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禺賵賳 丿蹖诏乇丕賳
讴鬲丕亘 禺賵賳 丿蹖诏乇丕賳貙 乇賲丕賳蹖 賳賵卮鬲賴 蹖 爻蹖賲賵賳 丿賵亘賵賵丕乇 丕爻鬲 讴賴 丕賵賱蹖賳 亘丕乇 丿乇 爻丕賱 1945 賲賳鬲卮乇 卮丿. 丿賵亘賵賵丕乇貙 丕蹖賳 乇賲丕賳 丕诏夭蹖爻鬲賳爻蹖丕賱 噩匕丕亘 乇丕 亘丕 賳賯賱 賯賵賱蹖 丕夭 賳賵蹖爻賳丿賴 賵 丕賳丿蹖卮賲賳丿 亘夭乇诏 乇賵爻貙 賮卅賵丿賵乇 丿丕爻鬲丕蹖賮爻讴蹖 丌睾丕夭 賲蹖 讴賳丿: 芦賴賲賴 蹖 賲丕 丿乇 賯亘丕賱 賴賲賴 趩蹖夭 賵 賴賲賴 讴爻 賲爻卅賵賱蹖賲.禄 丕蹖賳 噩賲賱賴 乇丕 賲蹖 鬲賵丕賳 噩賵賴乇賴 蹖 乇賲丕賳 禺賵賳 丿蹖诏乇丕賳 丿丕賳爻鬲貨 賲爻卅賵賱蹖鬲蹖 讴賴 丕賮乇丕丿 丿乇 賯亘丕賱 禺賵丿卮丕賳貙 丿蹖诏乇丕賳貙 讴卮賵乇卮丕賳貙 爻丕蹖乇 賲賱鬲 賴丕 賵 噩賴丕賳 丿丕乇賳丿. 跇丕賳 亘賱賵賲丕乇貙 卮禺氐蹖鬲 丕氐賱蹖 賵 乇丕賵蹖 丕蹖賳 丿丕爻鬲丕賳 丿乇 讴賳丕乇 亘爻鬲乇 夭賳蹖 乇賵 亘賴 賲乇诏 賳卮爻鬲賴 丕爻鬲貨 夭賳蹖 亘賴 賳丕賲 賴賱賳 讴賴 賲毓卮賵賯賴 蹖 跇丕賳 賳蹖夭 賴爻鬲. 賴賱賳 亘賴 禺丕胤乇 丨囟賵乇 丿乇 賳蹖乇賵賴丕蹖 賲賯丕賵賲鬲 賮乇丕賳爻賴 丿乇 噩賳诏 毓賱蹖賴 賳丕夭蹖 賴丕 丿乇 亘爻鬲乇 賲乇诏 丕賮鬲丕丿賴 賵 亘賱賵賲丕乇 賳蹖夭 丿乇 讴賳丕乇 丕賵貙 丕夭 睾賲 賵 乇賳噩蹖 亘夭乇诏 丿乇 毓匕丕亘 丕爻鬲 趩乇丕 讴賴 丕毓鬲賯丕丿 丿丕乇丿 丕蹖賳 讴丕乇賴丕蹖 丕賵 亘賵丿賴 讴賴 趩賳蹖賳 賵囟毓蹖鬲蹖 乇丕 倬蹖卮 丌賵乇丿賴 丕爻鬲.
302 pages, Paperback
First published January 1, 1945
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About the author
Simone de Beauvoir
394听books10.7k听followersSimone de Beauvoir was a French author and philosopher. She wrote novels, monographs on philosophy, political and social issues, essays, biographies, and an autobiography. She is now best known for her metaphysical novels, including She Came to Stay and The Mandarins, and for her 1949 treatise The Second Sex, a detailed analysis of women's oppression and a foundational tract of contemporary feminism.
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Simone de Beauvoir est n茅e 脿 Paris le 9 janvier 1908. Elle fit ses 茅tudes jusqu'au baccalaur茅at dans le tr猫s catholique cours D茅sir. Agr茅g茅e de philosophie en 1929, elle enseigna 脿 Marseille, 脿 Rouen et 脿 Paris jusqu'en 1943. C'est L'Invit茅e (1943) qu'on doit consid茅rer comme son v茅ritable d茅but litt茅raire. Viennent ensuite Le sang des autres (1945), Tous les hommes sont mortels (1946), Les Mandarins (prix Goncourt 1954), Les Belles Images (1966) et La Femme rompue (1968).
Simone de Beauvoir a 茅crit des m茅moires o霉 elle nous donne elle-m锚me 脿 conna卯tre sa vie, son 艙uvre. L'ampleur de l'entreprise autobiographique trouve sa justification, son sens, dans une contradiction essentielle 脿 l'茅crivain : choisir lui fut toujours impossible entre le bonheur de vivre et la n茅cessit茅 d'茅crire ; d'une part la splendeur contingente, de l'autre la rigueur salvatrice. Faire de sa propre existence l'objet de son 茅criture, c'茅tait en partie sortir de ce dilemme.
Outre le c茅l猫bre Deuxi猫me sexe (1949) devenu l'ouvrage de r茅f茅rence du mouvement f茅ministe mondial, l'艙uvre th茅orique de Simone de Beauvoir comprend de nombreux essais philosophiques ou pol茅miques.
Apr猫s la mort de Jean-Paul Sartre, Simone de Beauvoir a publi茅 La C茅r茅monie des adieux (1981) et les Lettres au Castor (1983) qui rassemblent une partie de l'abondante correspondance qu'elle re莽ut de lui. Jusqu'au jour de sa mort, le 14 avril 1986, elle a collabor茅 activement 脿 la revue fond茅e par Sartre et elle-m锚me, Les Temps Modernes, et manifest茅 sous des formes diverses et innombrables sa solidarit茅 avec le f茅minisme.
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Simone de Beauvoir est n茅e 脿 Paris le 9 janvier 1908. Elle fit ses 茅tudes jusqu'au baccalaur茅at dans le tr猫s catholique cours D茅sir. Agr茅g茅e de philosophie en 1929, elle enseigna 脿 Marseille, 脿 Rouen et 脿 Paris jusqu'en 1943. C'est L'Invit茅e (1943) qu'on doit consid茅rer comme son v茅ritable d茅but litt茅raire. Viennent ensuite Le sang des autres (1945), Tous les hommes sont mortels (1946), Les Mandarins (prix Goncourt 1954), Les Belles Images (1966) et La Femme rompue (1968).
Simone de Beauvoir a 茅crit des m茅moires o霉 elle nous donne elle-m锚me 脿 conna卯tre sa vie, son 艙uvre. L'ampleur de l'entreprise autobiographique trouve sa justification, son sens, dans une contradiction essentielle 脿 l'茅crivain : choisir lui fut toujours impossible entre le bonheur de vivre et la n茅cessit茅 d'茅crire ; d'une part la splendeur contingente, de l'autre la rigueur salvatrice. Faire de sa propre existence l'objet de son 茅criture, c'茅tait en partie sortir de ce dilemme.
Outre le c茅l猫bre Deuxi猫me sexe (1949) devenu l'ouvrage de r茅f茅rence du mouvement f茅ministe mondial, l'艙uvre th茅orique de Simone de Beauvoir comprend de nombreux essais philosophiques ou pol茅miques.
Apr猫s la mort de Jean-Paul Sartre, Simone de Beauvoir a publi茅 La C茅r茅monie des adieux (1981) et les Lettres au Castor (1983) qui rassemblent une partie de l'abondante correspondance qu'elle re莽ut de lui. Jusqu'au jour de sa mort, le 14 avril 1986, elle a collabor茅 activement 脿 la revue fond茅e par Sartre et elle-m锚me, Les Temps Modernes, et manifest茅 sous des formes diverses et innombrables sa solidarit茅 avec le f茅minisme.
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July 26, 2022
丕賱丨賯 賷賯丕賱 兀賳 丕賱賯乇丕亍丞 賱 爻賷賲賵賳 丿賷 亘賵賮賵丕乇 賲鬲毓丞 兀丿亘賷丞 賮乇賷丿丞貙 賳賰賴丞 乇賵丕卅賷丞 賲賳 夭賲賳 丌禺乇貙 毓賲賱 賲鬲卮丕亘賰 賵賲毓賯丿貙 賲孬賱 賲乇丕賷丕 丿丕卅乇賷丞 鬲禺鬲賱胤 賮賷賴丕 丕賱丨亘賰丕鬲貙 鬲鬲丨賵賱 賮賷賴丕 丕賱兀賮賰丕乇 廿賱賶 氐賵乇 賵賲卮丕賴丿 賵兀丨丿丕孬貙 賵賷賳爻噩 丕賱丨丕囟乇 賮賷賴 毓賱賶 賵賯毓 丕賱賲丕囟賷貙 乇丕卅丨丞 丕賱丿賲 賲賳鬲卮乇丞 賮賷 丕賱乇賵丕賷丞貙 丕賱賲賵鬲 丕賱噩賲賷賱貙 丕賱丿丕賮卅貙 丕賱賲睾乇賷貙 丕賱賲賵鬲 丕賱賲乇氐毓 亘賱毓賳丞 丕賱亘胤賵賱丕鬲貙 丕賱鬲囟丨賷丕鬲 丕賱賲鬲丿丕乇賰丞貙 丕賱賵噩賴 丕賱囟丕丨賰 賱賱丨亘 賵賲賴夭賱丞 丕賱賱賯丕亍丕鬲 丕賱賵丕毓丿丞 賵丕賱賲卮丕毓乇 睾賷乇 丕賱賲鬲賵賯毓丞.. 爻賷賲賵賳 鬲賰鬲亘 賴賳丕 毓賳 丕賱丨乇亘 毓賳 丕賱兀賮賰丕乇貙 毓賳 丕賱賯賷賲貙 毓賳 丕賱爻賱丕賲貙 丕賱亘丨孬 毓賳 賲禺乇噩 賵爻胤 賲鬲丕賴丕鬲 賲乇毓亘丞 賲賳 丕賱毓亘孬 賵丕賱賱丕賲亘丕賱丕丞貙 氐乇丕毓丕鬲 丿丕卅賲丞 賵鬲噩爻賷丿 賱賲丨賳丞 丕賱廿賳爻丕賳 賮賷 夭賲賳 丕賱鬲丨賵賱丕鬲貙 丕賱乇賵丕賷丞 毓亘丕乇丞 毓賳 賲丿乇爻丞 爻乇丿賷丞貙 爻賷賲賵賳 丕鬲賯賳鬲 丨乇賮丞 丕賱乇賵丕賷丞 賴賳丕貙 鬲毓賷丿 賱賰 賴匕賴 丕賱乇賵丕賷丞 兀賲噩丕丿 丕賱夭賲賳 丕賱氐毓亘 丕賱乇賵丕賷丕鬲貙 丕賱乇賵丕賷丕鬲 丕賱賲賳賴賰丞貙 丕賱鬲賷 賱丕 鬲賰賮 毓賳 廿賷賴丕賲賰 亘丕賱鬲丨賵賱丕鬲 賵丕賱鬲賯賱亘丕鬲 賵丕賱爻丐丕賱丕鬲 丕賱賲毓賯丿丞貙 丕賱囟賲丕卅乇 丕賱賲賲鬲夭噩丞貙 丕賱丨丿賷孬 丕賱匕賷 賷賳亘毓 賲賳 兀賰孬乇 賲賳 卮禺氐 賮賷 賱丨馗丞 賵丕丨丿丞貙 賲賳鬲噩毓 賲賳 丕賱兀氐賵丕鬲 賵丕賱丨賰丕賷丕鬲 賵丕賱丕亘丨丕乇 亘毓賷丿丕賸 賮賷 丕賱賳賮爻 丕賱廿賳爻丕賳賷丞 丕賱賲毓賯丿丞貙 丕賱亘丕丨孬丞 毓賳 丕賱丨亘貙 丕賱爻毓丕丿丞貙 賱賯丿 噩爻丿鬲 亘賵賮賵丕乇 賵丕丨丿丞 賲賳 兀噩賲賱 賯氐氐 丕賱丨亘 亘賷賳 噩賵賳 亘丕賱賵賲丕乇 賵廿賷賱賷賳貙 賴匕丕 丕賱賳賵毓 賲賳 丕賱丨亘 丕賱匕賷 賷乇賮囟 賰賱 胤乇賮 丕賱禺囟賵毓 賱賱丌禺乇貙 賰賱 胤乇賮 賷乇賷丿 兀賳 賷丨亘貙 賱丕 賷毓乇賮 丕賱丨亘貙 賷睾丕賲乇 賵賷賴乇亘貙 孬賲 賷毓賵丿 賲丨氐賳丕賸貙 賲賰鬲賲賱丕賸 亘賲毓卮賵賯賴貙 賷賳爻賶 賵賷鬲兀賱賲貙 賷毓賵丿 丕賱丨亘 賰丕賲賱丕賸 賮賷 賱丨馗丕鬲貙 賱賯丿 丕賳爻噩賲鬲 賲毓 丕賱賯氐丞 賱丿乇噩丞 兀賳賳賷 賰賳鬲 賲丨丕賷丿丕賸 賵賴匕丕 賷氐毓亘 毓賱賷賾 賮賷 賲孬賱 賴匕賴 丕賱賯氐氐 丕賱毓丕胤賮賷丞貙 鬲乇丕亍賶 兀賲丕賲賷 賲丨賳丞 丕賱丨亘貙 丕賱毓卮賯 丕賱匕賷 賷賲夭賯 丕賱賯賱亘貙 丕賱丿賵丕亍 丕賱賲爻鬲丨賷賱 賱賲孬賱 賴匕賴 丕賱毓賱丕賯丕鬲貙 丕賱賲鬲乇鬲亘丞 毓賱賷賴丕 兀賯氐賶 丿乇噩丕鬲 丕賱丨匕乇 賵丕賱鬲毓賯賷丿 賵毓丿賲 丕賱卮賮丕賮賷丞貙 鬲賯賮 賲丨丕賷丿丕賸貙 鬲鬲爻丕亍賱 亘丨丿丞貙 兀賷賳 爻賷賳鬲賴賷 賴匕丕責
" 賱賲 鬲禺鬲丕乇賷 兀賳 鬲賱鬲賯賷賳賷貙 賱賯丿 丕乇鬲胤賲鬲賽 亘賷 賰賲丕 賷乇鬲胤賲 卮禺氐賹 亘氐禺乇丞. "
爻賷賲賵賳 賰丕賳鬲 鬲賰鬲亘 禺賵丕胤乇 賵乇賵丕賷丞 賵卮賷卅丕賸 賷亘賱睾 丨丿 丕賱賳氐 丕賱卮毓乇賷 兀丨賷丕賳丕賸貙 乇丕卅丨丞 丕賱丨乇亘 丨丕囟乇丞貙 丕賱卮禺氐賷丕鬲 賲賰鬲賵亘丞 亘兀丿賯 賲丕 賷賲賰賳貙 爻賷賲賵賳 亘丕乇毓丞 賮賷 匕賱賰 貙 賰兀賳賴丕 鬲賳丨鬲 丕賱卮禺氐賷丕鬲 亘賱 鬲毓賷卮賴丕貙 鬲賰鬲亘 毓賳 賲丕 賷禺鬲賱噩 賮賷 丿丕禺賱賴丕貙 賲丕 賷賲賰賳 兀賳 鬲賮賰乇 賮賷賴貙 賲丕 賯丿 鬲丨鬲賵賷賴 賮賷 丕賱賲爻鬲賯亘賱 賲賳 鬲睾賷賷乇丕鬲貙 爻賷賲賵賳 賵丕毓賷丞 亘丕賱賳賮爻 丕賱亘卮乇賷丞 賱丿乇噩丞 兀匕賴賱鬲賳賷..
賴匕賴 丕賱乇賵丕賷丞 賱賷爻鬲 毓丕丿賷丞貙 亘賱 賲匕賴賱丞 亘賲毓賳賶 丕賱賰賱賲丞貙 丕賱乇賵丕賷丞 毓亘丕乇丞 毓賳 亘賳丕亍 睾賷乇 賲乇鬲亘 賮賷 丕賱馗丕賴乇 賵賱賰賳賴 賷鬲爻毓 賱賱兀賮賰丕乇 賵丕賱爻丐丕賱丕鬲 賵丕賱賯賷賲丞 丕賱兀丿亘賷丞 丕賱毓丕賱賷丞貙 賷賲賰賳 賱賷 兀賳 兀賯毓 賮賷 丨亘 賲孬賱 賴匕賴 丕賱乇賵丕賷丕鬲 亘爻賴賵賱丞貙 賱丕 兀乇賷丿 兀賳 兀賮賴賲 賰賱 卮賷亍貙 亘賱 兀乇賷丿 兀賳 兀鬲毓賱賲貙 兀賳 兀毓賷卮 賴賳丕貙 兀賳 賷丿丕毓亘 賯賱亘賷 賴匕丕 丕賱爻乇賷丕賳 丕賱亘賴賷噩 賵丕賱賰卅賷亘 兀丨賷丕賳丕賸貙 賴匕賴 丕賱賰賱賲丕鬲 賵丕賱噩賲賱 賵丕賱毓亘丕乇丕鬲 賵丕賱賳氐賵氐 丕賱賲丨卮賵乇丞 丿丕禺賱 丕賱賳氐貙 兀賳 兀鬲匕賵賯 賵兀賳丕賯卮 丕賱乇賵丕賷丞 賮賷 丿丕禺賱貙 兀賳 兀乇鬲胤賲 亘噩丿乇丕賳 丕賱乇賵丕賷丞 賵兀爻鬲賲乇 賮賷 鬲匕賰乇 兀賳賳賷 賷賵賲丕賸 賯乇兀鬲 乇賵丕賷丞貙 賰丕賳鬲 亘丿賷毓丞貙 毓丕卮鬲 賮賷 賳賮爻賷 胤賵賷賱丕賸 賵禺賱賯鬲 賮賷 丿丕禺賱賷 賵賱賵 毓丕賱賲丕賸 氐睾賷乇丕賸 兀爻鬲胤賷毓 兀賳 兀丨鬲賮馗 亘賴 胤賵賷賱丕賸 噩丿丕賸 ..
" 賱賲 鬲禺鬲丕乇賷 兀賳 鬲賱鬲賯賷賳賷貙 賱賯丿 丕乇鬲胤賲鬲賽 亘賷 賰賲丕 賷乇鬲胤賲 卮禺氐賹 亘氐禺乇丞. "
爻賷賲賵賳 賰丕賳鬲 鬲賰鬲亘 禺賵丕胤乇 賵乇賵丕賷丞 賵卮賷卅丕賸 賷亘賱睾 丨丿 丕賱賳氐 丕賱卮毓乇賷 兀丨賷丕賳丕賸貙 乇丕卅丨丞 丕賱丨乇亘 丨丕囟乇丞貙 丕賱卮禺氐賷丕鬲 賲賰鬲賵亘丞 亘兀丿賯 賲丕 賷賲賰賳貙 爻賷賲賵賳 亘丕乇毓丞 賮賷 匕賱賰 貙 賰兀賳賴丕 鬲賳丨鬲 丕賱卮禺氐賷丕鬲 亘賱 鬲毓賷卮賴丕貙 鬲賰鬲亘 毓賳 賲丕 賷禺鬲賱噩 賮賷 丿丕禺賱賴丕貙 賲丕 賷賲賰賳 兀賳 鬲賮賰乇 賮賷賴貙 賲丕 賯丿 鬲丨鬲賵賷賴 賮賷 丕賱賲爻鬲賯亘賱 賲賳 鬲睾賷賷乇丕鬲貙 爻賷賲賵賳 賵丕毓賷丞 亘丕賱賳賮爻 丕賱亘卮乇賷丞 賱丿乇噩丞 兀匕賴賱鬲賳賷..
賴匕賴 丕賱乇賵丕賷丞 賱賷爻鬲 毓丕丿賷丞貙 亘賱 賲匕賴賱丞 亘賲毓賳賶 丕賱賰賱賲丞貙 丕賱乇賵丕賷丞 毓亘丕乇丞 毓賳 亘賳丕亍 睾賷乇 賲乇鬲亘 賮賷 丕賱馗丕賴乇 賵賱賰賳賴 賷鬲爻毓 賱賱兀賮賰丕乇 賵丕賱爻丐丕賱丕鬲 賵丕賱賯賷賲丞 丕賱兀丿亘賷丞 丕賱毓丕賱賷丞貙 賷賲賰賳 賱賷 兀賳 兀賯毓 賮賷 丨亘 賲孬賱 賴匕賴 丕賱乇賵丕賷丕鬲 亘爻賴賵賱丞貙 賱丕 兀乇賷丿 兀賳 兀賮賴賲 賰賱 卮賷亍貙 亘賱 兀乇賷丿 兀賳 兀鬲毓賱賲貙 兀賳 兀毓賷卮 賴賳丕貙 兀賳 賷丿丕毓亘 賯賱亘賷 賴匕丕 丕賱爻乇賷丕賳 丕賱亘賴賷噩 賵丕賱賰卅賷亘 兀丨賷丕賳丕賸貙 賴匕賴 丕賱賰賱賲丕鬲 賵丕賱噩賲賱 賵丕賱毓亘丕乇丕鬲 賵丕賱賳氐賵氐 丕賱賲丨卮賵乇丞 丿丕禺賱 丕賱賳氐貙 兀賳 兀鬲匕賵賯 賵兀賳丕賯卮 丕賱乇賵丕賷丞 賮賷 丿丕禺賱貙 兀賳 兀乇鬲胤賲 亘噩丿乇丕賳 丕賱乇賵丕賷丞 賵兀爻鬲賲乇 賮賷 鬲匕賰乇 兀賳賳賷 賷賵賲丕賸 賯乇兀鬲 乇賵丕賷丞貙 賰丕賳鬲 亘丿賷毓丞貙 毓丕卮鬲 賮賷 賳賮爻賷 胤賵賷賱丕賸 賵禺賱賯鬲 賮賷 丿丕禺賱賷 賵賱賵 毓丕賱賲丕賸 氐睾賷乇丕賸 兀爻鬲胤賷毓 兀賳 兀丨鬲賮馗 亘賴 胤賵賷賱丕賸 噩丿丕賸 ..
February 12, 2024
賯匕賮 亘賴丕 賮賷 亘毓丿 爻丨乇賷 貙 賮賷听 賯賱亘 丨賯亘丞 貙 賮賷 毓丕賱賲 賱丕卮卅 賷乇亘胤賴丕 亘賴 貙 鬲丕卅賴丞 鬲丨鬲 爻賲丕亍 睾乇賷亘丞
賱賯丿 賮丕噩兀鬲賷賳賷 賷丕爻賷賲賵賳 貙 賱賯丕卅賷 丕賱爻丕亘賯 賲毓賰賶 賮賶 丕賱賲孬賯賮賵賳 賰丕賳 賲禺鬲賱賮 貙 賰丕賳 胤乇賷賯丕 賵丕囟丨丕 貙 丕賲丕 賴賳丕 貙
丕賱乇賵丕賷丞 賲乇亘賰丞 貙 賰賳鬲 丕丨賷丕賳丕 丕卮毓乇 丕賳賶 賮賴賲鬲賴丕 賵 丕賳丿賲噩 賲毓賴丕貙听 孬賲 丕噩夭丕亍 丕禺乇賶 丕乇鬲亘賰 賲毓賴丕 噩丿丕 馃檮馃檮
##兀夭賲丕鬲 賵噩賵丿賷丞 賵賲卮丕毓乇 丕賱賵丨丿丞
听賰兀賳賴 賱丕 賵噩賵丿 賱賷 賲毓 兀賳賷 賲賵噩賵丿丞. 兀賳丕 賲賵噩賵丿丞 賮賷 睾乇賮丞 賲睾賱賯丞 貙兀賵噩丿 賮賷 丕賱毓丿賲 .賱丕 兀毓賳賶 卮賷卅丕.
