Brad's Reviews > Pattern Recognition
Pattern Recognition (Blue Ant, #1)
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Brad's review
bookshelves: hyperreality, philosophical, cutting-vegetables, in-the-shower, me-being-a-cocky-bastard, to-read-again
Oct 09, 2010
bookshelves: hyperreality, philosophical, cutting-vegetables, in-the-shower, me-being-a-cocky-bastard, to-read-again
I am an excellent reader, as I know many of my friends on goodreads are, but I don’t think there’s enough appreciation of reading as a skill in our world. We take it for granted, those of us who are “literate,� and because it is the base of the things that we learn, we tend to ignore those who excel. Of course, many of those who read well are told they “analyze things too much� or that they “dig too deep� by those who might be solid readers, but probably don’t have serious reading chops.
I think of it this way: the critics of analysis are the Sunday co-ed softball players who enjoy the game, like to escape for a few hours of exercise and fun, and like to hit the occasional home run or catch a tricky pop fly. And there’s nothing wrong with that. But for all the thousands of recreational ball players, there are a handful of professional ball players, whose skills are ever so much better (and whose skills stretch from Single A to the Big Leagues). They are the ones who get more from a hit, or a perfectly executed throw; they’re the ones who will stretch a double into a triple; they’re the ones who will take a fastball in the back rather than bail out of the box. And as readers go, they’re the ones who make the connections, who read the patterns that most people don't. They're the ones who analyze too much.
My reading of Pattern Recognition puts me in the category of the pro ball players. I loved the book on its own merits, and I know that I was able to read the merits in a way that others won’t be able to access. Many will, of course, and they will love what they've found, but there's plenty there for those who won't. And there is certainly nothing wrong with whatever reading those recreational players come up with.
Why do I feel this way? How can I say these things? Because I didn’t just read this book, I created it as I turned every page. I was part of the process; I wasn’t just reading someone else’s finished process; I was the final important element of the patterns William Gibson was laying out for connection. The book needed me, and those like me, to be complete. Every time this book is read by a talented reader, it is being written.
So there’s no point in really talking about the book's particulars. I’m not going to summarize the plot or point out specific moments of prose brilliance. I am not going to discuss the connections in the book. I am not going to talk about how personal this was to read. Just read it yourself. Make your own connections. Become part of the process of Pattern Recognition and let yourself analyze it, let yourself dig deep. And if you can’t do those things, you should still read it because I’m guessing it’s good enough for every level of play.
I think of it this way: the critics of analysis are the Sunday co-ed softball players who enjoy the game, like to escape for a few hours of exercise and fun, and like to hit the occasional home run or catch a tricky pop fly. And there’s nothing wrong with that. But for all the thousands of recreational ball players, there are a handful of professional ball players, whose skills are ever so much better (and whose skills stretch from Single A to the Big Leagues). They are the ones who get more from a hit, or a perfectly executed throw; they’re the ones who will stretch a double into a triple; they’re the ones who will take a fastball in the back rather than bail out of the box. And as readers go, they’re the ones who make the connections, who read the patterns that most people don't. They're the ones who analyze too much.
My reading of Pattern Recognition puts me in the category of the pro ball players. I loved the book on its own merits, and I know that I was able to read the merits in a way that others won’t be able to access. Many will, of course, and they will love what they've found, but there's plenty there for those who won't. And there is certainly nothing wrong with whatever reading those recreational players come up with.
Why do I feel this way? How can I say these things? Because I didn’t just read this book, I created it as I turned every page. I was part of the process; I wasn’t just reading someone else’s finished process; I was the final important element of the patterns William Gibson was laying out for connection. The book needed me, and those like me, to be complete. Every time this book is read by a talented reader, it is being written.
So there’s no point in really talking about the book's particulars. I’m not going to summarize the plot or point out specific moments of prose brilliance. I am not going to discuss the connections in the book. I am not going to talk about how personal this was to read. Just read it yourself. Make your own connections. Become part of the process of Pattern Recognition and let yourself analyze it, let yourself dig deep. And if you can’t do those things, you should still read it because I’m guessing it’s good enough for every level of play.
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Reading Progress
October 9, 2010
– Shelved
March 18, 2011
–
Started Reading
April 2, 2011
–
Finished Reading
April 3, 2011
– Shelved as:
hyperreality
April 3, 2011
– Shelved as:
philosophical
April 3, 2011
– Shelved as:
cutting-vegetables
April 3, 2011
– Shelved as:
in-the-shower
April 3, 2011
– Shelved as:
me-being-a-cocky-bastard
April 3, 2011
– Shelved as:
to-read-again
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Nancy
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rated it 5 stars
Apr 03, 2011 03:01PM

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I thought you'd like the shelves, Amber. One in particular ,,,







