Koen Van den Eeckhout's Reviews > De kleurloze Tsukuru Tazaki en zijn pelgrimsjaren
De kleurloze Tsukuru Tazaki en zijn pelgrimsjaren
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To me, Murakami's books are like ice cream. Many people will claim that it's just more of the same, and in a way they are right. But I am not complaining, because it's just more of the same delicious, luscious thing. Also, while a too large bowl of ice cream can cause stomach troubles (maybe like The Wind-Up Bird Chronicles), this time Murakami limits himself to a nice amount of 360 pages.
I will not go into much detail on the plot. At the age of 20, Tsukuru Tazaki is kicked out of his brotherhood of five friends, three boys and two girls. Each of them has a colorful name: Red, Blue, White and Black, except for Tsukuru. It's representative for the way he thinks about himself: colorless, with nothing valuable to offer the rest of the group - or even the world. Little does he know that that's not the way the others think about him. So, which point of view is the right one?
The major part of the book is a quest to find out why he was so harshly removed from his circle of friends. A quest set to the tones of 'Le mal du pays', a melancholic melody from Liszt's 'Années de pèlerinage' (a hint towards the title of the book). All of this gives the book an atmosphere very similar to Norwegian Wood.
I had a hard time deciding whether to give this book four or five stars. On the positive side: I love the melancholic atmosphere, the story is not too intangible, it has the perfect length, the characters are believable, I - almost - couldn't put it down. On the negative side: some readers (maybe those not very familiar with Murakami) will remain dissatisfied. There are several loose ends and some unexplained situations. In other words, it's more of the same old thing.
I love it.
I will not go into much detail on the plot. At the age of 20, Tsukuru Tazaki is kicked out of his brotherhood of five friends, three boys and two girls. Each of them has a colorful name: Red, Blue, White and Black, except for Tsukuru. It's representative for the way he thinks about himself: colorless, with nothing valuable to offer the rest of the group - or even the world. Little does he know that that's not the way the others think about him. So, which point of view is the right one?
The major part of the book is a quest to find out why he was so harshly removed from his circle of friends. A quest set to the tones of 'Le mal du pays', a melancholic melody from Liszt's 'Années de pèlerinage' (a hint towards the title of the book). All of this gives the book an atmosphere very similar to Norwegian Wood.
I had a hard time deciding whether to give this book four or five stars. On the positive side: I love the melancholic atmosphere, the story is not too intangible, it has the perfect length, the characters are believable, I - almost - couldn't put it down. On the negative side: some readers (maybe those not very familiar with Murakami) will remain dissatisfied. There are several loose ends and some unexplained situations. In other words, it's more of the same old thing.
I love it.
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Lisa
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rated it 5 stars
Aug 19, 2014 08:06PM

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