欧宝娱乐

“賱賷爻鬲 丕賱賲毓氐賷丞 賱賲丕 兀賳夭賱 丕賱賱赖 賴賷 丕賱鬲賷 鬲禺乇噩 賲賳 丕賱賲賱丞貙 廿賳賲丕 賴賵 丕賱鬲卮乇賷毓 亘睾賷乇 賲丕 兀賳夭賱 丕賱賱赖”
― 賲丨賲丿 賯胤亘, 賵丕賯毓賳丕 丕賱賲毓丕氐乇

“賵賻毓賱賶 丨爻亘 丕賱賲毓亘賵丿 賷賰賵賳 賲賳賴噩 丕賱丨賷丕丞”
― 賲丨賲丿 賯胤亘, 賵丕賯毓賳丕 丕賱賲毓丕氐乇

“賵 賲丕 賲毓賳賶 丕賱廿賷賲丕賳 丕賱噩丕丿 亘丕賱賱赖 廿匕丕 丿丕乇 賮賷 禺賱丿 丕賱賲爻賱賲 兀賳 毓賱賲 丕賱賱赖 賲丨丿賵丿貙 賵 兀賳 毓賱賲 丕賱亘卮乇 賵 鬲噩乇亘鬲賴賲 兀賮囟賱 賲賳 毓賱賲 丕賱賱赖 賵 兀氐丿賯 賵 兀賵賱賶 亘丕賱丕鬲亘丕毓責”
― 賲丨賲丿 賯胤亘, 賴賱 賳丨賳 賲爻賱賲賵賳責

“I feel too much. That's what's going on.' 'Do you think one can feel too much? Or just feel in the wrong ways?' 'My insides don't match up with my outsides.' 'Do anyone's insides and outsides match up?' 'I don't know. I'm only me.' 'Maybe that's what a person's personality is: the difference between the inside and outside.' 'But it's worse for me.' 'I wonder if everyone thinks it's worse for him.' 'Probably. But it really is worse for me.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close