Annalisa's Reviews > Fire
Fire (Graceling Realm, #2)
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Granted, I went into this book annoyed with Cashore's anti-marriage, pro-casual-sex message in Graceling, but the book never got interesting enough to overcome those messages. Okay, I didn't finish it, but if 222 pages into it, I'm bored and nearly shaking with rage at Cashore for using a YA story as a thinly veiled piece of propaganda, I doubt the end of the book will redeem itself. This isn't even YA, it's adult high fantasy, but these days publishers market everything as YA, and so it's sold and read as YA where Cashore forces her stories around some unhealthy and harmful messages instead of letting her characters and story grow organically.
This world full of monsters so beautiful people throw themselves at the monsters in lust and the monsters can control everyone's mind to make them do whatever they want was not a world I wanted to believe in. Plus, Fire is way too much like Katsa, but less interesting, more whiny, and the whole society more promiscuous. The book is congested with: friends with benefits (incidentally an 17-year-old with a guy several years older than her whom she doesn't even like and knows he's sleeping with every other girl in the country), a whole society sleeping around and fathering illegitimate children all over the place, lots of uncontrolled lust, people and animals throwing themselves atKatsa Fire because she's on her period, rape (from all that uncontrolled lust), murder, that whole village plunder and destroy stuff, and the happy mention of her father saying that just because Katsa Fire is beautiful he would never act out on that lust because he loves her, so throw a little incest into the mix. I don't know of a single, healthy relationship in the whole book, at least the part I got through. And the very worst of all of this is these things have nothing to do with the storyline.
The story was so slow developing and the characters one-dimensional that never gained my sympathy. So I'm making up my own ending, which I've hidden under a spoiler tag since apparently it's pretty closer: (view spoiler) It doesn't really matter to me. The characters and story didn't grab my attention; it's the messages that did.
This world full of monsters so beautiful people throw themselves at the monsters in lust and the monsters can control everyone's mind to make them do whatever they want was not a world I wanted to believe in. Plus, Fire is way too much like Katsa, but less interesting, more whiny, and the whole society more promiscuous. The book is congested with: friends with benefits (incidentally an 17-year-old with a guy several years older than her whom she doesn't even like and knows he's sleeping with every other girl in the country), a whole society sleeping around and fathering illegitimate children all over the place, lots of uncontrolled lust, people and animals throwing themselves at
The story was so slow developing and the characters one-dimensional that never gained my sympathy. So I'm making up my own ending, which I've hidden under a spoiler tag since apparently it's pretty closer: (view spoiler) It doesn't really matter to me. The characters and story didn't grab my attention; it's the messages that did.
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Reading Progress
February 6, 2010
–
Started Reading
February 6, 2010
– Shelved
February 6, 2010
–
0.0%
"Not really excited about this book, but I hear it's better than Graceling. Let's see if Cashore redeems herself."
February 7, 2010
–
Finished Reading
February 8, 2010
– Shelved as:
fantasy
December 14, 2011
– Shelved as:
cover
Comments Showing 1-50 of 89 (89 new)
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Melanie
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Feb 10, 2010 12:42PM

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I didn't hate it as much as dislike it. I actually initially gave it a 2, but then decided that if I couldn't finish a book, it deserves a 1.

Sorry that disappoints you. I just couldn't get into it and Cashore's messages bothered me. It was a disappointment to me after Graceling which I did enjoy. I saw that you liked Archer. I didn't read the end of the story, but he didn't seem very sympathetic to me in the beginning. In fact, I couldn't stand him. Does he get better?
Amethyst,
While I agree with what Izzy says, I do often read several reviews and get an overall feel for a book. That's the whole point of the site. I think your reaction to this book will depend on your reaction to Graceling. If you had a problem with the messages, you'll have a problem here (and they're worse). If you really liked Graceling, you'll probably really like Fire, most people do.


Love the review; totally agree with everything, especially the period thing. That was superfluous and tmi gross. Because periods aren't bad enough on their own.

No, I didn't know how the book ended. I did skim a little of the scenes with Fire and Brigan to see if their relationship was enough for me to keep reading. But I guessed right? :) I had to think about it for a few minutes to make sure I got everyone in there, but it seemed like the most logical. And yes, periods are bad enough on their own. Have you seen Rosemary's Baby? When she's talking about her period it was such a turn off. Why put that in the movie? But then it ended up being important to know when she would be ovulating and therefore get pregnant, but I say, if you can avoid mentioning your cycles, it's always a good idea to keep it out.







I had already bought the book before i had the chance to read reviews on it. I wanted to find out if there was going to be more sex in this book, if so, i wasn't going to read it. Your review convinced me to return Fire to the bookstore. Thank you for sparing me.


You have to read it!, this person dosen't know what she's talking about, it is one of my favorite books!

