Josh's Reviews > Blood Meridian, or, the Evening Redness in the West
Blood Meridian, or, the Evening Redness in the West
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Cormac McCarthy鈥檚 Blood Meridian is unquestionably the most violent novel I鈥檝e ever read. It鈥檚 also one of the best.
For those who would consider that a turn-off, I offer this caveat:
For the overwhelming majority of fiction that involves a lot of violence, the violence itself is an act of masturbation representing either the author鈥檚 dark impulse or, perhaps worse, pandering to the reader鈥檚 similar revenge fantasies (this might explain why the majority of Blood Meridian fans I know personally are men, where as the majority of those who鈥檝e told me they were unable to finish it are women).
Don鈥檛 get me wrong, the violence in Blood Meridian is gratuitous. It鈥檚 both mentally and emotionally exhausting, even in a day and age where television and movies have numbed us to such things. But unlike, say, the movie 300, the violence serves a purpose 鈥� in fact the gratuitousness itself serves a purpose. Like how the long, drawn out bulk of Moby Dick exists to make the reader feel the numbingly eventless life of a whaling vessel before it reaches its climactic destination (McCarthy is frequently compared to Melville, btw), Blood Meridian exists to break the reader鈥檚 spirit. Like the mercenaries the narrative follows, the nonstop onslaught of cruelty after cruelty makes us jaded. The story brings us to what we think is a peak of inhumanity that seems impossible to exceed, and just as we stop to lick our wounds, an even more perverse cruelty emerges. The bile that reaches the tip of our tongue at reading of a tree strewn with dead infants hung by their jaws at the beginning of the book (a scene often sited to me as the point many readers stop) becomes almost a casual passiveness when a character is beheaded later on. We become one of these dead-eyed cowboys riding into town covered head-to-toe in dried blood and gristle.
The story is based on My Confession, the questionably authentic autobiography of Civil War Commander Samuel Chamberlain, which recounts his youth with the notorious Glanton Gang 鈥� a group of American mercenaries hired by the Mexican government to slaughter Native Americans. Whether or not Chamberlain鈥檚 tale is true only adds to the mythic quality 鈥� exemplified by the character of Judge Holden.
Blood Meridian is really The Judge鈥檚 story. He is larger than life. Over seven feet tall, corpulent, hairless, albino, described as having an infant-like face and preternaturally intelligent. He is a murderer, child killer, pedophile and genocidal sociopath. But the question that plagues anyone who reads the book is 鈥� who is he really?
The easiest conclusion is that he is the devil, or some other demon. His joyous evil and fiddle-playing are enough clues to come to that, but more controversial (and less popular) is the idea that he is actually the wrathful God of an uncaring universe. He鈥檚 called THE Judge, after all.
He spends a great deal of time illustrating new discoveries 鈥� be it an Indian vase or petroglyph 鈥� only to destroy it when finished. It鈥檚 commented that he seems intent on 鈥渃ataloging all creation鈥�. When a fellow mercenary asks why he does it, he smiles and cryptically replies 鈥淭hat which exists without my knowledge exists without my consent.鈥�
The fact that the book is rife with biblical imagery implies that he is more than a mere symbol of man鈥檚 inhumanity to man (which is not to say that the devil isn鈥檛), but when the book ends ( SPOILER ALERT ) and our protagonist鈥檚 body is found shoved into a commode, the townsfolk stand staring into the darkened doorway of the latrine, eerily mirroring the apostles staring into empty crypt after the resurrection. But here, there is no ascension; no salvation offered. Only the Judge, who dances to the closing lines, 鈥淗e is dancing, dancing. He says that he will never die."
