Mark Lawrence's Reviews > Harry Potter and the Sorcerer's Stone
Harry Potter and the Sorcerer's Stone (Harry Potter, #1)
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Publishers have my sympathy. If I try to put myself in the place of an editor picking this manuscript from the pile I can say with some certainty that I would not have recognized it as the ticket to a multi-billion dollar prize. I would have thought to myself that it was a good fun read, revisiting the magic-school trope and doing a fine job for children in the 8 to 12 range. If I hadn't had anything better land on my desk I might have published it, but then again, like quite a number of publishers, I might have passed in favour of a book I liked better.
I read this maybe 15 years back so I could share in what was exciting my three kids at the time. And I've read it twice to my daughter, Celyn. We read the first 5 some years back, and now she's 12 we're going to read the whole lot. She's very disabled and can't read for herself (she can't hold the book or see the page for starters...)
Having just finished I've checked the shelves to discover we have two copies of book 1 and two copies of book 3, but none of book 2. So JKR will be getting some more of my money shortly!
To the review... I liked the book. I have no idea why it has sold a gazzilion copies more than any other children's book or why so many adults are so taken with it. JKR writes solid enough prose, though her addiction to adverbs in dialogue tags irks me no end, he said testily. She writes a fun and inventive story, though the internal inconsistencies would have distressed me even as a child. Why do the finest wizards in the land leave a great treasure guarded only by a series of puzzles rather than actual defences? If in the final scenes the puzzle poem hadn't been left to give the solution to the potion test ... or the key hadn't been left in the same room as the door that wouldn't yield to magic ... would that not have been a better way to defend the treasure? Yes ... it was more fun this way, but ... dammit ... kids aren't stupid...
But yes, funny and inventive magic, school dynamics of making friends and enemies, the hijinx, the evil baddie, the chosen one... it's all good. Celyn certainly enjoyed it. She's on team Hermionie.
The only other thing that really bothered me was the repeated insinuation, present even in the term itself, that 'muggles' are somehow lesser. That the random gift of magical ability somehow makes you better.
I remember that later on (and hinted at in this book) the idea of mud-bloods (wizards born of muggles) is offered up as a proxy for racism and we're invited to condemn Draco Malfoy for his views (rightly so). But all the time I read this I'm feeling the hypocrisy embodied in the whole idea of muggles, which, albeit voiced without open malice, is really the same damn thing.
I will report back on book 2 when we're done.
EDITED IN FROM THE COMMENTS:
>>Aliyah wrote: "Personally I believe the trope is so familiar to you because of JK Rowling. She made this style of fantasy more popular."
>My reply: Personal beliefs are fine and dandy, but in this instance ... badly wrong.
My first encounter with magic schools was in The Worst Witch series (1974) which centres on a magic school and which I began in 1974. Followed by A Wizard of Earthsea (1968) which also centres on a magic school and which I read in 1975.
The mechanics of reaching a boarding school on a dedicated train laid on for the purpose and of sorting a boarding school into four groups to be housed in four towers was something I encountered at a still younger age in the early 70s in my mother's copy of First Term at Malory Towers (1946).
...
I read this maybe 15 years back so I could share in what was exciting my three kids at the time. And I've read it twice to my daughter, Celyn. We read the first 5 some years back, and now she's 12 we're going to read the whole lot. She's very disabled and can't read for herself (she can't hold the book or see the page for starters...)
Having just finished I've checked the shelves to discover we have two copies of book 1 and two copies of book 3, but none of book 2. So JKR will be getting some more of my money shortly!
To the review... I liked the book. I have no idea why it has sold a gazzilion copies more than any other children's book or why so many adults are so taken with it. JKR writes solid enough prose, though her addiction to adverbs in dialogue tags irks me no end, he said testily. She writes a fun and inventive story, though the internal inconsistencies would have distressed me even as a child. Why do the finest wizards in the land leave a great treasure guarded only by a series of puzzles rather than actual defences? If in the final scenes the puzzle poem hadn't been left to give the solution to the potion test ... or the key hadn't been left in the same room as the door that wouldn't yield to magic ... would that not have been a better way to defend the treasure? Yes ... it was more fun this way, but ... dammit ... kids aren't stupid...
But yes, funny and inventive magic, school dynamics of making friends and enemies, the hijinx, the evil baddie, the chosen one... it's all good. Celyn certainly enjoyed it. She's on team Hermionie.
The only other thing that really bothered me was the repeated insinuation, present even in the term itself, that 'muggles' are somehow lesser. That the random gift of magical ability somehow makes you better.
I remember that later on (and hinted at in this book) the idea of mud-bloods (wizards born of muggles) is offered up as a proxy for racism and we're invited to condemn Draco Malfoy for his views (rightly so). But all the time I read this I'm feeling the hypocrisy embodied in the whole idea of muggles, which, albeit voiced without open malice, is really the same damn thing.
I will report back on book 2 when we're done.
EDITED IN FROM THE COMMENTS:
>>Aliyah wrote: "Personally I believe the trope is so familiar to you because of JK Rowling. She made this style of fantasy more popular."
>My reply: Personal beliefs are fine and dandy, but in this instance ... badly wrong.
My first encounter with magic schools was in The Worst Witch series (1974) which centres on a magic school and which I began in 1974. Followed by A Wizard of Earthsea (1968) which also centres on a magic school and which I read in 1975.
The mechanics of reaching a boarding school on a dedicated train laid on for the purpose and of sorting a boarding school into four groups to be housed in four towers was something I encountered at a still younger age in the early 70s in my mother's copy of First Term at Malory Towers (1946).
...
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Reading Progress
November 6, 2010
– Shelved
July 27, 2016
–
Started Reading
August 11, 2016
–
Finished Reading
Comments Showing 1-50 of 75 (75 new)
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Ian
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Aug 08, 2016 07:10AM

