at him, then at his uniform. She threw the packet of food to the ground.
He scooped it up, wiped off the dust, and picked a daisy growing by the side of the tracks. He placed the package, with the daisy on top, at her feet. He said, "I would have liked to give you a little pleasure." He boarded the train.
When he looked back, the girl was standing there, watching the train disappear, the flower in her hair.”
― Jud Newborn, Shattering the German Night: The Story of the White Rose

“Their eyes met; neither would forget.”
― Jud Newborn, Shattering the German Night: The Story of the White Rose

“The Greatestâ€� is a bite-your-tongue-book. Ultimately a tragic tale it is also immensely uplifting and easily the best footballer biography I have ever read.”
― Mike Parry

“When, in May, tensions reached a high point, London warned Berlin that if it attacked Czechoslovakia and the French were embroiled as well, "His Majesty's Government could not guarantee that they would not be forced by circumstances to become involved also". Ar the same time, English officials were telling their counterparts in Paris that they were "not disinterested" in Czechoslovakia's fate. I learned in the course of my own career that British diplomats are trained to write in with precision; so when a double negative is employed, the intent, usually, is not to clarify an issue but to surround it with fog.”
― Madeleine Albright, Prague Winter: A Personal Story of Remembrance and War, 1937-1948

“For Reagan,for his contemporaries, and many in the generations after them, the word Munich was understood as code for any nation's stepping back from necessary toughness”
― Chris Matthews, Tip and the Gipper: When Politics Worked

“Mammoth columns were rooted in the flagstones and the sawdust. Arches flew in broad hoops from capital to capital; crossing in diagonals, they groined the barrel-vaults that hung dimly above the smoke. The place should have been lit by pine-torches in stanchions. It was beginning to change, turning now, under my clouding glance, into the scenery for some terrible Germanic saga, where snow vanished under the breath of dragons whose red-hot blood thawed sword-blades like icicles. It was a place for battle-axes and bloodshed and the last pages of the Nibelungenlied when the capital of Hunland is in flames and everybody in the castle hacked to bits. Things grew quickly darker and more fluid; the echo, the splash, the boom and the road of fast currents sunk this beer-hall under the Rhine-bed; it became a cavern full of more dragons, misshapen guardians of gross treasure; or the fearful abode, perhaps, where Beowulf, after tearing the Grendel's arm out of its socket, tracked him over the snow by the bloodstains and, reaching the mere's edge, dived in to swim many fathoms down and slay his loathsome water-hag of a mother in darkening spirals of gore.”
― Patrick Leigh Fermor, A Time of Gifts