Stephen's Reviews > Room
Room
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by

Stephen's review
bookshelves: ebooks, psychos, crime, literature, horror, 2006-2010, audiobook, the-creeps
May 29, 2011
bookshelves: ebooks, psychos, crime, literature, horror, 2006-2010, audiobook, the-creeps
Healthy ambition is a laudable trait and I admire people willing to reach beyond their grasp in the attempt to achieve something special.
I respect the author’s choice to write a dark-themed story narrated entirely from the perspective of a five year old boy. While the unreliable narrator is nothing new in literature, its deployment here felt fresh and so I give points for that.
Unfortunately, that is about all I can give points for because the novel itself was a huge miss for me. Huge!!
Obviously, the story is intended to be an emotional ordeal with its depiction of a young woman and her 5 year old son being held captive in a garden shack (the eponymous “Room�) by a sociopath named “Old Nick.� At the beginning of the story, the woman, who was 19 when she was abducted, has been in the Room for almost 10 years. Her son, Jack, just turned 5...you can do the math regarding Jack’s paternity. Neither of them has been outside the Room in all that time.
This is dark stuff. This is uncomfortable stuff. This is a story about a horrible person doing horrible things. It should have punched me in the core and twisted me up in knots.
Yet it never affected me.
Now, if I was a cold, empathy-impaired individual, I might chalk up my lack of reaction to a simple case of “not my kind of story� and leave it at that. However, if you’ve read any of my reviews, you should have clued into the fact that I’m a deeply some would say overly emotional reader. Books move me, that’s why I read them. They make me laugh, cry, rage, exult…they make me feel. Yet, despite the highly charged subject matter of the story, no more than an occasional trickle of emotion ever filtered through to me from the page.
Something was serious amiss in the delivery.
Given my blasé reaction to the story, I began to suspect that the use of a child narrator was nothing more than a huge gimmick designed to help distinguish a story that otherwise had very little to recommend it. I know that's not the consensus opinion, but it's honestly how I felt.
To be fair, it’s more likely that the use of Jack as the narrator, while an interesting plot device, simply presented too many serious challenges that the novel, unfortunately, was unable to successfully overcome. To the good, the author does a nice job of showing us the world of Room through the lens of Jack’s childhood perception. We learn how Jack has named and anthropomorphized every object in the room and thinks of them as his friends, and how he refers to each channel on the TV as a different planet.
Initially, this is kind of cute, but it got old and decrepit in short order.
The real problem for me was that Jack was too detached from the horror of his situation and it care-blocked the impact of the story on the reader…at least this reader. Children Jack’s age, while certainly able to show empathy, are generally so egocentric that any feelings of compassion for another’s pain are weak and undeveloped, being more about parroting behavior they’ve learned from caregivers than a true placing of themselves “in the shoes� of the other person.
Unfortunately, this worked against my connection with the narrative. Jack’s happy-go-lucky outlook was too strong a filter between what I could tell was happening in the story and what I knew I was supposed to be feeling about it. Jack’s personal, subjective experience of his captivity is completely lacking in any sense of sadness or dread. This is because his mother does a wonderful job of sheltering him from the reality of their situation.
However, Jack also doesn’t experience feelings of discomfort about the abuse that his mother is subjected to and this subtracts a great deal from the power of these scenes. Without his own internal sense of bewilderment, confinement or pain, much of the intended poignancy was lost on me. I knew I was supposed to feel something, but I didn't.
That’s just me. If I had found the emotional tether that could have pulled me into the Room with Jack and his mother, my feelings for the book would have been much different. The writing is fine and the author’s ability to convincingly give voice to Jack was worthy of note. I just never found the necessary connection and that is a shame.
I envy those of you that loved this as I was really looking forward to reading it.
2.0 stars.
I respect the author’s choice to write a dark-themed story narrated entirely from the perspective of a five year old boy. While the unreliable narrator is nothing new in literature, its deployment here felt fresh and so I give points for that.
Unfortunately, that is about all I can give points for because the novel itself was a huge miss for me. Huge!!
Obviously, the story is intended to be an emotional ordeal with its depiction of a young woman and her 5 year old son being held captive in a garden shack (the eponymous “Room�) by a sociopath named “Old Nick.� At the beginning of the story, the woman, who was 19 when she was abducted, has been in the Room for almost 10 years. Her son, Jack, just turned 5...you can do the math regarding Jack’s paternity. Neither of them has been outside the Room in all that time.
This is dark stuff. This is uncomfortable stuff. This is a story about a horrible person doing horrible things. It should have punched me in the core and twisted me up in knots.
Yet it never affected me.
Now, if I was a cold, empathy-impaired individual, I might chalk up my lack of reaction to a simple case of “not my kind of story� and leave it at that. However, if you’ve read any of my reviews, you should have clued into the fact that I’m a deeply
Something was serious amiss in the delivery.
Given my blasé reaction to the story, I began to suspect that the use of a child narrator was nothing more than a huge gimmick designed to help distinguish a story that otherwise had very little to recommend it. I know that's not the consensus opinion, but it's honestly how I felt.
To be fair, it’s more likely that the use of Jack as the narrator, while an interesting plot device, simply presented too many serious challenges that the novel, unfortunately, was unable to successfully overcome. To the good, the author does a nice job of showing us the world of Room through the lens of Jack’s childhood perception. We learn how Jack has named and anthropomorphized every object in the room and thinks of them as his friends, and how he refers to each channel on the TV as a different planet.
Initially, this is kind of cute, but it got old and decrepit in short order.
The real problem for me was that Jack was too detached from the horror of his situation and it care-blocked the impact of the story on the reader…at least this reader. Children Jack’s age, while certainly able to show empathy, are generally so egocentric that any feelings of compassion for another’s pain are weak and undeveloped, being more about parroting behavior they’ve learned from caregivers than a true placing of themselves “in the shoes� of the other person.
Unfortunately, this worked against my connection with the narrative. Jack’s happy-go-lucky outlook was too strong a filter between what I could tell was happening in the story and what I knew I was supposed to be feeling about it. Jack’s personal, subjective experience of his captivity is completely lacking in any sense of sadness or dread. This is because his mother does a wonderful job of sheltering him from the reality of their situation.
However, Jack also doesn’t experience feelings of discomfort about the abuse that his mother is subjected to and this subtracts a great deal from the power of these scenes. Without his own internal sense of bewilderment, confinement or pain, much of the intended poignancy was lost on me. I knew I was supposed to feel something, but I didn't.
That’s just me. If I had found the emotional tether that could have pulled me into the Room with Jack and his mother, my feelings for the book would have been much different. The writing is fine and the author’s ability to convincingly give voice to Jack was worthy of note. I just never found the necessary connection and that is a shame.
I envy those of you that loved this as I was really looking forward to reading it.
2.0 stars.
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Reading Progress
May 29, 2011
– Shelved
March 13, 2012
–
Started Reading
March 14, 2012
–
Finished Reading
Comments Showing 1-50 of 117 (117 new)
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Brittany B.
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rated it 5 stars
Mar 13, 2012 04:51PM

