Cecily's Reviews > The Heart Is a Lonely Hunter
The Heart Is a Lonely Hunter
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Cecily's review
bookshelves: favourites, miscellaneous-fiction, classics, usa-and-canada, historical-fict-20th-cent
May 30, 2008
bookshelves: favourites, miscellaneous-fiction, classics, usa-and-canada, historical-fict-20th-cent
Like most of McCullers stories, this is concerns lonely people living in the deep south. This one is set during WW2, told with strong musical currents (she had a place to study piano at the Julliard, and this shines through most of her work) and a radical passion against poverty and injustice.
The language is generally quite simple in terms of vocabulary and sentence length, yet the characters and events are all the more poetic and vivid for this apparent simplicity - a difficult literary trick to pull off.
The main character is John Singer, a deaf mute. Biff Brannon (café owner), Jake Kelly (migrant mechanic and social activist), Dr Copeland (black doctor and communist) and Mick Kelly (girl of 13-14) all attach themselves to Singer, who is of course, the perfect listener for their varied troubles and a blank canvas for them to create him as a god-like figure of whatever kind they each want. The main plot is Singer's relationships with the other four (they have almost none with each other). The subplot is a coming of age strand regarding Mick: moving from passionate and ambitious tomboy to frustrated young woman.
Each character who unburdens themselves to Singer thinks they know him and that he is something of a free spirit. None of them know that he is pining for the burden of caring for Antonapoulos, his former flat mate and fellow deaf mute, now in an asylum. In that relationship, Singer did all the talking and assumed that wisdom and empathy came from Antonapoulos, who largely listened. Now on his own, the tables are turned and he is cast in the role of wise listener. Singer's animated hands are redundant for communication - neglected and stuffed in his pockets.
We all need a Singer, but no one wants to be Singer.
All the closest relationships in this story, even amongst the minor characters, are compromised by literal or emotional distance or largely unreciprocated, though the characters themselves are not always aware of this.
As well as sadness, there is often an underlying sense of menace, though when bad things happen, they are often not what you had expected until a page or two before they happened, making them somehow more shocking.
Overall, a powerful and sad book, yet somehow not a depressing one. Despite much tragedy, there is always a glimmer of hope, arising from love and loyalty (even if it is one-sided).
NB "The Mortgaged Heart" (http://www.goodreads.com/review/show/...) includes an author’s outline of this book, which sheds extra light on the story, though some of her preliminary ideas were not in the final book.
The language is generally quite simple in terms of vocabulary and sentence length, yet the characters and events are all the more poetic and vivid for this apparent simplicity - a difficult literary trick to pull off.
The main character is John Singer, a deaf mute. Biff Brannon (café owner), Jake Kelly (migrant mechanic and social activist), Dr Copeland (black doctor and communist) and Mick Kelly (girl of 13-14) all attach themselves to Singer, who is of course, the perfect listener for their varied troubles and a blank canvas for them to create him as a god-like figure of whatever kind they each want. The main plot is Singer's relationships with the other four (they have almost none with each other). The subplot is a coming of age strand regarding Mick: moving from passionate and ambitious tomboy to frustrated young woman.
Each character who unburdens themselves to Singer thinks they know him and that he is something of a free spirit. None of them know that he is pining for the burden of caring for Antonapoulos, his former flat mate and fellow deaf mute, now in an asylum. In that relationship, Singer did all the talking and assumed that wisdom and empathy came from Antonapoulos, who largely listened. Now on his own, the tables are turned and he is cast in the role of wise listener. Singer's animated hands are redundant for communication - neglected and stuffed in his pockets.
We all need a Singer, but no one wants to be Singer.
All the closest relationships in this story, even amongst the minor characters, are compromised by literal or emotional distance or largely unreciprocated, though the characters themselves are not always aware of this.
As well as sadness, there is often an underlying sense of menace, though when bad things happen, they are often not what you had expected until a page or two before they happened, making them somehow more shocking.
Overall, a powerful and sad book, yet somehow not a depressing one. Despite much tragedy, there is always a glimmer of hope, arising from love and loyalty (even if it is one-sided).
NB "The Mortgaged Heart" (http://www.goodreads.com/review/show/...) includes an author’s outline of this book, which sheds extra light on the story, though some of her preliminary ideas were not in the final book.
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Reading Progress
May 30, 2008
– Shelved
June 9, 2008
– Shelved as:
favourites
April 5, 2009
– Shelved as:
miscellaneous-fiction
Started Reading
May 23, 2009
– Shelved as:
classics
May 23, 2009
–
Finished Reading
August 9, 2009
– Shelved as:
usa-and-canada
July 14, 2015
– Shelved as:
historical-fict-20th-cent
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May 23, 2012 06:12AM

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I am, myself, a native product of the "Deep South". And I feel that very few "Southern" writers capture the thick stew of despair along with intimacy that is Southern life like Carson McCullers. No one matches her frightening insights and terrifying love. She is a tragic jewel.


