Å·±¦ÓéÀÖ

Ian "Marvin" Graye's Reviews > After Dark

After Dark by Haruki Murakami
Rate this book
Clear rating

by
5022264
's review

it was amazing
bookshelves: reviews, read-2007, mura-karmic-wonder-land, nippon

Original Review: March 8, 2011

A Midwinter Night's Tale

"After Dark" is probably the easiest Murakami novel to read. At 201 pages, it's not difficult to finish in one session.

It's also close to what you would call "high concept" in the film industry. Its execution is not much more than its conception.

All of the action takes place from 11:56pm to 6:52am on a midwinter night, more or less "after dark" when the days are shortest and the nights are longest.

Hidden Meaning

Murakami's writing is stripped back, simple, present tense, in the style of detective fiction, yet there is always a sense of deeper meaning, even if it is or remains hidden.

We see the surface, almost like a camera, but we know there is something behind it, even if he doesn't choose or have to describe it.

Beware of Darkness

"Darkness" is an extended metaphor throughout the entire novel.

At the most superficial level, it describes the night. However, it also represents the darkness of the human soul.

This level of meaning is most likely to resonate with its likely audience � youth in their teens or early twenties who are still trying to piece together some sense of the meaning of life and how they fit into it.

The Same People, Just a Different Cave

Before people developed the technology to build houses, they huddled together in caves at night, primarily to escape their predators, but also to share their collective warmth.

Darkness then created a sense of family, if not society as well.

Language as a form of communication probably developed during these hours of darkness, when there was little else to do.

Now that we can build accommodation, we create smaller scale, more individualised caves where we can live alone and lonely.

What was once a source of comfort has become a source of alienation.

The Life of Buildings

This spiritual or anti-spiritual life of buildings in Murakami's fiction has been coming for some time.

The homes, office blocks, cafes, bars and hotels in his novels take on a life of their own.

They are characters with their own mysteries that embrace and surround the human characters. They're almost microcosms with their own cosmic significance.

Inside these buildings, we can be easily lured away from interaction with other humans, even the members of our own family.

Sister Feelings Call Again

Mari and her beautiful sister, Eri, are two sides of the one coin (their names are only one syllable apart) that have lost touch with each other.

Eri is at home sleeping a deep sleep that is "too perfect, too pure" and has lasted for two months.

Late in the book, we learn that they once embraced each other for protection in a lift while it remained trapped in darkness in a blackout.

Spiritually, it was the closest they ever came to each other, a return to the comfort of the cave.

Since then, they have drifted apart for no discernible reason.

Metaphorically, they have lost touch, but it's almost as if it is important that they have literally lost "touch" as well.

Close to You

Although Eri never fully regains consciousness during the span of the novel, their reconciliation and sense of wholeness begin when Mari learns to open up personally over the course of meetings with strangers during the night and decides to sleep in Eri's bed, holding her close under the sheets, just as the sun starts to rise and the darkness starts to dissipate.

Open Up and Let Me In

In Murakami's concluding words, "this hint of things to come takes time to expand in the new morning light, and we attempt to watch it unobtrusively, with deep concentration. The night has begun to open up at last."

Throughout the night, we have watched two flowers start to blossom...or, more likely, two shrubs about to re-blossom.

In a sense, they have emerged from the dark and into the light. They are literally "after dark" or post-darkness.

There is a suggestion of a recurring cycle at work here too. Just as day follows night, night follows day.

Darkness Becomes Light, and Light Becomes Darkness

Murakami's very last words are that the hint of things to come will continue to expand in the light, at least "until the next darkness arrives".

This might just mean that we will retreat to our caves at night, pending a new sunrise.

But it could also mean that, all through our lives, we have to deal with darkness and depression, but we have to remember that there will be a new sunrise, especially if we make it happen ourselves.

Is Once a Night Enough?

Someone has suggested that this novel could be the first in a trilogy based around these characters.

There are a myriad of questions that the detective in the reader wants to find answers for.