兀賱丕 賷賲賰賳賳賷 丕賱鬲馗丕賴乇 亘毓丿賲 丕賱賵噩賵丿 責 兀賲丨賵 賳賮爻賷 賲賳 丕賱毓丕賱賲 貙 兀賲丨賵 賵噩賴賷 賵氐賵鬲賷 貙 兀賲丨賵 兀孬乇賷 貙 賱丕卮卅 爻賷鬲睾賷乇 貙爻賷賰賵賳 賲賰丕賳賷 卮胤亘丞 睾賷乇 賲丐匕賷丞
##賯氐丞 丨亘 貙 卮禺氐 賷丨亘賰 賵丌禺乇 鬲丨亘賴 貙 賮賴賱 爻賷亘丕丿賱賰 丕賱丨亘 責
- 鬲乇賰鬲賰 鬲禺鬲丕乇 貙 賴賱 毓乇賮鬲 賲丕賱匕賷 丕禺鬲乇鬲賷賴 責
- 賰賳鬲 爻兀禺鬲丕乇賰 貙 賰賳鬲 爻兀卮賯 賳賮爻 丕賱胤乇賷賯 . 賱丕 兀乇賷丿 賱賳賮爻賷 丨賷丕丞 兀禺乇賶
- 賱賲 鬲禺鬲丕乇賶 丕賳 鬲賱鬲賯賷賳賷 . 賱賯丿 丕乇鬲胤賲鬲 亘賷 賰賲丕 賷乇鬲胤賲 卮禺氐 亘氐禺乇丞听
賱賲 賷賰賳 賱賴丕 睾賷乇賷 賮賷 丕賱毓丕賱賲貙 賰賱 賲丕鬲亘賯賷 賰丕賳 賮賷 賳馗乇賴丕 亘賱丕 兀賱賵丕賳 .賵丕賳丕貙 賱賲 丕賰賳 丕賲賳丨賴丕 爻賵賶 丨賳丕賳 亘丕賴鬲 貙 丕賳丕 丕爻噩賳賴丕 丿丕禺賱 丨亘 賮賯賷乇 賲賳 胤乇賮 賵丕丨丿"
.
##丕丨賵丕賱 爻賷丕爻賷丞
##亘丕乇賷爻 賲丕賯亘賱 賵賲丕亘毓丿 丕賱丨乇亘 丕賱毓丕賱賲賷丞
丕賱亘丐爻 賵丕賱賲賵鬲 賵丕賱禺乇丕亘 賵丕賱噩賵毓
廿賳 賮賷 賵爻毓賳丕 丕賳 賳禺丕胤乇 亘丕賱賲賵鬲 賰賷 賷氐亘丨 丕賱丨賷丕丞 賲毓賳賶
* 賴賱 賰乇賴鬲賴丕 責
爻丐丕賱 賲乇亘賰 賰丕賱乇賵丕賷丞 . 爻賷賲賵賳 噩毓賱鬲賳賶 丕丨亘賴丕 賵丕賰乇賴賴丕 賮賶 匕丕鬲 丕賱賵賯鬲 .
賴賶听 乇賵丕賷丞 賲乇亘賰丞 貙 氐毓亘丞 貙 睾乇賷亘丞 賮賶 鬲賰賵賷賳賴丕 貙 馗賳賳鬲 賮賷 丕賱亘丿丕賷丞 丕賳賴丕 爻鬲賰賵賳 鬲賳賯賱丕鬲 亘賱丕 賮賵丕氐賱 亘賷賳 丕賱丨丕囟乇 賵丕賱賲丕囟賶 賱賰賳 賱丕 貙 丕賱兀賲乇 丕賰孬乇 鬲毓賯賷丿丕 賱丕 丕爻鬲胤賷毓 丕賱廿賲爻丕賰 亘賴 賵卮乇丨賴 兀賱賲 兀賯賱 丕賳賴丕 乇賵丕賷丞 賲乇亘賰丞 貙 賵 禺氐賵氐丕 賮賶 丕賱亘丿丕賷丞.
听
丕賳賴丕 賲孬賱賲丕 賯丕賱 丕賱賲鬲乇噩賲 賮賷 賲賯丿賲鬲賴 " 廿賳賴丕 乇賵丕賷丞 丕賱丨乇亘 貙 丨乇亘 丕賱廿賳爻丕賳 賲毓 丕賱丌禺乇 賵賲毓 賳賮爻賴 賵賲丕囟賷賴 賵囟賲賷乇賴 "
爻賳賱鬲賯賷 賲乇丞 丕禺乇賶 爻賷賲賵賳 賵丕鬲賲賳賶 丕賳 賷賰賵賳 賱賯丕卅賳丕 丕賱鬲丕賱賶 丕賯賱 鬲毓賯賷丿丕 馃挅
賵丕爻噩賱 卮賰乇賶 賱氐丿賷賯鬲賷 Nour Alalii 貙
賲賳匕 賮鬲乇丞 賵丕賳丕 丕乇睾亘 賮賶 賯乇丕亍丞 丕賱乇賵丕賷丞 賵賮乇丨鬲 丨賷賳 賳夭賱鬲 丕賱賳爻禺丞 丕賱丕賱賰鬲乇賵賳賷丞 賱賰賳 賰丕賳鬲 賯乇丕卅鬲賴丕 賱丕鬲夭丕賱 賲丐噩賱丞 賱賰賳 丨賷賳 賵噩丿鬲 賳賵乇 鬲賯乇丕賴丕 賵乇睾賲 丕賳賶 賱賲 丕賰賳 丕賳賵賶 賯乇丕卅鬲賴丕 賮賶 丕賱賵賯鬲 丕賱丨丕賱賶 禺丕氐丞 丕賳賶 賰賳鬲 賱丕兀夭丕賱 丕賯乇丕 乇賵丕賷丞 毓賳丿賲丕 亘賰賷 賳賷鬲卮賴 賮鬲乇丿丿鬲 賮賶 賯乇丕亍丞 乇賵丕賷鬲賷賳 賰賱丕賴賲丕 賮賱爻賮賷丞 賵孬賯賷賱丞 賱賰賳 賮噩兀丞 賵噩丿鬲 賳賮爻賶 丕亘丿兀 賮賶 賯乇丕卅鬲賴丕 賮卮賰乇丕 賱賰賶 賳賵乇 毓賱賶 丕賱鬲卮噩賷毓 賵丕賳賰 賳亘賴鬲賷賳賶 丕賳 丕賱亘丿丕賷丞 禺氐賵氐丕 賲乇亘賰丞 賵丕賳賰 丕丨鬲噩鬲賶 賵賯鬲 賱鬲賳丿賲噩賷 賲毓丕賴丕 賵丕賳 丕賱乇賵丕賷丞 孬賯賷賱丞 賮亘丿丕鬲賴丕 賵丕賳丕 賲賴賷卅丞 賳賮爻賷丕 賵丕爻鬲胤毓鬲 丕丨鬲賲丕賱 丕賱亘丿丕賷丞 賵丕賰賲丕賱 丕賱賯乇丕亍丞 馃尫馃尫馃挅馃挅
佟佴 / 佟贍 /佗贍佗贍
賱賯丿 賮丕噩兀鬲賷賳賷 賷丕爻賷賲賵賳 貙 賱賯丕卅賷 丕賱爻丕亘賯 賲毓賰賶 賮賶 丕賱賲孬賯賮賵賳 賰丕賳 賲禺鬲賱賮 貙 賰丕賳 胤乇賷賯丕 賵丕囟丨丕 貙 丕賲丕 賴賳丕 貙
丕賱乇賵丕賷丞 賲乇亘賰丞 貙 賰賳鬲 丕丨賷丕賳丕 丕卮毓乇 丕賳賶 賮賴賲鬲賴丕 賵 丕賳丿賲噩 賲毓賴丕貙听 孬賲 丕噩夭丕亍 丕禺乇賶 丕乇鬲亘賰 賲毓賴丕 噩丿丕 馃檮馃檮
##兀夭賲丕鬲 賵噩賵丿賷丞 賵賲卮丕毓乇 丕賱賵丨丿丞
听賰兀賳賴 賱丕 賵噩賵丿 賱賷 賲毓 兀賳賷 賲賵噩賵丿丞. 兀賳丕 賲賵噩賵丿丞 賮賷 睾乇賮丞 賲睾賱賯丞 貙兀賵噩丿 賮賷 丕賱毓丿賲 .賱丕 兀毓賳賶 卮賷卅丕.
兀賱丕 賷賲賰賳賳賷 丕賱鬲馗丕賴乇 亘毓丿賲 丕賱賵噩賵丿 責 兀賲丨賵 賳賮爻賷 賲賳 丕賱毓丕賱賲 貙 兀賲丨賵 賵噩賴賷 賵氐賵鬲賷 貙 兀賲丨賵 兀孬乇賷 貙 賱丕卮卅 爻賷鬲睾賷乇 貙爻賷賰賵賳 賲賰丕賳賷 卮胤亘丞 睾賷乇 賲丐匕賷丞
##賯氐丞 丨亘 貙 卮禺氐 賷丨亘賰 賵丌禺乇 鬲丨亘賴 貙 賮賴賱 爻賷亘丕丿賱賰 丕賱丨亘 責
- 鬲乇賰鬲賰 鬲禺鬲丕乇 貙 賴賱 毓乇賮鬲 賲丕賱匕賷 丕禺鬲乇鬲賷賴 責
- 賰賳鬲 爻兀禺鬲丕乇賰 貙 賰賳鬲 爻兀卮賯 賳賮爻 丕賱胤乇賷賯 . 賱丕 兀乇賷丿 賱賳賮爻賷 丨賷丕丞 兀禺乇賶
- 賱賲 鬲禺鬲丕乇賶 丕賳 鬲賱鬲賯賷賳賷 . 賱賯丿 丕乇鬲胤賲鬲 亘賷 賰賲丕 賷乇鬲胤賲 卮禺氐 亘氐禺乇丞听
賱賲 賷賰賳 賱賴丕 睾賷乇賷 賮賷 丕賱毓丕賱賲貙 賰賱 賲丕鬲亘賯賷 賰丕賳 賮賷 賳馗乇賴丕 亘賱丕 兀賱賵丕賳 .賵丕賳丕貙 賱賲 丕賰賳 丕賲賳丨賴丕 爻賵賶 丨賳丕賳 亘丕賴鬲 貙 丕賳丕 丕爻噩賳賴丕 丿丕禺賱 丨亘 賮賯賷乇 賲賳 胤乇賮 賵丕丨丿"
.
##丕丨賵丕賱 爻賷丕爻賷丞
##亘丕乇賷爻 賲丕賯亘賱 賵賲丕亘毓丿 丕賱丨乇亘 丕賱毓丕賱賲賷丞
丕賱亘丐爻 賵丕賱賲賵鬲 賵丕賱禺乇丕亘 賵丕賱噩賵毓
廿賳 賮賷 賵爻毓賳丕 丕賳 賳禺丕胤乇 亘丕賱賲賵鬲 賰賷 賷氐亘丨 丕賱丨賷丕丞 賲毓賳賶
* 賴賱 賰乇賴鬲賴丕 責
爻丐丕賱 賲乇亘賰 賰丕賱乇賵丕賷丞 . 爻賷賲賵賳 噩毓賱鬲賳賶 丕丨亘賴丕 賵丕賰乇賴賴丕 賮賶 匕丕鬲 丕賱賵賯鬲 .
賴賶听 乇賵丕賷丞 賲乇亘賰丞 貙 氐毓亘丞 貙 睾乇賷亘丞 賮賶 鬲賰賵賷賳賴丕 貙 馗賳賳鬲 賮賷 丕賱亘丿丕賷丞 丕賳賴丕 爻鬲賰賵賳 鬲賳賯賱丕鬲 亘賱丕 賮賵丕氐賱 亘賷賳 丕賱丨丕囟乇 賵丕賱賲丕囟賶 賱賰賳 賱丕 貙 丕賱兀賲乇 丕賰孬乇 鬲毓賯賷丿丕 賱丕 丕爻鬲胤賷毓 丕賱廿賲爻丕賰 亘賴 賵卮乇丨賴 兀賱賲 兀賯賱 丕賳賴丕 乇賵丕賷丞 賲乇亘賰丞 貙 賵 禺氐賵氐丕 賮賶 丕賱亘丿丕賷丞.
听
丕賳賴丕 賲孬賱賲丕 賯丕賱 丕賱賲鬲乇噩賲 賮賷 賲賯丿賲鬲賴 " 廿賳賴丕 乇賵丕賷丞 丕賱丨乇亘 貙 丨乇亘 丕賱廿賳爻丕賳 賲毓 丕賱丌禺乇 賵賲毓 賳賮爻賴 賵賲丕囟賷賴 賵囟賲賷乇賴 "
爻賳賱鬲賯賷 賲乇丞 丕禺乇賶 爻賷賲賵賳 賵丕鬲賲賳賶 丕賳 賷賰賵賳 賱賯丕卅賳丕 丕賱鬲丕賱賶 丕賯賱 鬲毓賯賷丿丕 馃挅
賵丕爻噩賱 卮賰乇賶 賱氐丿賷賯鬲賷 Nour Alalii 貙
賲賳匕 賮鬲乇丞 賵丕賳丕 丕乇睾亘 賮賶 賯乇丕亍丞 丕賱乇賵丕賷丞 賵賮乇丨鬲 丨賷賳 賳夭賱鬲 丕賱賳爻禺丞 丕賱丕賱賰鬲乇賵賳賷丞 賱賰賳 賰丕賳鬲 賯乇丕卅鬲賴丕 賱丕鬲夭丕賱 賲丐噩賱丞 賱賰賳 丨賷賳 賵噩丿鬲 賳賵乇 鬲賯乇丕賴丕 賵乇睾賲 丕賳賶 賱賲 丕賰賳 丕賳賵賶 賯乇丕卅鬲賴丕 賮賶 丕賱賵賯鬲 丕賱丨丕賱賶 禺丕氐丞 丕賳賶 賰賳鬲 賱丕兀夭丕賱 丕賯乇丕 乇賵丕賷丞 毓賳丿賲丕 亘賰賷 賳賷鬲卮賴 賮鬲乇丿丿鬲 賮賶 賯乇丕亍丞 乇賵丕賷鬲賷賳 賰賱丕賴賲丕 賮賱爻賮賷丞 賵孬賯賷賱丞 賱賰賳 賮噩兀丞 賵噩丿鬲 賳賮爻賶 丕亘丿兀 賮賶 賯乇丕卅鬲賴丕 賮卮賰乇丕 賱賰賶 賳賵乇 毓賱賶 丕賱鬲卮噩賷毓 賵丕賳賰 賳亘賴鬲賷賳賶 丕賳 丕賱亘丿丕賷丞 禺氐賵氐丕 賲乇亘賰丞 賵丕賳賰 丕丨鬲噩鬲賶 賵賯鬲 賱鬲賳丿賲噩賷 賲毓丕賴丕 賵丕賳 丕賱乇賵丕賷丞 孬賯賷賱丞 賮亘丿丕鬲賴丕 賵丕賳丕 賲賴賷卅丞 賳賮爻賷丕 賵丕爻鬲胤毓鬲 丕丨鬲賲丕賱 丕賱亘丿丕賷丞 賵丕賰賲丕賱 丕賱賯乇丕亍丞 馃尫馃尫馃挅馃挅
佟佴 / 佟贍 /佗贍佗贍
April 21, 2023
鬲賵 賳賲蹖鈥屫堌з囒� 丕賵 乇丕 丿賵爻鬲 亘丿丕乇蹖. 鬲賵 丿丕乇蹖 爻禺丕賵鬲賲賳丿丕賳賴 夭賳丿诏蹖 禺賵丿鬲 乇丕 賴賲 鬲賱賮 賲蹖鈥屭┵嗃�. 蹖讴 毓卮賯 亘夭乇诏 亘賴 賴蹖趩鈥屬堌� 丨賯丕乇鬲鈥屫①呟屫� 賳蹖爻鬲.
賱胤蹖賮貙 夭蹖亘丕貙 毓丕卮賯丕賳賴 亘丕 胤毓賲 鬲賱禺 丨賯蹖賯鬲 賵 爻蹖丕爻鬲...
賱胤蹖賮貙 夭蹖亘丕貙 毓丕卮賯丕賳賴 亘丕 胤毓賲 鬲賱禺 丨賯蹖賯鬲 賵 爻蹖丕爻鬲...
October 2, 2024
To start with the ending, this novel by Simone de Beauvoir opens on this idea. Then, we meander, with his and these ordinary heroes, in a time that is not it. The writing is fluid, with no abruptness, unlike events.
November 29, 2024
讴賲蹖 诏蹖噩 讴賳賳丿賴 卮乇賵毓 賲蹖卮賴 丕賲丕 讴賲 讴賲 卮禺氐蹖鬲 倬乇丿丕夭蹖 賴丕 賯賵鬲 賲蹖诏蹖乇賳 賵 亘賴 禺賵亘蹖 亘丕賴丕卮賵賳 賴賲乇丕賴 賲蹖卮蹖. 亘丕 賵噩賵丿 乇賵丕蹖鬲 睾蹖乇禺胤蹖 賵 鬲睾蹖蹖乇 夭丕賵蹖賴 丿蹖丿 丿賱賲 賲蹖禺賵丕爻鬲 亘禺賵賳賲 賵 亘亘蹖賳賲 趩蹖 賲蹖卮賴. 丿賵爻鬲卮 丿丕卮鬲賲 賵 倬蹖卮賳賴丕丿 賲蹖讴賳賲卮.
