欧宝娱乐

“Gratitude was never meant to be an excuse for giving up on the obstacles God has put before you. Some of the most magical things he can bring us require faith and a lot of planning.”
― Shannon L. Alder

“To everyone who thinks writing a sequel should be easy because you've already clreated the universe: Bwa ha ha ha ha ha ha! Heh. No.”
― John Scalzi, The Ghost Brigades

“Summer movie idea: take all the sequels that are out right now, and make movies about their backstories.”
― Stephen Colbert

“Of course it would be great to sell lots and lots of copies of The Beast of Cretacea. But the bottom line for me is to sell enough copies to convince my publisher to let me do a sequel. I spent three years creating the world of Cretacea and the personalities of all the characters who inhabit it. All I want to do now is go back.”
― todd strasser

“Love like life should be maddening to the point of fulfillment. It should make the sun shine brighter, and when they look at you, the earth should never be standing still.”
― Nicole Banks, Into Pieces

“After all, I wasn鈥檛 even sure if the ancient causes belonged to me in the first place because being born into a belief tended to make me feel more like I belonged to it instead.”
― J.D. Brewer, The Birth of Anarchy: Vagabond's Sequel

“But while speaking against fretting after eccentricity, don't let it be assumed that any discouragement is being given to genuine new points of view. In art, when a thing has once been well done and has found embodiment in some complete work of art, it has been done once for all. The circumstances that produced it are never likely to occur again. That is why those painters who continue to reproduce a picture of theirs (we do not mean literally) that had been a success in the first instance, never afterwards obtain the success of the original performance. Every beautiful work of art is a new creation, the result of particular circumstances in the life of the artist and the time of its production, that have never existed before and will never recur again.”
― Harold Speed, The Practice and Science of Drawing

“We shot that second movie in Los Angeles鈥攚e were given all too much freedom and it sucked. You can seldom re-create a good thing, and it was true here; the jokes felt stale, the parties even staler. In fact, it was so bad that a while later, I called my agents and said, 'I鈥檓 still allowed to go to movies though, right?”
― Matthew Perry, Friends, Lovers, and the Big Terrible Thing