On the other hand, the metaphorical significance of the novel and its title is complete in one volume.
372 likes ·  âˆ� flag

Sign into Å·±¦ÓéÀÖ to see if any of your friends have read After Dark.
Sign In »

Reading Progress

Started Reading
July 1, 2007 – Finished Reading
February 22, 2011 – Shelved
June 28, 2011 – Shelved as: reviews
September 29, 2011 – Shelved as: read-2007
November 17, 2011 – Shelved as: mura-karmic-wonder-land
March 22, 2013 – Shelved as: nippon

Comments Showing 1-46 of 46 (46 new)

dateDown arrow    newest »

message 1: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye I edited this review today to put in some headings.
However, it reminded me that I want to sit down one day and write down some ideas about consistent themes in Murakami's fiction.
Two that I mention in this review are buildings and sisters.
In "The Wind-Up Bird", it's birds and cats.
But there's also music and spaghetti.
If anyone wants to join me, I think we can have some fun.


message 2: by Noran (new) - added it

Noran Miss Pumkin i will start here


message 3: by Ian (last edited Jun 02, 2011 04:00AM) (new) - rated it 5 stars

Ian "Marvin" Graye Noran, I think that's not a bad idea.
If (having read it) you thought it was only OK (say three stars), I would say read "Norwegian Wood" to see whether you just didn't like this particular novel.
"Norwegian Wood" is a bit more relationship-based and romantic.
If you thought it was one or two stars, I would probably say there is something about Murakami that you just don't like, full stop, which does happen.
Good luck and have fun, and I look forward to your review.
It would be great if you were ready to read "IQ84" in November onwards.
I'd like to get a group together for that one.


message 4: by Noran (new) - added it

Noran Miss Pumkin Thanks for the reply--I plan to tackle the new book-pre-ordering it later this month. A dear friend taught me that some books/movies--you might not like them, but you do learn and grow from the experience.


message 5: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye I noticed you've gone German, rather than Russian?

I've decided to do The Recognitions and then Infinite Jest, perhaps with some wedgies in between.

Then some light reading.


message 6: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye Are you still going to do anything on revolutions and the state?


message 7: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye I could do some French Revolution as well.


Dhanaraj Rajan This was my first Murakami. I liked the novel and the themes presented in them. My comprehension of the novel revealed to me few themes and each had a follow up in the novel. That was something great. Thus it offers many readings. Among many things about the novel I also thought that the entire novel is a depiction of a dream by the sleeping Eri.


message 9: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye Dhanaraj, you should add these ideas to your review, so that other readers can respond to them. They are good ideas.


message 10: by Simon (new)

Simon read his short story collection "After the Quake" and found the stories within to vary from just okay to absolutely brilliant, would be curious to see how his long form novels read


message 11: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye The shorter novels are very consistent in tone.


Samadrita Great way to dissect this book, Ian. Your explanation of what 'after dark' could mean is excellent. I did not realize it could refer to the time after night sets in and the time after darkness dissipates, both.
As usual, I learned something new and valuable from your review.


message 13: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye Samadrita wrote: "Great way to dissect this book, Ian. Your explanation of what 'after dark' could mean is excellent."

Thanks, Samadrita. I think this was one of my early GR reviews. I appear have done it from memory, rather than a recent [re-]reading. I was probably just trying to recall the feel of the book as best I could.


message 14: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye Note to self: investigate link of sleeping Eri with Kawabata's "The House Of The Sleeping Beauties".


message 15: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye Thanks, Ehsan. I think it's just my intuitive response to the book. I just googled darkness and language now and didn't come up with anything helpful.


message 16: by Lit Bug (new) - added it

Lit Bug One more addition to TBR... What a meticulous review. Reads like an excellent study guide.


message 17: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye Wendy wrote: "This was my first Murakami read. I am totally in love with it. I love the way he captures my mood and the way he writes. It's magical."

He is magical, but not everybody believes in his magic.


message 18: by Tim (new) - rated it 3 stars

Tim Excellent review. Very insightful.


message 19: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye Thanks, Tim. Hope you enjoy the book!


message 20: by Cecily (new)

Cecily I note you describe the writing as "stripped back, simple, present tense, in the style of detective fiction". I'm not doubting that, but I always feel wary of inferring too much about the language when a book has been translated. I've only read one full length Murakami so far, but much as I enjoyed it, I found very few memorable sentences that I wanted to record as quotes, and I wondered whether that was partly the fairly plain style, or if that was partly down to the translator.


message 21: by Ian (last edited Mar 04, 2015 08:14PM) (new) - rated it 5 stars

Ian "Marvin" Graye It's hard to know where to stand on this type of issue. Clearly, the translation has the potential to change the feel of the original work, either for the better or for the worse. But equally, I think a translator deserves some credit for getting the feel of the work right, if in fact they have. For example, I think the translations of Javier Marias result in English prose of great beauty, and I assume that at least some of the credit must be owed to the original work. At the very least, the translator didn't seem to stuff anything up that I could tell.

