Laura 's Reviews > Outline
Outline
by
by

Exceptional reading.
I felt that each of the female characters - represented a different facet to the pain of the disintegration of Faye's, our narrator's marriage. As if each woman, was in fact recounting all the variations of loss experienced by Faye. Each woman relaying not simply the loss of their partner but the avalanche, or domino effect of the result of the breaking down of the most significant relationship in their lives; and most disturbing of all - their sense of identity and in tandem with this, a loss of what is real, both past and present. A process with which I can infinitely identify.
Some strange Greek translations
Panayiotis - usual, not Paniotis
Yiasas - not Yassas
And I had to laugh about her boat excursions with "her neighbour", how could she not know that he would expect "something" in return.
All the women capture in their painful accounting of lost love - those very confounding other losses - of belief, in purpose, of their children -
And in most cases the male rejection of the female. I particularly liked her idea that men want women to fulfill their fantasy - they must perform the part allocated, expected of them.
The best, most truthful, most insightful "novel" I have read in a very long time.
I felt that each of the female characters - represented a different facet to the pain of the disintegration of Faye's, our narrator's marriage. As if each woman, was in fact recounting all the variations of loss experienced by Faye. Each woman relaying not simply the loss of their partner but the avalanche, or domino effect of the result of the breaking down of the most significant relationship in their lives; and most disturbing of all - their sense of identity and in tandem with this, a loss of what is real, both past and present. A process with which I can infinitely identify.
Some strange Greek translations
Panayiotis - usual, not Paniotis
Yiasas - not Yassas
And I had to laugh about her boat excursions with "her neighbour", how could she not know that he would expect "something" in return.
All the women capture in their painful accounting of lost love - those very confounding other losses - of belief, in purpose, of their children -
And in most cases the male rejection of the female. I particularly liked her idea that men want women to fulfill their fantasy - they must perform the part allocated, expected of them.
The best, most truthful, most insightful "novel" I have read in a very long time.
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Reading Progress
August 31, 2019
– Shelved as:
to-read
August 31, 2019
– Shelved
September 10, 2019
–
Started Reading
September 10, 2019
–
59.84%
"The characters seem false - in that they represent types rather than individuals. That long show off performance of Angeliki, even "the neighbour" as he relates his life to our narrator seem highly stylised - these are not natural conversations - they are distillations of people's lives and conversations - no-one is able to spout such self-reflective philosophies unless they have just written a memoir."
page
149
September 10, 2019
–
71.89%
"So - all the people are involved in story telling - apart from the student who wants her money back - Cassandra.
I can only think of The Decameron - Boccaccio's set up where young Florentines leave the city to escape the plague and tell stories to while away the time - stories primarily about relationships of men and women - and the difficulty, possiblity of understanding the other. Also Chaucer's - Canterbury Tales."
page
179
I can only think of The Decameron - Boccaccio's set up where young Florentines leave the city to escape the plague and tell stories to while away the time - stories primarily about relationships of men and women - and the difficulty, possiblity of understanding the other. Also Chaucer's - Canterbury Tales."
September 11, 2019
–
Finished Reading
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I suppose the other sense of "fake" is in the condensing or stylistic devise of each character telling his/her tale. I don't think there are many people who can deftly present such refined analyses of their lives. I suppose this is why she chose writer, or writing students - to convince us if this possibility. However the Truth of what she reveals far outweighs any stylistic devises.



Will you read more of the series?

Your insights are twisting my arm to go back and have another go...








It's an easier way of generating authentic characters perhaps - use versions of yourself (from the past) - but also the unified experience of women. I'll have to re-read it.
I thought you were not enjoying the experience at halfway when you described the characters as "fake".
I rated Outline at 4 stars (so I liked it well enough), but I felt that the writing style had become rather repetitive in books two and three