欧宝娱乐

“Some hae meat and canna eat,
And some wad eat that want it,
But we hae meat and we can eat,
And sae the Lord be thankit.”
― Robert Burns

“Is it possible that the Pentateuch could not have been written by uninspired men? that the assistance of God was necessary to produce these books? Is it possible that Galilei ascertained the mechanical principles of 'Virtual Velocity,' the laws of falling bodies and of all motion; that Copernicus ascertained the true position of the earth and accounted for all celestial phenomena; that Kepler discovered his three laws鈥攄iscoveries of such importance that the 8th of May, 1618, may be called the birth-day of modern science; that Newton gave to the world the Method of Fluxions, the Theory of Universal Gravitation, and the Decomposition of Light; that Euclid, Cavalieri, Descartes, and Leibniz, almost completed the science of mathematics; that all the discoveries in optics, hydrostatics, pneumatics and chemistry, the experiments, discoveries, and inventions of Galvani, Volta, Franklin and Morse, of Trevithick, Watt and Fulton and of all the pioneers of progress鈥攖hat all this was accomplished by uninspired men, while the writer of the Pentateuch was directed and inspired by an infinite God? Is it possible that the codes of China, India, Egypt, Greece and Rome were made by man, and that the laws recorded in the Pentateuch were alone given by God? Is it possible that 脝蝉肠丑测濒耻蝉 and Shakespeare, Burns, and Beranger, Goethe and Schiller, and all the poets of the world, and all their wondrous tragedies and songs are but the work of men, while no intelligence except the infinite God could be the author of the Pentateuch? Is it possible that of all the books that crowd the libraries of the world, the books of science, fiction, history and song, that all save only one, have been produced by man? Is it possible that of all these, the bible only is the work of God?”
― Robert G. Ingersoll, Some Mistakes of Moses

“I have embraced Robert Burns and his beloved Scotland. I have heard the music of the authentic mother tongue. I have walked where he walked, lived where he lived, if only for a brief time, and seen where he died and where he was finally laid to rest. The ghost of Rabbie Burns will continue to walk beside me. And when I am gone, I will walk beside others who fight for the cause of truth.”
― Laurence Overmire, The Ghost of Rabbie Burns: An American Poet's Journey Through Scotland

“Freedom is an idea that no tyrant will ever crush.”
― Laurence Overmire, The Ghost of Rabbie Burns: An American Poet's Journey Through Scotland

“The kid was swell. He was walking in the street, instead of on the sidewalk, but right next to the curb. He was making out like he was walking a very straight line, the way kids do, and the whole time he kept singing and humming. I got up closer so I could hear what he was singing. He was singing that song, 'If a body catch a body coming through the rye.' He had a pretty little voice, too. He was just singing for the hell of it, you could tell. The cars zoomed by, brakes screeched all over the place, his parents paid no attention to him, and he kept on walking next to the curb and singing 'If a body catch a body coming through the rye.' It made me feel better. It made me feel not so depressed any more.”
― J.D. Salinger, The Catcher in the Rye

“As a kid, I thought the song Auld Lang Syne was called Old Man's Eye. I like my version better.”
― Stewart Stafford

“To me, Burns expressed, in its most succinct form, the ideal and the essence of socialism 鈥� which had to do with justice, liberty and the overthrow of tyranny.”
― Stuart Christie, My Granny Made Me an Anarchist. The Christie File: Part 1, 1946 - 1964

“Robert Burns wrote, "[t]he best laid schemes o' Mice an' Men [g]ang aft agley," which can be roughly translated to "not so fast, assholes.”
― Bronson Bigelow, LA to LA

“They say we Highlanders take in dancin' wi鈥� our mother鈥檚 milk!鈥� said Tam.
鈥淵ou must have skipped your breakfast that day then!鈥� said Souter Johnnie.”
― Guy Winter, Tam: The Three Changelings

“And what is it that you believe in, Tam?鈥� said the Cutty Sark, smiling. 鈥淚n life? In love? In happiness? You don鈥檛 even know what they really are, none of you do! You鈥檝e been deceived, by the greatest trick of them all! Here you live, like fabricated ships in a bottle. You can see the elements around you, but you can鈥檛 feel them- can鈥檛 even touch them鈥︹€� She put her hand on his cheek again, and this time he didn鈥檛 move it away. 鈥淭here鈥檚 a king, and a law, and a church, and they tell you exactly who you are, what you want- what you can have, and what you can dream of! But they鈥檙e just part of the deception, can鈥檛 you see? They鈥檙e just an illusion, a child鈥檚 play-thing, ready to be washed away like sand-castles on the beach when the tide comes in. Man-made institutions can never hold out against the real world forever. Against our world. Love it, hate it, desire it, fear it- but you can鈥檛 escape it!”
― Guy Winter, Tam: The Three Changelings

“Callum pulled a sgian dubh from out of his stocking and slammed it into the door-frame, where it lodged deep into the wood.
鈥淭hey call it the black knife,鈥� he said. 鈥淏ut it is true steel. That鈥檒l keep the witches frae鈥� your door at least, Mistress Nansie! Dia leat!鈥�
Nansie squeezed his hand.
鈥淒ia leat! God with you too, my son!鈥�
Callum crossed himself, touched the blade of the sgian dubh for luck and then padded softly down the stairs after the others.
鈥淭apadh leat mo mh脿thair!鈥� he called back quietly. 鈥淏ut somethin鈥� tells me there鈥檚 no God where we鈥檙e headed鈥︹€�
He stepped out onto the moor, and plunged on into the darkness, until it swallowed him too.”
― Guy Winter

“Scotland forever, ya bass!鈥� said Tam, rocking back and landing the perfect head-butt on Rannoch鈥檚 nose.”
― Guy Winter, Tam: The Three Changelings

“Finally Mary understood everything. For the music, as it wound its way through that quiet countryside, scampering and chuckling gleefully along the pebbled shores of the River Doon, sweeping up hill and over moor, dancing in the wind over the purple-fringed sea-shore, told the story of Scotland. It told of the first great magic that had taken root so many millennia ago, and of the younger powers that had come along afterwards to vie with it. It told the deep secrets that Rannoch had spent so many lifetimes searching for, and would never guess at now, as though they were the passing gossip of a market-day. It told tales of great wrongs, of unbearable suffering- and of endless forgiveness and rebirth.”
― Guy Winter, Tam: The Three Changelings