Murakami has at least two translators, each of whom has worked on many books over a long time. I'm pretty sure they correspond with M when working on one of his books. However, they have different styles of translation.

Murakami lived in America for many years. He has also translated many English language books into Japanese, including three Raymond Chandlers and the complete works of Raymond Carver. He has a lot of exposure to English fiction of the type I mentioned.

My comment was more a comparative assessment within his ouvre.

I'm pretty sure he would let people know if he wasn't happy with a translation of his work.

His books vary in tone (as between books). Once he has established a tone, he remains pretty consistent, without trying to set off fireworks at intervals or all the time (cf David Mitchell, perhaps). Some books are less quotable than others.


message 22: by Ted (new)

Ted Murakami short stories are appearing in The New Yorker with some regularity nowadays. I generally read them when I see them. Always weird, sometimes (like the most recent) rather memorable, others are almost immediately forgettable. At least I feel presently that I will remember aspects of the story for quite awhile, but who knows? Maybe I'll read this comment sometime in the future and wonder what story I could be talking about?


message 23: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye I think both Murakami and Mitchell are like licorice or chocolate. Some people can't stand them and others can't get enough.


message 24: by Ted (new)

Ted Ian wrote: "I think both Murakami and Mitchell are like licorice or chocolate. Some people can't stand them and others can't get enough."

I don't really get enamored of this type of heavy-weight author nowadays. I generally enjoy what I read by them, but am not driven to read more either. My reading is too classically oriented I think, even after all these years. There aren't a huge number of writers that I've read more than one book by, even when I liked what I read. I guess I wander from author to author. I should look at my reads on GR since I've joined and do the stats. Now that seems to be a more interesting project than reading!


message 25: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye Funny, I don't think of either of them as heavy-weight.


message 26: by Ted (last edited Mar 04, 2015 10:09PM) (new)

Ted I guess I meant both quite literary and very popular. Who is "heavy weight" to you?


message 27: by Cecily (new)

Cecily Thanks for the background information about Murakami, language and translation, Ian. I find it very reassuring. I'll have more confidence in my opinion when I next read him.

Ian wrote: "I think both Murakami and Mitchell are like licorice or chocolate. Some people can't stand them and others can't get enough."

Licorice gives some people the runs. Me, I just hate the taste. Marmite is the more usual analogy in the UK. ;)


message 28: by Ian (last edited Mar 05, 2015 01:59AM) (new) - rated it 5 stars

Ian "Marvin" Graye Marmite isn't really front of mind in Australia. I didn't even know about its ad campaign about love it or hate it. Vegemite drools here. And I think our Marmite is a different recipe?

Re the other M's, I worry that their pleasures are defeated by great expectations. As if literary and/or popular success brings out the sceptic in the (good) reader.


message 29: by Cecily (new)

Cecily I believe Vegemite and Marmite are similar, but not the same (very much not the same to fans).

I think you're right about expectations of Mitchell and Murakami and other successful authors. It's something I'm guilty of myself: if someone or something get too much hype, I tend to back away and if I do capitulate a read it, I either have low expectations or unrealistically high ones.


message 30: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye Once I start a book, I try to imagine that I'm in a cinema and the lights are off. Preconceptions go out the window and the projectionist is in control. Though I do occasionally revisit the hyperblurbole in my review!


message 31: by Cecily (new)

Cecily That's certainly what one should do, but sometimes it's hard to achieve in practice. Or maybe it's just a weakness of mine.


message 32: by Ian (last edited Mar 05, 2015 02:48PM) (new) - rated it 5 stars

Ian "Marvin" Graye It's like insisting your mother in law doesn't enter your matrimonial bed. A book is a marriage between two people: author and reader! Everybody else should stay out of it!


message 33: by Cecily (new)

Cecily Ha ha ha!


message 34: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye No offence to mothers-in-law intended!


Matthias youth in their teens or early twenties who are still trying to piece together some sense of the meaning of life and how they fit into it.. While I don't fit the age bracket, it does sound a bit like me. Great review! And I think once a night is enough.


message 36: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye Matthias wrote: "youth in their teens or early twenties who are still trying to piece together some sense of the meaning of life and how they fit into it.. While I don't fit the age bracket, it does sound a bit lik..."