And, on the contrary, I found the characters beckoning my sympathy constantly. Fire is quite immature at seventeen, but oh she grows. She goes from secluded and sleeping with Archer (something I do no agree on) so she doesn't have to be alone to a mature individal. She has had virtually no companionship and a life of distrust among very many for simply existing. And then she has the trauma of Leck and Archer to go through. She is so scared of letting herself reach another person again. I felt for her greatly. I'll admit I had a lot of trouble with sympathy for Cansrel, Roen, Brocker and Nax, but for their children I was compassionate. They were all given the war of their parents and had to sort it out somehow.
And he didn't *suddenly* love Fire. He hated her so deeply because of her father, but then when he found out that she, herself, killed Cansrel, he began to lighten up. And talked to her. She did many things to gain his trust - the raptor incident among them. It was not as quick as you suggest, I must point out.
I don't think you really gave the book a chance it all or really tried to know the characters. So what if this book is more about character than plot. That's OK, too, you understand. And about all the sleeping around, I can't exactly agree with that. I didn't particularly like that, but it's not as if sex dominated this book. Yes, there were many references to archer's lust, but it was what cause Fire to turn away from. AKA, it was deemed bad behavior. And about Fire and Brigan, well I just let it go, because things are a little different in the Dells. And as long as I didn't have to endure a five page scene, I was fine. I think their sexual exploits took up about one page in the entire book. Hardly as bad as all that.
So, hopefully I didn't offend you with my opinions on your opinions. I think you should really reread the book and try to understand the characters here.
Best wishes!

Don't worry. You didn't offend me. When I have more time, I'll come back and counter some of your points. Thanks for your comment though. I like a good debate.

First off, about the characters being similar. While they do have different defining characteristics, even opposite as you pointed out, what I take issue with is that at the core they have the same hangups and Cashore sets them on a path to the same lifestyle choices. They are the opposite sides of the same coin (Cashore's hangups). When I read her characters, I can't help but see too much of her controlling them with her own personalities and the anti-traditional marriage and family messages she wants to convey. That is what I take issue with.
I didn't miss how real the book tends to be; that is part of the issue I have with her twisting traditional society values. If she wanted to set her book up in some futuristic setting it would have made more sense, but medieval it doesn't. Illegitimate children were an embarrassment, something to be hidden and disavowed, because society didn't condone sex out of marriage. I know my comment makes it sound like I'm shocked that the royal family would have illegitimate children, but I know it's quite common. It's the acceptance of sex outside the bounds of marriage in a medieval society that bothers me.
I'm sure life was difficult for Fire, I got that she hated being beautiful, but I couldn't sympathize with her as a character. She was so tough and closed off and emotionally unavailable and whiny about her condition I struggled to find something to like about her (some of that core character similarities that was too much like Katsa). The book starts off with her relationship with Archer, sleeping with him but then being annoyed that he wants to be close to her, and while I disliked Archer more than Fire, the way she treated him irked me. It was an uphill battle at that point for her to redeem herself as a sympathetic character and, for me, she wasn't likable enough to do so.
The comment about her father may have been one sentence, but it was still in the book and somewhat disgusting to think about and I didn't think it appropriate to include in a YA novel. Then again, I don't think this is YA, and Cashore may have never intended it be sold as so, but everything these days gets categorized as YA because that is what's selling. I'd be a lot more tolerant of content in adult fantasy than YA fantasy, but adult fantasy doesn't sell.
What I read in Brigan's character was hatred one scene and then the obvious romantic interest the next. The getting over hatred was a little too quickly. I'm okay with books that tend more to character development than plot, I actually prefer them, but I think this book works more as a plot book. Or maybe it's that I didn't like the characters so I didn't care to read about their development.
I know the tone of my review is antagonist, and I probably didn't give the book a fair chance (I took out my anger on what Cashore did to Katsa's character out on Fire), but when I see the same patterns taking shape in Fire's story, I couldn't stand to see another promising story get lost in the messages Cashore seems bent on including in her novels. The sexual exploits may not take up most of the scenes, but I think they control the themes of the book. The story acts more as a vehicle for Cashore to display the type of heroines she thinks girls should have in literature. And I'm not a fan of Cashore's heroines as role models: tough to the point of dismissal of everything feminine, emotionally unavailable, open sexually, almost angry feminist (don't get me wrong, I'm a total feminist, but I'm not for the dismissal of women who want to be soft and feminine and chose career over family), etc.
I hate it when an author gets in the way of a story, and when I so strongly disagree with those messages, it makes it all that much worse. I think Cashore shows a lot of promise as an author, but I will never read another one of her books.

I so get where you're coming from on that statement. I think Cashore's agenda just comes out too much in these books - and I'm like you, I'm a huge feminist, and it really takes a lot for me to get irritated at a feminist message. But I think by being so intense about it, Cashore is actually making it a harder message to listen to. I especially take issue with the way she keeps her characters from having children. With Katsa, it's easy for people to dismiss because she's so immature and angry and bitchy so of course, why would she want kids. And then with Fire it's the total opposite: OMG I WANT KIDS SO BAD. There's no real consideration of what it does to a normal woman's life - not a monster's life and not a closed off bitch's life. Because it is a big responsibility that's often almost completely shouldered by women, especially in a society set up like the one in these books.
That was my very long-winded way of saying I agree with you, Annalisa!



