Emily May's Reviews > Daisy Jones & The Six
Daisy Jones & The Six
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I know many people loved this book, and it's not as if I don't see why, but this choice of narration just really didn't work for me. I found Reid's The Seven Husbands of Evelyn Hugo absolutely riveting from the very first chapter, but I thought the decision to write this book entirely in interview transcripts made it really boring and emotionless.
Daisy Jones & The Six is essentially a band documentary transcript. I'm sure most of you have seen a band documentary before. Former band members, their managers, and their friends are all interviewed, and the screen switches between them speaking and images/footage of the band in their prime. This is like that, but without the images to accompany it. Members of The Six, their acquaintances, and Daisy herself, recount the history of the band's rise and fall.
I just� nothing interested me. I didn’t care when they were bickering about how song lyrics should go. Or when they were talking about the sex and drugs lifestyle. They just fly around, play gigs, do drugs, all while Daisy is being a brat and Billy is cheating on his wife. They are the only two characters of interest and they both irritated me.
Perhaps it is because this is a perfect example of what they say a writer shouldn't do: all tell, no show. I mean, that's the nature of having it be an interview transcript. The characters just talk about their experiences, and it all felt very cold and detached. I wasn't immersed in the story; I wasn't experiencing it.
I actually kept reading because the book seemed like maybe it was building to something good. It all feels like its leading up to a shocking climax at their last concert, but even the mystery surrounding that was unsatisfying for me. I was expecting something more juicy and exciting.
Oh well. I do think it had a bit of a cool 1970s LA music scene vibe going on. The whirlwind of sex, drugs, rock'n'roll and all that. But it wasn't enough for me. I think the story would have been far more compelling written in the author's usual style. She seems quite good at writing about strong feisty women who get caught up in a vicious industry, but that didn't come across as well here.
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Daisy Jones & The Six is essentially a band documentary transcript. I'm sure most of you have seen a band documentary before. Former band members, their managers, and their friends are all interviewed, and the screen switches between them speaking and images/footage of the band in their prime. This is like that, but without the images to accompany it. Members of The Six, their acquaintances, and Daisy herself, recount the history of the band's rise and fall.
I just� nothing interested me. I didn’t care when they were bickering about how song lyrics should go. Or when they were talking about the sex and drugs lifestyle. They just fly around, play gigs, do drugs, all while Daisy is being a brat and Billy is cheating on his wife. They are the only two characters of interest and they both irritated me.
Perhaps it is because this is a perfect example of what they say a writer shouldn't do: all tell, no show. I mean, that's the nature of having it be an interview transcript. The characters just talk about their experiences, and it all felt very cold and detached. I wasn't immersed in the story; I wasn't experiencing it.
I actually kept reading because the book seemed like maybe it was building to something good. It all feels like its leading up to a shocking climax at their last concert, but even the mystery surrounding that was unsatisfying for me. I was expecting something more juicy and exciting.
Oh well. I do think it had a bit of a cool 1970s LA music scene vibe going on. The whirlwind of sex, drugs, rock'n'roll and all that. But it wasn't enough for me. I think the story would have been far more compelling written in the author's usual style. She seems quite good at writing about strong feisty women who get caught up in a vicious industry, but that didn't come across as well here.
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Reading Progress
March 13, 2019
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March 15, 2019
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March 17, 2019
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Unfortunately, this one's going to be a hit or a miss. Not for the story itself but for the way it was written. I liked it A LOT up to the ªrevelation". It wasn't as shocking or interesting as it was supposed to be, I mean... the story was REALLY GOING THERE we all wanted to know THAT and then nothing. Anyway... Reese Whiterspoon is producing a limited series adaptation for Amazon. I think that this book was written specifically for that format.

I do kinda agree with the "all tell, no show" critique. I've had the same criticism of one of Reid's prior novels. But I generally find her stories so compelling that I overlook her tendency to tell her readers, rather than show them.


If anyone is interested in this book and does audios, I 100% recommend going that route!






You know, I did wonder if this would work better on audio. It definitely seems like it would give it more life. The book feels like it was written to be spoken out loud. I personally find audio difficult to concentrate on, which is why I mostly avoid it, but for audio fans that might be the better option here.













Enjoyed reading your review :)








I can understand this, but I feel like it should have been marketed that way. I can't do audiobooks, unfortunately, so I would have passed. It is more like reading a screenplay, as Kristie said.


I, however, disagree with your comment that it is "all tell, no show".
I really enjoyed it myself, actually, especially the format. In the Author's Note the narrator says: "the truth often lies, unclaimed, in the middle". I think that this is at the core of the novel. The interview-format works extremely well in this aspect.
We have a lot of competing accounts of events, and you as a reader are left to determine what is actually the 'truth'. It is not all tell, we are in fact given competing or incomplete versions of the story at hand. The characters also show us their own versions of what is happening.
I think it is well-written and it challenges the reader to decide who they want to believe. You might not always like or enjoy a book, but that does not mean it has no merit. I think this novel knows how to invoke nostalgia but also knows how to twist that. It has unreliable narrators and plays with issues of memory and life-writing.