Thanks, Matthias. It's a constant craving, no matter what age you are :)


message 37: by [deleted user] (last edited Mar 21, 2017 03:32PM) (new)

Nice, competent review as is now expected.

But, on Murakami. IDK. This book can be articulated in 3.5 minutes by one who is talented, and in an hour by an average half-assed New Age meeting.




message 38: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye ImpWiz wrote: "Nice, competent review as is now expected.

But, on Murakami. IDK. This book can be articulated in 3.5 minutes by one who is talented, and in an hour by an average half-assed New Age meeting."


Thanks, ImpWiz. You could say the same thing about any book from "After Dark" to "Infinite Jest".


message 39: by [deleted user] (new)

Ian said; "Thanks, ImpWiz. You could say the same thing about any book from "After Dark" to "Infinite Jest".

No sarcasm intended; thank you. I'll be spending some time thinking about that. My initial reaction is one which says "yes" to some books and "no" to others. But, IDK .....................


message 40: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye ImpWiz wrote: "Ian said; "Thanks, ImpWiz. You could say the same thing about any book from "After Dark" to "Infinite Jest".

No sarcasm intended; thank you. I'll be spending some time thinking about that. My ini..."


See the list of AA maxims from "IJ" here:

/story/show/...


message 41: by [deleted user] (new)

"What The Text Needs Now Is Acronym" by Maxim Gerunding ( an abbreviation)

What the text needs now is acronym, sweet acronym.
It's the only thing that there's just too little of
What the text needs now is acronym, sweet acronym.
No not just for scribblers, but for everyone

Lord we don't need another intensive pronoun.
There are relatives and possessives
Enough to adverbialize
There are whatevers and whomevers
enough to conjunct
'Till the end of literature.

What the text needs now is acronym, sweet acronym
It's the only thing that there's just too little of
What the text needs now is acronym, sweet acronym.
No not just for scribblers, but for everyone

Lord we don't need another absolute modifier.
There are adjectives and adverbs
Enough to convolute.
There are tenses and simple verbs
Enough to inflect.
Oh listen Roget if you want to know

What the text needs now is acronym, sweet acronym.


message 42: by Ian (last edited Mar 23, 2017 04:06PM) (new) - rated it 5 stars

Ian "Marvin" Graye Superwoman

She's got a smile it seems to me
Reminds me of childhood comic strips
Where super man
Is strong and will never deviate.
Now and then when I see her face
She takes me away to that special place
If battling heroes and evil contractions take too long
I'll just have to abbreviate.

Oh, oh, oh
Sweet acronym
Oh, oh, oh, oh
Sweet acronym


message 43: by Bayu (new) - added it

Bayu Alief Hi guys my name is Bayu Alief and I’m going to give some review about this book which is after dark. This is the first time for me to read murakami’s book and going into this book I had zero idea what it is about, I had no expectation but now maybe this novel is one of my favorite novels. So obviously I give this novel five stars because I think this is a good novel and One of the best that I have read. But any way this book I which is absolutely blown away by and I can’t believe it is not a book more people read and talk about him, because sometimes I heard about him from my friends and I don’t think so it is him. Basically, this book took everything I loved and put all of them in one book and I just love it. This book tells about Mari Esai a girl that meet Takahasi who have met two years ago. Then they met Kaoru, and Takahasi tells Kaoru that Mari speaks Chinese fluently because Kaoru need Chinese speaker to deal with an injured patron at the Alpaville, a “love hotel� she manages. This is a book that take place in one night, and I love it. I love one book take place in one day because it lets the author to get so much more in detail. When you read it maybe you will have some question and so do I (, but actually I am still thinking about what my friends told me about him and I find it little bit different. Maybe I have to read his others novel in order to find the true characters of Murakami.


message 44: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye Bayu wrote: "Hi guys my name is Bayu Alief and I’m going to give some review about this book which is after dark. This is the first time for me to read murakami’s book and going into this book I had zero idea w..."

Hi, Bayu

You should post your review on your page for the book, so we can like it.


Ricardo Sousa Having just finished After Dark I was craving for something like this - thanks Ian


message 46: by Ian (new) - rated it 5 stars

Ian "Marvin" Graye Ricardo wrote: "Having just finished After Dark I was craving for something like this - thanks Ian"

Thanks, Ricardo. I hope you get a chance to review the novel.


back to top