Joe's Reviews > Son
Son (The Giver, #4)
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no no no no no no no No No No No NO NO NO NO NO NO NO NO NO NONONONONONONONONONONONONONO
NO
, Lois Lowry!
NO.
No.
This cannot be how you chose to end the quartet.
I am flabbergasted and bereft and... cheated. I feel cheated.
In the same way Suzanne Collins ruined The Hunger Games trilogy in its crummy final act, so too has Lowry with Son.
Despite being weaker efforts, Gathering Blue and Messenger felt like stepping stones toward an ending that would seamlessly combine disparate storylines. Instead we get this.
(I am well aware now that this review has begun as a rambling mess. I am sorting through my emotions as I type, and am hopeful that everything will come together in the end - UNLIKE SON.)
Divided into three parts (Before, Between, and Beyond), Son begins strongly.
Before
Here is Claire, a child of fourteen, forced to live the life of a birthmother in a society that is a striking cross between Margaret Atwood's The Handmaids Tale and George Orwell's 1984. Fully realized in the Newbery Medal winning The Giver, it is a richly drawn community that provokes unease in the reader through subtlety.
Claire's character is developed beautifully, and readers will feel her ache and longing as she navigates the oppressive system in which she has been unwittingly thrust. Lowry is at her sharpest in the Before section. The narrative travels at a piercing clip, and the tumult of Claire's emotions is palpable in the same manner of Jonas' own emergence in The Giver. Further details about the community are provided, each simultaneously intriguing and sickening. It is a section that is gripping and thrilling and that, unfortunately, ends.
And the trouble begins.
Spoilers from here on out.
(view spoiler)
No.
This cannot be how you chose to end the quartet.
I am flabbergasted and bereft and... cheated. I feel cheated.
In the same way Suzanne Collins ruined The Hunger Games trilogy in its crummy final act, so too has Lowry with Son.
Despite being weaker efforts, Gathering Blue and Messenger felt like stepping stones toward an ending that would seamlessly combine disparate storylines. Instead we get this.
(I am well aware now that this review has begun as a rambling mess. I am sorting through my emotions as I type, and am hopeful that everything will come together in the end - UNLIKE SON.)
Divided into three parts (Before, Between, and Beyond), Son begins strongly.
Before
Here is Claire, a child of fourteen, forced to live the life of a birthmother in a society that is a striking cross between Margaret Atwood's The Handmaids Tale and George Orwell's 1984. Fully realized in the Newbery Medal winning The Giver, it is a richly drawn community that provokes unease in the reader through subtlety.
Claire's character is developed beautifully, and readers will feel her ache and longing as she navigates the oppressive system in which she has been unwittingly thrust. Lowry is at her sharpest in the Before section. The narrative travels at a piercing clip, and the tumult of Claire's emotions is palpable in the same manner of Jonas' own emergence in The Giver. Further details about the community are provided, each simultaneously intriguing and sickening. It is a section that is gripping and thrilling and that, unfortunately, ends.
And the trouble begins.
Spoilers from here on out.
(view spoiler)
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Son.
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Reading Progress
January 14, 2013
–
Started Reading
January 14, 2013
– Shelved
February 2, 2013
– Shelved as:
borrowed-library
February 2, 2013
– Shelved as:
young-adult
February 2, 2013
–
Finished Reading
November 2, 2017
– Shelved as:
dafuq
November 2, 2017
– Shelved as:
science-fiction
Comments Showing 1-50 of 85 (85 new)

So my friend, I applaud you! I applaud your awesomness and super powers to bring the happy fudgeries out of people!
Boom, baby, you are awesome! So happy you exist =w= Your review made me smile~

I agree on not just one, or two but ALL counts. i was thoroughly disappointed with this conclusion because the Giver was one of my favorite books I have ever read. The "Beyond" area of this story really didn't seem to tie into how it started off. I assumed this would be the snip all loose ends and beautifully end the quartet but no. I am sadly left with this sad excuse for a Lois Lowry novel.




Was this really supposed to be a tie up? It felt like fanfiction for another series. The Giver seems completely set apart from the latter three books of the quartet. This adds nothing to it and literally takes away the magic by adding magic into a nice sci-fi/dystopic (or utopic) landscape..







Really, its not that big of a deal id you don't like that book. SPOILER!!!! Anyway, in the end, Claire gains her true age and beauty. Besides, do you really think that if you lived in a dystopia with not even a thought about training, working out, or even a thumb wrestle! And do you think that you would want to find a cliff and say "Hey look! A cliff! Lets just climb it with no sense of anything with cliffs instead of finding the expert on it!" Now do you think if Claire had an attitude like that, would she be even alive now?

I didnt realize The Giver was a series till i got goodreads. Amazing what the power of internet can do. Lol. I wondered why The Giver ended in such inconclusive fashion. Looks like ill hafta seek out the rest of the series... Or maybe not after reading the bad reviews of Son. I hate when a series waits till the end to disappoint.





But I can't agree with Claire being a bitch. She isn't at all described or portrayed that way, and simply because she kills a bird doesn't make her so. If she did it out of cold-blood I understand, but she was being attacked by this gull and saw it as the only way to defend herself. The climb had just been a bunch of rock climbing and almost slipping, so Lois threw in something as an obstacle. (As it is common to find nesting birds in cliff sides) so I disagree there on your characterization of Claire, simply based on one incident.
some of you need to reread the book and pick up on suttle nuances and her gentle weaving of sub plots.

You're absolutely right, Violet. What I need to do is re-read the book, pick up on the subtle nuances that you caught and I didn't, and come to the exact same conclusion about this book that you did. Then - and only then - will I become a reader who is confident in my analysis skills (because they'll be the same as yours!!).
I guess I don't understand why everyone can't just agree and like the same books. It must mean some readers are better than others!



I laughed so hard reading this.
But I must say that I disagree a bit. I liked the ending of the series, but I see where your points are coming from. Oh well. We can't all agree on everything.
But I must say that I disagree a bit. I liked the ending of the series, but I see where your points are coming from. Oh well. We can't all agree on everything.


But I can't agree wi..."
I agree with Sofia on this--and I thought the whole thing showed that she's going to do whatever it takes to see her son (overcoming fear, creative problem-solving, etc.) and the mother bird attacking to protect her young was also a symbol of the whole theme here....it wasn't an unnecessary scene.


You're absolutely right, Violet. What I need to do is re-read the book, pick..."
"LIKE"


The ending was a bit abrupt, but I think it was worth it as it gave beautiful insight into the world and characters and highlighted (once again) the evil preys on desperation, regardless of the intentions of the victim.





Great review though dripping with sarcasm!

The Trademaster is not humanity but rather is desperation and desire, or more accurately is every dark impulse we have when we are desperate with wanting.
".... felt the same way.. and as such, will avoid this one.