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I'm OK with that, but I agree that it should have been more of a gutpunch to read. Yup.

Me too, Bonnie. It happens.

I think we saw pretty much the same, Becky. I knew what I was "supposed" to be feeling, but the book never imposed itself on me, and that was disappointing given the subject matter.

I haven't read the book but.. I'm thinking perhaps the Author chose to write from the boy's POV for exactly the reason it didn't work for you... because the only way she was able to write about just grisly subject matter was to distance herself from it in that way. I imagine writing as the mother POV would have been more of an emotional challenge.

I agree, Wendy. Without being able to connect to the "horror" of the story through Jack, I was doomed.

I'm glad I'm not alone in that assessment, Robert.


Thanks, Sath, and I think you may be right in your estimate of why she wrote the novel in that voice. The result was just ineffective, at least to me. On the other hand, I don't think The mother's voice would have worked on its own either as it would have been too grim.
As I was reading, I did think that alternating chapters between Jack's voice and his mother's voice might have been a better avenue. Have periods of extreme duress shown through the mother's perception (including her fears for Jack) and then abruptly switch to see the same scene through the sheltered, innocent eyes of Jack. If done right, it could have been extremely chilling.



I feel bad for not raising the warning flags. Maybe I can start reviewing things on my Pearl Rule shelf instead of letting them die ignored in a pool of their own gore. But wait! Silly me! You don't read my reviews.
Back to square one....

That picture is messed up. This book doesn't deserve it!!


Back to square one."
Sorry, I didn't see this until now because I was off reading your wonderful review of The Zona.

I know Stephen! I'm teasing. My bf thinks it's hysterical. You're becoming his hero.

Whew...I'm glad.
Brittany B. wrote: "My bf thinks it's hysterical."
Your bf has a very good sense of humor. You should keep him.


Thank you for your astute review, Stephen.

Back to square one."
Sorry, I didn't see this until now because I was off reading your wonderful review of [book:The Zona|12031..."
*collapse*
He READ one! He READ one!

(Stephen look what you did... Rebecca isn't going to read it.)
:(
Yeah, I had passed on this one a few months ago, just doesn't float my both.

~Sammy



I completely agree with you on the alternating POV idea, Stephen. I couldn't get into this one emotionally either. I remember mostly just being annoyed and disappointed as I read/listened to it. Were you forever traumatized by the author's use of the word "some" (as in "get some" [milk]) too? I just reread my review and am scarred by it all over again.

Thank you for your astute review, Stephen."
Your welcome, Anne. Keep on mind that I am in the minority on this book and there are a lot of people who love it. It just didn't click with me.

Thanks, Rebecca. A lot of people love this, but it just didn't work for me.

Thanks, Synesthesia. I will check that out.

Though I disagree with your rating, I like the way you have analysed the book.

Though I disagree with your rating, I like the way you have analysed ..."
Thanks, Nandakishore. I'm glad you enjoyed this, I was really hoping to as well. I appreciate the kind words on the review even though we felt differently about it.


Also, I read a lot of metaphorical allusions in the name Jack, but again, it seems only to have been me. :(

i think that is what you are supposed to do -- it is essentially the reason for the choice of POV.



Great review and I totally agree. I couldn't even do a review for it, just rated it.

Thanks, Autumn.

Thanks, Lauraadriana.