There's this undercurrent about it, a hangup, a defense of her life. I don't care if Cashore's characters have kids or not, what I don't like is the force of it when it doesn't always fit the story or the character. In the beginning it fit Katsa so it worked, but her character development should have led her away from some of these convictions and it didn't. I didn't finish Fire's story, but there was something forced about her character all along that rubbed me the wrong way. If it fit, it wouldn't really be as big of an issue to people because the decision would flow from the plot, not from Cashore's hidden agenda.

The other thing is that it's only ever an immediate choice. While it's unlikely I'll change my mind about kids, I am also aware that people change and circumstances change. Me circa right now doesn't believe it will happen. Who knows what me ten years from now will want or think or have--and that's also something Katsa didn't have. She didn't consider the possibility that SHE might change, which makes me feel like she was holding onto those ideals about her independence and her life so hard because she wasn't capable of admitting she might change.




To end one's own people based off of two examples: yourself and one other? That notion actually makes me nauseous.
It is the exercise of violent control over who knows how many futures. In short, it is genocide, made all the worse for it is done to one’s own people. Perhaps I am too tribal for the premise of this book. This book is about individuals, and I cannot see myself as so drastically disconnected to my own blood-kin, past or future.
If I understand correctly, this book is partially about the inherent dangers of one's own nature, and how one chooses to employ that nature (i.e. for good or for evil). Can't that be said of all people, not just fantastical ones?
If I had children I would run the risk of raising hellions or angels. It is a risk of humanity, for goodness� sake. All the more risky where intelligence, education, skill and charisma are present. As a great writer once said, the better a creature can be, the worse it can also be. They could become life-saving leaders or despicable tyrants. And the Fire character, for fear I suppose, has cut off that vein entirely. Have I misunderstood this? Am I the only person whom this bothers?





She mentioned her period waaaaaaaaay too much. Girls get them, but we don't need to hear about it every few pages. There's a reason for no periods period I guess.

Do people actually think that teenagers don't know about sex?



I don't think Cashore's message was Anit marriage or pro casual sex. I'm always bothered by the notion of women seen as objects to be married off at the first possible chance to make babies and keep house, and I applaud the woman that raises her hand and goes "um...hang on a minute." I felt Katsa was a very strong independent woman that thinks long and hard about who she is and what she wants. I was thrilled that for once we have a strong heroine that's kick ass in her own right. Why does a woman need a man to be complete? As many women who want to marry and have babies, there are those women that don't want that for themselves. I know it's hard to imagine, but there are women born with no desire to have children. *points to self* I don't want to have children. I'd like to get married, but it's not at the top of my to do list. I would rather marry the love of my life at 50, than settle for someone safe at 30. Why is it when people come across such women she's pegged as having some social/ mental defect? And then the independent woman, who has no desire to breed is expected to be celibate forever? O_o`I think not. Katsa's choice to have sex with Po was anything but casual. She thought about it for days. I thought this was a very positive message. I've read too many books with so-called Strong female charters, who once they realize that they're in love with the leading man, they cut straight to sex. She didn't just jump into bed with Po, she really thought hard about it. What it would mean. How it would effect her and her scene of self. She asked herself what she wanted and how her relationship with Po changed what she wanted. I don't know, maybe one day her and Po will marry. But if/when they do, it'll be because she wanted to and not because she's expected to. In the mean time, she's still young. She want's to see the world, have a life, try new things meet new people and fully appreciate her new found freedom.







Haha :). I'm all about girl power, but it's supposed to be about equality and respect, not about elevating one's wants above some else's (which I think describes Katsa and Po's relationship).
Patricia wrote: "Every author has biases, but hers are WAY too blatant."
I agree. It detracts so much from the story that it becomes the story.
Danny wrote: "whats wrong with the casual sex message it seems a perfectly healthy message to share with young adults to me"
We're going to have to agree to disagree on that one.
Deena wrote: "And I don't understand how the book is anti-marriage...? And even if it was, so what?"
In her stories, Cashore always contrives a way for her characters not to marry because somehow getting married is anti-feminist. She forces her messages on the story when they don't always fit just to hammer them across. A story should be true to the characters, not be heavy-handed with an author's agenda. I think it's damaging to her story and character's growth and personally I think the messages that marriage is something to be disdain and sex doesn't need an emotional attachment are damaging to society.

I enjoyed Katsa and Po's pairing, even though the marriage bit seemed kind of unnecessary too (as Annalisa mentioned, the relationship is based on mutual respect and understanding. I wondered how marriage would have destroyed that). Here in Fire, well, almost everyone engages in some sort of illicit affair or criminal behaviour. The Archer-Fire loveline at the start also reminds me of an older guy taking advantage of a younger girl's emotional weakness. Slimy much?! It could have been statutory rape.
I don't think books should be politically correct. However, there is also no reason to portray marriage so negatively as well, especially when it serves no real purpose in the book besides trumpeting the author's own beliefs.

Because that's the way I see it. It's better to have no marriage at all than one where you lose your autonomy, and I think that's what would happen with archer?