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“There is no creation without tradition; the 'new' is an inflection on a preceding form; novelty is always a variation on the past.”
― Carlos Fuentes, Myself with Others: Selected Essays

“Each time a language dies, another flame goes out, another sound goes silent.”
― Ariel Sabar, My Father's Paradise: A Son's Search for His Jewish Past in Kurdish Iraq

“Nice customs curtsy to great kings.”
― William Shakespeare, Henry V

“This kind of renunciation, in fact, has often been the strength, born of necessity, of the world's disinherited, of those who do not fit in with their surroundings or with their own body or with their own race or tradition and who hope, by means of renunciation, to assure for themselves a future world where, to use a Nietzschean expression, the inversion of all values will occur.”
― Julius Evola

“Tradition with all its happy assumptions and necessary evils, all of its content majorities and stout killers, is not always a reliable guide.”
― Matthew Scully, Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy

“Immorality sanctified by tradition is still immorality.”
― Bernard Rollin

“Tradition is a fragile thing in a culture built entirely on the memories of the elders.”
― Alice Albinia, Empires of the Indus: The Story of a River

“The Gingerbread House has four walls, a roof, a door, a window, and a chimney. It is decorated with many sweet culinary delights on the outside.

But on the inside there is nothing—only the bare gingerbread walls.

It is not a real house—not until you decide to add a Gingerbread Room.

That’s when the stories can move in.

They will stay in residence for as long as you abstain from taking the first gingerbread bite.”
― Vera Nazarian, The Perpetual Calendar of Inspiration

“But, the true reason for the success of such new expositions [translated Eastern religious texts] is to be found where they are the most accommodating, least rigid, least severe, most vague, and ready to come to easy terms with the prejudices and weaknesses of the modern world. Let everyone have the courage to look deeply into himself and to see what it is that he really wants.”
― Julius Evola

“Our second danger is to associate tradition with the immovable; to think of it as something hostile to all change; to aim to return to some previous condition which we imagine as having been capable of preservation in perpetuity, instead of aiming to stimulate the life which produced that condition in its time. . . . a tradition without intelligence is not worth having . . .”
― T.S. Eliot

“I am an anarch in space, a metahistorian in time. Hence I am committed to neither the political present nor tradition; I am blank and also open and potent in any direction.

Dear old Dad, in contrast, still pours his wine into the same decaying old wineskins, he still believes in a constitution when nothing and no one constitutes anything.”
― Ernst Jünger, Eumeswil

“Traditions have been replaced by lifestyles.”
― Lars Fr. H. Svendsen, A Philosophy of Boredom

“A necessary part of our intelligence is on the line as the oral tradition becomes less and less important. There was a time throughout our land when it was common for stories to be told and retold, a most valuable exercise, for the story retold is the story reexamined over and over again at different levels of intellectual and emotional growth.”
― Wes Jackson, Becoming Native to This Place

“The individuals inside are frequently fighting that their individual voices be heard, while the walls of the place, which are the mask, and the perception, are reluctant to give over to the voices of the individuals. Those in the margins are always trying to get to the center, and those at the center, frequently in the name of tradition, are trying to keep the margins at a distance. Part of the identity of a place is the tension between those in the margins, and those in the center, and they all live behind the walls which wear the tradition.”
― Anna Deveare Smith

“Modern colonialism won its great victories not so much through its military and technological prowess as through its ability to create secular hierarchies incompatible with the traditional order.”
― Ashis Nandy, The Intimate Enemy: Loss and Recovery of Self Under Colonialism

“Hello, Lucy. Do you name all your weapons, Grunthor?â€�

“O� course. It’s tradition.�

Rhapsody nodded, understanding coming into her eyes. “That makes perfect sense. Do you find that you fight better with a weapon you’ve named?�

â€Ô¨±ð±è.â€�

Her eyes began to sparkle with excitement. “Why, Grunthor, in a way, you’re a Namer, too!�

The giant broke into a pleased grin. “Well, whaddaya know. Should Oi sing a lit’le song?�

“No,â€� said Rhapsody and Achmed in unison.”
― Elizabeth Haydon, Rhapsody: Child of Blood

“Takamasa Saegusa: 'Seigen, a mere member of the Toudouza, had the effrontery to sully the sacred dueling ground. For that reason, our lord had already decided to subject him to tu-uchi before long. Cut off his head immediately, and stick it on a pike!'

Gennosuke could hardly believe his ears. Such an insult to Irako Seigen was unwarranted. It was pride. For Gennosuke, Irako Seigen was pride itself.

Takamasa Saegusa: 'Fujiki Gennosuke! It is the way of the samurai to take the head of the defeated enemy on the battleground. Do not hesitate! If you are a samurai, you must carry out the duty of a samurai!'

Samurai...

Saegusa, Lord of Izu, continued shouting, but Gennosuke did not attend. That word 'samurai' alone reverberated through his body.