She does not exaggerate, nor does she stereotype. She loves the South as much as myself; and she fears it as much.
I'm incapable of selecting my favorite writer; so I have a Top Three. The names alter form and heirarchy over time. But she is always on the list.

I know what you mean. She probably rarely makes my top three, but she's probably been in my top dozen since I first read her when I was 17 or 18.

In a more literal sense, I hope you've recovered from surgery and are moving more easily yourself.

Cecily, I really enjoyed revisiting your excellent review. Seeing your summary helped to sum up my understanding of what McCullers was doing. I hold this book in high regard and your marvelous review makes me itch to re-read it, though I should probably first read some of her shorter works: "Member of the Wedding" and "Ballad of the Sad Cafe."
What a treat to relive the reading experience through your review.
What a treat to relive the reading experience through your review.

EDIT: Oops, I've realised that Member of the Wedding was my first - but it was on the recommendation of my friend.




Indeed she does. Such a loss to the world that she died so young.


Thanks, Arah-Lynda - as was yours. That painful combination of despair and hope is the ostinato of all her writing.

Have you seen the movie starring Alan Arkin? From 1968, I saw it when it first came out and have been meaning to view again. I thought it was great.

Have you seen the movie starring Alan Arkin?"
You're very kind. Thank you, Suzy. I loved your review, too.
I haven't seen the film. One from that era don't always age well, but if you, as a fan of the book, recommend it, I presume it's worth the watch. Thank you.

Have you seen the movie starring Ala..."
I'm not sure how it will have aged since I haven't seen it in 48 years! But I'm going to see if my library has it and see if it lives up to my memories of it. I think it was Alan Arkin's big breakthrough.

But it's the sort of story that might work even better in a period film than a 21st century one.


Ditto! I reread some of hers shorty after joining GR, but should really reread some.
I hope you enjoy The Mortgaged Heart.

And also - All the closest... not always aware of this.
It struck me as a melancholic book, but at the same time as if a pose had been taken. A writer pursuing Her Art.

Thanks, Laura.
Laura wrote: "It struck me as a melancholic book, but at the same time as if a pose had been taken. A writer pursuing Her Art."
Interesting comment. I certainly think of it as melancholic, and a writer pursuing her art, but as a pose (which sounds less genuine that I think she was).

I haven't read it yet but will read very soon. I think I'll like the language here. Too complicated language is not my thing:)

I haven't read it yet but will read very soon. I think I'll like the language here. Too complicated language is not my thing:)"
Thanks, Asma. The language is fairly plain, but used to great emotive effect. A very book, and although the setting is a world away from Pakistan, I expect many of the underlying themes are universal.
Alternatively, the one of hers I love even more focuses on a girl approaching her teens, The Member of the Wedding, which I reviewed here: /review/show...

Troubling, but with hope and beauty too.

Troubling, but with hope and beauty too."
Yes, no doubt of that. Thanks

It's probably 20 years since I saw The Elephant Man, so I'm not sure about the comparison, but it's always interesting to have new connections between works.

And thank you, Fergus. I hope you read McCullers and come to love her work.

Also, this statement is so true, We all need a Singer, but no one wants to be Singer. . There is this universal longing for someone like Singer, an empathetic listener offering a compassionate and understanding presence in our lives. But there is an inherent reluctance to assume the role of Singer for other, as it comes with burdens of being someone's emotional anchor at the expense of thwarting their own needs and desires.
All the closest relationships in this story, even amongst the minor characters, are compromised by literal or emotional distance or largely unreciprocated, though the characters themselves are not always aware of this.. This is also so true, and it's wonderful how McCullers explores the theme of inherent asymmetry in the relationships.

There is this universal longing for someone like Singer, an empathetic listener offering a compassionate and understanding presence in our lives..."
Nowadays, there's the option to pay for it, for those who can afford it, but that didn't occur to me when I wrote the review. A therapist isn't the same as a friend, of course, but that can have advantages: a different sort of asymmetry:
Kushagri wrote: "... it's wonderful how McCullers explores the theme of inherent asymmetry in the relationships"
Thanks, Kushagri.