Brad's Reviews > The Anubis Gates
The Anubis Gates
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More time travel than steampunk, although it has been categorized as the latter, Tim Powers' The Anubis Gates is fun, but it leaves one feeling a little short changed.
The problem is that Powers' story has the narrative scope of Neal Stephenson's Baroque Cycle, but it is packed into a mere 380-ish pages. Beggar's guilds, Egyptian wizards, Romantic poets, business magnates, and prize fighters mix with cross dressing vengeance seekers, mad clowns, body snatchers, fire elementals and gypsies. Time slips from 1983 to 1810 to 1660-something and back to 1811, seemingly following a linear path of cause and effect, then spilling paradoxically into a strange whirlpool motion where effect can be cause before effect.
And all of this is tremendously effective.
It generates curiosity, makes one read at high speed, fills the imagination with wonder and provides great entertainment, but it is not enough.
There are huge gaps in the tale, like Brendan Doyle's/William Ashbless' time in Egypt, where the story jumps too quickly, leaving the promise of more adventure -- sweeping adventure, epic adventure -- unfulfilled.
Powers creates characters so compelling, even his supporting characters, that one finds oneself wanting more, but the more never comes. We spend a tantalizing amount of time with Horrabin, the puppeteer-clown-beggar master, but it is never enough. We barely get to know Powers' versions of Lord Byron and Samuel Taylor Coleridge, and then they are gone. There is simply never enough of these characters, and it leaves one feeling cheated.
So in case you haven't already guessed, the great failing of The Anubis Gates is that it leaves the reader wanting more -- too much more. Occasionally that feeling can be healthy, but in this case it is mostly frustrating. Had Powers reduced the scale of The Anubis Gates, or increased the size of his story to match the scale, it could very well have been his masterpiece. But without serious alterations, The Anubis Gates is little more than an entertaining sci-fantasy confection that is difficult to recommend.
But recommend it I shall, to anyone who likes time travel or creepy clowns or good, old fashioned chases. No matter how frustrating The Anubis Gates is, it is never boring nor a waste of time.
The problem is that Powers' story has the narrative scope of Neal Stephenson's Baroque Cycle, but it is packed into a mere 380-ish pages. Beggar's guilds, Egyptian wizards, Romantic poets, business magnates, and prize fighters mix with cross dressing vengeance seekers, mad clowns, body snatchers, fire elementals and gypsies. Time slips from 1983 to 1810 to 1660-something and back to 1811, seemingly following a linear path of cause and effect, then spilling paradoxically into a strange whirlpool motion where effect can be cause before effect.
And all of this is tremendously effective.
It generates curiosity, makes one read at high speed, fills the imagination with wonder and provides great entertainment, but it is not enough.
There are huge gaps in the tale, like Brendan Doyle's/William Ashbless' time in Egypt, where the story jumps too quickly, leaving the promise of more adventure -- sweeping adventure, epic adventure -- unfulfilled.
Powers creates characters so compelling, even his supporting characters, that one finds oneself wanting more, but the more never comes. We spend a tantalizing amount of time with Horrabin, the puppeteer-clown-beggar master, but it is never enough. We barely get to know Powers' versions of Lord Byron and Samuel Taylor Coleridge, and then they are gone. There is simply never enough of these characters, and it leaves one feeling cheated.
So in case you haven't already guessed, the great failing of The Anubis Gates is that it leaves the reader wanting more -- too much more. Occasionally that feeling can be healthy, but in this case it is mostly frustrating. Had Powers reduced the scale of The Anubis Gates, or increased the size of his story to match the scale, it could very well have been his masterpiece. But without serious alterations, The Anubis Gates is little more than an entertaining sci-fantasy confection that is difficult to recommend.
But recommend it I shall, to anyone who likes time travel or creepy clowns or good, old fashioned chases. No matter how frustrating The Anubis Gates is, it is never boring nor a waste of time.
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Reading Progress
Finished Reading
October 17, 2008
– Shelved
November 11, 2008
– Shelved as:
sci-fi
November 11, 2008
– Shelved as:
speculative
November 19, 2008
– Shelved as:
sci-fantasy
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The Baroque Cycle = my new best friend =D
(I'm currently between books 2 & 3 and loving it)


I have permanently stalled between book two and three of the Baroque Cycle. And I am stalling out on Jonathan Strange and Mr. Norrell too. Something about those endlessly sprawling books, desperately in need of a trim, drives me to distracttion.
I may try out Declare someday, Terry. Looks interesting, and the Le Carre feel would be a big Powers improvement.


They remind me of cats.
(I'm grinning even trying to articulate this)
It's that endlessly curious nature.
The 'journey is more important than the destination' ethos.
I'm pretty sure I'll love Stange & Norell when I get to it!
Feel free to send any more of this ilk my way :-)



True of me, too, in terms of chronological order of publication - though it was actually the first I read.
The unsung Zodiac is his best and shortest book, in my view; and I think the two are linked.

Powers, as you indicated, creates vibrant characters and terse action. He accomplishes this through editing. He removes excess, both actions and words, and all but eliminates adverbs -- tricks which Stephenson needs to learn. Because Powers edits to bring a reader's focus to their story. Stephenson's style, on the other hand, obscures. He has great ideas, but fails in execution.