For those who would consider that a turn-off, I offer this caveat:
For the overwhelming majority of fiction that involves a lot of violence, the violence itself is an act of masturbation representing either the author鈥檚 dark impulse or, perhaps worse, pandering to the reader鈥檚 similar revenge fantasies (this might explain why the majority of Blood Meridian fans I know personally are men, where as the majority of those who鈥檝e told me they were unable to finish it are women).
Don鈥檛 get me wrong, the violence in Blood Meridian is gratuitous. It鈥檚 both mentally and emotionally exhausting, even in a day and age where television and movies have numbed us to such things. But unlike, say, the movie 300, the violence serves a purpose 鈥� in fact the gratuitousness itself serves a purpose. Like how the long, drawn out bulk of Moby Dick exists to make the reader feel the numbingly eventless life of a whaling vessel before it reaches its climactic destination (McCarthy is frequently compared to Melville, btw), Blood Meridian exists to break the reader鈥檚 spirit. Like the mercenaries the narrative follows, the nonstop onslaught of cruelty after cruelty makes us jaded. The story brings us to what we think is a peak of inhumanity that seems impossible to exceed, and just as we stop to lick our wounds, an even more perverse cruelty emerges. The bile that reaches the tip of our tongue at reading of a tree strewn with dead infants hung by their jaws at the beginning of the book (a scene often sited to me as the point many readers stop) becomes almost a casual passiveness when a character is beheaded later on. We become one of these dead-eyed cowboys riding into town covered head-to-toe in dried blood and gristle.
The story is based on My Confession, the questionably authentic autobiography of Civil War Commander Samuel Chamberlain, which recounts his youth with the notorious Glanton Gang 鈥� a group of American mercenaries hired by the Mexican government to slaughter Native Americans. Whether or not Chamberlain鈥檚 tale is true only adds to the mythic quality 鈥� exemplified by the character of Judge Holden.
Blood Meridian is really The Judge鈥檚 story. He is larger than life. Over seven feet tall, corpulent, hairless, albino, described as having an infant-like face and preternaturally intelligent. He is a murderer, child killer, pedophile and genocidal sociopath. But the question that plagues anyone who reads the book is 鈥� who is he really?
The easiest conclusion is that he is the devil, or some other demon. His joyous evil and fiddle-playing are enough clues to come to that, but more controversial (and less popular) is the idea that he is actually the wrathful God of an uncaring universe. He鈥檚 called THE Judge, after all.
He spends a great deal of time illustrating new discoveries 鈥� be it an Indian vase or petroglyph 鈥� only to destroy it when finished. It鈥檚 commented that he seems intent on 鈥渃ataloging all creation鈥�. When a fellow mercenary asks why he does it, he smiles and cryptically replies 鈥淭hat which exists without my knowledge exists without my consent.鈥�
The fact that the book is rife with biblical imagery implies that he is more than a mere symbol of man鈥檚 inhumanity to man (which is not to say that the devil isn鈥檛), but when the book ends ( SPOILER ALERT ) and our protagonist鈥檚 body is found shoved into a commode, the townsfolk stand staring into the darkened doorway of the latrine, eerily mirroring the apostles staring into empty crypt after the resurrection. But here, there is no ascension; no salvation offered. Only the Judge, who dances to the closing lines, 鈥淗e is dancing, dancing. He says that he will never die."
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Blood Meridian, or, the Evening Redness in the West.
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Reading Progress
Started Reading
April 1, 1995
–
Finished Reading
September 12, 2007
– Shelved
November 2, 2011
– Shelved as:
blood-meridian
Comments Showing 1-50 of 61 (61 new)