If one aims at the juncture between the base of the skull and the spine, decapitation is not that difficult, but Gennosuke could muster no more strength than a baby. He grew pale and trembled with the strain. He could only hack with his sword as if he were sawing wood. He felt nauseated, as if his own cells one after another were being annihilated. But this...

Lord Tokugawa Tadanaga: 'I approve.'

Takamasa Saegusa: 'Fujiki Gennosuke, for this splendid action you have received words of thanks from our lord. As a sign of his exceptional approval, you shall be given employment at Sunpu Castle. This great debt will by no means be forgotten. From this day forward you must offer your life to our lord!'

Prostrating himself, Gennosuke vomited.”
― Takayuki Yamaguchi, シグルイ 15

“Every generation is inculcated in traditions of prejudice which are encouraged as normal, natural and healthy.”
― Bryant McGill

“The Dolly's around here can't be seen to coddle a snitch's family --- that's the always been our way. We're old blood, us people, and our ways was set firm long before hot shot baby Jesus ever even burped milk'n sh*& yellow.”
― Daniel Woodrell, Winter's Bone

“Accumulating orthodoxy makes it harder year-by-year to be a Christian than it was in Jesus' day.”
― Brian D. McLaren, A Generous Orthodoxy: Why I am a missional, evangelical, post/protestant, liberal/conservative, biblical, charismatic/contemplative, fundamentalist/calvinist, anabaptist/anglican, incarnational, depressed-yet-hopeful, emergent, unfinished Christian

“Tradition kills originality; you keep repeating the same things in tradition! Behave like the sky; always create new and different things; be original!”
― Mehmet Murat ildan

“It's wonderful to me that bees have this simple, age-old thing going on.”
― Peter Fonda

“But what if, either by choice or by reluctant necessity, you end up not participating in this comforting cycle of family and continuity? What if you step out? Where do you sit at the reunion? How do you mark time's passage without the fear that you've just frittered away your time on earth without being relevant? You'll need to find another purpose, another measure by which to judge whether or not you have been a successful human being. I love children, but what if I don't have any? What kind of person does that make me?
Virginia Woolf wrote, "Across the broad continent of a woman's life falls the shadow of a sword." On one side of that sword, she said, there lies convention and tradition and order, where "all is correct." But on the other side of that sword, if you're crazy enough to cross it and choose a life that does not follow convention, "all is confusion. Nothing follows a regular course." Her argument was that the crossing of the shadow of that sword may bring a far more interesting existence to a woman, but you can bet it will also be more perilous.”
― Elizabeth Gilbert, Eat, Pray, Love

“Don’t accuse others of eating when juice smears your face-fur.”
― David Bowles, The Deepest Green

“[...] a familiar art historical narrative [...] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [...] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis.”
― Grant H. Kester, The One and the Many: Contemporary Collaborative Art in a Global Context

“â€� in these new days and in these new pages a philosophical tradition of the spontaneity of speculation kind has been rekindled on the sacred isle of Éire, regardless of its creative custodian never having been taught how to freely speculate, how to profoundly question, and how to playfully define.

Spontaneity of speculation being synonymous with the philosophical-poetic, the philosophical-poetic with the rural philosopher-poet, and by roundelay the rural philosopher-poet thee with the spontaneity of speculation be.

And by the way of the rural what may we say?
A philosopher-poet of illimitable space we say.

Iohannes Scottus Ériugena the metaphor of old salutes you; salutes your lyrical ear and your skilful strumming of the rippling harp.

(Source: Hearing in the Write, Canto 19, Ivy-muffled)”
― Richard Mc Sweeney, Hearing in the Write

“Both my mother and father regarded a traditional ceremony as old-fashioned and redundant. Both she and my father wanted to get rid of rituals like that, which they felt had nothing to do with their feelings. Love was the only thing that mattered to these two revolutionaries.”
― Jung Chang, Wild Swans: Three Daughters of China

“Drew had never before shot like he did that day, nor has he since. It was something to see. The contest had just begun when he walked up, aimed, and felled a cluster from the very top of the boughs.”
― Deeanne Gist, A Bride Most Begrudging

“Si j'ai pu autant évoluer en tant qu'individu, c'est grâce à l'influence des personnes qui m'entourent.
(...)
Tout ce qui concerne la façon de parler, en particulier, je l'apprends par imitation. Mon language actuel est un mélange d'Izumi et de Sugehara.
N'est-ce pas ainsi que fonctionne tout le monde ?
(...)
C'est en nous imprégnant ainsi les uns des autres que nous préservons notre humanité.”
― Sayaka Murata, Convenience Store Woman

“The wildwood abides, to be tapped into by different traditions in different ways. Some folks find God in the trees. Some folks find themselves. And some find each other and a connection to the universe that's larger than any one creed's definition of faith.”
― Willa Reece, Wildwood Magic