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“If we feel we cannot strike the right notes anymore and are not capable of forging ahead through the enticing pastures of our dreams, we must wisely put the treadmill on hold. So, let’s tame the inflated demands of greed for a while and look at our deeper self with compassion.("The empty Mirror")”
― Erik Pevernagie

“They clung to the purple moors behind and around their dwelling - to the hollow vale into which wound between fern-bank first, and then amongst a few of the wildest little pasture that ever bordered a wilderness of heath, or gave sustenance to a flock of grey moorland sheep, with their little mossy-faced lambs: - they clung to this scene, I say, with a perfect enthusiasm of attachment. I could comprehend the feeling, and share both its strength and truth. I saw the fascination of the locality. I felt the consecration of its loneliness: my eye feasted on the outline of swell and sweep - on the wild colouring communicated to ridge and dell by moss, by heath-bell, by flower-sprinkled turf, by brillant bracken, and mellow granite crag.”
― Charlotte Brontë, Jane Eyre

“Colter searched for original Mexican tiles to use as patterns for copies, and during the search, a barrel of old tile letters was found in a cellar corner. She decided to use the letters on the walls of the Cocina Cantina to spell out old Spanish proverbs about eating and drinking. Above the bar was "A vuestra salud" [to your health], and in another room, "Not with whom you were born, but with whom you pasture.”
― Virginia L. Grattan, Mary Colter - Builder upon the Red Earth

“I was enchanted as soon as I stepped off the train. As were the hundreds of others who got off the train with me who were now in the process of climbing into buggies and wagons, en route to the dozens of resorts, enclaves, and tent campgrounds in the area, where they would soak up the sun, get drunk on Cabernet, swim and picnic in the druidy redwood groves while reciting Shakespeare.
I climbed into a wagon and was driven off by a Mr. Lars Magnusson to view the old Olson farm. We traveled a mile or so into the hills, past oak glens, brooks, and pools of water, past manzanitas, madrones, and trees dripping with Spanish moss. Sonoma Mountain was to the west; its shadow cast everything in a soft purple light. When we finally reached the farm and I saw the luscious valley spread out in front of me, I knew this was it. Greengage. It would be a home for me and Martha at first, but I hoped it would soon be something more. A tribute to my mother and her ideals; a community in which she would have flourished, where she would have lived a good long life.
Greengage.The burbling creek that ran smack down the middle of the property. The prune, apple, and almond orchards: the fields of wheat, potatoes, and melons. The pastures for cows and sheep. The chicken house and pigsty. The gentle, sloping hills, mounds that looked like God's knuckles, where I would one day plant a vineyard.”
― Melanie Gideon, Valley of the Moon

“NEVER STOP DREAMING

Some days my sister and I sat on the Nightengale pasture in the hot afternoon sun.
Dreaming of America.
I have been living in America for more than 40 years.
My sister has been living her for almost 20 years.”
― Charmaine J. Forde

“SEEING VOICES by Michael Jackson

This song makes me want to dance with a brollie in an open field, in a Julie Andrews kind of way.”
― Charmaine J. Forde

“The long, slow, sweet summer that had filled us with peace was drawing to a close. The breezes might still blow warm, but around the edges of our world was a "last-time" feeling. This special kind of loveliness, these rich offerings of pasture and wood lot could not go on forever. I wanted to tuck it all inside me--the wonder of it and our own deep delight--so it would last through the winter and until the year turned again to spring.”
― Elizabeth Yates, The Lighted Heart

“The shielings were seasonal. Every fall, the crofters moved their cattle to the richer lowland pastures near the village, and over the winter, the cattle nibbled them to nubbins. In spring, the crofters drove the skinny cows up to the shielings, the sloping mountain pastures, so that the lowland pastures could recover.
It wasn't just a place. It was a way of living. All through the warmer months, families lived in simple summer bothies with just bundles of heather as beds, and they ate oatmeal and cheese and butter and milk from the cows they watched, and they sang songs and traded stories under the stars. It was the very best of a simple life, and it was very different from the very best of castle life.”
― Maggie Stiefvater, Bravely

“The first rays of the sun charmed curls of mist from the grass of Sheep Meadow, fairy clouds that sparkled silver against the green backdrop of the pasture. Harriet slowed her steps to take in the sight, savoring the slant of spring light and the emerald glow of new leaves before she crossed the meadow into the chilly shadows of the woods.”
― Louisa Morgan, The Age of Witches

“Still with her head out the window, she had spied a stone-fenced pasture beyond the gardens. Half a dozen glorious white horses grazed there, the faint dapples of their coats gleaming like silver coins in the sunshine. As she watched, a coal-gray foal galloped in a circle around its elders, tossing its head and flicking its tail.
"Such beautiful horses!" she called to the footman.
"Yes, miss. My lord's Andalusians."
"Indeed! I thought they must be!"
Suddenly she couldn't wait to escape the confines of the carriage. For a moment she felt like her usual self, thrumming with energy, avid to run through the gardens to the pasture, to lean across the stone fence to admire those horses.”
― Louisa Morgan, The Age of Witches