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I pretty much hated this book. It was the type of book that you read because you liked the author's other work, but it's so aggressively bad that it makes you reconsider whether or not you actually liked the author's previous work upon closer consideration.

So what was so bad about it? Well, for the one the characters simply didn't ring true. They all felt poorly sketched out, just a bunch of people having what Haddon would have you believe are constant epiphanies about their sad little lives. He writes in such a way that you can tell he wants the reader to think it's a stunning revelation that this character is having, when it's just another dull moment in a rather dull story. If I had a dollar for every time Haddon made a one sentence paragraph meant to reveal some larger truth about the character's personalities, I'd be a rich man. He also has a nasty habit of ending each "chapter" (there are well over 100 of them, most 2 pages or less) with some half-assed "cliff-hanger", something better suited to the James Pattersons and R.L. Stines of the world.

Haddon doesn't seem to understand his characters, and he doesn't seem to care to, either. He simply throws a jumble of people into awkward situations and has them (over)react like a bunch of unlikeable, selfish jerks and then comment to themselves that, perhaps, they are acting like unlikeable, selfish jerks who are overreacting to what are, in reality, fairly mundane situations. They're sad, selfish little people, yet Haddon seems to think they are endearing.

Finally, he ends the book fairly abruptly and with a neat little bow on top that doesn't suit it. Everything works out for everyone involved, yet no one seemed to learn anything or grow as people. They all ended exactly where they began with no growth whatsoever. I've heard people who are familiar with autism claim that Haddon's sketch of the child in 'A Curious Incident of the Dog in the NightTime' was actually woefully inaccurate and quite offensive, and seeing the way he handles his characters' problems in this story, I'm much more inclined to believe that. Just an awful, awful book. Haddon seems to think he's writing a British version of 'The Corrections', but he's painfully mistaken. I'll probably not read anything by Haddon again.