Just a thought.

In fact, what better example?
To add to what you said above, one of the epigraphs notes that a 300,000 year old skull was found in Africa that showed "evidence of being scalped." This, of course, suggests that McCarthy means us to consider the violent impulses of humanity, not just the cruelty and genocide that the white race has perpetrated.
However, I think that one of the reasons this book reminds us of Moby Dick is the absence of women. Being at sea and being at war are two situations in which women have historically not been present. The huge, white Judge, like the massive white whale, is more a mythical figure than a human character. They represent the nihilistic void that is a deeply seductive aspect of war. The pure indifference, the absence of commitment to past or future, the moment-to-moment life of the void translates to a kind of power. And the Judge is very persuasive in his argument that the void is the only kind of power that exists. If we choose to look away from what he tells us to ignore, and if we accept his policy of murdering the vulnerable to mean that there is no other correct relationship to vulnerability, then we are in his thrall.
However, the Kid is not in his thrall, and that should give us pause. Although he participates in the meaningless murderous rampage, like many men who go to war, the Kid resists the Judge, and he knows it; after all, the Judge says to the Kid, "There's a flawed place in the fabric of your heart. Do you think I could not know? You alone were mutinous. You alone reserved in your soul some corner of clemency for the heathen." Why does the Kid's death and lack of miraculous ascension mean that there is no salvation--that "man's inhumanity to man" is the final sentence we can pronounce on humanity? The Judge speaks more words than any other person in the book, but the Kid lives in silence. I think that the silence of the book is significant--the silence of the Kid, the silence of victims, the silence of women and the vulnerable. It "speaks" to other worlds and bigger meanings that the Judge refuses to allow, but continue nevertheless--even without his consent.
However, I think that one of the reasons this book reminds us of Moby Dick is the absence of women. Being at sea and being at war are two situations in which women have historically not been present. The huge, white Judge, like the massive white whale, is more a mythical figure than a human character. They represent the nihilistic void that is a deeply seductive aspect of war. The pure indifference, the absence of commitment to past or future, the moment-to-moment life of the void translates to a kind of power. And the Judge is very persuasive in his argument that the void is the only kind of power that exists. If we choose to look away from what he tells us to ignore, and if we accept his policy of murdering the vulnerable to mean that there is no other correct relationship to vulnerability, then we are in his thrall.
However, the Kid is not in his thrall, and that should give us pause. Although he participates in the meaningless murderous rampage, like many men who go to war, the Kid resists the Judge, and he knows it; after all, the Judge says to the Kid, "There's a flawed place in the fabric of your heart. Do you think I could not know? You alone were mutinous. You alone reserved in your soul some corner of clemency for the heathen." Why does the Kid's death and lack of miraculous ascension mean that there is no salvation--that "man's inhumanity to man" is the final sentence we can pronounce on humanity? The Judge speaks more words than any other person in the book, but the Kid lives in silence. I think that the silence of the book is significant--the silence of the Kid, the silence of victims, the silence of women and the vulnerable. It "speaks" to other worlds and bigger meanings that the Judge refuses to allow, but continue nevertheless--even without his consent.


Not that that's what you were saying , Jill. I just felt like clarifying. Glad you were able to get through it with your sanity!

Which God are you talking about? He is nothing like the Christian God, more like a 'Prophet of destruction'. Also I dont see any resemblance with Buddha, except maybe the chinese 'laughing Buddha' because he is fat and bald. Buddha seperated himself from this world, where as the judge revells in the
blood and shit of it.
\I believe the novel sends an ominous message: that all the lies of salvation, of hope, of promise (e.g. The American Dream) we tell ourselves and our children simply help us sleep better at night. The hero stories keep spiritual hunger and violence at bay. They are another "opiat for the masses". \
Not true the novel ends with a hint of hope, the lone man crossing the countryside digging post holes or what ever, and striking a spark from the rocky ground. This spark is a sign of hope. Where there is hope there is love and God.
And the Kid is somewhat of an anti hero, despite his horrible deeds, he still has some slimmer of good in him. And though it is probable that the judge killed him, nobody can be sure what actually happened to him. So there is still some hope that he survived and who knows, maybe went on to give some spark of hope back to the world.






I really like your review here. I agree with you completely on the fact that this book's violence has a purpose, unlike movies such as 300. The violence is dark and sometimes hard to even bear when reading. Reading about a man taking two babies by the legs and smashing their heads into the rocks, or when the company rides through a village with infants hanging from a tree through hooked jaws is gruesome, to say the least. Like you said, the onsaught of cruelty after cruelty makes us jaded, which is perfectly said. I also really like how you explained the Judge's character, and how the book really is a lot about him. Mccarthy portrays him in such a "creepy" way that makes me feel uncomfortable when reading about him, which is pure genius on McCarthy's behalf. He is this bald, albino, huge man that actually seems to enjoy murdering others, even when they are children. Like you also said though, who is he really? The Judge's character is mysterious and strange, which is really what makes him such an interesting character in the book.