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I read Harry Potter first when I was 11. It was fantastic. No other book would have worked so well to introduce me or my numerous friends to fantasy or even reading books. It was a time when the book-readers were becoming cool. Before that if you read fantasy you were the uncool 'geek' or 'nerd'.
While it may have come out at the right time, it was not completely without merit. Like you say, it was 'a fun and inventive story'. It broke my tiny boundary of imagination. And I think that was enough for the generation to latch onto. For my generation, it was perfect. I rate it five stars for the feeling it gave me when I first read the book.
If I really had to read it with a critical eye today, I probably wouldn't give it 5. My rating is for the awe it inspired when I first read it.


For me, I think what drew the crowds to Pottermania is the characters and the whimsy. She also does a great job of building sympathy for Harry and making him likable. Yes, there are inconsistencies and logic-errors, but you can find those in every multi-million dollar blockbuster and in most of even the finest books out there.

I think really it boils down to the fact that these books are one of if not the most accessible ways to get into fantasy literature for a mainstream audience that isn't already familiar with it. Same reason 50 Shades of Grey became so popular, it boiled down an already existing genre into a palatable entry point for a more mainstream audience that normally wouldn't be reading it.
Rowling jams in so many fantasy tropes and cliches, so many references to real world mythology, and the books aren't trying to be cutting edge or challenging in any way. It's really extremely difficult for me to think of an easier entry point for people to get into fantasy. I think Narnia certainly held that title, once upon a time, but in a post-christian, secular world constantly wrestling with the problems of systemic racism, classism, and inequality it just has no chance against Rowling's creation.




Not finding the book as amazing as many adults find it to be is understandable, it is completely subjective. But I don't understand the complaint of muggle bashing. Not only is it odd to complain about a preference for a fictional culture over a real culture in a book, but I do not even see the perceived preference. At the same time, don't we often read (especially fantasy and sci fi) in order to escape what we don't like about real life? What 9 year old wouldn't trade 4th grade for Hogwarts?
As one idea for why the series is so popular I would suggest that while the "magical school" trope has been a mainstay of fantasy for decades, the Harry Potter series is the first time the vast majority of readers have encountered it. It is also more accessible to all ages than any other examples I have ever read. Reading Harry Potter, for me, is like reading Alice in Wonderland. It is a kids book, but it reminds me of the wonder of childhood so much that it does not feel like it.

I agree. I also felt early on that the subject of Mudbloods and the way they were viewed by a minority of wizards was pretty much a parable of racism. As an American, the mudblood struck me as an analogy for racism, but by the time we found out that the stronghold of that thought was in Durmstrang, and through later books, it seemed more inspired by the Nazis.
But the point of all these things was, "This is bad thinking. This is evil thinking." With the issues we face today, I think we're fortunate that so many Millenials were so strongly influenced by Jo Rowling's magical books.

Harry Potter is a world I'm in love with, but this book...

hahahahahaha
I think the reason why I find this line so amusing is because a creative writing thing I was doing for a while drummed this into our heads so much.
Stephen King if I recall talks about it a lot in 'on writing' as well.






But I have a lot of respect for JK Rowling. She made reading a serious craze amongst kids, queuing for the latest edition, and she seems a very decent person!









Even the word itself is designed to be insulting. It's basically a version of "mug". Authors don't choose words by accident. Just because some wizarding families like the Weasleys adopt a kind of amused paternalism as opposed to the Malfoys' overt racism, doesn't stop it being an uncriticised form of bias.

After what I've learned about the author, she's now joined the (still) short list of authors banned to my black list. Authors whose works I refuse to read.

Being able to see is more fun than being blind. Let's have a derogatory sounding name for blind people? Stumbles? Bumpies?


Personal beliefs are fine and dandy, but in this instance ... badly wrong.
My first encounter with magic schools was in The Worst Witch series (1974) which centres on a magic school and which I began in 1974. Followed by A Wizard of Earthsea (1968) which also centres on a magic school and which I read in 1975.
The mechanics of reaching a boarding school on a dedicated train laid on for the purpose and of sorting a boarding school into four groups to be housed in four towers was something I encountered at a still younger age in the early 70s in my mother's copy of First Term at Malory Towers (1946).

Ged is mah boi!

I put off reading Harry Potter for so long because I thought “There is no way I’ll enjoy this childrens book, no way at all�, and I also have a tendency to shun anything that’s too popular. Like I’m somehow better than it (stupid, yes, but I do it all the time). But I finally picked this up about 4 years ago and read all the damn books in about 2 months. I couldn’t stand the wait for my library to have the next installment in. It was super annoying how much I enjoyed them. Tons of plot holes, tons of goofy stuff, but fun all the same. Haven’t read them to my kids yet (they don’t seem to be into fantasy all that much unfortunately), but I’m working on getting them interested!



For those commenting about not buying her books, none of you have stopped buying or receiving diamonds despite hearing about how they are mined in Africa. None of you have dumped your smartphones even though the one country (DR Congo) that produces over 50% of cobalt is suspiciously kept unstable so as to keep it cheap and available for exploitation. Rest.

^agreed