August 25, 2019
卮賲卮蹖乇 丿賵 賱亘賴 丕丿亘蹖丕鬲 賲鬲毓賴丿
丕夭 賳馗乇 丕丿亘蹖 賲鬲賳 芦禺賵賳 丿蹖诏乇丕賳禄 賳爻亘鬲 亘賴 芦賴賲賴 賲蹖賲蹖乇賳丿禄 趩賳丿 倬賱賴 倬丕蹖蹖賳 鬲乇 亘賵丿- 趩賴 丕夭 賳馗乇 倬蹖乇賳诏 丕氐賱蹖 賵 趩賴 丕夭 賳馗乇 倬乇丿丕禺鬲 卮禺氐蹖鬲 賴丕 賵 賵賯丕蹖毓 賮乇毓蹖. 亘丕 鬲賵噩賴 亘賴 丕蹖賳讴賴 禺賵賳 丿蹖诏乇丕賳 (1945) 鬲賳賴丕 蹖讴 爻丕賱 賯亘賱 丕夭 賴賲賴 賲蹖賲蹖乇賳丿 (1946) 賳賵卮鬲賴 卮丿賴貙 賳賲蹖鬲賵丕賳 倬禺鬲诏蹖 賲鬲賳 賴賲賴 賲蹖賲蹖乇賳丿 乇丕 亘賴 倬禺鬲诏蹖 賳賵蹖爻賳丿賴 賳爻亘鬲 丿丕丿. 賵賱蹖 亘丕 鬲賵噩賴 亘賴 鬲丕乇蹖禺 乇賲丕賳 丕賵賱 賲蹖鬲賵丕賳 丨丿爻 夭丿 賳孬乇 倬禺鬲賴 鬲乇 賴賲賴 賲蹖賲蹖乇賳丿 丨丕氐賱 賮乇丕睾鬲 賳爻亘蹖 賲賵賱賮 丕夭 賮囟丕蹖 鬲亘 丌賱賵丿 賮乇丕賳爻賴 丿賴賴 40 丕爻鬲. 爻丕賱 1944 (丿乇爻鬲 夭賲丕賳蹖 讴賴 丿賵亘賵賵丕乇 賳賵卮鬲賳 禺賵賳 丿蹖诏乇丕賳 乇丕 丌睾丕夭 讴乇丿賴) 賴賲丕賳 爻丕賱蹖 丕爻鬲 讴賴 賮乇丕賳爻賴 倬爻 丕夭 4 爻丕賱 丕爻鬲賯賱丕賱 禺賵丿 乇丕 丕夭 丌賱賲丕賳 倬爻 賲蹖诏蹖乇丿. 賳賵蹖爻賳丿賴 芦賲鬲毓賴丿禄 賲丕 禺賵丿 乇丕 芦賲賱夭賲禄 賲蹖亘蹖賳丿 讴賴 賴乇 趩賴 夭賵丿鬲乇 亘丕 賳诏丕乇卮 丕蹖賳 丕孬乇 芦賲爻卅賵賱蹖鬲禄 禺賵丿 乇丕貙 賴乇 趩賳丿 亘丕賱賳爻亘賴貙 丿乇 亘乇丕亘乇 丌賳 賵賯丕蹖毓 丕丿丕 讴賳丿
賴賲賴 賲丕 賲爻卅賵賱 賴賲賴 趩蹖夭 賵 賴賲賴 讴爻 賴爻鬲蹖賲
賴賲賴 丕蹖賳賴丕 卮丕蹖丿 亘賴 讴爻丕賳蹖 讴賴 禺賵賳 丿蹖诏乇丕賳 乇丕 賳禺賵丕賳丿賴 丕賳丿 丕蹖賳诏賵賳賴 丕賱賯丕 讴賳丿 讴賴 賲賳 丿乇亘丕乇賴 丕孬乇蹖 賲蹖丕賳 賲丕蹖賴 蹖丕 讴賵卮卮蹖 (亘噩丕蹖 噩賵卮卮蹖) 丕夭 賳賵蹖爻賳丿賴 丕蹖 亘夭乇诏 丨乇賮 賲蹖夭賳賲 讴賴 趩賳丿丕賳 賲賳 乇丕 噩匕亘 賳讴乇丿賴 丕爻鬲. 賵賱蹖 丕蹖賳 亘乇丿丕卮鬲 讴丕賲賱丕 賳丕亘噩丕 賵 賳丕賯氐 丕爻鬲. 禺賵賳 丿蹖诏乇丕賳 亘賴 賲賮賴賵賲蹖 賲蹖倬乇丿丕夭丿 讴賴 丿乇 賲賯丕蹖爻賴 亘丕 賲囟賲賵賳 讴賱蹖丿蹖 賵 毓馗蹖賲 賵 倬蹖趩蹖丿賴 賴賲賴 賲蹖賲蹖乇賳丿 (讴賴 芦賲乇诏禄 亘賵丿) 亘爻蹖丕乇 倬蹖趩蹖丿賴 鬲乇貙 毓賲蹖賯 鬲乇 賵 丨鬲蹖 丕夭 丕亘毓丕丿蹖 賮乇丕诏蹖乇鬲乇 丕爻鬲: 芦賲爻卅賵賱蹖鬲禄乇
噩丕蹖 噩丕蹖 讴鬲丕亘 爻禺賳 丕夭 賲爻卅賵賱蹖鬲 丕爻鬲: 丕蹖賳讴賴 芦賴賲賴 賲丕 賲爻卅賵賱 賴賲賴 趩蹖夭 賵 賴賲賴 讴爻 賴爻鬲蹖賲禄 噩賲賱賴 丕蹖 讴賴 丕夭 丿丕爻鬲丕蹖賵賮爻讴蹖 賵丕賲 诏乇賮鬲賴 卮丿賴 丕賲丕 卮丕蹖丿 亘賴鬲乇 丕夭 丌孬丕乇 丕賵 亘丕夭賳賲丕蹖蹖 卮丿賴 丕爻鬲. 跇丕賳貙 賳賲丕蹖賳丿賴 丕蹖 丕夭 胤亘賯賴 亘賵乇跇賵丕 讴賴 丌诏丕賴丕賳賴 亘賴 丿賳亘丕賱 鬲丨賯賯 丌乇賲丕賳 倬乇賵賱鬲丕乇蹖丕爻鬲貙 賲爻卅賵賱 诏乇賵賴蹖 丕夭 噩亘賴賴 賲賯丕賵賲鬲 賲賱蹖 賮乇丕賳爻賴 毓賱蹖賴 賳丕夭蹖 賴丕爻鬲 讴賴 亘賴 賳賲丕蹖賳丿诏蹖 賴賲賴 賲丕 禺賵丿 乇丕 亘丕 倬乇爻卮 賴丕蹖蹖 乇賵亘乇賵 賲蹖讴賳丿: 倬丿乇 倬賵賱丿丕乇 賲丕貙 夭賳丿诏蹖 賳爻亘鬲丕 丌乇丕賲 賲丕貙 乇賵丕亘胤 毓丕卮賯丕賳賴 賲丕貙 丌賳賴丕蹖蹖 讴賴 乇丕賴賳賲丕蹖蹖 讴乇丿賴 丕蹖賲貙 丌賳賴丕蹖蹖 讴賴 亘賴 毓卮賯卮丕賳 噩賵丕亘 賲賳賮蹖 丿丕丿賴 丕蹖賲貙 丿蹖诏乇丕賳蹖 讴賴 丨鬲蹖 亘丿賵賳 丕蹖賳讴賴 亘丿丕賳蹖賲 亘賴 賲丕 鬲賵噩賴 丿丕乇賳丿貙 丿蹖诏乇丕賳蹖 讴賴 丕夭 賲丕 賲鬲賳賮乇賳丿 賵... 賲丕 丿乇 亘乇丕亘乇 賴賲賴 丕蹖賳賴丕 賲爻卅賵賱蹖賲 賵 賴蹖趩 乇丕賴蹖 亘乇丕蹖 賮乇丕乇 丕夭 丕蹖賳 賲爻卅賵賱蹖鬲 賴賵賱賳丕讴 賳丿丕乇蹖賲. 亘賱賴貙 亘丕夭 賴賲 賮賱爻賮賴 丕诏夭蹖爻鬲丕賳爻蹖丕賱蹖爻鬲蹖-賲丕乇讴爻蹖爻鬲蹖 賲卮賴賵乇 爻丕乇鬲乇 賵 丿賵亘賵賵丕乇. 賵賱蹖 賵蹖跇诏蹖 乇賲丕賳 賲鬲毓賴丿 丕蹖賳 丿賵 丿乇 丕蹖賳 丕爻鬲 讴賴 賲賮丕賴蹖賲 爻乇丿 賵 賳馗乇蹖 匕賴賳 賮蹖賱爻賵賮丕賳 乇丕 丿丕睾 讴乇丿賴 賵 丿乇丿 丌賳 乇丕 亘賴 倬賵爻鬲 賵 诏賵卮鬲 賲丕 賲賳鬲賯賱 讴賳賳丿 (賲爻卅賵賱蹖鬲蹖 讴賴 丕夭 賳馗乇 賲賳 賳孬乇 丿賵亘賵賵丕乇 亘賴鬲乇 丕夭 賳孬乇 爻丕乇鬲乇 丌賳 乇丕 丕丿丕 賲蹖讴賳丿). 賵 丕蹖賳噩丕貙 禺賵賳 丿蹖诏乇丕賳貙 亘賴 賳馗乇 賲賳貙 丿乇 丕賳鬲賯丕賱 毓馗賲鬲 賲賮賴賵賲 芦賲爻卅賵賱蹖鬲禄 亘賴 禺賵亘蹖 賲賵賮賯 丕爻鬲貨 賴乇 趩賳丿 丕夭 賳馗乇 丕丿亘蹖 賲蹖 鬲賵丕賳爻鬲 倬乇丿丕禺鬲 卮丿賴 鬲乇 亘丕卮丿
賲爻卅賵賱蹖鬲 丕夭 賲乇诏 倬蹖趩蹖丿賴 鬲乇 丕爻鬲貙 夭蹖乇丕 賴蹖趩 賳鬲蹖噩賴 賯胤毓蹖 丕蹖 丿乇 倬蹖 賳丿丕乇丿貨 丕夭 賲乇诏 賴賵賱賳丕讴 鬲乇 丕爻鬲貙 夭蹖乇丕 丌诏丕賴蹖 丕夭 丕亘毓丕丿 丌賳 賴賲 賮賱噩 讴賳賳丿賴 丕爻鬲 賵 賴賲 賮毓丕賱 讴賳賳丿賴貨 丕夭 賲乇诏 賮乇丕诏蹖乇鬲乇 丕爻鬲貙 夭蹖乇丕 賴賲 賲乇丿诏丕賳 乇丕 丿乇 亘乇 賲蹖诏蹖乇丿 賵 賴賲 夭賳丿诏丕賳 乇丕貨 賵 丕夭 賲乇诏 毓賲蹖锟斤拷 鬲乇 丕爻鬲貙 夭蹖乇丕 賲丕 賴賲 賲爻卅賵賱 禺賵賳 禺賵丿 (禺賵丿讴卮蹖 蹖丕 賲乇诏 丕亘賱賴丕賳賴) 賴爻鬲蹖賲 賵 賴賲 禺賵賳 丿蹖诏乇丕賳
丕夭 賳馗乇 丕丿亘蹖 賲鬲賳 芦禺賵賳 丿蹖诏乇丕賳禄 賳爻亘鬲 亘賴 芦賴賲賴 賲蹖賲蹖乇賳丿禄 趩賳丿 倬賱賴 倬丕蹖蹖賳 鬲乇 亘賵丿- 趩賴 丕夭 賳馗乇 倬蹖乇賳诏 丕氐賱蹖 賵 趩賴 丕夭 賳馗乇 倬乇丿丕禺鬲 卮禺氐蹖鬲 賴丕 賵 賵賯丕蹖毓 賮乇毓蹖. 亘丕 鬲賵噩賴 亘賴 丕蹖賳讴賴 禺賵賳 丿蹖诏乇丕賳 (1945) 鬲賳賴丕 蹖讴 爻丕賱 賯亘賱 丕夭 賴賲賴 賲蹖賲蹖乇賳丿 (1946) 賳賵卮鬲賴 卮丿賴貙 賳賲蹖鬲賵丕賳 倬禺鬲诏蹖 賲鬲賳 賴賲賴 賲蹖賲蹖乇賳丿 乇丕 亘賴 倬禺鬲诏蹖 賳賵蹖爻賳丿賴 賳爻亘鬲 丿丕丿. 賵賱蹖 亘丕 鬲賵噩賴 亘賴 鬲丕乇蹖禺 乇賲丕賳 丕賵賱 賲蹖鬲賵丕賳 丨丿爻 夭丿 賳孬乇 倬禺鬲賴 鬲乇 賴賲賴 賲蹖賲蹖乇賳丿 丨丕氐賱 賮乇丕睾鬲 賳爻亘蹖 賲賵賱賮 丕夭 賮囟丕蹖 鬲亘 丌賱賵丿 賮乇丕賳爻賴 丿賴賴 40 丕爻鬲. 爻丕賱 1944 (丿乇爻鬲 夭賲丕賳蹖 讴賴 丿賵亘賵賵丕乇 賳賵卮鬲賳 禺賵賳 丿蹖诏乇丕賳 乇丕 丌睾丕夭 讴乇丿賴) 賴賲丕賳 爻丕賱蹖 丕爻鬲 讴賴 賮乇丕賳爻賴 倬爻 丕夭 4 爻丕賱 丕爻鬲賯賱丕賱 禺賵丿 乇丕 丕夭 丌賱賲丕賳 倬爻 賲蹖诏蹖乇丿. 賳賵蹖爻賳丿賴 芦賲鬲毓賴丿禄 賲丕 禺賵丿 乇丕 芦賲賱夭賲禄 賲蹖亘蹖賳丿 讴賴 賴乇 趩賴 夭賵丿鬲乇 亘丕 賳诏丕乇卮 丕蹖賳 丕孬乇 芦賲爻卅賵賱蹖鬲禄 禺賵丿 乇丕貙 賴乇 趩賳丿 亘丕賱賳爻亘賴貙 丿乇 亘乇丕亘乇 丌賳 賵賯丕蹖毓 丕丿丕 讴賳丿
賴賲賴 賲丕 賲爻卅賵賱 賴賲賴 趩蹖夭 賵 賴賲賴 讴爻 賴爻鬲蹖賲
賴賲賴 丕蹖賳賴丕 卮丕蹖丿 亘賴 讴爻丕賳蹖 讴賴 禺賵賳 丿蹖诏乇丕賳 乇丕 賳禺賵丕賳丿賴 丕賳丿 丕蹖賳诏賵賳賴 丕賱賯丕 讴賳丿 讴賴 賲賳 丿乇亘丕乇賴 丕孬乇蹖 賲蹖丕賳 賲丕蹖賴 蹖丕 讴賵卮卮蹖 (亘噩丕蹖 噩賵卮卮蹖) 丕夭 賳賵蹖爻賳丿賴 丕蹖 亘夭乇诏 丨乇賮 賲蹖夭賳賲 讴賴 趩賳丿丕賳 賲賳 乇丕 噩匕亘 賳讴乇丿賴 丕爻鬲. 賵賱蹖 丕蹖賳 亘乇丿丕卮鬲 讴丕賲賱丕 賳丕亘噩丕 賵 賳丕賯氐 丕爻鬲. 禺賵賳 丿蹖诏乇丕賳 亘賴 賲賮賴賵賲蹖 賲蹖倬乇丿丕夭丿 讴賴 丿乇 賲賯丕蹖爻賴 亘丕 賲囟賲賵賳 讴賱蹖丿蹖 賵 毓馗蹖賲 賵 倬蹖趩蹖丿賴 賴賲賴 賲蹖賲蹖乇賳丿 (讴賴 芦賲乇诏禄 亘賵丿) 亘爻蹖丕乇 倬蹖趩蹖丿賴 鬲乇貙 毓賲蹖賯 鬲乇 賵 丨鬲蹖 丕夭 丕亘毓丕丿蹖 賮乇丕诏蹖乇鬲乇 丕爻鬲: 芦賲爻卅賵賱蹖鬲禄乇
噩丕蹖 噩丕蹖 讴鬲丕亘 爻禺賳 丕夭 賲爻卅賵賱蹖鬲 丕爻鬲: 丕蹖賳讴賴 芦賴賲賴 賲丕 賲爻卅賵賱 賴賲賴 趩蹖夭 賵 賴賲賴 讴爻 賴爻鬲蹖賲禄 噩賲賱賴 丕蹖 讴賴 丕夭 丿丕爻鬲丕蹖賵賮爻讴蹖 賵丕賲 诏乇賮鬲賴 卮丿賴 丕賲丕 卮丕蹖丿 亘賴鬲乇 丕夭 丌孬丕乇 丕賵 亘丕夭賳賲丕蹖蹖 卮丿賴 丕爻鬲. 跇丕賳貙 賳賲丕蹖賳丿賴 丕蹖 丕夭 胤亘賯賴 亘賵乇跇賵丕 讴賴 丌诏丕賴丕賳賴 亘賴 丿賳亘丕賱 鬲丨賯賯 丌乇賲丕賳 倬乇賵賱鬲丕乇蹖丕爻鬲貙 賲爻卅賵賱 诏乇賵賴蹖 丕夭 噩亘賴賴 賲賯丕賵賲鬲 賲賱蹖 賮乇丕賳爻賴 毓賱蹖賴 賳丕夭蹖 賴丕爻鬲 讴賴 亘賴 賳賲丕蹖賳丿诏蹖 賴賲賴 賲丕 禺賵丿 乇丕 亘丕 倬乇爻卮 賴丕蹖蹖 乇賵亘乇賵 賲蹖讴賳丿: 倬丿乇 倬賵賱丿丕乇 賲丕貙 夭賳丿诏蹖 賳爻亘鬲丕 丌乇丕賲 賲丕貙 乇賵丕亘胤 毓丕卮賯丕賳賴 賲丕貙 丌賳賴丕蹖蹖 讴賴 乇丕賴賳賲丕蹖蹖 讴乇丿賴 丕蹖賲貙 丌賳賴丕蹖蹖 讴賴 亘賴 毓卮賯卮丕賳 噩賵丕亘 賲賳賮蹖 丿丕丿賴 丕蹖賲貙 丿蹖诏乇丕賳蹖 讴賴 丨鬲蹖 亘丿賵賳 丕蹖賳讴賴 亘丿丕賳蹖賲 亘賴 賲丕 鬲賵噩賴 丿丕乇賳丿貙 丿蹖诏乇丕賳蹖 讴賴 丕夭 賲丕 賲鬲賳賮乇賳丿 賵... 賲丕 丿乇 亘乇丕亘乇 賴賲賴 丕蹖賳賴丕 賲爻卅賵賱蹖賲 賵 賴蹖趩 乇丕賴蹖 亘乇丕蹖 賮乇丕乇 丕夭 丕蹖賳 賲爻卅賵賱蹖鬲 賴賵賱賳丕讴 賳丿丕乇蹖賲. 亘賱賴貙 亘丕夭 賴賲 賮賱爻賮賴 丕诏夭蹖爻鬲丕賳爻蹖丕賱蹖爻鬲蹖-賲丕乇讴爻蹖爻鬲蹖 賲卮賴賵乇 爻丕乇鬲乇 賵 丿賵亘賵賵丕乇. 賵賱蹖 賵蹖跇诏蹖 乇賲丕賳 賲鬲毓賴丿 丕蹖賳 丿賵 丿乇 丕蹖賳 丕爻鬲 讴賴 賲賮丕賴蹖賲 爻乇丿 賵 賳馗乇蹖 匕賴賳 賮蹖賱爻賵賮丕賳 乇丕 丿丕睾 讴乇丿賴 賵 丿乇丿 丌賳 乇丕 亘賴 倬賵爻鬲 賵 诏賵卮鬲 賲丕 賲賳鬲賯賱 讴賳賳丿 (賲爻卅賵賱蹖鬲蹖 讴賴 丕夭 賳馗乇 賲賳 賳孬乇 丿賵亘賵賵丕乇 亘賴鬲乇 丕夭 賳孬乇 爻丕乇鬲乇 丌賳 乇丕 丕丿丕 賲蹖讴賳丿). 賵 丕蹖賳噩丕貙 禺賵賳 丿蹖诏乇丕賳貙 亘賴 賳馗乇 賲賳貙 丿乇 丕賳鬲賯丕賱 毓馗賲鬲 賲賮賴賵賲 芦賲爻卅賵賱蹖鬲禄 亘賴 禺賵亘蹖 賲賵賮賯 丕爻鬲貨 賴乇 趩賳丿 丕夭 賳馗乇 丕丿亘蹖 賲蹖 鬲賵丕賳爻鬲 倬乇丿丕禺鬲 卮丿賴 鬲乇 亘丕卮丿
賲爻卅賵賱蹖鬲 丕夭 賲乇诏 倬蹖趩蹖丿賴 鬲乇 丕爻鬲貙 夭蹖乇丕 賴蹖趩 賳鬲蹖噩賴 賯胤毓蹖 丕蹖 丿乇 倬蹖 賳丿丕乇丿貨 丕夭 賲乇诏 賴賵賱賳丕讴 鬲乇 丕爻鬲貙 夭蹖乇丕 丌诏丕賴蹖 丕夭 丕亘毓丕丿 丌賳 賴賲 賮賱噩 讴賳賳丿賴 丕爻鬲 賵 賴賲 賮毓丕賱 讴賳賳丿賴貨 丕夭 賲乇诏 賮乇丕诏蹖乇鬲乇 丕爻鬲貙 夭蹖乇丕 賴賲 賲乇丿诏丕賳 乇丕 丿乇 亘乇 賲蹖诏蹖乇丿 賵 賴賲 夭賳丿诏丕賳 乇丕貨 賵 丕夭 賲乇诏 毓賲蹖锟斤拷 鬲乇 丕爻鬲貙 夭蹖乇丕 賲丕 賴賲 賲爻卅賵賱 禺賵賳 禺賵丿 (禺賵丿讴卮蹖 蹖丕 賲乇诏 丕亘賱賴丕賳賴) 賴爻鬲蹖賲 賵 賴賲 禺賵賳 丿蹖诏乇丕賳
December 24, 2012
This is a book that cannot be read once only, every sentence needs its own book of analysis
It was just mind blowing!
It was just mind blowing!
September 1, 2021
賵 賰兀賳賲丕 賴賷 鬲毓賵賷匕丞 ... 氐乇丕賲丞 爻丕乇鬲乇 賵賵囟賵丨賴 丕賱賲乇賾 賵亘爻丕胤鬲賴 丕賱噩丕乇丨丞 丿賵賲丕賸 鬲兀鬲賷 賲卮賮賵毓丞 亘乇賯丞 爻賷賲賵賳 賵乇賴丕賮丞 兀丨丕爻賷爻賴丕 賵鬲毓賯賷丿丕鬲賴丕 .. 丕賯鬲乇賳 丕爻賲 爻丕乇鬲乇 賵 爻賷賲賵賳 賱賱兀亘丿 賵亘毓丿 丕賱賲賵鬲 賮賷 丕賱兀丿亘 賮賷 丕賱賮賱爻賮丞 賮賷 丕賱爻賷丕爻丞 賮賷 丕賱丨亘 賱丕 賷賮鬲乇賯 丕賱丕爻賲賷賳 毓賳 亘毓囟 賵 丨鬲賶 丕賱賯乇丕亍丞 賱爻丕乇鬲乇 賳鬲亘毓賴丕 亘爻賷賲賵賳 丿賷 亘賵賮賵丕乇 丕賱乇丕卅毓丞 .
乇賵丕賷丞 賰丕賳鬲 賮賵賯 胤丕賯鬲賷 賵 兀亘毓丿 毓賳 廿丿乇丕賰賷 貙 賮賱爻賮賷丞 亘丨鬲丞 貙 賲丿賵禺丞 賲毓賯丿丞 貙 賱賲 兀爻鬲胤毓 鬲睾胤賷丞 賰賱 賲賮丕氐賱賴丕 賵 賮賴賲賴丕 鬲賲丕賲丕賸 賰丕賳鬲 鬲賳囟禺 兀賮賰丕乇丕賸 貙 賮賱爻賮丞 貙 賵噩賴丕鬲 賳馗乇 爻賵丕亍 兀賰丕賳 毓賱賶 丕賱氐毓賷丿 丕賱廿賳爻丕賳賷 兀賵 丕賱爻賷丕爻賷丞 .
兀夭賲丕鬲 賵噩賵丿賷丞 ..... 丨乇賵亘 禺丕爻乇丞 .... 丨乇賷丕鬲 鬲丕卅賴丞
- 賴賱 鬲爻鬲丨賯 賲亘丕丿卅賳丕 丕賱毓賱賷丕 丕賱鬲囟丨賷丞 亘丨賷丕鬲賳丕 兀賵 丨賷丕丞 賲賳 賳丨亘 賲賳 兀噩賱賴丕責
爻丐丕賱 賷乇丕賵丿 丕賱孬賵乇賷 丕賱賯賷丕丿賷 噩賵賳 亘賱賵賲丕乇 賵賴賵 賷卮丕賴丿 丕丨鬲囟丕乇 廿賷賱賷賳 丕賱丨亘賷亘丞 亘毓丿 賲賴賲丞 賷乇爻賱賴丕 廿賱賷賴丕 亘廿乇丕丿鬲賴
兀賷爻鬲丨賯 賰賱 賲丕賳丐賲賳 亘賴 賰賱 賴匕丕 責 責 責
兀賵 賰賱賲丕 乇睾亘賳丕 賵 胤賲丨賳丕 亘丨賷丕丞 兀爻賲賶 賵鬲睾賷賷乇 賱賱兀賮囟賱 賵亘賳丕亍 毓丕賱賲 賷鬲賲丕卮賶 賲毓 廿賷賲丕賳賳丕 賵 賮賰乇賳丕 賳亘匕賱 賲賳 丿賲丕亍 丕賱睾賷乇 賮賷 爻亘賷賱 匕賱賰 .
- ((賰丕賳鬲 賲丨丕賵賱丞 鬲睾賷賷乇 兀賷 卮賷亍 賮賷 丕賱毓丕賱賲 兀賵 丕賱丨賷丕丞 亘賱丕 賲毓賳賶貙 賱賯丿 賰丕賳鬲 丕賱兀賲賵乇 爻賷卅丞 亘賲丕 賮賷賴 丕賱賰賮丕賷丞 丿賵賳 兀賳 賷鬲丿禺賱 丕賱廿賳爻丕賳 亘賴丕. 賱賯丿 丿丕賮毓賻鬲 亘卮賰賱 賲鬲胤乇賮 毓賳 賰賱 賲丕 兀丿丕賳賴 毓賯賱賴丕 賵賯賱亘賴丕: 丕賱兀亘貙 丕賱夭賵丕噩 貙 丕賱乇兀爻賲丕賱賷丞 賱兀賳 丕賱禺胤兀 賱丕 賷賯亘毓 賮賶 丕賱賲丐爻爻丕鬲 亘賱 賮賷 毓賲賯 賰賷丕賳賳丕 ))
- 乇賵丕賷丕鬲 丕賱丨乇賵亘 賲毓賯丿丞 丿丕卅賲丕賸 爻賵丕亍 兀賰丕賳 賯亘賱賴丕 兀賵 禺賱丕賱賴丕 兀賵 賲丕 亘毓丿賴丕 . 丕賱乇賵丕賷丞 噩丕亍鬲 毓賱賶 匕賱賰 丕賱賲賯丕爻 鬲賲丕賲丕賸 氐賵乇鬲 兀亘胤丕賱賴丕 賮賷 鬲賱賰 丕賱賮鬲乇丕鬲 賵 睾丕氐鬲 亘兀爻丕乇賷乇 匕賵丕鬲賴賲 賵 爻亘乇鬲 兀睾賵丕乇賴賲 .賵 乇賰夭鬲 毓賱賶 鬲兀孬賷乇 丕賱丨乇亘 毓賱賶 丕賱廿賳爻丕賳 // 噩乇鬲 兀丨丿丕孬賴丕 禺賱丕賱 賮鬲乇丞 丕賱丨乇亘 丕賱毓丕賱賲賷丞 丕賱孬丕賳賷丞 亘毓丿 鬲賯爻賷賲 賮乇賳爻丕 賵爻賯賵胤 丿賮丕毓丕鬲賴丕 // 賰丕賳鬲 乇賵丕賷丞 丨乇亘 賲鬲賰丕賲賱丞 賮丕賱丨乇亘 賱賲 鬲賰賳 毓賱賶 丕賱兀乇囟 賮賯胤 賰丕賳鬲 丨乇亘 廿賳爻丕賳賷丞 丕噩鬲賲丕毓賷丞 賮賰乇賷丞貙 丨乇亘 賲毓 丕賱賲丕囟賷 賵 丕賱丨丕囟乇 賵 丕賱賲爻鬲賯亘賱 貙 丨乇亘 賲毓 丕賱丨亘 貙 丨乇亘 丕賱廿賳爻丕賳 囟丿 匕丕鬲賴 賵 賰賷丕賳賴 睾賱亘 毓賱賶 卮禺賵氐 賲賯丕鬲賱賷賴丕 賳賵毓 賲賳 丕賱賷兀爻 賵丕賱鬲匕亘匕亘 丕賱賮賰乇賷 賵丕賱賵噩賵丿賷 賵 丕賱囟賷丕毓 賲丕亘賷賳 賵丕賯毓 賲丨胤賲 賵 兀丨賱丕賲 賵乇丿賷丞 .
- 丕賱匕賷 鬲毓賲賯 亘丨賷丕丞 丕賱毓丕卮賯賷賳 爻丕乇鬲乇 賵 爻賷賲賵賳 爻賵賮 賷賮賴賲 鬲賲丕賲丕賸 胤亘賷毓丞 丕賱毓賱丕賯丞 賲丕亘賷賳 亘胤賱賷 丕賱乇賵丕賷丞 亘賱賵賲丕乇 賵 廿賷賱賷賳 貙 賰丕賳 賵丕囟丨丕賸 爻賷賲賵賳 賯丿 賵囟毓鬲 亘毓囟丕賸 賲賳 丕賱爻賷乇丞 丕賱匕丕鬲賷丞 賱賴丕 亘賷賳 胤賷丕鬲 丕賱乇賵丕賷丞 賵 兀爻亘睾鬲 氐賮丕鬲賴丕 毓賱賶 亘胤賱鬲賴丕 賵 氐賮丕鬲 爻丕乇鬲乇 毓賱賶 亘賱賵賲丕乇 鬲賯乇賷亘丕賸 .
