Jim Fonseca's Reviews > Never Let Me Go
Never Let Me Go
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I had this book on my TBR shelf for years without realizing that it was essentially dystopian science fiction.
The main character is a woman in her early thirties reflecting back on her life as a child at a private school in England. Kids in the school grew up in an isolated but almost idyllic setting; not knowing their parents but realizing somehow they were “special.� After finishing school they live together in small groups in cottages before heading out into the world on their own. The story is set in the late 1990s.

From the very first page we learn something is not right just from the language. We read that they have become “carers� and “donors;� their teachers are called “guardians� and they know there are people out there called their “possible.� We also learn they can have sex but are incapable of having children and that after their third of fourth “donation� they have “completed.� So we catch on pretty quickly what life has in store for these kids.
There are some genuine mysteries though. Why does the school seem obsessed with encouraging them to do creative work, giving them awards and collecting the best work to go to a gallery that they never see? Where does it go and who sees it and why?
Much of the plot is built around a three-way love story between a boy and two girls at school. One of the girls is the main character. All three are good friends but the boy and one of the girls are a couple. (view spoiler)
This quote tells us about the title: “Because maybe, in a way, we didn’t leave it [the school] behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and � no matter how much we despised ourselves for it � unable quite to let each other go.�

I thought it was a good story; it kept my attention all the way through, although not quite as good as the author’s best-known work, Remains of the Day.
Top photo from englishcottagevacation.com
The author from newyorker.com
[Revised, pictures added, spoiler hidden 12/31/22]
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The main character is a woman in her early thirties reflecting back on her life as a child at a private school in England. Kids in the school grew up in an isolated but almost idyllic setting; not knowing their parents but realizing somehow they were “special.� After finishing school they live together in small groups in cottages before heading out into the world on their own. The story is set in the late 1990s.

From the very first page we learn something is not right just from the language. We read that they have become “carers� and “donors;� their teachers are called “guardians� and they know there are people out there called their “possible.� We also learn they can have sex but are incapable of having children and that after their third of fourth “donation� they have “completed.� So we catch on pretty quickly what life has in store for these kids.
There are some genuine mysteries though. Why does the school seem obsessed with encouraging them to do creative work, giving them awards and collecting the best work to go to a gallery that they never see? Where does it go and who sees it and why?
Much of the plot is built around a three-way love story between a boy and two girls at school. One of the girls is the main character. All three are good friends but the boy and one of the girls are a couple. (view spoiler)
This quote tells us about the title: “Because maybe, in a way, we didn’t leave it [the school] behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and � no matter how much we despised ourselves for it � unable quite to let each other go.�

I thought it was a good story; it kept my attention all the way through, although not quite as good as the author’s best-known work, Remains of the Day.
Top photo from englishcottagevacation.com
The author from newyorker.com
[Revised, pictures added, spoiler hidden 12/31/22]
["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>
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Reading Progress
August 30, 2017
–
Started Reading
August 30, 2017
– Shelved
September 3, 2017
–
Finished Reading
September 14, 2017
– Shelved as:
british-authors
September 14, 2017
– Shelved as:
science-fiction
December 31, 2022
– Shelved as:
dystopian
Comments Showing 1-50 of 54 (54 new)
message 1:
by
G.J.
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rated it 4 stars
Sep 09, 2017 08:15AM

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I thought it was very good - I've finished it but haven't written the review yet





Jim, as it often seems to occur, I enjoyed your review more than the book!


Thanks Susanne, yes I thought it was quite good

Thanks Jaline, he has a pretty broad scope of style of writing I guess

Well said, Rosemary

Thanks Barbara, yes, it is kind of a laid back writing style; reminds me of Trevor a bit

Thanks Canadian. Yes, it is kind of a laid-back writing style; reminds me of Trevor a bit. I liked Remains of the Day more but that has a similar style

Adina, you mean compared to Remains? Yes, 'silent' is a good word for both

It was in my TBR for maybe 5 years? Not sure why I waited that long to get to it

Yes, he never really discusses how they feel about knowing they will eventually "complete" by "donating" to other people. Wouldn't some of theme rebel?

Yes, surely. (One of many problems with the book, imo.) As for the meaning of the title, that can be an effect of any residential institution, even without the sinister purpose here!

I hope you like it Paula. Different from Remains since it's sci-fi-ish but the quality of writing is still excellent.

Yes, surely. (One of many problems with the book, imo.) As for the meaning of the title, that can be an effect of any residential institution, even witho..."
In a way, the protected, "mothering" institution hides that sinister purpose and thus makes it a bit like a Stephen King novel.

Ooh. Now there's an interesting thought. (Not that the rest wasn't!)

Adina, you mean compared to Remains? Yes, 'silent' is a good word ..." yes, Remains.

Hated this, but loved Remains of the Day. It's as if they were written by different people!

Hated this, but loved Remains of the Day. It's as if they were written by different people!"
Thanks Kevin. Good point - yes very different. And now that you mention it, so is Artist of the Floating World - different still from both that you mention.


Stephen, but you read it twice! Thanks for your comment.

Stephen, but you read it twice! Thank..."
If you mean the book I screwed up on the computer trying to enter it as read. Indeed I only read it once but grateful for your review.

Stephen, but you read it ..."
oic, makes sense


What amazes me about Ishiguro, Joshie, (I've read 4 of his) is how totally different his context and writing is across his books. So we have Remains, which to me is very British - Masterpiece Theater-ish The dystopia in Never Let Me Go. Artist of the Floating is like a traditional 'Japan after the war story.' But unique and one his best I think is the Unconsoled. [And as I say in a clip from my review below, and of hundreds of books I've read, I would still say this book is the one I think of that best gives that sensation of being trapped in a dream you can't wake from - lol.] So I don't recommend it unless you want that sensation.
It’s not a “pleasant� book but I found its value in reminding me how much a book can ”grab� the reader � and literally give one a visceral, if relatively unpleasant experience. The whole thing is like one of those “frustration dreams� where you are foiled at every turn. It shows how physically powerful the written word can be.


Yes, nightmare. Artist of the Floating World may be his most 'normal' book -- set in Japan

Yes I guess the author had gotten into that - also his Buried Giant, which I have not read

Just finished When We Were Orphans - pretty good with some fantasy at the end. Haven't done the review yet. Never Let Me Go is barely sci-fi I guess because other than the premise of raising these kids for body parts and as 'carers,' otherwise there is no sci-fi in it. If I recall correctly.

lol, yes kind of a sad story!


Well that's an interesting way of looking at it. I suppose what surprised me (if I recall correctly) was that no one ever revolted or ran away from their fate.

Exactly. (spoiler alert!)
I expected perhaps a dramatic Lover's Leap off a cliff to avoid their destiny, or even an escape, but it doesn't seem to occur to anyone. I guess it is very difficult to get away from the life you've become rooted to.