The killer inside me is just as disturbing.I didnt realized taht I have for some or other reason read books often depicting alll kinds of violence.Oh well, maybe its because men like all kinds of violence.Is that your point?guess you are smart as a kid.Violence is common ground in fiction the diference is when it gets to graphic paradise of gratuitous.sometimes is simply fiction.ITs more strong when its from reality.IT cralls down the spine with a stench stronger than fiction.but i guess i only read crap so I give it a five.Of course Im stupid to read what others sugest to me.the book is amazing but I dont read much.Im stupid.So its fun to see so many nice stupid people following my lines of thought.hahhahah
kate karp would love eraserhead and of course she must be a real fan of that irreversible by gaspar noe.rape is judge holden best work.now hush little baby dont you cry Im gonna read books
till I die.A moby dick would suit kate crap or karp something like that.josh, gosh ..."holy mary mother of god"
hahaha.
till I die.A moby dick would suit kate crap or karp something like that.josh, gosh ..."holy mary mother of god"
hahaha.
josh, when you talk about Moby Dick...How Big do you mean?Usually when comparing sizes its actually small.Moby dick,I guess.Usually its small because small men diminish big men.I guess its not a siseble question but probably you dont like fiction.You rather have a psicological "anal isation" of what evil.grated your wish Ill give you A five small stars for your big five stars.Guess the whale emeges and submerges strongly tahn a male character but its subhuman qualities grant it a blessing rage to outcast fanatical idiots who want to destroy it.2Is only your leg Ahab, its not the whole body.the heart you gave out for less."

I don't understand your use of the word 'gratuitous'. You say, "Don鈥檛 get me wrong, the violence in Blood Meridian is gratuitous." Did you mean to say that the violence is not gratuitous? I'd just as soon avoid the book if it is filled with gratuitous violence, that is, violence simply for the sake of having violence in the book. In your narrative, you seem to be saying that the violence is essentially germane to the story rather than being gratuitous.

The violence certainly serves the greater point, but to say the least it is overwhelming. It has to be, that's the whole thing.
I've seen a lot of bad reviews of this book. A lot of folks hate it. These people are entitled to their opinions, but I think that maybe they either didn't see what McCarthy was trying to say about the blood-lust inherent in the human condition, or perhaps the violence proved to be too much to them to make the point worth subjecting themselves to it.
Anyways, my point is if you blanch at the prospect of a lot of violence, maybe you should avoid it. However, if you're willing to read extremely graphic descriptions of violence (in marvelously rendered prose, btw) knowing that it serves a higher theme, I highly recommend it.


replying to myself... I'm not sure it was Maile Meloy but another female author in "The Week" magazine...

for women comitting atrocities see the movie "The Naked Prey"




Blood Meridian: Reading with the AUE



"Of this is the judge judge ... "
The bold is the judge's name, and the italics are his title. Basically, it says "The Judge is the judge of this (whatever the subject of the previous sentence was)." The rest is just poetic McCarthy-esque flourish.
Try reading it with this emphasis:
"of THIS is the judge JUDGE ..."
Does that make sense?







I鈥檓 a girl, but I read the whole thing. It鈥檚 the most important books every writer should read. It definitely wakes us the - -ck up. Ha.


till I ..."
If you're going to use a public book-discussion forum for your personal vendettas, Carla, use your real name.

The judge is both god and devil. He's an amalgam of priest, philosopher, devil, Buddha. There IS no salvation in McCarthy's world, in his vision of our world. I believe the novel sends an ominous message: that all the lies of salvation, of hope, of promise (e.g. The American Dream) we tell ourselves and our children simply help us sleep better at night. The hero stories keep spiritual hunger and violence at bay. They are another "opiat for the masses".