丕賱賯乇丕亍丞 丕賱賲鬲賯胤毓丞 賱賱乇賵丕賷丞 賵 丕賱丕賳賯胤丕毓丕鬲 亘禺乇鬲 丕賱賰孬賷乇 賲賲丕 賯乇兀鬲賴 賵賮丕鬲賳賷 賰鬲丕亘鬲賴丕 賮賷 丕賱賲乇丕噩毓丞 賲毓 丕賱兀爻賮 鬲噩乇亘丞 禺胤賷乇丞 賲毓 爻賷賲賵賳 賰丕賳 毓賱賷 丕賱亘丿亍 亘兀爻賴賱 賲丐賱賮丕鬲賴丕 賵 賱賷爻 兀孬賯賱賴丕 .
乇賵丕賷丞 賰丕賳鬲 賮賵賯 胤丕賯鬲賷 賵 兀亘毓丿 毓賳 廿丿乇丕賰賷 貙 賮賱爻賮賷丞 亘丨鬲丞 貙 賲丿賵禺丞 賲毓賯丿丞 貙 賱賲 兀爻鬲胤毓 鬲睾胤賷丞 賰賱 賲賮丕氐賱賴丕 賵 賮賴賲賴丕 鬲賲丕賲丕賸 賰丕賳鬲 鬲賳囟禺 兀賮賰丕乇丕賸 貙 賮賱爻賮丞 貙 賵噩賴丕鬲 賳馗乇 爻賵丕亍 兀賰丕賳 毓賱賶 丕賱氐毓賷丿 丕賱廿賳爻丕賳賷 兀賵 丕賱爻賷丕爻賷丞 .
兀夭賲丕鬲 賵噩賵丿賷丞 ..... 丨乇賵亘 禺丕爻乇丞 .... 丨乇賷丕鬲 鬲丕卅賴丞
- 賴賱 鬲爻鬲丨賯 賲亘丕丿卅賳丕 丕賱毓賱賷丕 丕賱鬲囟丨賷丞 亘丨賷丕鬲賳丕 兀賵 丨賷丕丞 賲賳 賳丨亘 賲賳 兀噩賱賴丕責
爻丐丕賱 賷乇丕賵丿 丕賱孬賵乇賷 丕賱賯賷丕丿賷 噩賵賳 亘賱賵賲丕乇 賵賴賵 賷卮丕賴丿 丕丨鬲囟丕乇 廿賷賱賷賳 丕賱丨亘賷亘丞 亘毓丿 賲賴賲丞 賷乇爻賱賴丕 廿賱賷賴丕 亘廿乇丕丿鬲賴
兀賷爻鬲丨賯 賰賱 賲丕賳丐賲賳 亘賴 賰賱 賴匕丕 責 責 責
兀賵 賰賱賲丕 乇睾亘賳丕 賵 胤賲丨賳丕 亘丨賷丕丞 兀爻賲賶 賵鬲睾賷賷乇 賱賱兀賮囟賱 賵亘賳丕亍 毓丕賱賲 賷鬲賲丕卮賶 賲毓 廿賷賲丕賳賳丕 賵 賮賰乇賳丕 賳亘匕賱 賲賳 丿賲丕亍 丕賱睾賷乇 賮賷 爻亘賷賱 匕賱賰 .
- ((賰丕賳鬲 賲丨丕賵賱丞 鬲睾賷賷乇 兀賷 卮賷亍 賮賷 丕賱毓丕賱賲 兀賵 丕賱丨賷丕丞 亘賱丕 賲毓賳賶貙 賱賯丿 賰丕賳鬲 丕賱兀賲賵乇 爻賷卅丞 亘賲丕 賮賷賴 丕賱賰賮丕賷丞 丿賵賳 兀賳 賷鬲丿禺賱 丕賱廿賳爻丕賳 亘賴丕. 賱賯丿 丿丕賮毓賻鬲 亘卮賰賱 賲鬲胤乇賮 毓賳 賰賱 賲丕 兀丿丕賳賴 毓賯賱賴丕 賵賯賱亘賴丕: 丕賱兀亘貙 丕賱夭賵丕噩 貙 丕賱乇兀爻賲丕賱賷丞 賱兀賳 丕賱禺胤兀 賱丕 賷賯亘毓 賮賶 丕賱賲丐爻爻丕鬲 亘賱 賮賷 毓賲賯 賰賷丕賳賳丕 ))
- 乇賵丕賷丕鬲 丕賱丨乇賵亘 賲毓賯丿丞 丿丕卅賲丕賸 爻賵丕亍 兀賰丕賳 賯亘賱賴丕 兀賵 禺賱丕賱賴丕 兀賵 賲丕 亘毓丿賴丕 . 丕賱乇賵丕賷丞 噩丕亍鬲 毓賱賶 匕賱賰 丕賱賲賯丕爻 鬲賲丕賲丕賸 氐賵乇鬲 兀亘胤丕賱賴丕 賮賷 鬲賱賰 丕賱賮鬲乇丕鬲 賵 睾丕氐鬲 亘兀爻丕乇賷乇 匕賵丕鬲賴賲 賵 爻亘乇鬲 兀睾賵丕乇賴賲 .賵 乇賰夭鬲 毓賱賶 鬲兀孬賷乇 丕賱丨乇亘 毓賱賶 丕賱廿賳爻丕賳 // 噩乇鬲 兀丨丿丕孬賴丕 禺賱丕賱 賮鬲乇丞 丕賱丨乇亘 丕賱毓丕賱賲賷丞 丕賱孬丕賳賷丞 亘毓丿 鬲賯爻賷賲 賮乇賳爻丕 賵爻賯賵胤 丿賮丕毓丕鬲賴丕 // 賰丕賳鬲 乇賵丕賷丞 丨乇亘 賲鬲賰丕賲賱丞 賮丕賱丨乇亘 賱賲 鬲賰賳 毓賱賶 丕賱兀乇囟 賮賯胤 賰丕賳鬲 丨乇亘 廿賳爻丕賳賷丞 丕噩鬲賲丕毓賷丞 賮賰乇賷丞貙 丨乇亘 賲毓 丕賱賲丕囟賷 賵 丕賱丨丕囟乇 賵 丕賱賲爻鬲賯亘賱 貙 丨乇亘 賲毓 丕賱丨亘 貙 丨乇亘 丕賱廿賳爻丕賳 囟丿 匕丕鬲賴 賵 賰賷丕賳賴 睾賱亘 毓賱賶 卮禺賵氐 賲賯丕鬲賱賷賴丕 賳賵毓 賲賳 丕賱賷兀爻 賵丕賱鬲匕亘匕亘 丕賱賮賰乇賷 賵丕賱賵噩賵丿賷 賵 丕賱囟賷丕毓 賲丕亘賷賳 賵丕賯毓 賲丨胤賲 賵 兀丨賱丕賲 賵乇丿賷丞 .
- 丕賱匕賷 鬲毓賲賯 亘丨賷丕丞 丕賱毓丕卮賯賷賳 爻丕乇鬲乇 賵 爻賷賲賵賳 爻賵賮 賷賮賴賲 鬲賲丕賲丕賸 胤亘賷毓丞 丕賱毓賱丕賯丞 賲丕亘賷賳 亘胤賱賷 丕賱乇賵丕賷丞 亘賱賵賲丕乇 賵 廿賷賱賷賳 貙 賰丕賳 賵丕囟丨丕賸 爻賷賲賵賳 賯丿 賵囟毓鬲 亘毓囟丕賸 賲賳 丕賱爻賷乇丞 丕賱匕丕鬲賷丞 賱賴丕 亘賷賳 胤賷丕鬲 丕賱乇賵丕賷丞 賵 兀爻亘睾鬲 氐賮丕鬲賴丕 毓賱賶 亘胤賱鬲賴丕 賵 氐賮丕鬲 爻丕乇鬲乇 毓賱賶 亘賱賵賲丕乇 鬲賯乇賷亘丕賸 .
丕賱賯乇丕亍丞 丕賱賲鬲賯胤毓丞 賱賱乇賵丕賷丞 賵 丕賱丕賳賯胤丕毓丕鬲 亘禺乇鬲 丕賱賰孬賷乇 賲賲丕 賯乇兀鬲賴 賵賮丕鬲賳賷 賰鬲丕亘鬲賴丕 賮賷 丕賱賲乇丕噩毓丞 賲毓 丕賱兀爻賮 鬲噩乇亘丞 禺胤賷乇丞 賲毓 爻賷賲賵賳 賰丕賳 毓賱賷 丕賱亘丿亍 亘兀爻賴賱 賲丐賱賮丕鬲賴丕 賵 賱賷爻 兀孬賯賱賴丕 .
June 10, 2023
ilk defa simone de beauvoir okuyorum. ne ge莽 kal谋nm谋艧 bir tan谋艧ma.
nisan ay谋nda mephisto鈥檇a gezerken yeni bask谋s谋 nedeniyle dikkatimi 莽ekince arkas谋n谋 okudum ve yazar谋n kitab谋 cafe de flore鈥檇a yazd谋臒谋 bilgisini g枚r眉nce, iki ay sonraki paris biletimin gaz谋yla oradayken okurum diye ald谋m ve 枚yle de yapt谋m. yaln谋z kalan son 100 kadar sayfas谋n谋 burada bitirmek nasip oldu ve sonlara do臒ru g眉zelli臒inden uykum ka莽t谋. g眉zelli臒ini a艧amad谋臒谋m i莽in bu saatte (gece 01:30) yorum yaz谋yorum.
艧imdi bir defa kitab谋n beni en etkileyen taraf谋 sondan ba艧lamas谋 oldu, itiraf edeyim ba艧tan. kapan谋艧谋n谋 okuyorsunuz ve devam ettik莽e diyorsunuz ki: bu karakterler bu hale nas谋l geldi? nas谋l谋n谋 莽ok g眉zel anlat谋yor de beauvoir: sava艧 y眉z眉nden. sava艧谋 b枚yle atmosferik anlatmas谋 muazzam, cephe yak谋n谋ndaki kasabadan paris鈥檈 kadar her bir yerde oray谋 adeta kokluyorsunuz. sava艧谋n insan ruhunda yaratt谋臒谋 tahribat谋 muazzam anlatm谋艧, hayran kald谋m okuduk莽a. bir de, naziler yakla艧t谋k莽a verilen tepkiler, o kendini s谋y谋rmalar, bana ne diye d眉艧眉nenler鈥� ruhum s谋k谋艧t谋.o d枚nemde her 艧eyin plastik hollywood filmlerindeki gibi kahramanca ya艧anmad谋臒谋n谋, bizzat 艧ahit olmad谋k莽a bundan daha net g枚remezdim herhalde. sek ger莽e臒i inan谋lmaz bir atmosfer yaratarak anlatm谋艧 yani 枚zetle. bay谋ld谋m.
ama bence kitab谋n bir alametifarikas谋 da anlat谋mdaki sahne ge莽i艧leri. diyalog 眉st眉ne gelen, karakterlerden birinin kendi kendine d眉艧眉nd眉klerinin 眉st眉ne bamba艧ka bir anda, bamba艧ka bir karakterin diyaloga girmesiyle kesilen anlat谋m鈥� adeta film izler gibi hissettiriyor.
benim gibi ge莽 kalan herkese tavsiye ederim tez zamanda simone de beauvoir ile tan谋艧mas谋n谋 莽ok isterim.
nisan ay谋nda mephisto鈥檇a gezerken yeni bask谋s谋 nedeniyle dikkatimi 莽ekince arkas谋n谋 okudum ve yazar谋n kitab谋 cafe de flore鈥檇a yazd谋臒谋 bilgisini g枚r眉nce, iki ay sonraki paris biletimin gaz谋yla oradayken okurum diye ald谋m ve 枚yle de yapt谋m. yaln谋z kalan son 100 kadar sayfas谋n谋 burada bitirmek nasip oldu ve sonlara do臒ru g眉zelli臒inden uykum ka莽t谋. g眉zelli臒ini a艧amad谋臒谋m i莽in bu saatte (gece 01:30) yorum yaz谋yorum.
艧imdi bir defa kitab谋n beni en etkileyen taraf谋 sondan ba艧lamas谋 oldu, itiraf edeyim ba艧tan. kapan谋艧谋n谋 okuyorsunuz ve devam ettik莽e diyorsunuz ki: bu karakterler bu hale nas谋l geldi? nas谋l谋n谋 莽ok g眉zel anlat谋yor de beauvoir: sava艧 y眉z眉nden. sava艧谋 b枚yle atmosferik anlatmas谋 muazzam, cephe yak谋n谋ndaki kasabadan paris鈥檈 kadar her bir yerde oray谋 adeta kokluyorsunuz. sava艧谋n insan ruhunda yaratt谋臒谋 tahribat谋 muazzam anlatm谋艧, hayran kald谋m okuduk莽a. bir de, naziler yakla艧t谋k莽a verilen tepkiler, o kendini s谋y谋rmalar, bana ne diye d眉艧眉nenler鈥� ruhum s谋k谋艧t谋.o d枚nemde her 艧eyin plastik hollywood filmlerindeki gibi kahramanca ya艧anmad谋臒谋n谋, bizzat 艧ahit olmad谋k莽a bundan daha net g枚remezdim herhalde. sek ger莽e臒i inan谋lmaz bir atmosfer yaratarak anlatm谋艧 yani 枚zetle. bay谋ld谋m.
ama bence kitab谋n bir alametifarikas谋 da anlat谋mdaki sahne ge莽i艧leri. diyalog 眉st眉ne gelen, karakterlerden birinin kendi kendine d眉艧眉nd眉klerinin 眉st眉ne bamba艧ka bir anda, bamba艧ka bir karakterin diyaloga girmesiyle kesilen anlat谋m鈥� adeta film izler gibi hissettiriyor.
benim gibi ge莽 kalan herkese tavsiye ederim tez zamanda simone de beauvoir ile tan谋艧mas谋n谋 莽ok isterim.
December 25, 2022
芦賴賲賴贁 賲丕 賲爻卅賵賱蹖賲. 賴賲賴贁 賲丕 賷毓賳蹖 賴乇讴爻貨 賲賳 賴賲蹖卮賴 丕蹖賳 丕丨爻丕爻 乇丕 丿丕卮鬲賴鈥屫з呚� 丨鬲蹖 亘趩賴 讴賴 亘賵丿賲. 賳诏丕賴 賲賳 讴賴 亘丕卮丿 丕蹖賳 禺蹖丕亘丕賳 賲賵噩賵丿蹖鬲 倬蹖丿丕 賲蹖鈥屭┵嗀�. 氐丿丕蹖 賲賳 讴賴 亘丕卮丿 丕夭 丕蹖賳 丿賳蹖丕 氐丿丕蹖蹖 亘賱賳丿 賲蹖鈥屫促堌�. 爻讴賵鬲 賵 禺丕賲賵卮蹖 丕蹖賳 丿賳蹖丕 鬲賯氐蹖乇 賲賳 丕爻鬲.禄
禺賵賳丿賳卮 鬲賵 丕蹖賳 亘乇賴賴 丕夭 鬲丕乇蹖禺貙 賱胤賮 丿蹖诏賴鈥屫й� 丿丕卮鬲
賵 亘賱賴貙 賴賲賴贁 賲丕 賲爻卅賵賱蹖賲鈥�
禺賵賳丿賳卮 鬲賵 丕蹖賳 亘乇賴賴 丕夭 鬲丕乇蹖禺貙 賱胤賮 丿蹖诏賴鈥屫й� 丿丕卮鬲
賵 亘賱賴貙 賴賲賴贁 賲丕 賲爻卅賵賱蹖賲鈥�
October 5, 2011
I鈥檝e lately been reading 鈥檚 novel . In general I seem to be able to get a better feel for French existentialists from their fiction than their essays and lectures 鈥� at least where and are concerned. De Beauvoir is considerably less coy than they were, in their novels, about making her fiction primarily a way of illustrating existentialist philosophy.
For example, this scene, in which H茅l猫ne ponders with her lover the question 鈥渨hy do we live?鈥�:
or this argument:
or this steamy existentialist love scene:
So, yeah鈥� it gets a little heavy-handed at times. But sometimes a lay-it-on-thick melodrama is the best way of getting a philosophy across.
The major theme seems to be about the squeamishness conscientious people have about making choices that involve the sorts of risks to other people that would make them feel guilty if their choices turn out to have bad consequences. One 鈥渂ad faith鈥� way of dealing with this is to remain passive and to pretend that by not making a particular choice, you are not making any choice at all and therefore are not responsible for the consequences of your decision. Another way is to attach yourself to an organization or ideology that makes your decisions for you. But neither of these things really works; the decisions and their consequences are still yours, and you would have been better off just admitting this from the get go and acting accordingly.
For example, this scene, in which H茅l猫ne ponders with her lover the question 鈥渨hy do we live?鈥�:
鈥淲hen I was small, I believed in God, and it was wonderful; at every moment of the day something was required of me; then it seemed to me that I must exist. It was an absolute necessity.鈥�
I smiled sympathetically at her. 鈥淚 think that where you go wrong is that you imagine that your reasons for living ought to fall on you ready-made from heaven, whereas we have to find them for ourselves.鈥�
鈥淏ut when we know that we鈥檝e found them ourselves, we can鈥檛 believe in them. It鈥檚 only a way of deceiving ourselves.鈥�
鈥淲hy? You don鈥檛 find them just like that 鈥� out of thin air. We discover them through the strength of a love or a desire, and then what we have found rises before us, solid and real.鈥�
or this argument:
鈥淧eople are free,鈥� I said, 鈥渂ut only so far as they themselves are concerned; we can neither touch, foresee, nor insist on them using their liberty. That is what I find so painful; the intrinsic worth of an individual exists only for him, not for me; I can only get as far as his outward actions, and to him I am nothing more than an outer appearance, an absurd set of premises; premises that I do not even choose to be鈥︹€�
鈥淭hen don鈥檛 get excited,鈥� said Marcel; 鈥渋f you don鈥檛 even make the choice, why punish yourself?鈥�
鈥淚 don鈥檛 choose to exist, but I am. An absurdity that is responsible for itself, that鈥檚 exactly what I am.鈥�
鈥淲ell, there must be something.鈥�
鈥淏ut there might be something else鈥︹€�
or this steamy existentialist love scene:
鈥淚 need you because I love you,鈥� I said.
You were in my arms, and my heart was heavy on account of those cowardly festive echoes and because I was lying to you. Crushed by all those things which existed in spite of me and from which I was separated only by my own anguish. There is nothing left. Nobody on that bed; before me lies a gaping void. And the anguish comes into its own, alone in the void, beyond the vanished things. I am alone. I am that anguish which exists alone, in spite of me; I am merged with that blind existence. In spite of me and yet issuing only from myself. Refuse to exist; I exist. Decide to exist; I exist. Refuse. Decide. I exist. There will be a dawn.
So, yeah鈥� it gets a little heavy-handed at times. But sometimes a lay-it-on-thick melodrama is the best way of getting a philosophy across.
The major theme seems to be about the squeamishness conscientious people have about making choices that involve the sorts of risks to other people that would make them feel guilty if their choices turn out to have bad consequences. One 鈥渂ad faith鈥� way of dealing with this is to remain passive and to pretend that by not making a particular choice, you are not making any choice at all and therefore are not responsible for the consequences of your decision. Another way is to attach yourself to an organization or ideology that makes your decisions for you. But neither of these things really works; the decisions and their consequences are still yours, and you would have been better off just admitting this from the get go and acting accordingly.
December 20, 2019
Simone de Beauvoir, fil贸sofa, escritora, matem谩tica, pol铆tica, adere ao movimento existencialista tal como Jean Paul Sartre, seu grande amigo. Beauvoir escreve "O Sangue dos Outros" em 1944, em plena II guerra mundial.
Este livro retrata a vida de jovens parisienses durante a ocupa莽茫o nazista. Como 茅 caracter铆stica e marcante na obra de Beauvoir, encontramos um alto teor filos贸fico no estilo existencialista. Dilemas existenciais relacionados com liberdade, responsabilidade e consequentemente as implica莽玫es relacionadas com as escolhas individuais de cada personagem.
A hist贸ria gira em torno de dois personagens principais: Jean e Hel茅ne.
Ele oriundo de uma fam铆lia burguesa e ela de uma simples costureira.
Jean procura uma raz茫o para viver, est谩 atento ao sofrimento dos oper谩rios e da pobreza ao seu redor, e o contraste com a opul锚ncia que existe na sua casa e do ambiente 脿 sua volta, revolta-se, abandona a casa do pai e vai viver num cub铆culo, torna-se oper谩rio e inscreve-se no partido comunista por influencia de um amigo. N茫o 茅 bem aceite pelo grupo devido a ser filho de um burgu锚s, por outro lado, Jean n茫o se rev锚 neste grupo, devido 脿 sua educa莽茫o e forma莽茫o, abandona o partido durante v谩rios anos.
Hel茅ne, jovem, mimada e habituada a verem satisfeitas todos os seus caprichos, uma rapariga ousada e aventureira, ama Jean e est谩 determinada a conquista-lo. Apesar de todos os esfor莽os H茅lene n茫o consegue compreender Jean, n茫o aceita os seus ideais pol铆ticos, nem o motivo que o leva a voluntariar-se na guerra para 鈥渟alvar鈥� os polacos. Para ela a 煤nica raz茫o da exist锚ncia 茅 estar aqui e agora, nada mais interessa, cada um que cuide de si e fa莽a o melhor para si, os outros n茫o lhe interessa.
"N茫o podia talhar-me um destino justo num mundo injusto; desejava a justi莽a. Por que 茅 que a queria? Pelos outros ou por mim? Disseste-me um dia com raiva 鈥溍� sempre por si pr贸prio que se luta鈥�. Eu lutava contra o remorso e a culpa, a culpa de existir, a minha culpa. Como me tinha atrevido a arrastar para este combate um outro que n茫o eu pr贸prio?" (pp. 31 e 32).
Para Jean, a raz茫o de viver n茫o cai do C茅u, s茫o os homens que a criam, mas essa raz茫o deve ser justa para todos os seres humanos, todos dever茫o ter a oportunidade de construir a raz茫o da sua exist锚ncia, compreender e lutar por ela. Existimos, ent茫o temos um espa莽o reservado a n贸s, e devemos ser livres para o usufruir em paz.
Para Hel茅ne, a sua 煤nica raz茫o de viver era conquistar o amor de Jean, nada mais lhe interessava at茅 os alem茫es invadirem a fran莽a.
O final surpreende, porque na literatura, tal como na vida, estamos sempre a ser surpreendidos no final.
Recomendo...
Este livro retrata a vida de jovens parisienses durante a ocupa莽茫o nazista. Como 茅 caracter铆stica e marcante na obra de Beauvoir, encontramos um alto teor filos贸fico no estilo existencialista. Dilemas existenciais relacionados com liberdade, responsabilidade e consequentemente as implica莽玫es relacionadas com as escolhas individuais de cada personagem.
A hist贸ria gira em torno de dois personagens principais: Jean e Hel茅ne.
Ele oriundo de uma fam铆lia burguesa e ela de uma simples costureira.
Jean procura uma raz茫o para viver, est谩 atento ao sofrimento dos oper谩rios e da pobreza ao seu redor, e o contraste com a opul锚ncia que existe na sua casa e do ambiente 脿 sua volta, revolta-se, abandona a casa do pai e vai viver num cub铆culo, torna-se oper谩rio e inscreve-se no partido comunista por influencia de um amigo. N茫o 茅 bem aceite pelo grupo devido a ser filho de um burgu锚s, por outro lado, Jean n茫o se rev锚 neste grupo, devido 脿 sua educa莽茫o e forma莽茫o, abandona o partido durante v谩rios anos.
Hel茅ne, jovem, mimada e habituada a verem satisfeitas todos os seus caprichos, uma rapariga ousada e aventureira, ama Jean e est谩 determinada a conquista-lo. Apesar de todos os esfor莽os H茅lene n茫o consegue compreender Jean, n茫o aceita os seus ideais pol铆ticos, nem o motivo que o leva a voluntariar-se na guerra para 鈥渟alvar鈥� os polacos. Para ela a 煤nica raz茫o da exist锚ncia 茅 estar aqui e agora, nada mais interessa, cada um que cuide de si e fa莽a o melhor para si, os outros n茫o lhe interessa.
