Meredith's Reviews > The Graveyard Book
The Graveyard Book
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by

**SPOILER ALERT**
This book was entirely mediocre. The plot was disjointed and very loosely woven throughout the story, and much of it didn't make any sense. Details (what few details there were) seemed to be added at the last minute to make later events in the story make sense. It's almost as if Gaiman wrote the middle first, then the beginning, and then the end. I think he had a million ideas floating around in his head and had no idea how to connect them all, so he made up some stuff on the fly.
Also, I'm willing to accept a large amount of non-sensical information in a fantasy novel, but there has to be some sort of explanation behind it. For example--if a boy lives in a graveyard his entire life, what happens if he needs to go to the dentist or take a shower or get vaccinated? Somehow, everyone reacts completely normally to the protagonist, even though he must be a filthy, smelly toothless wreck. Also, at the end of the book, the ghosts just kind of release the main character into the world--the boy who is only 15 and has had almost no formal schooling in his entire life. What is this kid supposed to do with himself? He's been getting his education from people who've been deceased for at least 150 years and has nothing on him but a little money and a passport. Yeah, I'm sure he'll do REALLY well on his own.
Anyway, I didn't think it was a bad book, but it certainly wasn't a good one, and it was WAY below Neil Gaiman's usual standards.
This book was entirely mediocre. The plot was disjointed and very loosely woven throughout the story, and much of it didn't make any sense. Details (what few details there were) seemed to be added at the last minute to make later events in the story make sense. It's almost as if Gaiman wrote the middle first, then the beginning, and then the end. I think he had a million ideas floating around in his head and had no idea how to connect them all, so he made up some stuff on the fly.
Also, I'm willing to accept a large amount of non-sensical information in a fantasy novel, but there has to be some sort of explanation behind it. For example--if a boy lives in a graveyard his entire life, what happens if he needs to go to the dentist or take a shower or get vaccinated? Somehow, everyone reacts completely normally to the protagonist, even though he must be a filthy, smelly toothless wreck. Also, at the end of the book, the ghosts just kind of release the main character into the world--the boy who is only 15 and has had almost no formal schooling in his entire life. What is this kid supposed to do with himself? He's been getting his education from people who've been deceased for at least 150 years and has nothing on him but a little money and a passport. Yeah, I'm sure he'll do REALLY well on his own.
Anyway, I didn't think it was a bad book, but it certainly wasn't a good one, and it was WAY below Neil Gaiman's usual standards.
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Reading Progress
Started Reading
October 16, 2008
– Shelved
October 16, 2008
–
Finished Reading
August 14, 2010
– Shelved as:
male-protagonist
February 9, 2011
– Shelved as:
j-fic
Comments Showing 1-31 of 31 (31 new)
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I heard he did write the middle first. I felt the same way you did, that you could tell he just filled in the rest to finish the job. Meh.







I love Gaiman and he is one of the most original writers alive, but I agree mostly with the critique. It's not so much that the conceit is not realistic: Silas is the answer to all that. It's more that the story is didactic and less original that anything Gaiman ever wrote. He himself acknowledges his debt to The Jungle Book, but alot of stuff he borrows from his own books. The interlude of the scary men in the hotel, the Lady in Grey as death and on and on. So you get a hodge podge of quirky ideas that don't hang together.
What the book lacks is a coherent vision of a world that could exist on it's own, even as fantasy (cf. The sandman, neverwhere etc) The dance macabre in the world of Facebook and twitter? I think not. Plus everything was predictable, including how (and the fact that he would) defeat Jack. And Scarlett turned out to be boring and whimpy.
Having said that, I read it in two evening sittings. Gaiman sure can keep your attention, even on a bad night....




I totally loved this book to pieces but then again i'm not an expert on Gaimans books(i've only read coraline, which was okay and i'm a huge fan of the sandman comics). Because you said this was one of his lesser novels i'm very much looking forward to his other books.
If you find the time could you recommend some of his works you preferred? I'm sorry if my english or grammar wasn't perfect, it's not my first language

My beef with book's composition really stems from the fact that it's coming from Neil Gaiman, who has spoiled me to no end with his usually fabulous writing and storytelling. The disjointed plot and unaddressed details are unlike him.
I also read and enjoyed the Sandman Comics! I liked "Coraline," as well. So far as his other kids' chapter books go, "Odd and the Frost Giants" was okay, and I really enjoyed "M is for Magic," which is a collection of short stories. (He's really quite masterful with short plot arcs.) He also has a few short stories mixed into a few anthologies. I'm just now getting into his adult fiction. I'm part of the way through "Stardust" and I'm dying to read "American Gods." I'm actually in the middle of "Good Omens" at the moment, which he co-authored with Terry Pratchett, and highly recommend that one!





That doesn't make your critique any less valid, but it might provide some context.






Although the story dragged for me about 3/4s of the way in, overall I really enjoyed it. I was quite taken in by the nonsense.