"N茫o podia talhar-me um destino justo num mundo injusto; desejava a justi莽a. Por que 茅 que a queria? Pelos outros ou por mim? Disseste-me um dia com raiva 鈥溍� sempre por si pr贸prio que se luta鈥�. Eu lutava contra o remorso e a culpa, a culpa de existir, a minha culpa. Como me tinha atrevido a arrastar para este combate um outro que n茫o eu pr贸prio?" (pp. 31 e 32).
Para Jean, a raz茫o de viver n茫o cai do C茅u, s茫o os homens que a criam, mas essa raz茫o deve ser justa para todos os seres humanos, todos dever茫o ter a oportunidade de construir a raz茫o da sua exist锚ncia, compreender e lutar por ela. Existimos, ent茫o temos um espa莽o reservado a n贸s, e devemos ser livres para o usufruir em paz.
Para Hel茅ne, a sua 煤nica raz茫o de viver era conquistar o amor de Jean, nada mais lhe interessava at茅 os alem茫es invadirem a fran莽a.
O final surpreende, porque na literatura, tal como na vida, estamos sempre a ser surpreendidos no final.
Recomendo...
January 30, 2025
This was a powerful and difficult book. Written up against bloody loss and human division. It鈥檚 over now and yet I feel like am still at the beginning, just because the Introduction words of Ali Smith consistently keep ringing in my head, something in this line,
鈥欌€here鈥檚 nothing like a good book to take you out of and at the same time deep into yourself, directly to what keeps us all breathing, the blood in your own and in all our veins鈥︹€�.
June 23, 2010
The Blood of Others is a long contemplation of the subjective experiences of a few French intellectuals caught up in the moral vagaries of World War II occupied France. This novel isn't particularly notable for its plot per se; a bourgeois man cum revolutionary holds love at arm's length for the sake of his political cause and supra-important principles until he finds himself at the woman's deathbed as she is dying a hero's death. As this is de Beauvoir, the lens through which the plot and its prose unfold is an existentialist one; the ethical dilemmas that arise at the crossroads of identity integrity and class revolution are repeatedly cast against the brute reality of singular subjectivity and the imminence and permanence of death.
The novel seems unable to resolve the issue of whether sacrificing our life moment for our ideals and principles is worthwhile, but perhaps that's not the point. We are cursed with freedom to choose, and at the end of the day, given that the end result is often hidden from us, there is no 鈥渞ight鈥� choice, for ultimately we are left with the one reality that is certain: our own limited existence. Unfortunately, in my mind, the novel's ruminations are woefully off-center from the larger moral legacy of World War II; in light of the unfathomable horror of the Holocaust and its upending of all known moral certainties, this existentialist argument seems somewhat decadent and even Pollyanna-ish.
All the same, it was a thoroughly enjoyable, engaging read.
The novel seems unable to resolve the issue of whether sacrificing our life moment for our ideals and principles is worthwhile, but perhaps that's not the point. We are cursed with freedom to choose, and at the end of the day, given that the end result is often hidden from us, there is no 鈥渞ight鈥� choice, for ultimately we are left with the one reality that is certain: our own limited existence. Unfortunately, in my mind, the novel's ruminations are woefully off-center from the larger moral legacy of World War II; in light of the unfathomable horror of the Holocaust and its upending of all known moral certainties, this existentialist argument seems somewhat decadent and even Pollyanna-ish.
All the same, it was a thoroughly enjoyable, engaging read.
March 13, 2021
袣邪泻胁芯褌芯 懈 写邪 褋褌邪胁邪, 泻褉褗胁褌邪 械 胁懈薪邪谐懈 薪邪 写褉褍谐懈褌械.
袧械 屑芯卸邪褏 写邪 褋械 褉邪蟹斜械褉邪 褋 褎懈谢芯褋芯褎懈褟褌邪 薪邪 袛褜芯 袘芯胁芯邪褉. 袦芯卸械 斜懈 屑懈 写芯泄写械 褌胁褗褉写械 胁懈褋芯泻邪 褌芯锌泻邪. 效芯胁械泻 褌褉褟斜胁邪 写邪 褋懈 锌褉懈蟹薪邪胁邪 懈 锌芯褉邪卸械薪懈褟褌邪.
袧械 屑芯卸邪褏 写邪 褋械 褉邪蟹斜械褉邪 褋 褎懈谢芯褋芯褎懈褟褌邪 薪邪 袛褜芯 袘芯胁芯邪褉. 袦芯卸械 斜懈 屑懈 写芯泄写械 褌胁褗褉写械 胁懈褋芯泻邪 褌芯锌泻邪. 效芯胁械泻 褌褉褟斜胁邪 写邪 褋懈 锌褉懈蟹薪邪胁邪 懈 锌芯褉邪卸械薪懈褟褌邪.
September 30, 2024
禺賵賳丿賳 賮氐賱 丕賵賱 丿丕爻鬲丕賳 亘乇丕賲 爻禺鬲 亘賵丿貨 趩賵賳 乇丕賵蹖 丕夭 丕賵賱 卮禺氐 亘賴 爻賵賲 卮禺氐 賲鬲睾蹖乇 亘賵丿 賵 夭賲丕賳貙 賳丕诏賴丕賳蹖貙 毓賵囟 賲蹖鈥屫簇� 賵賱蹖 丕夭 賮氐賱 丿賵賲 亘賴 亘毓丿 亘丕 賯賱賲 賳賵蹖爻賳丿賴 丌卮賳丕 卮丿賲 賵 鬲睾蹖蹖乇 乇丕賵蹖 賵 夭賲丕賳 賵 賲讴丕賳 亘乇丕賲 爻禺鬲 賳亘賵丿馃摉
爻蹖賲賵賳 丿賵亘賵賵丕乇 賮賲蹖賳蹖爻賲 賵 倬蹖乇賵 賲讴鬲亘 丕诏夭蹖爻鬲丕賳爻蹖丕賱蹖爻賲賴 賵賱蹖 鬲賵蹖 丕蹖賳 讴鬲丕亘 賲丕 亘丕 賴蹖趩 胤乇賮丿丕乇丕蹖 爻乇 賵 讴丕乇 賳丿丕乇蹖賲. 賴蹖趩鈥屭┴堎� 丕夭 夭賳鈥屬囏й� 丿丕爻鬲丕賳 亘賴鈥屫蒂堌必� 睾賱賵卮丿賴鈥屫й� 賯賵蹖 賳蹖爻鬲賳 賵 丕蹖賳 丕氐賱 讴賴 賲丕 賲爻卅賵賱 丕賳鬲禺丕亘鈥屬囏з呝堎� 賴爻鬲蹖賲 乇賵 賴賲 亘賴 賳賯丿 賲蹖鈥屭┴促堎嗁囸煋�
賳賵蹖爻賳丿賴 丕蹖賳鈥屬傌� 鬲賵丕賳丕爻鬲 讴賴 丨鬲蹖 爻乇诏匕卮鬲 賵 氐賮丨丕鬲 賲乇亘賵胤 亘賴 卮禺氐蹖鬲鈥屬囏й� 賮乇毓蹖 賴賲 亘乇丕賲 賲賴賲 亘賵丿 賵 亘賴 丕賳丿丕夭賴鈥屰� 卮禺氐蹖鬲鈥屬囏й� 丕氐賱蹖 丕夭 禺賵賳丿賳 丿乇賲賵乇丿卮賵賳 賱匕鬲 賲蹖鈥屫ㄘ必咅煋�
丿丕爻鬲丕賳蹖 毓丕卮賯丕賳賴 讴賴 亘乇 亘爻鬲乇 爻蹖丕爻鬲 賵 噩賳诏賴 賵 爻蹖賲賵賳 丿賵亘賵賵丕乇 丕蹖賳鈥屬傌� 賳賵蹖爻賳丿賴鈥屰� 賯丿乇鬲賲賳丿蹖賴 讴賴 賲賵賯毓 倬乇丿丕禺鬲賳 亘賴 賴乇 讴丿賵賲 丕夭 丕蹖賳 賲賵囟賵毓鈥屬囏� 亘賴 亘賴鬲乇蹖賳 賳丨賵 丕夭卮賵賳 賳賵卮鬲賴. 亘丕 禺賵賳丿賳 賯爻賲鬲鈥屬囏й� 毓丕卮賯丕賳賴鈥屰� 讴鬲丕亘 睾賲诏蹖賳 卮丿賲貙 賵賯鬲蹖 亘丨孬鈥屬囏й� 爻蹖丕爻蹖 乇賵 賲蹖鈥屫堎嗀� 亘丕 胤乇夭 賮讴乇 诏乇賵賴鈥屬囏й� 賲禺鬲賱賮 亘蹖卮鬲乇 丌卮賳丕 卮丿賲 賵 亘賴卮 賮讴乇 讴乇丿賲 賵 丿乇賳賴丕蹖鬲 賵賯鬲蹖 讴賴 丿乇賲賵乇丿 噩賳诏 鈥屬� 賯丨胤蹖 賵 賵蹖乇丕賳蹖 賲蹖鈥屫堎嗀� 丕賳诏丕乇 賲蹖鈥屫堎嗀池� 鬲賲丕賲 丕賵賳 鬲氐丕賵蹖乇 乇賵 倬蹖卮 趩卮賲賲 鬲噩爻賲 讴賳賲馃摉
讴鬲丕亘 讴賱丕爻蹖讴賴 賵賱蹖 賴蹖趩 鬲賵氐蹖賮 亘蹖鈥屫� 賵 亘蹖鈥屬呝堌必� 賳丿丕乇賴 賵 賲賳 丕夭 禺賵賳丿賳 禺胤 亘賴 禺胤 丿丕爻鬲丕賳 賱匕鬲 亘乇丿賲. 丕蹖賳 讴鬲丕亘 鬲亘丿蹖賱 卮丿 亘賴 蹖讴蹖 丕夭 賯卮賳诏鈥屫臂屬� 讴鬲丕亘鈥屬囏й屰� 讴賴 鬲丕丕賱丕賳 禺賵賳丿賲 馃槉
July 20, 2018
Simon Beauvoir tal como Satre fundou o existencialismo. E esta obra demonstra esse per铆odo. Uma 茅poca de incertezas, de busca pela liberdade e de encontro do pr贸prio ser.
Helene 茅 a personagem que mais marca a a莽茫o. Uma mulher emancipada, que ama e sofre desesperadamente. Pensa em si antes dos outros. Mas n茫o devemos primeiro encontrar a nossa pr贸pria felicidade? Que interesse tem os outros quando somos infelizes? Ir谩 involver-se com Jean que se tornar谩 no seu grande amor.
A obra tamb茅m narra o conflio entre a burguesia e a comunidade dos oper谩rios. Muitas das personagens masculinas se alistam no comunismo, acreditando que conseguir茫o a igualdade.
Quando a guerra emerge todo muda. Tamb茅m Helena torna-se mais solid谩ria e por causa disso tem um fim tr谩gico.
Esta 茅 uma obra de g茅nio! Simone de Beauvoir 茅 uma mulher que inspirou milhares de mulheres e o seu legado permanecer谩 vivo eternamente!
Helene 茅 a personagem que mais marca a a莽茫o. Uma mulher emancipada, que ama e sofre desesperadamente. Pensa em si antes dos outros. Mas n茫o devemos primeiro encontrar a nossa pr贸pria felicidade? Que interesse tem os outros quando somos infelizes? Ir谩 involver-se com Jean que se tornar谩 no seu grande amor.
A obra tamb茅m narra o conflio entre a burguesia e a comunidade dos oper谩rios. Muitas das personagens masculinas se alistam no comunismo, acreditando que conseguir茫o a igualdade.
Quando a guerra emerge todo muda. Tamb茅m Helena torna-se mais solid谩ria e por causa disso tem um fim tr谩gico.
Esta 茅 uma obra de g茅nio! Simone de Beauvoir 茅 uma mulher que inspirou milhares de mulheres e o seu legado permanecer谩 vivo eternamente!
September 7, 2024
N茫o tem o que n茫o amar aqui (ok, talvez o final n茫o seja t茫o bom assim, mas o conjunto 茅 excelente), em primeiro lugar amei o uso de elipse narrativa, isso tornou o livro bem din芒mico e enxuto. Em segundo lugar, cada frase 茅 um micro ensaio filos贸fico, al茅m de serem constru铆das com um apuro est茅tico que s贸 grandes escritores t锚m. Em terceiro lugar, como tudo isso reflete a experi锚ncia da Beauvoir na Resist锚ncia francesa, a autora mencionava que s贸 come莽ou a verdadeiramente olhar o outro no per铆odo de ocupa莽茫o nazista, foi a铆 que ela realmente aprendeu a ser emp谩tica, cultivando o antifascismo ao ver o que os alem茫es faziam aos judeus e tudo isso est谩 brilhantemente refletido em O Sangue dos Outros, um t铆tulo excelente, ali谩s.
Agora deixa eu ir l谩 ver a adapta莽茫o do Chabrol com a Jodie Foster, filme que est谩 completando 40 anos.
Agora deixa eu ir l谩 ver a adapta莽茫o do Chabrol com a Jodie Foster, filme que est谩 completando 40 anos.
September 20, 2024
Pode um ser humano que vive em sociedade se eximir de suas responsabilidades para com os demais? Esse pareceu-me ser a linha condutora de O sangue dos outros, primeira obra de Simone de Beauvoir que leio, romance de fundo filos贸fico existencialista.
(...) bastava-lhe agora agir de acordo consigo mesmo, sem olhar nem a direita nem 脿 esquerda. Sem olhar 脿 sua frente. Como se o caminho estivesse j谩 todo tra莽ado. Como se o futuro n茫o fosse, a cada instange, esse v谩cuo hiante.
Jean Blomart, quando crian莽a, passa por uma triste experi锚ncia ao presenciar a dor pela morte de um beb锚. Mais tarde, j谩 um jovem adulto, passa por outra experi锚ncia similar, a dor da perda de de um amigo por um ato que considera de sua responsabilidade. Assim, de forma a influir o m铆nimo na vida dos demais, prefere se resguardar para si e fazer um trabalho de cunho social, al茅m de que suas rela莽玫es s茫o caracterizadas por um envolvimento m铆nimo, n茫o pretende interferir na vida de ningu茅m, como se fosse poss铆vel que os nossos atos, por menores que sejam, possam evitar de influir em outras vidas. At茅 que as pessoas pr贸ximas, o mundo ao seu redor, a vida ela mesma o levam a rever seus ideais.
(...) Apagar-me. Deixar de ser. Entretanto, mesmo que me mate, eu continuarei a ser. Serei um morto. Eles continuar茫o acorrentados 脿 minha morte, e esse vazio subtamente surgido na terra far谩 vibrar e estalar milhares de fibras imprevistas. (...) Serei ainda respons谩vel por todos esses atos que minha aus锚ncia houver tornado poss铆veis. (...) N茫o posso eliminar-me. N茫o posso retirar-me para dentro de mim mesmo. Eu existo, fora de mim e por toda a parte do mundo, n茫o h谩 uma polegada sequer de meu caminho que n茫o se insinue num caminho alheio.
Em algum lugar, li que a pr贸pria Beauvoir, j谩 em anos avan莽ados, criticou o seu livro como uma obra did谩tica. Did谩tica ou n茫o, as suas escolhas de constru莽茫o do texto s茫o o que predem o leitor, ao menos a este leitor, em que o momento presente vivido pelos personagens 茅 intercalado por mem贸rias que constroem os seus passados, interelacionando-se aos seus ideias existencialistas. Jean, H茅l猫ne, Madeleine, Marcel, Denise, Paul, Yvonne... Vidas contadas por meio do narrador-personagem Jean (Blomart) e de sua H茅l猫ne, para quem o mundo 茅 conforme os seus desejos, at茅 que n茫o, at茅 que tamb茅m se v锚 for莽ada a sair do seu casulo de ideais e perceber que o sangue, a dor, a liberdade dos outros s茫o tamb茅m nossos, s茫o universais.
Foi uma leitura e experi锚ncia instigante, como eu gosto, que me fazem refletir profundamente e cujos temas continuar茫o a se fazer presentes.
(...) bastava-lhe agora agir de acordo consigo mesmo, sem olhar nem a direita nem 脿 esquerda. Sem olhar 脿 sua frente. Como se o caminho estivesse j谩 todo tra莽ado. Como se o futuro n茫o fosse, a cada instange, esse v谩cuo hiante.
Jean Blomart, quando crian莽a, passa por uma triste experi锚ncia ao presenciar a dor pela morte de um beb锚. Mais tarde, j谩 um jovem adulto, passa por outra experi锚ncia similar, a dor da perda de de um amigo por um ato que considera de sua responsabilidade. Assim, de forma a influir o m铆nimo na vida dos demais, prefere se resguardar para si e fazer um trabalho de cunho social, al茅m de que suas rela莽玫es s茫o caracterizadas por um envolvimento m铆nimo, n茫o pretende interferir na vida de ningu茅m, como se fosse poss铆vel que os nossos atos, por menores que sejam, possam evitar de influir em outras vidas. At茅 que as pessoas pr贸ximas, o mundo ao seu redor, a vida ela mesma o levam a rever seus ideais.
(...) Apagar-me. Deixar de ser. Entretanto, mesmo que me mate, eu continuarei a ser. Serei um morto. Eles continuar茫o acorrentados 脿 minha morte, e esse vazio subtamente surgido na terra far谩 vibrar e estalar milhares de fibras imprevistas. (...) Serei ainda respons谩vel por todos esses atos que minha aus锚ncia houver tornado poss铆veis. (...) N茫o posso eliminar-me. N茫o posso retirar-me para dentro de mim mesmo. Eu existo, fora de mim e por toda a parte do mundo, n茫o h谩 uma polegada sequer de meu caminho que n茫o se insinue num caminho alheio.
Em algum lugar, li que a pr贸pria Beauvoir, j谩 em anos avan莽ados, criticou o seu livro como uma obra did谩tica. Did谩tica ou n茫o, as suas escolhas de constru莽茫o do texto s茫o o que predem o leitor, ao menos a este leitor, em que o momento presente vivido pelos personagens 茅 intercalado por mem贸rias que constroem os seus passados, interelacionando-se aos seus ideias existencialistas. Jean, H茅l猫ne, Madeleine, Marcel, Denise, Paul, Yvonne... Vidas contadas por meio do narrador-personagem Jean (Blomart) e de sua H茅l猫ne, para quem o mundo 茅 conforme os seus desejos, at茅 que n茫o, at茅 que tamb茅m se v锚 for莽ada a sair do seu casulo de ideais e perceber que o sangue, a dor, a liberdade dos outros s茫o tamb茅m nossos, s茫o universais.
Foi uma leitura e experi锚ncia instigante, como eu gosto, que me fazem refletir profundamente e cujos temas continuar茫o a se fazer presentes.
December 27, 2024
丕毓賲丕賱 丌丿賲蹖 賴賲蹖卮賴 賵 丿乇 賴賲賴 丨丕賱 亘乇 乇賵蹖 丿蹖诏乇丕賳 鬲兀孬蹖乇 賲蹖鈥屭柏ж必� 丕賲丕 鬲丕 趩賴 丨丿 亘丕蹖丿 亘乇丕蹖 丿蹖诏乇丕賳 丿爻鬲 亘賴 賮丿丕讴丕乇蹖 夭丿責
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丕夭 爻賵蹖蹖 丿蹖诏乇 賴賱賳 卮禺氐蹖鬲 夭賳 丿丕爻鬲丕賳 趩賳丕賳 夭賳丿诏蹖 丌夭丕丿 賵 亘蹖鈥屬傐屫� 賵 卮乇胤蹖 丿丕乇丿 讴賴 夭賳丿诏蹖 賵鈥� 爻乇賳賵卮鬲 賴蹖趩鈥屭┴� 噩夭 禺賵丿卮 亘乇丕蹖卮 丕賴賲蹖鬲 賳丿丕乇丿.
賴賱賳 毓丕卮賯 跇丕賳 賲蹖鈥屫促堌� 毓卮賯蹖 讴賴 亘賴 禺蹖丕賱 丕賵 蹖讴 胤乇賮賴 丕爻鬲 趩賴 亘爻丕 讴賴 丿乇 丌睾丕夭 丕蹖賳 诏賵賳賴 賴賲 賴爻鬲 夭蹖乇丕 跇丕賳 鬲氐賵乇 賲蹖鈥屭┵嗀� 賲蹖鈥屫堌з嗀� 丕賵 乇丕 丿賵爻鬲 亘丿丕乇丿 丕賲丕 賳賲蹖鈥屫堌з嗀� 毓丕卮賯 賴賱賳 讴賴 噩夭 禺賵丿卮 亘賴 賴蹖趩鈥屭┴� 丕賴賲蹖鬲 賳賲蹖鈥屫囏� 亘丕卮丿.
丿乇 乇賲丕賳 賲蹖鈥屫堌з� 鬲賳卮鈥屬囏� 賵 丕爻鬲乇爻鈥屬囏й� 賲乇丿賲 丿乇 夭賲丕賳 噩賳诏 噩賴丕賳蹖 丿賵賲 賵 丕卮睾丕賱 賮乇丕賳爻賴 鬲賵爻胤 丌賱賲丕賳 乇丕 亘賴 禺賵亘蹖 賯丕亘賱 賱賲爻 丕爻鬲貙 賴賲蹖賳 鬲賳卮鈥屬囏� 賵鈥� 丕爻鬲乇爻鈥屬囏� 賴賱賳 乇賴丕 丕夭 丿蹖诏乇丕賳 乇丕 鬲亘丿蹖賱 亘賴 賲亘丕乇夭蹖 賮丿丕讴丕乇 丿乇 乇丕賴 丌夭丕丿蹖 賲蹖鈥屭┵嗀�.
賳賵蹖爻賳丿賴 亘蹖卮 丕夭 丌賳 讴賴 爻鬲蹖夭 毓卮賯 賵 噩賳诏 乇丕 乇賵丕蹖鬲 讴賳丿 亘丕 賯賱賲 丕丿亘蹖 賵 卮丕毓乇丕賳賴 禺賵丿 亘賴 胤乇丨 賲爻丕卅賱 賮賱爻賮蹖 丕夭 噩賲賱賴 賮丿丕讴丕乇蹖貙 丕賳鬲禺丕亘貙 毓賲賱 賵 鬲丕孬蹖乇 丌賳鈥屬囏� 亘乇 乇賵蹖 丿蹖诏乇丕賳 賲蹖鈥屬矩必ж藏� 爻賵丕賱丕鬲蹖 丨蹖丕鬲蹖 乇丕 賲胤乇丨 賲蹖鈥屭┵嗀� 賵 賳卮丕賳 賲蹖鈥屫囏� 讴賴 丕毓賲丕賱 丌丿賲蹖 賴賲蹖卮賴 賵 丿乇 賴賲賴 丨丕賱 亘賴 乇賵蹖 丿蹖诏乇丕賳 鬲丕孬蹖乇 賲蹖鈥屭柏ж必� 賵 丕夭 爻賲鬲蹖 賲蹖鈥屫堌з囏� 亘丿丕賳丿 賮丿丕讴丕乇蹖 鬲丕 趩賴 丨丿 丕乇夭卮賲賳丿 丕爻鬲 賵 噩丕蹖夭 丕爻鬲 丕賳爻丕賳 丿乇 丕蹖賳 乇丕賴 噩丕賳 禺賵丿 乇丕 賳蹖夭 賮丿丕 讴賳丿責
爻蹖賲賵賳 丿賵亘賵丕乇 噩賵丕亘 亘賴 丕蹖賳 爻賵丕賱 鈥屸€屫屭� 爻賵丕賱丕鬲 賮賱爻賮蹖 讴賴 賲胤乇丨 賲蹖鈥屭┵嗀� 乇丕 亘賴 毓賴丿賴鈥屰� 禺賵丕賳賳丿賴 賲蹖鈥屭柏ж必� 賵 丿乇 倬丕蹖丕賳 丕賵 乇丕 賲丕賳賳丿 讴賵丿讴蹖 禺乇丿爻丕賱 丿乇 趩賴丕乇 乇丕賴 丕亘賴丕賲 乇賴丕 賲蹖鈥屭┵嗀�.
卮禺氐蹖鬲鈥屬囏� 丿乇 乇賲丕賳 趩賴 丕氐賱蹖 賵 趩賴 賮乇毓蹖 賴賲賴 倬賵蹖丕貙賮毓丕賱 賵 賲賱賲賵爻 賴爻鬲賳丿 賵 丿睾丿睾賴鈥屬囏й� 賮讴乇蹖 丌賳鈥屬囏� 趩賳丕賳 賯丕亘賱 賱賲爻 丕爻鬲 讴賴 诏賵蹖蹖 丿睾丿睾賴鈥屬囏й� 禺賵丿 禺賵丕賳賳丿賴 丕爻鬲.
丕夭 爻賵蹖蹖 丿蹖诏乇 賴乇 卮禺氐蹖鬲 賳賲丕丿 诏乇賵賴蹖 丕賳爻丕賳鈥屬囏� 丕爻鬲 亘乇丕蹖 賲孬丕賱
噩賳诏 噩賴丕賳蹖 丿賵賲 禺賵丿 賳賲丕丿蹖 丕夭 讴卮賲讴卮鈥屬囏й� 賮賱爻賮蹖 賵 丕禺賱丕賯蹖 丿乇 丿乇賵賳 丕賳爻丕賳 丕爻鬲貙 賵丕讴賳卮 卮禺氐蹖鬲鈥屬囏� 亘賴 噩賳诏 賳卮丕賳鈥屫囐嗀団€屰� 賲蹖夭丕賳 賮丿丕讴丕乇蹖 賵 禺賵丿禺賵丕賴蹖 丌賳鈥屬囏� 丕爻鬲.
跇丕賳 卮禺氐蹖鬲 丕氐賱蹖 賲乇丿 賳賲丕丿蹖 丕夭 丕賳爻丕賳鈥屬囏й� 賲爻卅賵賱蹖鬲 倬匕蹖乇 丕爻鬲 賵 賳卮丕賳 賲蹖鈥屫囏� 丕毓賲丕賱 丕賳爻丕賳 賴賲賵丕乇賴 乇賵蹖 丿蹖诏乇丕賳 鬲丕孬蹖乇 賲蹖鈥屭柏ж必� 賵 賳賲蹖鈥屫堌з� 亘丿賵賳 丿乇 賳馗乇 诏乇賮鬲賳 丿蹖诏乇丕賳 夭賳丿诏蹖 讴乇丿.
賴賱賳 卮禺氐蹖鬲 丕氐賱蹖 夭賳 丿丕爻鬲丕賳 賳賲丕丿蹖 丕夭 丕賮乇丕丿 禺賵丿 賲丨賵乇蹖 丕爻鬲 讴賴 賮賯胤 亘賴 禺賵丿 賵鈥� 賱匕鬲鈥屬囏� 丕賴賲蹖鬲 賲蹖鈥屫囐嗀� 丕賲丕 丿乇 胤賵賱 夭賲丕賳 丿趩丕乇 鬲丨賵賱 賲蹖鈥屫促堎嗀� 賵 賳卮丕賳 賲蹖鈥屫囏� 讴賴 丕賳爻丕賳 賳賲蹖鈥屫堌з嗀� 亘賴 鬲賳賴丕蹖蹖 丿乇 丕賳夭賵丕 夭賳丿诏蹖 讴賳丿.
賲乇诏 丕賵 讴賴 丿乇 丌睾丕夭 乇賲丕賳 亘丕 丌賳 賲賵丕噩賴 賲蹖鈥屫促堐屬� 鬲丕 倬丕蹖丕賳 丕丿丕賲賴 丿丕乇丿 賳賲丕丿蹖 丕夭 丌睾丕夭 丕賳鬲禺丕亘鈥屬囏й� 丕禺賱丕賯蹖 賵 丕噩鬲賲丕毓蹖 丕爻鬲.
賳賵蹖爻賳丿賴 賯賱賲蹖 噩匕丕亘貙 诏蹖乇丕 賵 丕賱亘鬲賴 丿丕乇丿 丕賲丕 丕蹖賳 賲蹖鈥屫堌з嗀� 亘乇丕蹖 禺賵丕賳賳丿賴 賲亘鬲丿蹖 丌夭丕乇 丿賴賳丿賴 亘丕卮丿 禺氐賵氐丕 丕蹖賳 讴賴 丿乇 亘毓囟蹖 丕夭 賯爻賲鬲鈥屬囏й� 乇賲丕賳 乇蹖鬲賲 丌賳 亘賴 卮丿鬲 讴賳丿 賲蹖鈥屫促堌� 賵 亘蹖卮鬲乇 亘賴 賲爻丕卅賱 賮賱爻賮蹖 賲蹖鈥屬矩必ж藏� 讴賴 賲賲讴賳 丕爻鬲 亘乇丕蹖 賴賲賴 賯丕亘賱 丿乇讴 賳亘丕卮丿.
乇賲丕賳 丿丕乇丕蹖 蹖讴 禺胤 乇賵丕蹖鬲 賲卮禺氐 賳蹖爻鬲 賵 賲丿丕賲 丿乇 丨丕賱 賵 诏匕卮鬲賴 丿乇 乇賮鬲 丌賲丿 丕爻鬲貙 賳賵蹖爻賳丿賴 亘丕 賳卮丕賳 丿丕丿賳 倬丕蹖丕賳 丿丕爻鬲丕賳貙 禺賵丕賳賳丿賴 乇丕 丿乇 賲賵乇丿 丕毓賲丕賱蹖 讴賴 賲賵噩亘 丌賳 卮丿賴 讴賳噩讴丕賵 賲蹖鈥屭┵嗀� 爻倬爻 丿爻鬲 丿乇 丿爻鬲 丕賵 賲蹖鈥屭柏ж必� 賵 丕賵 乇丕 鬲丕倬丕蹖丕賳 讴鬲丕亘 亘賴 丿賳亘丕賱 禺賵丿 賲蹖鈥屫ㄘ必� 賵 亘賴 丕賵 賳卮丕賳 賲蹖鈥屫囏� 讴賴 趩诏賵賳賴 诏匕卮鬲賴 乇賵蹖 丌蹖賳丿賴 鬲丕孬蹖乇 賲蹖鈥屭柏ж必�.
乇賲丕賳 禺賵賳 丿蹖诏乇丕賳 賳賵卮鬲賴鈥屰� 爻蹖賲賵賳 丿賵亘賵丕乇 蹖讴 乇賲丕賳 賮賱爻賮蹖 丕禺賱丕賯蹖 丕爻鬲 賵 賳卮丕賳 賲蹖鈥屫囏� 丕賳爻丕賳 丕诏乇 趩賴 丌夭丕丿 丕爻鬲 丕賲丕 賴蹖趩鈥屭з� 賳賲蹖鈥屫堌з嗀� 亘丿賵賳 丿乇 賳馗乇 诏乇賮鬲賳 丿蹖诏乇丕賳 丿爻鬲 亘賴 丕賳鬲禺丕亘 賵 毓賲賱 亘夭賳丿.
賳賵蹖爻賳丿賴 賯賱賲蹖 卮丕毓乇丕賳賴 丿丕乇丿 讴賴 賲蹖鈥屫堌з嗀� 禺賵丕賳賳丿賴 賲亘鬲丿蹖 乇丕 丿乇 賲胤丕賱毓賴 丿趩丕乇 賲卮讴賱 讴賳丿 鈥屬� 睾蹖乇 禺胤蹖 亘賵丿賳 丿丕爻鬲丕賳 賵 胤乇丨 賲爻丕卅賱 賮賱爻賮蹖 丕蹖賳 賲卮讴賱 乇丕 丿賵趩賳丿丕賳 賲蹖鈥屭┵嗀� 賵 亘賴 胤賵乇 讴賱蹖 讴鬲丕亘 賲賳丕爻亘 禺賵丕賳賳丿诏丕賳 丨乇賮賴鈥屫й� 賵 氐亘賵乇 丕爻鬲 讴賴 亘賴 賲爻丕卅賱 賮賱爻賮蹖 毓賱丕賯賲賳丿 賴爻鬲賳丿.
倬蹖丕賲 丕氐賱蹖 乇賲丕賳 賵 丿睾丿睾賴鈥屰� 跇丕賳 卮禺氐蹖鬲 賲乇丿 丿丕爻鬲丕賳 丕爻鬲 讴賴 丿乇 亘賴亘賵賴賴鈥屰� 噩賳诏 噩賴丕賳蹖 丿賵賲 丿乇 賮乇丕賳爻賴 夭賳丿诏蹖 賲蹖鈥屭┵嗀�.
跇丕賳 讴賴 丕夭 賯卮乇 賲乇賮賴 噩丕賲毓賴 丕爻鬲 丿乇讴賵丿讴蹖 卮丕賴丿 賲乇诏 賳賵夭丕丿蹖 丕爻鬲 賵 丕夭 丌賳 夭賲丕賳 丿趩丕乇 丿睾賴丿睾賴鈥屬囏й� 賮讴乇蹖 丿乇 賲賵乇丿 丕毓賲丕賱 賵鈥屫� 亘賵丿賳 禺賵丿 賲蹖鈥屫促堌� 賵 丿乇賲賵乇丿 爻乇賳賵卮鬲 鬲賲丕賲 賲乇丿賲 丕丨爻丕爻 賲爻卅賵賱蹖鬲 賲蹖鈥屭┵嗀� 賵 亘蹖賳 讴賳卮 賵 亘蹖鈥屭┵嗀篡� 丿趩丕乇 鬲乇丿蹖丿 賲蹖鈥屫促堚€屫�.
丕夭 爻賵蹖蹖 丿蹖诏乇 賴賱賳 卮禺氐蹖鬲 夭賳 丿丕爻鬲丕賳 趩賳丕賳 夭賳丿诏蹖 丌夭丕丿 賵 亘蹖鈥屬傐屫� 賵 卮乇胤蹖 丿丕乇丿 讴賴 夭賳丿诏蹖 賵鈥� 爻乇賳賵卮鬲 賴蹖趩鈥屭┴� 噩夭 禺賵丿卮 亘乇丕蹖卮 丕賴賲蹖鬲 賳丿丕乇丿.
賴賱賳 毓丕卮賯 跇丕賳 賲蹖鈥屫促堌� 毓卮賯蹖 讴賴 亘賴 禺蹖丕賱 丕賵 蹖讴 胤乇賮賴 丕爻鬲 趩賴 亘爻丕 讴賴 丿乇 丌睾丕夭 丕蹖賳 诏賵賳賴 賴賲 賴爻鬲 夭蹖乇丕 跇丕賳 鬲氐賵乇 賲蹖鈥屭┵嗀� 賲蹖鈥屫堌з嗀� 丕賵 乇丕 丿賵爻鬲 亘丿丕乇丿 丕賲丕 賳賲蹖鈥屫堌з嗀� 毓丕卮賯 賴賱賳 讴賴 噩夭 禺賵丿卮 亘賴 賴蹖趩鈥屭┴� 丕賴賲蹖鬲 賳賲蹖鈥屫囏� 亘丕卮丿.
丿乇 乇賲丕賳 賲蹖鈥屫堌з� 鬲賳卮鈥屬囏� 賵 丕爻鬲乇爻鈥屬囏й� 賲乇丿賲 丿乇 夭賲丕賳 噩賳诏 噩賴丕賳蹖 丿賵賲 賵 丕卮睾丕賱 賮乇丕賳爻賴 鬲賵爻胤 丌賱賲丕賳 乇丕 亘賴 禺賵亘蹖 賯丕亘賱 賱賲爻 丕爻鬲貙 賴賲蹖賳 鬲賳卮鈥屬囏� 賵鈥� 丕爻鬲乇爻鈥屬囏� 賴賱賳 乇賴丕 丕夭 丿蹖诏乇丕賳 乇丕 鬲亘丿蹖賱 亘賴 賲亘丕乇夭蹖 賮丿丕讴丕乇 丿乇 乇丕賴 丌夭丕丿蹖 賲蹖鈥屭┵嗀�.
賳賵蹖爻賳丿賴 亘蹖卮 丕夭 丌賳 讴賴 爻鬲蹖夭 毓卮賯 賵 噩賳诏 乇丕 乇賵丕蹖鬲 讴賳丿 亘丕 賯賱賲 丕丿亘蹖 賵 卮丕毓乇丕賳賴 禺賵丿 亘賴 胤乇丨 賲爻丕卅賱 賮賱爻賮蹖 丕夭 噩賲賱賴 賮丿丕讴丕乇蹖貙 丕賳鬲禺丕亘貙 毓賲賱 賵 鬲丕孬蹖乇 丌賳鈥屬囏� 亘乇 乇賵蹖 丿蹖诏乇丕賳 賲蹖鈥屬矩必ж藏� 爻賵丕賱丕鬲蹖 丨蹖丕鬲蹖 乇丕 賲胤乇丨 賲蹖鈥屭┵嗀� 賵 賳卮丕賳 賲蹖鈥屫囏� 讴賴 丕毓賲丕賱 丌丿賲蹖 賴賲蹖卮賴 賵 丿乇 賴賲賴 丨丕賱 亘賴 乇賵蹖 丿蹖诏乇丕賳 鬲丕孬蹖乇 賲蹖鈥屭柏ж必� 賵 丕夭 爻賲鬲蹖 賲蹖鈥屫堌з囏� 亘丿丕賳丿 賮丿丕讴丕乇蹖 鬲丕 趩賴 丨丿 丕乇夭卮賲賳丿 丕爻鬲 賵 噩丕蹖夭 丕爻鬲 丕賳爻丕賳 丿乇 丕蹖賳 乇丕賴 噩丕賳 禺賵丿 乇丕 賳蹖夭 賮丿丕 讴賳丿責
爻蹖賲賵賳 丿賵亘賵丕乇 噩賵丕亘 亘賴 丕蹖賳 爻賵丕賱 鈥屸€屫屭� 爻賵丕賱丕鬲 賮賱爻賮蹖 讴賴 賲胤乇丨 賲蹖鈥屭┵嗀� 乇丕 亘賴 毓賴丿賴鈥屰� 禺賵丕賳賳丿賴 賲蹖鈥屭柏ж必� 賵 丿乇 倬丕蹖丕賳 丕賵 乇丕 賲丕賳賳丿 讴賵丿讴蹖 禺乇丿爻丕賱 丿乇 趩賴丕乇 乇丕賴 丕亘賴丕賲 乇賴丕 賲蹖鈥屭┵嗀�.
卮禺氐蹖鬲鈥屬囏� 丿乇 乇賲丕賳 趩賴 丕氐賱蹖 賵 趩賴 賮乇毓蹖 賴賲賴 倬賵蹖丕貙賮毓丕賱 賵 賲賱賲賵爻 賴爻鬲賳丿 賵 丿睾丿睾賴鈥屬囏й� 賮讴乇蹖 丌賳鈥屬囏� 趩賳丕賳 賯丕亘賱 賱賲爻 丕爻鬲 讴賴 诏賵蹖蹖 丿睾丿睾賴鈥屬囏й� 禺賵丿 禺賵丕賳賳丿賴 丕爻鬲.
丕夭 爻賵蹖蹖 丿蹖诏乇 賴乇 卮禺氐蹖鬲 賳賲丕丿 诏乇賵賴蹖 丕賳爻丕賳鈥屬囏� 丕爻鬲 亘乇丕蹖 賲孬丕賱
噩賳诏 噩賴丕賳蹖 丿賵賲 禺賵丿 賳賲丕丿蹖 丕夭 讴卮賲讴卮鈥屬囏й� 賮賱爻賮蹖 賵 丕禺賱丕賯蹖 丿乇 丿乇賵賳 丕賳爻丕賳 丕爻鬲貙 賵丕讴賳卮 卮禺氐蹖鬲鈥屬囏� 亘賴 噩賳诏 賳卮丕賳鈥屫囐嗀団€屰� 賲蹖夭丕賳 賮丿丕讴丕乇蹖 賵 禺賵丿禺賵丕賴蹖 丌賳鈥屬囏� 丕爻鬲.
跇丕賳 卮禺氐蹖鬲 丕氐賱蹖 賲乇丿 賳賲丕丿蹖 丕夭 丕賳爻丕賳鈥屬囏й� 賲爻卅賵賱蹖鬲 倬匕蹖乇 丕爻鬲 賵 賳卮丕賳 賲蹖鈥屫囏� 丕毓賲丕賱 丕賳爻丕賳 賴賲賵丕乇賴 乇賵蹖 丿蹖诏乇丕賳 鬲丕孬蹖乇 賲蹖鈥屭柏ж必� 賵 賳賲蹖鈥屫堌з� 亘丿賵賳 丿乇 賳馗乇 诏乇賮鬲賳 丿蹖诏乇丕賳 夭賳丿诏蹖 讴乇丿.
賴賱賳 卮禺氐蹖鬲 丕氐賱蹖 夭賳 丿丕爻鬲丕賳 賳賲丕丿蹖 丕夭 丕賮乇丕丿 禺賵丿 賲丨賵乇蹖 丕爻鬲 讴賴 賮賯胤 亘賴 禺賵丿 賵鈥� 賱匕鬲鈥屬囏� 丕賴賲蹖鬲 賲蹖鈥屫囐嗀� 丕賲丕 丿乇 胤賵賱 夭賲丕賳 丿趩丕乇 鬲丨賵賱 賲蹖鈥屫促堎嗀� 賵 賳卮丕賳 賲蹖鈥屫囏� 讴賴 丕賳爻丕賳 賳賲蹖鈥屫堌з嗀� 亘賴 鬲賳賴丕蹖蹖 丿乇 丕賳夭賵丕 夭賳丿诏蹖 讴賳丿.
賲乇诏 丕賵 讴賴 丿乇 丌睾丕夭 乇賲丕賳 亘丕 丌賳 賲賵丕噩賴 賲蹖鈥屫促堐屬� 鬲丕 倬丕蹖丕賳 丕丿丕賲賴 丿丕乇丿 賳賲丕丿蹖 丕夭 丌睾丕夭 丕賳鬲禺丕亘鈥屬囏й� 丕禺賱丕賯蹖 賵 丕噩鬲賲丕毓蹖 丕爻鬲.
賳賵蹖爻賳丿賴 賯賱賲蹖 噩匕丕亘貙 诏蹖乇丕 賵 丕賱亘鬲賴 丿丕乇丿 丕賲丕 丕蹖賳 賲蹖鈥屫堌з嗀� 亘乇丕蹖 禺賵丕賳賳丿賴 賲亘鬲丿蹖 丌夭丕乇 丿賴賳丿賴 亘丕卮丿 禺氐賵氐丕 丕蹖賳 讴賴 丿乇 亘毓囟蹖 丕夭 賯爻賲鬲鈥屬囏й� 乇賲丕賳 乇蹖鬲賲 丌賳 亘賴 卮丿鬲 讴賳丿 賲蹖鈥屫促堌� 賵 亘蹖卮鬲乇 亘賴 賲爻丕卅賱 賮賱爻賮蹖 賲蹖鈥屬矩必ж藏� 讴賴 賲賲讴賳 丕爻鬲 亘乇丕蹖 賴賲賴 賯丕亘賱 丿乇讴 賳亘丕卮丿.
乇賲丕賳 丿丕乇丕蹖 蹖讴 禺胤 乇賵丕蹖鬲 賲卮禺氐 賳蹖爻鬲 賵 賲丿丕賲 丿乇 丨丕賱 賵 诏匕卮鬲賴 丿乇 乇賮鬲 丌賲丿 丕爻鬲貙 賳賵蹖爻賳丿賴 亘丕 賳卮丕賳 丿丕丿賳 倬丕蹖丕賳 丿丕爻鬲丕賳貙 禺賵丕賳賳丿賴 乇丕 丿乇 賲賵乇丿 丕毓賲丕賱蹖 讴賴 賲賵噩亘 丌賳 卮丿賴 讴賳噩讴丕賵 賲蹖鈥屭┵嗀� 爻倬爻 丿爻鬲 丿乇 丿爻鬲 丕賵 賲蹖鈥屭柏ж必� 賵 丕賵 乇丕 鬲丕倬丕蹖丕賳 讴鬲丕亘 亘賴 丿賳亘丕賱 禺賵丿 賲蹖鈥屫ㄘ必� 賵 亘賴 丕賵 賳卮丕賳 賲蹖鈥屫囏� 讴賴 趩诏賵賳賴 诏匕卮鬲賴 乇賵蹖 丌蹖賳丿賴 鬲丕孬蹖乇 賲蹖鈥屭柏ж必�.
乇賲丕賳 禺賵賳 丿蹖诏乇丕賳 賳賵卮鬲賴鈥屰� 爻蹖賲賵賳 丿賵亘賵丕乇 蹖讴 乇賲丕賳 賮賱爻賮蹖 丕禺賱丕賯蹖 丕爻鬲 賵 賳卮丕賳 賲蹖鈥屫囏� 丕賳爻丕賳 丕诏乇 趩賴 丌夭丕丿 丕爻鬲 丕賲丕 賴蹖趩鈥屭з� 賳賲蹖鈥屫堌з嗀� 亘丿賵賳 丿乇 賳馗乇 诏乇賮鬲賳 丿蹖诏乇丕賳 丿爻鬲 亘賴 丕賳鬲禺丕亘 賵 毓賲賱 亘夭賳丿.
賳賵蹖爻賳丿賴 賯賱賲蹖 卮丕毓乇丕賳賴 丿丕乇丿 讴賴 賲蹖鈥屫堌з嗀� 禺賵丕賳賳丿賴 賲亘鬲丿蹖 乇丕 丿乇 賲胤丕賱毓賴 丿趩丕乇 賲卮讴賱 讴賳丿 鈥屬� 睾蹖乇 禺胤蹖 亘賵丿賳 丿丕爻鬲丕賳 賵 胤乇丨 賲爻丕卅賱 賮賱爻賮蹖 丕蹖賳 賲卮讴賱 乇丕 丿賵趩賳丿丕賳 賲蹖鈥屭┵嗀� 賵 亘賴 胤賵乇 讴賱蹖 讴鬲丕亘 賲賳丕爻亘 禺賵丕賳賳丿诏丕賳 丨乇賮賴鈥屫й� 賵 氐亘賵乇 丕爻鬲 讴賴 亘賴 賲爻丕卅賱 賮賱爻賮蹖 毓賱丕賯賲賳丿 賴爻鬲賳丿.
August 10, 2021
3.5/5
"I'm useful to your happiness," said H茅l猫ne, "but I'm of no use to your life."The girlfriend in the refrigerator. One of the more notorious tropes in many a creative piece that wants to come off as serious or edgy, which, in combination with the high frequency at which such pieces fail the simple scenario of the Bechdel test, make for a normalization of dehumanization if one is unwilling to point such out. Unlike most works, this particular piece doesn't force one to look up the potentialities on websites devoted to detailing such, so the fact that I found myself not only reading it but also rating it rather highly in comparison to most of my other recently completed reads has as much to do with the broader contexts of both the work and my history with the work's author. You see, in these modern times when people love to fearmonger on and on about 'antifa' in their articles by NYT and Washington Post and their "hot takes" on Twitter and Instagram, I thought it would be good to read a work by someone who lived during the rising tide of Fascism, and while Beauvoir and I have had our ups and downs (the revelation of her being one of those types who engaged in queer relationships but only if they were predatory is something I'm going to have to wrestle with for some time), I haven't stuck with making my way through her writings for the past nine years for nothing. The work's beginning was less than promising, almost overly sentimental and silly in its middle class guilt trips, but the rollicking tide of the development of the two protagonist's respective characters under the pressures of WWII strengthened the backbone of the narrative, and by the time the inevitable denouement fell, I not only accepted the promised end, but was also satisfied by it. It's certainly not a favorite, especially when compared to the rest of the Beauvoir's repertoire, but I'd imagine it'd shake up the consciences of those who witness heavily armed enforcers threaten to enact extreme violence in broad daylight upon those who can't afford housing during a pandemic and consider it an indication of a well functioning democracy that need not be invaded by a concerned neighbor in order to stamp down on "human rights abuses" in the area.
"Who is necessary to whom?" said Paul. "You go on living."
"You live," said H茅l猫ne.
You sound like a bourgeois who always thinks that you become a Communist in order to pick your neighbor's pocket.Part of the reason why I read this when I did was to fulfill a century of reading women that included reading a work published in the 1940s, and if one's in any way familiar with the most basic of world history in conjunction with literature publication, one knows how little of that was happening during the first half of that decade compared to usual amounts in previous decades. TBoO was put out in 1945, potentially after Hitler's suicide, but all of it was written beforehand, when the various levels of collaboration both considered and enacted by various characters were still well on the table and resemble nothing so much as the oil barons and the industrial tycoons haggling over CIA-targeted countries while yet another report tells us that humanity's ability to sustain itself on Earth became irreparably fucked a few years ago, at best. Now, there are reasons why Euro and Neo-Euro cultural hegemonies keep churning out WWII style good versus evil scenarios and why they almost always bring in the bucks, but Beauvoir lived enough of what she wrote to have had her finger on the pulse point of the negotiations, the trivializations, the everyone-for-themselves, the acts of resistance, the ones who left or were taken away and never came back, and so it was much harder for her to cheapen the writing for the sake of inducing a sentiment soaked success (although her fictional treatment of showed that she was still rankled by someone who, in many ways, beat her at her own humanizing game both within and without academia). As I said, the beginning was not too great, but the fever dream that swamps the two characters until their final bedside vigil is the sort of portrayal that many a war movie apes at and ultimately ruins for the sake of holding onto its macho-ness at all costs. Beauvoir herself called the work too didactic and the characters too thin a few decades after publication, but when one considers how this work details the real conversations thinkers had in weighing Fascism against capitalism, white imperialism, and reactionary forces, it's not surprising that her work focused more on being a kick in the pants than it might have otherwise done if written during any other time. Not a perfect work, and not one I would personally recommend as an introduction to Beauvoir, but as far as fiction goes, I prefer this to the one of hers that was awarded the Prix Goncourt.
While we were busied in stating reasons why we did not wish to die, did we bother about discovering why we were still alive?I've a couple other Beauvoir works on my TBR, but considering how I haven't yet come across a copy of either of them after four to eight years of passively searching, it's safe to say that this might be my last engagement with the author for a while. Despite that, my interest in more than a few of Beauvoir's associates has manifested in having copies of their works on my physical shelves, so I'll more than likely be drawn back into tangential engagement with Beauvoir and her cultural output through the works of Sartre, Camus, and whoever else was bouncing around the 20th c. venue of that particular part of the world. It had its share of interesting folks with interesting opinions running around, but it also involved quite a hefty share of names who advocated for the abolishment of any forms of age of consent, and seeking to take on any of the associated school of thoughts without acknowledgement of such is a fool's errand at best and downright evil otherwise (Beauvoir modeled the main woman character off of and devoted this work to a former student of hers with whom she supposedly had a relationship with when student was seventeen-years-old to Beauvoir's thirty and ended up losing her teaching license over). Probably not what the aspiring antifa activist wants to be thinking about when seeking out narratives concerned with engaging in antifa work, but such is the warp and woof of real people taken in conjunction with their creative output. Take it, or leave it: just don't claim you didn't know about it.
It's all very well having moral anguish, but it's really too convenient if we limit it simply to what suits us.
November 8, 2019
鈥�"賱賲 兀禺鬲乇 兀賳 兀賰賵賳貙 賱賰賳賷 賰丕卅賳. 毓亘孬賹 賲爻丐賵賱 毓賳 賳賮爻賽賴貙 賴匕丕 賲丕 兀賲孬賾賱購賴".
鈥�"兀賳 兀賲丨賵 賳賮爻賷貙 兀賱丕賾 兀賰賵賳. 賱賰賳 丨鬲賾賶 賱賵 賯鬲賱鬲購 賳賮爻賷貙 賮爻兀馗賱賾 賰丕卅賳丕賸. 爻兀賰賵賳 賲賷賾鬲丕賸. 爻賷馗賱賾賵賳 賲乇鬲亘胤賷賳 亘賲賵鬲賷 賵鬲賱賰 丕賱丨賮乇丞 丕賱鬲賷 爻鬲馗賴乇 賮賷 丕賱兀乇囟 賮噩兀丞 爻鬲賴夭賾 賵爻鬲賲夭賯 兀賱賮 賵鬲乇 睾賷乇 賲鬲賵賯賾毓".
"賰賳鬲 爻兀禺鬲丕乇賰. 賰賳鬲 爻兀卮賯 賳賮爻 丕賱胤乇賷賯. 丨乇賰鬲 乇兀爻賴丕: 賱丕 兀乇賷丿 賱賳賮爻賷 丨賷丕丞 兀禺乇賶".
"賲賳 丕賱爻賴賱 丿賮毓 丕賱孬賲賳 亘丿賲 丕賱丌禺乇賷賳". 毓賲賱 乇丕卅毓貙 鉂わ笍鉂わ笍鉂わ笍!
鈥�"兀賳 兀賲丨賵 賳賮爻賷貙 兀賱丕賾 兀賰賵賳. 賱賰賳 丨鬲賾賶 賱賵 賯鬲賱鬲購 賳賮爻賷貙 賮爻兀馗賱賾 賰丕卅賳丕賸. 爻兀賰賵賳 賲賷賾鬲丕賸. 爻賷馗賱賾賵賳 賲乇鬲亘胤賷賳 亘賲賵鬲賷 賵鬲賱賰 丕賱丨賮乇丞 丕賱鬲賷 爻鬲馗賴乇 賮賷 丕賱兀乇囟 賮噩兀丞 爻鬲賴夭賾 賵爻鬲賲夭賯 兀賱賮 賵鬲乇 睾賷乇 賲鬲賵賯賾毓".
"賰賳鬲 爻兀禺鬲丕乇賰. 賰賳鬲 爻兀卮賯 賳賮爻 丕賱胤乇賷賯. 丨乇賰鬲 乇兀爻賴丕: 賱丕 兀乇賷丿 賱賳賮爻賷 丨賷丕丞 兀禺乇賶".
"賲賳 丕賱爻賴賱 丿賮毓 丕賱孬賲賳 亘丿賲 丕賱丌禺乇賷賳". 毓賲賱 乇丕卅毓貙 鉂わ笍鉂わ笍鉂わ笍!
September 14, 2024
Es liest sich 眉ber gro脽e Strecken wie die beispielhafte Erl盲uterung der Existenzialismusphilosophie: Der Hauptfigur Jean wird die Absurdit盲t des Lebens angesichts des Todes klar, er lebt in Angst, f眉hlt sich st盲ndig schuldig. Die zweite Hauptfigur, H茅l猫ne, will die absolute Freiheit, aber nicht f眉r andere verantwortlich sein. Nach und nach wird ihr die Sinnlosigkeit ihres Lebens bewusst. Die Besetzung Frankreichs durch die Deutschen zwingt die Protagonisten, ihre Einstellungen zu 眉berdenken, sie treffen wichtige Entscheidungen, 眉bernehmen Verantwortung, geben ihrem Leben Sinn. Dabei lassen sich nicht einfach Schalter umlegen, Ver盲nderungen sind lange Prozesse, Schuldgef眉hle verschwinden nicht, k盲mpfen mit dem Verantwortungsgef眉hl. Das alles ist recht geschickt in eine Liebesgeschichte vor dem Hintergrund der Resistance eingewebt. F眉r politische Ziele das 鈥濨lut der anderen鈥� aufs Spiel zu setzen, geht f眉r Jean in Friedenszeiten 眉berhaupt nicht, zu sehr 眉berwiegen seine Schuld- und Verantwortungsgef眉hle. Aber in Zeiten der deutschen Besatzung, die verbunden ist mit dem willk眉rlichen Blutvergie脽en, bekommt Verantwortung f眉r andere eine neue Dimension. Das Leben anderer zu gef盲hrden, kann das Leben vieler retten. Das waren im Zusammenhang mit aktuellen Krisenereignissen h枚chst bedenkenswerte 脺berlegungen, wobei die T盲tigkeit in der Resistance auf Freiwilligkeit basierte und nichts mit Befehlen in einer Armee zu tun hat, bei der pers枚nliche Entscheidungen zur眉ckstehen mussten.
Interessant auch aus heutiger Sicht, wie die Franzosen die Opferung der Tschechoslowakei, also die franz枚sische Zustimmung zum Anschluss an Deutschland, feierten, weil sie meinten, mit solchen faulen Kompromissen den Krieg im eigenen Land zu verhindern (las ich auch schon bei Laurent Binet in 鈥濰HhH鈥�).
Der Sprachstil ist gut, oft gelingt die Einbindung der Theorie, ohne unnat眉rlich zu wirken, aber mitunter ist es zu viel Erkl盲rung des Handelns oder eine zu philosophische Interpretation des eigenen Empfindens. Dann erschienen mir Jean und H茅l猫ne fremd und unglaubw眉rdig. Aber angesichts der Relevanz in heutiger Zeit, des interessanten historischen Hintergrunds und der recht gelungenen Liebesgeschichte ein gutes Buch.
Interessant auch aus heutiger Sicht, wie die Franzosen die Opferung der Tschechoslowakei, also die franz枚sische Zustimmung zum Anschluss an Deutschland, feierten, weil sie meinten, mit solchen faulen Kompromissen den Krieg im eigenen Land zu verhindern (las ich auch schon bei Laurent Binet in 鈥濰HhH鈥�).
Der Sprachstil ist gut, oft gelingt die Einbindung der Theorie, ohne unnat眉rlich zu wirken, aber mitunter ist es zu viel Erkl盲rung des Handelns oder eine zu philosophische Interpretation des eigenen Empfindens. Dann erschienen mir Jean und H茅l猫ne fremd und unglaubw眉rdig. Aber angesichts der Relevanz in heutiger Zeit, des interessanten historischen Hintergrunds und der recht gelungenen Liebesgeschichte ein gutes Buch.
June 21, 2024
丕賳鬲馗丕乇 丿丕卮鬲賲 卮禺氐蹖鬲賽 夭賳蹖 讴賴 丿賵亘賵丕乇 禺賱賯 賲蹖讴賳賴 禺蹖賱蹖 賲鬲賮丕賵鬲 亘丕卮賴貙 賵賱蹖 賴賲賵賳 鬲蹖倬蹖讴丕賱 賴賲蹖卮诏蹖.
January 8, 2020
Gro脽artiger Roman. Klar, ein "Thesenroman", in dem die Figuren verschiedene Konzepte der Existentialphilosophie nach Sartre/ de Beauvoir vertreten, aber dennoch nicht "trocken" oder gar abstrakt. Die Figuren leben und stehen vor Entscheidungen, die damals wie heute viel Menschen zu treffen hatten und zu treffen haben. Sie machen nur eben das, was Otto-Normalverbraucher gew枚hnlich nicht tut- sie reflektieren. Kurz, ein "sentimentalisches" Buch ganz im Schiller'schen Sinne und damit hochmodern. Um welche Entscheidungen geht es? Geworfen in ein Jahrhundert und eine bestimmte Zeit, kann sich das Subjekt die Umst盲nde seines Lebens nicht aussuchen. Zun盲chst versucht Jean daher seiner bourgeoisen Herkunft zu entkommen, was nicht gelingt, denn obwohl er KPF- Mitglied wird und Arbeit in einer Druckerei findet, bleibt er doch vom Habitus her und wegen seines Bildungshorizonts vom Proletariat ausgeschlossen. Er tritt aus der KPF wieder aus, weil - und darum dreht sich das Ganze - diese Menschen nur als Verschiebemasse der Politik betrachtet. Die Frage, die Jean nicht beantworten kann, ist, wie man 眉ber das Leben "der Anderen" verf眉gen, diese z.B. in einen Streik oder in den Krieg schicken kann. Interessant, dass sich Milit盲rs und alte Politiker diese Frage kaum stellen! Nun w盲re das kaum weiter von Interesse, wenn Jean nicht erkennen m眉sste, dass das Dilemma auch im privaten Bereich existiert. Er will nicht handeln, will nicht "schuldig" werden, wird es aber durch seine blo脽e Existenz. Existieren ist schuldig sein- jetzt habe ich den tiefen Sinn der biblischen "Erbs眉nde" endlich verstanden! ;-) Was kann er schon tun, wenn sich eine Frau in ihn verliebt, der er das weder nahe gelegt hat noch gestatten wollte? Immer passiert etwas allein dadurch, dass er mit Anderen zusammen lebt, ihnen begegnet, auf sie re-agiert. F眉r eine kurze Zeit ist er gl眉cklich, denn als der Krieg beginnt wird er Soldat und muss nichts entscheiden. Andere entscheiden nun f眉r ihn. Aber Frankreich verliert und der erhoffte Sieg 眉ber den Faschismus kommt nicht zustande. Jean muss sich nun endg眉ltig entscheiden, ob er unpolitisch bleiben, oder k盲mpfen, ob er Verantwortung f眉r (und auch gegen das Leben) der Anderen 眉bernehmen will, oder nicht. So oder so kommt "Das Blut der Anderen" 眉ber ihn. Dabei ist das Ganze eingebettet in die Geschichte vom langsamen Sterben seines weiblichen Gegenparts, weswegen die Andeutung der Handlung auch kein Spoiler ist: Man wei脽 ohnehin von Anfang an, wie Jean sich entschieden hat und wie seine Liebe zu Helene enden wird. Dennoch, und das ist die hohe Kunst der de Beauvoir, liest man den Roman atemlos. Ihr gelingt, woran Brecht gescheitert ist: Ein lesenswerter epischer Roman, dessen Dramatik sich aus einem Problem und seiner Diskussion entwickelt. Gro脽e Kunst und wieder einmal ist unklar, warum Sartre und nicht auch sie f眉r den Nobelpreis vorgeschlagen war! Glatte 5 Punkte daf眉r, dass es wohl kaum einen Leser geben wird, der sich beim Lesen nicht dieselben Fragen selbst stellen muss und wird. Ich habe jedenfalls mich und meine Skrupel, die ich habe, seit ich vielleicht 16 war, wiedererkannt. Unbedingt empfehlenswert f眉r alle diejenigen, die nicht glauben, interessant k枚nne nur das jeweils Neueste sein.
July 13, 2023
"賱賯丿 亘匕賱 噩賵賳 亘賱賵賲丕乇 賲賳 賳賮爻賽賴 丿賲丕亍 丕賱丌禺乇賷賳". :((
丕賱乇賵丕賷丞 乇丕卅毓丞 賵賲賵噩毓丞貙 鬲乇賰鬲賴丕 賷賵賲賷賳 锟斤拷卮毓賵乇賷 亘兀賳 丕賱賲卮丕毓乇 賮賷賴丕 鬲購賳丨鬲 毓賱賶 賯賱亘賷.
兀馗賳 兀賳賷 爻兀毓賷丿購 賯乇丕卅鬲賴丕 賲噩丿丿賸丕貙 賷賵賲賸丕 賲丕.
丕賱乇賵丕賷丞 乇丕卅毓丞 賵賲賵噩毓丞貙 鬲乇賰鬲賴丕 賷賵賲賷賳 锟斤拷卮毓賵乇賷 亘兀賳 丕賱賲卮丕毓乇 賮賷賴丕 鬲購賳丨鬲 毓賱賶 賯賱亘賷.
兀馗賳 兀賳賷 爻兀毓賷丿購 賯乇丕卅鬲賴丕 賲噩丿丿賸丕貙 賷賵賲賸丕 賲丕.
April 1, 2022
Postoje tako neke knjige koje do膽u u va拧 啪ivot onda kada vam je to najvi拧e potrebno. To se meni desilo sa ovim romanom.
,, ... grad zakopan u utrobi zemlje, gde su ljudi propadali u patnji i u mraku, dok je jedna ohola rasa u啪ivala na bijelim terasama, u svom sjaju sunca......... ,, Za拧to se ovi ovdje ne pobune?鈥�..... ,,Navikli su se.鈥� Ako su se navikli, to je jo拧 mnogo gore.鈥�
Mislim da sam odbarla deo koji prikazuje koliko je ovaj roman aktuelan danas.
Ako bih bila lenja, napisala bih samo da je ovo roman o slobodi izbora i ne bih pogre拧ila. U ovom romanu Bovoar primenjuje klasi膷nu egzistencijalisti膷ku filozofiju. Junaci i junakinje se bore sa svojim 啪ivotnim izborima, smislom njihovog 啪ivota, moralnim dilemama uo膷i i tokom Drugog svetskog rata u Francuskoj.
Bovoar polazi od ideje da smo 鈥漛a膷eni鈥� u svet ( da svoje bivstvovanje ne mo啪emo opravdati ljudskom prirodom ili vi拧om silom) i sami svojim izborima u datim okolnostima odre膽ujemo svoju sudbinu, ali smo isto tako svojim izborima odgovorni i za 啪ivote drugih ljudi. Mi smo ti koji imamo moralnu obavezu da li 膰emo se suprotstvati ili priklju膷iti junacima doba zlog. Da li 膰emo biti apoliti膷ni, boriti se ili podr啪ati zlo dok nam drugove i drugarice odnose na streljanje i u logore.
Bovoar je sve to lepo upakovala u pri膷u o mladim ljudima koji se bore sa sobom, sa svojim porodicama, koji se vole i pate, 啪ive za svoje ideale u jednom mra膷nom dobu.
,, ... grad zakopan u utrobi zemlje, gde su ljudi propadali u patnji i u mraku, dok je jedna ohola rasa u啪ivala na bijelim terasama, u svom sjaju sunca......... ,, Za拧to se ovi ovdje ne pobune?鈥�..... ,,Navikli su se.鈥� Ako su se navikli, to je jo拧 mnogo gore.鈥�
Mislim da sam odbarla deo koji prikazuje koliko je ovaj roman aktuelan danas.
Ako bih bila lenja, napisala bih samo da je ovo roman o slobodi izbora i ne bih pogre拧ila. U ovom romanu Bovoar primenjuje klasi膷nu egzistencijalisti膷ku filozofiju. Junaci i junakinje se bore sa svojim 啪ivotnim izborima, smislom njihovog 啪ivota, moralnim dilemama uo膷i i tokom Drugog svetskog rata u Francuskoj.
Bovoar polazi od ideje da smo 鈥漛a膷eni鈥� u svet ( da svoje bivstvovanje ne mo啪emo opravdati ljudskom prirodom ili vi拧om silom) i sami svojim izborima u datim okolnostima odre膽ujemo svoju sudbinu, ali smo isto tako svojim izborima odgovorni i za 啪ivote drugih ljudi. Mi smo ti koji imamo moralnu obavezu da li 膰emo se suprotstvati ili priklju膷iti junacima doba zlog. Da li 膰emo biti apoliti膷ni, boriti se ili podr啪ati zlo dok nam drugove i drugarice odnose na streljanje i u logore.
Bovoar je sve to lepo upakovala u pri膷u o mladim ljudima koji se bore sa sobom, sa svojim porodicama, koji se vole i pate, 啪ive za svoje ideale u jednom mra膷nom dobu.
February 7, 2014
Loosely based on Simone de Beauvoir's own experiences during the German invasion and occupation of France in World War II. According to Wikipedia, Simone herself thought the book had somewhat thin characterisation and suffered from an overly didactic approach. Partly wish I'd read this statement prior to reading this novel as I had a hard time connecting with the characters.The story also suffers from a too abrupt switch from the existentialist theme that both our actions and inactions affect other people and our personal responsibility for the consequences to a stronger focus on the relationship between Helene and Jean Blomart. A thought provoking worthwhile read though with a particularly evocative section on living in Occupied France and the nascent french resistance. Recommended.
August 8, 2022
丕蹖賳 讴鬲丕亘 乇丕 賳蹖賲賴 讴丕乇賴 乇賴丕 讴乇丿賲. 毓賵囟 卮丿賳 丿丕卅賲蹖 乇丕賵蹖 丕夭 爻賵賲 卮禺氐 亘賴 丕賵賱 卮禺氐 賵 亘賱丕毓讴爻貙 丕賳乇跇蹖 夭蹖丕丿蹖 亘乇丕蹖 禺賵丕賳丿賳 丌賳 賲蹖 诏乇賮鬲貙 讴賴 丕賱亘鬲賴 丕蹖賳 丿賱蹖賱 乇賴丕 讴乇丿賳 讴鬲丕亘 賳亘賵丿 亘賱讴賴 賮囟丕蹖 丿丕爻鬲丕賳 亘乇丕蹖 賲賳 亘爻蹖丕乇 丿賱诏蹖乇 賵 賳丕乇丕丨鬲 讴賳賳丿賴 亘賵丿 讴賴 趩賳丿丕賳 賲賳丕爻亘 丨丕賱 賵 賴賵丕蹖 丕蹖賳 乇賵夭賴丕蹖 賲賳 賳蹖爻鬲.
May 23, 2020
袩褉械写褍锌褉械卸写械薪懈械: 懈屑邪 褋锌芯泄谢械褉懈.
小懈屑芯薪 写褜芯 袘芯胁芯邪褉 械 褎懈谢芯褋芯褎泻邪 懈 褌邪蟹懈 泻薪懈谐邪 械 蟹邪褖懈褌邪 薪邪 褎懈谢芯褋芯褎褋泻邪 褌械蟹邪, 锌褉械写褋褌邪胁械薪邪 胁褗胁 胁懈写 薪邪 褉芯屑邪薪. 袞邪薪, 谐谢邪胁薪懈褟褌 谐械褉芯泄, 芯褌 屑邪谢褗泻 械 懈蟹屑褗褔胁邪薪 芯褌 褍谐褉懈蟹械薪懈褟 懈 褔褍胁褋褌胁芯 蟹邪 胁懈薪邪; 芯褌薪邪褔邪谢芯 蟹邪褉邪写懈 锌芯-写芯斜褉芯褌芯 褋懈 褋芯褑懈邪谢薪芯 懈 懈泻芯薪芯屑懈褔械褋泻芯 锌芯谢芯卸械薪懈械 褋锌褉褟屑芯 谐芯谢褟屑邪 褔邪褋褌 芯褌 褋褗薪邪褉芯写薪懈褑懈褌械 褋懈, 锌芯-泻褗褋薪芯 芯褌 薪械懈蟹斜械卸薪芯褋褌褌邪 薪邪 褎邪泻褌邪, 褔械 胁褋褟泻芯 薪械谐芯胁芯 写械泄褋褌胁懈械 懈 写芯褉懈 斜械蟹写械泄褋褌胁懈械 褋械 芯褌褉邪蟹褟胁邪 薪邪 薪褟泻芯泄 写褉褍谐. 孝芯泄 薪械 胁懈卸写邪 褋锌邪褋械薪懈械 写芯褉懈 胁 褋屑褗褉褌褌邪, 蟹邪褖芯褌芯 懈 褌褟 褖械 芯泻邪蟹胁邪 胁谢懈褟薪懈械 胁褗褉褏褍 芯褋褌邪薪邪谢懈褌械 褋谢械写 薪械谐芯. 孝械蟹懈 褔褍胁褋褌胁邪 谐芯 写芯胁械卸写邪褌 写芯 褋褗褋褌芯褟薪懈械 薪邪 锌褗谢薪邪 锌邪褋懈胁薪芯褋褌, 谐褉邪薪懈褔械褖芯 褋 锌邪褉邪谢懈蟹邪 - 褌芯泄 薪械 褋屑械械 写邪 锌褉械写锌褉懈械屑械 薪懈褖芯, 写邪 褋械 芯斜胁褗褉卸械 褋 薪懈褖芯 (胁泻谢. 胁 谢懈褔薪懈褟 褋懈 卸懈胁芯褌), 写邪 蟹邪褖懈褌懈 薪褟泻邪泻胁邪 锌芯蟹懈褑懈褟 谐谢邪褋薪芯, 蟹邪 写邪 薪械 锌褉械写懈蟹胁懈泻邪 锌芯褋谢械写褋褌胁懈褟, 蟹邪 泻芯懈褌芯 褖械 薪芯褋懈 芯褌谐芯胁芯褉薪芯褋褌 - 懈 胁褗锌褉械泻懈 褌芯胁邪 卸懈胁械械 胁 褍卸邪褋, 褔械 写芯褉懈 褋谢械写胁邪泄泻懈 褌邪蟹懈 褎懈谢芯褋芯褎懈褟, 锌邪泻 褋械 褟胁褟胁邪 褎邪泻褌芯褉 胁 卸懈胁芯褌邪 薪邪 写褉褍谐懈 褏芯褉邪, 泻芯懈褌芯 褋械 胁谢褞斜胁邪褌 胁 薪械谐芯, 胁谢懈褟褟褌 褋械 芯褌 写褍屑懈褌械 屑褍 懈 胁 泻褉邪泄薪邪 褋屑械褌泻邪 褋褌褉邪写邪褌 蟹邪褉邪写懈 薪械谐芯 (袝谢械薪 蟹邪褖芯褌芯 谐芯 芯斜懈褔邪 斜械蟹薪邪写械卸写薪芯; 袞邪泻 蟹邪褖芯褌芯 褍屑懈褉邪, 褋谢械写 泻邪褌芯 褋械 褍胁谢懈褔邪 锌芯 薪械谐芯胁懈褌械 懈写械懈). 袩芯褋褌械锌械薪薪芯, 胁 褏芯写邪 薪邪 褉芯屑邪薪邪, 谐褉邪薪懈褔薪懈褌械 芯斜褋褌芯褟褌械谢褋褌胁邪 薪邪 袙褌芯褉邪褌邪 褋胁械褌芯胁薪邪 胁芯泄薪邪 薪械懈蟹斜械卸薪芯 屑褍 锌芯泻邪蟹胁邪褌 邪斜褋褍褉写邪 薪邪 褌邪蟹懈 懈写械芯谢芯谐懈褟 懈 谐懈 褌谢邪褋泻邪褌 芯褌 锌褗谢薪邪 锌邪褋懈胁薪芯褋褌 泻褗屑 褑械谢械薪邪褋芯褔械薪芯 写械泄褋褌胁懈械, 蟹邪褖芯褌芯 胁 泻褉邪泄薪邪 褋屑械褌泻邪 芯褋褗蟹薪邪胁邪, 褔械 械 锌芯-写芯斜褉械 写邪 薪邪褌芯胁邪褉懈褕 写褍褕邪褌邪 褋懈 褋 胁懈薪邪 蟹邪褉邪写懈 邪泻褌懈胁薪芯 锌褉懈褔懈薪械薪芯 褋褌褉邪写邪薪懈械 胁 懈屑械褌芯 薪邪 褋褗蟹薪邪褌械谢薪邪 锌褉械谐褗褉薪邪褌邪 泻邪褍蟹邪, 芯褌泻芯谢泻芯褌芯 写邪 褌懈 褌械卸懈 褋褌褉邪写邪薪懈械, 泻芯械褌芯 褋懈 屑芯卸械谢 写邪 锌褉械写芯褌胁褉邪褌懈褕, 薪芯 褋懈 斜械蟹写械泄褋褌胁邪谢 芯褌 锌褉械泻芯屑械褉薪邪 谐褉懈卸邪 蟹邪 褋芯斜褋褌胁械薪邪褌邪 写褍褕邪 蟹邪 褋屑械褌泻邪 薪邪 褔褍卸写邪薪邪 薪械褋胁芯斜芯写邪.
袟邪 屑械薪 斜械褕械 懈薪褌械褉械褋械薪 薪械懈蟹斜械卸薪芯 胁褗蟹薪懈泻胁邪褖懈褟褌 芯褌 褋褞卸械褌邪 懈 写芯褉懈 芯褌 褋邪屑芯褌芯 蟹邪谐谢邪胁懈械 胁褗锌褉芯褋 写邪谢懈 褔芯胁械褕泻懈褟褌 卸懈胁芯褌 械 薪邪懈褋褌懈薪邪 邪斜褋芯谢褞褌薪邪 褑械薪薪芯褋褌 胁褗胁 胁褋懈褔泻懈 芯斜褋褌芯褟褌械谢褋褌胁邪 - 写邪谢懈 懈屑邪 褌邪泻懈胁邪, 锌褉懈 泻芯懈褌芯 械 芯锌褉邪胁写邪薪芯 (蟹邪褉邪写懈 写邪写械薪邪 泻邪褍蟹邪, "芯斜褖芯褌芯 斜谢邪谐芯", 锌芯-屑邪褖邪斜薪邪 褑械谢) 写邪 褋械 卸械褉褌胁邪 卸懈胁芯褌, 褔褍卸写 卸懈胁芯褌. 袧械 屑懈褋谢械褏, 褔械 械 胁褗蟹屑芯卸薪芯 写邪 懈屑邪 褌邪泻懈胁邪 - 械写薪芯 械 写芯斜褉芯胁芯谢薪芯 写邪 卸械褉褌胁邪褕 褋胁芯褟 卸懈胁芯褌 懈谢懈 写邪 邪谐懈褌懈褉邪褕 写褉褍谐懈 写邪 谐芯 褉懈褋泻褍胁邪褌 胁 懈屑械褌芯 薪邪 械写薪邪 泻邪褍蟹邪, 泻邪褌芯 胁褋械 锌邪泻 芯褋褌邪胁褟褕 褉械褕械薪懈械褌芯 薪邪 褌褟褏, 写褉褍谐芯 械 写邪 懈蟹胁褗褉褕胁邪褕 写械泄褋褌胁懈褟 褋褗褋 褋褗蟹薪邪薪懈械褌芯, 褔械 褌械 褖械 褋褌褉褍胁邪褌 薪械褔懈泄 卸懈胁芯褌. 袨斜懈泻薪芯胁械薪芯 薪邪褋懈谢懈械褌芯 胁 懈屑械褌芯 薪邪 "芯斜褖芯褌芯 斜谢邪谐芯" 胁芯写懈 写芯 胁褋械 锌芯胁械褔械 懈 锌芯胁械褔械 薪邪褋懈谢懈械, 写芯泻邪褌芯 褌芯 褋械 锌褉械胁褗褉薪械 胁 薪邪褔懈薪 薪邪 卸懈胁芯褌. 袣邪褍蟹邪褌邪 薪邪 小褗锌褉芯褌懈胁邪褌邪 胁褗胁 肖褉邪薪褑懈褟 锌褉械蟹 袙褌芯褉邪褌邪 褋胁械褌芯胁薪邪 胁芯泄薪邪 芯斜邪褔械 锌褉械写芯褋褌邪胁褟 写芯褋褌邪 褍斜械写懈褌械谢械薪 锌褉懈屑械褉 蟹邪 褋懈褌褍邪褑懈褟, 胁 泻芯褟褌芯 械 褌褉褍写薪芯 写邪 褋械 褋锌芯褉懈 褋 薪械芯斜褏芯写懈屑芯褋褌褌邪 芯褌 褌邪泻懈胁邪 写械泄褋褌胁懈褟. 袞邪薪 懈 写褉褍谐邪褉懈褌械 屑褍 懈蟹胁褗褉褕胁邪褌 邪褌械薪褌邪褌懈 褋褉械褖褍 芯泻褍锌邪褌芯褉邪 褋 褟褋薪芯褌芯 褋褗蟹薪邪薪懈械, 褔械 褌芯胁邪 褖械 褋褌褉褍胁邪 卸懈胁芯褌邪 薪邪 薪械胁懈薪薪懈 褎褉邪薪褑褍蟹懈 (蟹邪 胁褋械泻懈 邪褌械薪褌邪褌 褉邪蟹褋褌褉械谢胁邪褌 锌芯 12 蟹邪谢芯卸薪懈褑懈). 袠 写芯泻邪褌芯 褌械 写芯斜褉芯胁芯谢薪芯 卸械褉褌胁邪褌 褋胁芯褟 卸懈胁芯褌 蟹邪 褋胁芯斜芯写邪褌邪 薪邪 肖褉邪薪褑懈褟 懈 蟹邪 褋褗锌褉芯褌懈胁邪褌邪 锌褉芯褌懈胁 褎邪褕懈蟹屑邪, 锌褉芯褌懈胁 谢邪谐械褉懈褌械 薪邪 褋屑褗褉褌褌邪, 锌褉芯褌懈胁 屑邪褋芯胁芯褌芯 懈蟹褌褉械斜谢械薪懈械 薪邪 薪械胁懈薪薪懈 褏芯褉邪, 蟹邪谢芯卸薪懈褑懈褌械 薪褟屑邪褌 锌褉邪胁芯 薪邪 懈蟹斜芯褉 - 褌械 斜懈胁邪褌 卸械褉褌胁邪薪懈 锌芯 褋懈谢邪褌邪 薪邪 褔褍卸写芯 褉械褕械薪懈械. 袙褗锌褉械泻懈 褌邪蟹懈 褌褉褍写薪邪 蟹邪 蟹邪褖懈褌邪胁邪薪械 褍褋褌邪薪芯胁泻邪 芯斜邪褔械 袛褜芯 袘芯胁芯邪褉 写芯褋褌邪 褍斜械写懈褌械谢薪芯 褍褋锌褟胁邪 写邪 芯斜芯褋薪芯胁械 锌芯蟹懈褑懈褟褌邪 褋懈: "袧芯 邪泻芯 蟹邪褖懈褌邪胁邪屑 芯薪芯胁邪 胁懈褋褕械 斜谢邪谐芯, 泻芯械褌芯 锌褉懈写邪胁邪 薪械胁懈薪薪芯褋褌 薪邪 [褍斜懈泄褋褌胁械薪懈褌械 写械泄褋褌胁懈褟], 芯薪芯胁邪 斜谢邪谐芯, 泻芯械褌芯 褋锌邪褋褟胁邪 胁褋械泻懈 褔芯胁械泻 芯褌 胁褋懈褔泻懈 写褉褍谐懈 懈 芯褌 屑械薪 褋邪屑懈褟 - 褋胁芯斜芯写邪褌邪; 褌芯谐邪胁邪 褋褌褉邪褋褌褌邪 屑懈 薪褟屑邪 写邪 械 斜懈谢邪 薪邪锌褉邪蟹薪邪. 孝懈 薪械 屑懈 写芯薪械褋械 锌芯泻芯泄, 薪芯 蟹邪褖芯 写邪 懈褋泻邪屑 锌芯泻芯泄?"
小懈屑芯薪 写褜芯 袘芯胁芯邪褉 械 褎懈谢芯褋芯褎泻邪 懈 褌邪蟹懈 泻薪懈谐邪 械 蟹邪褖懈褌邪 薪邪 褎懈谢芯褋芯褎褋泻邪 褌械蟹邪, 锌褉械写褋褌邪胁械薪邪 胁褗胁 胁懈写 薪邪 褉芯屑邪薪. 袞邪薪, 谐谢邪胁薪懈褟褌 谐械褉芯泄, 芯褌 屑邪谢褗泻 械 懈蟹屑褗褔胁邪薪 芯褌 褍谐褉懈蟹械薪懈褟 懈 褔褍胁褋褌胁芯 蟹邪 胁懈薪邪; 芯褌薪邪褔邪谢芯 蟹邪褉邪写懈 锌芯-写芯斜褉芯褌芯 褋懈 褋芯褑懈邪谢薪芯 懈 懈泻芯薪芯屑懈褔械褋泻芯 锌芯谢芯卸械薪懈械 褋锌褉褟屑芯 谐芯谢褟屑邪 褔邪褋褌 芯褌 褋褗薪邪褉芯写薪懈褑懈褌械 褋懈, 锌芯-泻褗褋薪芯 芯褌 薪械懈蟹斜械卸薪芯褋褌褌邪 薪邪 褎邪泻褌邪, 褔械 胁褋褟泻芯 薪械谐芯胁芯 写械泄褋褌胁懈械 懈 写芯褉懈 斜械蟹写械泄褋褌胁懈械 褋械 芯褌褉邪蟹褟胁邪 薪邪 薪褟泻芯泄 写褉褍谐. 孝芯泄 薪械 胁懈卸写邪 褋锌邪褋械薪懈械 写芯褉懈 胁 褋屑褗褉褌褌邪, 蟹邪褖芯褌芯 懈 褌褟 褖械 芯泻邪蟹胁邪 胁谢懈褟薪懈械 胁褗褉褏褍 芯褋褌邪薪邪谢懈褌械 褋谢械写 薪械谐芯. 孝械蟹懈 褔褍胁褋褌胁邪 谐芯 写芯胁械卸写邪褌 写芯 褋褗褋褌芯褟薪懈械 薪邪 锌褗谢薪邪 锌邪褋懈胁薪芯褋褌, 谐褉邪薪懈褔械褖芯 褋 锌邪褉邪谢懈蟹邪 - 褌芯泄 薪械 褋屑械械 写邪 锌褉械写锌褉懈械屑械 薪懈褖芯, 写邪 褋械 芯斜胁褗褉卸械 褋 薪懈褖芯 (胁泻谢. 胁 谢懈褔薪懈褟 褋懈 卸懈胁芯褌), 写邪 蟹邪褖懈褌懈 薪褟泻邪泻胁邪 锌芯蟹懈褑懈褟 谐谢邪褋薪芯, 蟹邪 写邪 薪械 锌褉械写懈蟹胁懈泻邪 锌芯褋谢械写褋褌胁懈褟, 蟹邪 泻芯懈褌芯 褖械 薪芯褋懈 芯褌谐芯胁芯褉薪芯褋褌 - 懈 胁褗锌褉械泻懈 褌芯胁邪 卸懈胁械械 胁 褍卸邪褋, 褔械 写芯褉懈 褋谢械写胁邪泄泻懈 褌邪蟹懈 褎懈谢芯褋芯褎懈褟, 锌邪泻 褋械 褟胁褟胁邪 褎邪泻褌芯褉 胁 卸懈胁芯褌邪 薪邪 写褉褍谐懈 褏芯褉邪, 泻芯懈褌芯 褋械 胁谢褞斜胁邪褌 胁 薪械谐芯, 胁谢懈褟褟褌 褋械 芯褌 写褍屑懈褌械 屑褍 懈 胁 泻褉邪泄薪邪 褋屑械褌泻邪 褋褌褉邪写邪褌 蟹邪褉邪写懈 薪械谐芯 (袝谢械薪 蟹邪褖芯褌芯 谐芯 芯斜懈褔邪 斜械蟹薪邪写械卸写薪芯; 袞邪泻 蟹邪褖芯褌芯 褍屑懈褉邪, 褋谢械写 泻邪褌芯 褋械 褍胁谢懈褔邪 锌芯 薪械谐芯胁懈褌械 懈写械懈). 袩芯褋褌械锌械薪薪芯, 胁 褏芯写邪 薪邪 褉芯屑邪薪邪, 谐褉邪薪懈褔薪懈褌械 芯斜褋褌芯褟褌械谢褋褌胁邪 薪邪 袙褌芯褉邪褌邪 褋胁械褌芯胁薪邪 胁芯泄薪邪 薪械懈蟹斜械卸薪芯 屑褍 锌芯泻邪蟹胁邪褌 邪斜褋褍褉写邪 薪邪 褌邪蟹懈 懈写械芯谢芯谐懈褟 懈 谐懈 褌谢邪褋泻邪褌 芯褌 锌褗谢薪邪 锌邪褋懈胁薪芯褋褌 泻褗屑 褑械谢械薪邪褋芯褔械薪芯 写械泄褋褌胁懈械, 蟹邪褖芯褌芯 胁 泻褉邪泄薪邪 褋屑械褌泻邪 芯褋褗蟹薪邪胁邪, 褔械 械 锌芯-写芯斜褉械 写邪 薪邪褌芯胁邪褉懈褕 写褍褕邪褌邪 褋懈 褋 胁懈薪邪 蟹邪褉邪写懈 邪泻褌懈胁薪芯 锌褉懈褔懈薪械薪芯 褋褌褉邪写邪薪懈械 胁 懈屑械褌芯 薪邪 褋褗蟹薪邪褌械谢薪邪 锌褉械谐褗褉薪邪褌邪 泻邪褍蟹邪, 芯褌泻芯谢泻芯褌芯 写邪 褌懈 褌械卸懈 褋褌褉邪写邪薪懈械, 泻芯械褌芯 褋懈 屑芯卸械谢 写邪 锌褉械写芯褌胁褉邪褌懈褕, 薪芯 褋懈 斜械蟹写械泄褋褌胁邪谢 芯褌 锌褉械泻芯屑械褉薪邪 谐褉懈卸邪 蟹邪 褋芯斜褋褌胁械薪邪褌邪 写褍褕邪 蟹邪 褋屑械褌泻邪 薪邪 褔褍卸写邪薪邪 薪械褋胁芯斜芯写邪.
袟邪 屑械薪 斜械褕械 懈薪褌械褉械褋械薪 薪械懈蟹斜械卸薪芯 胁褗蟹薪懈泻胁邪褖懈褟褌 芯褌 褋褞卸械褌邪 懈 写芯褉懈 芯褌 褋邪屑芯褌芯 蟹邪谐谢邪胁懈械 胁褗锌褉芯褋 写邪谢懈 褔芯胁械褕泻懈褟褌 卸懈胁芯褌 械 薪邪懈褋褌懈薪邪 邪斜褋芯谢褞褌薪邪 褑械薪薪芯褋褌 胁褗胁 胁褋懈褔泻懈 芯斜褋褌芯褟褌械谢褋褌胁邪 - 写邪谢懈 懈屑邪 褌邪泻懈胁邪, 锌褉懈 泻芯懈褌芯 械 芯锌褉邪胁写邪薪芯 (蟹邪褉邪写懈 写邪写械薪邪 泻邪褍蟹邪, "芯斜褖芯褌芯 斜谢邪谐芯", 锌芯-屑邪褖邪斜薪邪 褑械谢) 写邪 褋械 卸械褉褌胁邪 卸懈胁芯褌, 褔褍卸写 卸懈胁芯褌. 袧械 屑懈褋谢械褏, 褔械 械 胁褗蟹屑芯卸薪芯 写邪 懈屑邪 褌邪泻懈胁邪 - 械写薪芯 械 写芯斜褉芯胁芯谢薪芯 写邪 卸械褉褌胁邪褕 褋胁芯褟 卸懈胁芯褌 懈谢懈 写邪 邪谐懈褌懈褉邪褕 写褉褍谐懈 写邪 谐芯 褉懈褋泻褍胁邪褌 胁 懈屑械褌芯 薪邪 械写薪邪 泻邪褍蟹邪, 泻邪褌芯 胁褋械 锌邪泻 芯褋褌邪胁褟褕 褉械褕械薪懈械褌芯 薪邪 褌褟褏, 写褉褍谐芯 械 写邪 懈蟹胁褗褉褕胁邪褕 写械泄褋褌胁懈褟 褋褗褋 褋褗蟹薪邪薪懈械褌芯, 褔械 褌械 褖械 褋褌褉褍胁邪褌 薪械褔懈泄 卸懈胁芯褌. 袨斜懈泻薪芯胁械薪芯 薪邪褋懈谢懈械褌芯 胁 懈屑械褌芯 薪邪 "芯斜褖芯褌芯 斜谢邪谐芯" 胁芯写懈 写芯 胁褋械 锌芯胁械褔械 懈 锌芯胁械褔械 薪邪褋懈谢懈械, 写芯泻邪褌芯 褌芯 褋械 锌褉械胁褗褉薪械 胁 薪邪褔懈薪 薪邪 卸懈胁芯褌. 袣邪褍蟹邪褌邪 薪邪 小褗锌褉芯褌懈胁邪褌邪 胁褗胁 肖褉邪薪褑懈褟 锌褉械蟹 袙褌芯褉邪褌邪 褋胁械褌芯胁薪邪 胁芯泄薪邪 芯斜邪褔械 锌褉械写芯褋褌邪胁褟 写芯褋褌邪 褍斜械写懈褌械谢械薪 锌褉懈屑械褉 蟹邪 褋懈褌褍邪褑懈褟, 胁 泻芯褟褌芯 械 褌褉褍写薪芯 写邪 褋械 褋锌芯褉懈 褋 薪械芯斜褏芯写懈屑芯褋褌褌邪 芯褌 褌邪泻懈胁邪 写械泄褋褌胁懈褟. 袞邪薪 懈 写褉褍谐邪褉懈褌械 屑褍 懈蟹胁褗褉褕胁邪褌 邪褌械薪褌邪褌懈 褋褉械褖褍 芯泻褍锌邪褌芯褉邪 褋 褟褋薪芯褌芯 褋褗蟹薪邪薪懈械, 褔械 褌芯胁邪 褖械 褋褌褉褍胁邪 卸懈胁芯褌邪 薪邪 薪械胁懈薪薪懈 褎褉邪薪褑褍蟹懈 (蟹邪 胁褋械泻懈 邪褌械薪褌邪褌 褉邪蟹褋褌褉械谢胁邪褌 锌芯 12 蟹邪谢芯卸薪懈褑懈). 袠 写芯泻邪褌芯 褌械 写芯斜褉芯胁芯谢薪芯 卸械褉褌胁邪褌 褋胁芯褟 卸懈胁芯褌 蟹邪 褋胁芯斜芯写邪褌邪 薪邪 肖褉邪薪褑懈褟 懈 蟹邪 褋褗锌褉芯褌懈胁邪褌邪 锌褉芯褌懈胁 褎邪褕懈蟹屑邪, 锌褉芯褌懈胁 谢邪谐械褉懈褌械 薪邪 褋屑褗褉褌褌邪, 锌褉芯褌懈胁 屑邪褋芯胁芯褌芯 懈蟹褌褉械斜谢械薪懈械 薪邪 薪械胁懈薪薪懈 褏芯褉邪, 蟹邪谢芯卸薪懈褑懈褌械 薪褟屑邪褌 锌褉邪胁芯 薪邪 懈蟹斜芯褉 - 褌械 斜懈胁邪褌 卸械褉褌胁邪薪懈 锌芯 褋懈谢邪褌邪 薪邪 褔褍卸写芯 褉械褕械薪懈械. 袙褗锌褉械泻懈 褌邪蟹懈 褌褉褍写薪邪 蟹邪 蟹邪褖懈褌邪胁邪薪械 褍褋褌邪薪芯胁泻邪 芯斜邪褔械 袛褜芯 袘芯胁芯邪褉 写芯褋褌邪 褍斜械写懈褌械谢薪芯 褍褋锌褟胁邪 写邪 芯斜芯褋薪芯胁械 锌芯蟹懈褑懈褟褌邪 褋懈: "袧芯 邪泻芯 蟹邪褖懈褌邪胁邪屑 芯薪芯胁邪 胁懈褋褕械 斜谢邪谐芯, 泻芯械褌芯 锌褉懈写邪胁邪 薪械胁懈薪薪芯褋褌 薪邪 [褍斜懈泄褋褌胁械薪懈褌械 写械泄褋褌胁懈褟], 芯薪芯胁邪 斜谢邪谐芯, 泻芯械褌芯 褋锌邪褋褟胁邪 胁褋械泻懈 褔芯胁械泻 芯褌 胁褋懈褔泻懈 写褉褍谐懈 懈 芯褌 屑械薪 褋邪屑懈褟 - 褋胁芯斜芯写邪褌邪; 褌芯谐邪胁邪 褋褌褉邪褋褌褌邪 屑懈 薪褟屑邪 写邪 械 斜懈谢邪 薪邪锌褉邪蟹薪邪. 孝懈 薪械 屑懈 写芯薪械褋械 锌芯泻芯泄, 薪芯 蟹邪褖芯 写邪 懈褋泻邪屑 锌芯泻芯泄?"
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